Thread: Hell: An excuse for downloading music illegally?! Board: Limbo / Ship of Fools.


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Posted by Ender's Shadow (# 2272) on :
 
Camden council seeks Anti social behaviour orders against record companies that flypost

Definately one of those occaisions where one regrets that two wrongs don't make a right.....

[ 17. July 2004, 03:28: Message edited by: RooK ]
 
Posted by Go Anne Go (# 3519) on :
 
I think the record companies should be brought to bear. While I happen to agree with the record companies prosecuting for copyright infringement, those who live by the sword of litigation threats die by the sword of litigation threats. But it isn't an excuse to download music illegally. It is, however, a great excuse for calling Camden council to report that they're flyposting!
 
Posted by AngelaSo (# 6699) on :
 
One doesn't need an excuse for downloading music illegally. If you claim to be poor, have a computer, and you have an internet connection, you would download.

Ange
 
Posted by rosamundi (# 2495) on :
 
quote:
Originally posted by AngelaSo:
One doesn't need an excuse for downloading music illegally. If you claim to be poor, have a computer, and you have an internet connection, you would download.

Ange

Speak for yourself. I only have broadband because my housemate bears half the cost. I can't afford to buy CDs, so I don't, and frankly, it would never cross my mind to download music. It's theft, unless the artist has given his explicit permission, or the work in question is out of copyright.

Deborah
 
Posted by RooK (# 1852) on :
 
The whole issue seems like a waste of brain cells.
Janis Ian says it better than I could, on the Baen Free Library.
 
Posted by Mertseger (# 4534) on :
 
quote:
Originally posted by RooK:
The whole issue seems like a waste of brain cells.
Janis Ian says it better than I could, on the Baen Free Library.

Wow, Janis Ian is still alive. Who'd a thunk? Smart human, that Janis, and a great article. Thanks for the link, Rook.
 
Posted by lord_of_the_beans (# 6631) on :
 
At www.walmart.com you can download singles for 88 cents(american) - Just FYI - almost like stealing [Yipee]
 
Posted by Ender's Shadow (# 2272) on :
 
Not the original point of my post [Hot and Hormonal] seems to have gone all purgatorial to me.....
 
Posted by Ophthalmos (# 3256) on :
 
But music posters are really cool! As is graffiti and street art. I'm guessing others will disagree though...
 
Posted by DJMarc (# 141) on :
 
quote:
Originally posted by Ophthalmos:
But music posters are really cool! As is graffiti and street art. I'm guessing others will disagree though...

I agree. camden is slowly losing a lot of it's charm for alternative culture it is all slowly receding towards The Stables Markets and the Lock with The Underworld all on it's own up by the Tube station.

Marc
 
Posted by Karl: Liberal Backslider (# 76) on :
 
quote:
Originally posted by Ophthalmos:
But music posters are really cool! As is graffiti and street art. I'm guessing others will disagree though...

We will. Some of us find it scruffy and menacing. Especially wrt graffiti - if people think that the Criminal Damage laws are for other people to obey, not them, what other laws do they take a similar view to?
 
Posted by Nonpropheteer (# 5053) on :
 
quote:
Originally posted by rosamundi:
I can't afford to buy CDs, so I don't, and frankly, it would never cross my mind to download music. It's theft, unless the artist has given his explicit permission, or the work in question is out of copyright.

Deborah

I download music all the time. Before CDs, my friends and I used to make copies of each others tapes, or make our own compilations because face it: There are usually only 2 or 3 good songs on any albumn. The band may have 10 good songs they want to publish, but the record companies will split them up onto different albumns to force you to buy two or three CDs to get the songs you want.

The music industry has made money off of me because of peer-to-peer music file trading.
The quality of these file transfers are rarely as good as an actual CD (IME) unless you are paying for them - in which case a royalty is being paid to the record company. If I want to check out an artist that I have heard about, say Nina Simone, I am not going to go pay $14-$25 for a CD. I will download some songs, and if I like the artist, I will consider buying the CD. Since I discovered P2P, the number of "store bought" CDs I own has increased by 10 fold (until 2001 I only owned 3 CDs). The only reason I have bought the CDs I own now is because of the availability of 'pirated' music.

That bit being said:
I hate fly posting. I hate advertising period, but realize it is a necessary evil; at least until we've totally dismantled free market capitalism. Then the government will control the record industries and can encourage the comrads...er, citizens to purchase a CD a week or something. Then advertising won't be necessary.
 
Posted by Papio. (# 4201) on :
 
I pretty much agree with RooK and NP.

There's no way that I can afford £15 for an CD if I have no real idea what it is going to sound like (and who knows if the one song I may have heard represent the album as a whole. It may not).

There is also no way that having a few poor-quality tracks is as good as having the CD or even LP (since I like vinyl, cos I am sad [Razz] )

On the P2P site I use (KaZaA), a lot of the more obscure rock and metal bands (which is my rather questionable taste) only have a few tracks available. There is often no way to download the whole album and so the only way to hear the whole album is to buy it. However, as the music I listen to tends to get very poor media exposure, the only way to know what a band sounds like is often to download a few tracks or get some stuff hometaped from a friend or something.

At the moment, I am lucky if I can afford on CD every couple of months (although I try to do so) but nearly all the CD's I have bought in the last couple of years have been of bands I first heard on KaZaA and I wouldn't have bought those albums otherwise, because I wouldn't have known that I liked the bands.

Those who think that people like me are harming the music industry couldn't be more wrong. As I have argued on various other threads, there is virtually no difference between P2P downloading and tape-trading.

A lot of the better known rock and metal bands only became well known through tape-trading. Illegal tape-trading increased a given bands fanbase, which resulted in increased gig attendance and street cred for the band, and this is what got them noticed by the record labels in the first place. Ironically, this is precisely what happened in Metallica's case. [Roll Eyes]

In the same way, once they had been signed, people would hear an illegal copy of the bands wors and go out and buy it if they enjoyed it, or go to a gig, or buy a t-shirt or whatever.

Illegal music copying can and does actually help smaller bands (alternative music sales are up [Razz] ) and only really "harms" bands that are definately going to sell many hundreds of thousands of copies anyway. Incidentally, I know a fair number of metal fans who now refuse to buy Metallica records or merchandise explicitly because of what they did to Napster.

The records companies themselves are harming the music industry by damaging their own credibility, just as much as the people who download 100GB of music and never buy a CD are. Actually, the only downloaders I think who do the music industry are the pirates who sell piss-poor recordings outside gigs and so forth and largely these are the people that the record companies get fed up with too.

Not sure why I have bothered to say all that, since I have said it all before ad infinitum. But hey.
 
Posted by Sioni Sais (# 5713) on :
 
Papio:

Sure you've got an excuse. Tell it to the judge.

Copyright breach is still theft. You can be sued and it can be a criminal matter. One day you may write, compose or record something and you might get cheesed off at getting nothing for your efforts.
 
Posted by Papio. (# 4201) on :
 
quote:
Originally posted by Sioni Sais:
Papio:

Sure you've got an excuse. Tell it to the judge.

Copyright breach is still theft. You can be sued and it can be a criminal matter. One day you may write, compose or record something and you might get cheesed off at getting nothing for your efforts.

Not if my music gets passed around the net, my fanbase get's increased and I end up getting a record deal and a music career out of it. [Razz]

Theft Smeft! Who cares? Illegal mucic trading has benifitted more bands then you can shake a stick at. That isn't just some lame excuse. It's a historical, empirical fact that can easily be found in any number of books on popular music. Do you think the bands would still rather no-one downloaded stuff for free even if it meant they had a much smaller fanbase and sold much fewer records? Do you honestly? I bloody don't!

Why do you think that some bands put free mp3's on their websites or say in interviews that downloading is ok? Because they know what side their bread is buttered on, that why. It is abso-fucking-lutely not even bloodly marginally different from tape trading. The bands who tend to slag off downloaders tend to be the famous bands who have "made it". Funny that. [Razz]

As I say, alternative record sales are up, due to the increased exposure of the bands.

And no-one is gonna sue me. They are only suing people who download shitloads and shitloads, enough to make it probably that it is for commerical purposes. And they haven't started doing it in the UK yet anyway.
 
Posted by Sioni Sais (# 5713) on :
 
quote:
Originally posted by Papio.:
quote:
Originally posted by Sioni Sais:
Papio:

Sure you've got an excuse. Tell it to the judge.

Copyright breach is still theft. You can be sued and it can be a criminal matter. One day you may write, compose or record something and you might get cheesed off at getting nothing for your efforts.

And no-one is gonna sue me. They are only suing people who download shitloads and shitloads, enough to make it probably that it is for commerical purposes. And they haven't started doing it in the UK yet anyway.
They are not only sueing people who download stacks of material. A 12 year old kid was sued for down loading a dozen tracks. OK, the injuction was merely threatened (most in this area are warning shots) but it is still theft.

I had a running battle with people in my church about copyright material and only after 4 years have they got the licenses. We had a production at Easter, directed by a law studnt who's dad's a lawyer and she used copyright material without permission and not subject to the limited exemptions.

If bands decide to allow copying that is their right to choose, not yours to abuse.
 
Posted by Papio. (# 4201) on :
 
Then convince me that I am doing active harm to a band by finding out what they sound like and telling my mates about them if I think they are good. [Biased]
 
Posted by Sioni Sais (# 5713) on :
 
quote:
Originally posted by Papio.:
Then convince me that I am doing active harm to a band by finding out what they sound like and telling my mates about them if I think they are good. [Biased]

You're doing no harm at all. Like you aren't often doing harm if you drive too fast. Still an offence though. Strict Liability and all that.
 
Posted by irreverentkit (# 4271) on :
 
At 88 cents (Wal Mart) or 99 cents (iTunes) a pop, you can download for cheap and stay legal.

Don't steal. If you take a 25 cent chocolate candy from the display next to the cash register, that's still stealing. Even if you think the 7-11 is making too much money off that candy, it's still stealing.

P.S. Kazaa acts like spyware and all kinds of people can get INTO your computer. Mr Irreverent, governor of all computer paranoia and protection, says just say NO to Kazaa!
 
Posted by Go Anne Go (# 3519) on :
 
Ah, here we go again. How MANY times have I heard this conversation! The argument that "oh, it increased my CD sales" Yes, you maybe, but not generally. "Alternative music sales are up" - statistically this is the biggest pantsload out there.

As Sioni said, tell it to the judge. Here's the simple facts:
1. Copyright. Break it down and it is really simple - the right to copy. If you have the right to copy then you can copy under the terms you've been permitted. If you don't have the right to copy, then you don't. End of freaking story. Ways that give you permission:
a) the explicit permission of the author. Which might be the band *and it just might not be the band.*
b) implied licenses - having MP3s to download on a website for example. These in fact may be specific licenses - we allow you to copy this for your own personal use, etc. Read the terms, baby.
c) the copyright expiring on a piece of music - currently a varying range of 20-75 years after the death of the author based on where you are.

Think of it like a house. When we were all growing up, there was always a house in the neighbourhood where everyone ran through, in and out, all day, the owners didn't care, were happy to have everyone round, come play in the pool, what have you. Some bands (Phish, the Grateful Dead) are like this. And some bands, just getting started, etc are like this too. And there was always the other house which was locked up tight, with a vicious dobie named "Muffin" that you weren't allowed in without express invitation. Other bands are like this. There are many reasons why they might be like this - onerous record company contract terms, selfishness, fear of what might happen if the music is released generally. But the point is, just because the first set of people let you in their house all the time doesn't mena the second set of people gave you permission. And any kind of justification you come up with really isn't going to work.

Yes, they are suing people. Even people who've just done relatively minor downloads. Currently, plenty of websites allow you to download just the one song that you want for under a dollar at a time, and new music is being added to these sites every day. Mostly the suits are being settled out of court, basically because there's no defense at law to this.
 
Posted by Papio. (# 4201) on :
 
Go Anne Go:

I see no evidence at all that I am doing anything wrong. I am not buying fewer C.D's then I would be otherwise, if anything I am buying more.

Sales of less well known albums are up. If I am wrong, prove it. And frankly, I actually don't care if you think I am immoral. Sorry and all that, but I really, truly don't give a monkeys.

The law is simply wrong on this issue and the record companies are talking a load of shite. Those are the facts, so far I am concerned. [Razz]

Do the record companies, or anybody else, actually believe that cracking down on KaZaA or whatever is going to stop music "theft"? Do they think that it wasn't invented before most people had the internet?

If they do, they are simply cretins. If they don't, but they think that cracking down on P2P downloading is going to "solve" the "problem" then they are equally cretinous.
 
Posted by Go Anne Go (# 3519) on :
 
Whether or not you are wrong is a moral question. What you are doing is definitely illegal. I allege that what you are doing is also wrong, in the classic "think what would happen if they did it to you?" format.

CD sales went down due to Napster and Kazaa, and now after crackdowns they're up again. Plus, legal downloads of singles at reasonable prices are taking off. There are PLENTY of legal alternatives, and they're not expensive, so really what you're doing when you illegally copy music is taking money out of artists mouths. The law has been this way since the Statute of Anne way back when. Pertains to books, music, art, the whole lot.

Justify all you want, but I'm sure not going to defend you when the Federales come for you! If you think you're so in the right, why not turn yourself in to challenge the law? Because you're a big mouth and small trousers, that's why.
 
Posted by Papio. (# 4201) on :
 
Because I don't live in America where the paranoid-as-fuck RIAA are helping bands to shit on their own fans?
 
Posted by RuthW (# 13) on :
 
I've tried to think where it says that if people are paranoid cretins it's okay to steal from them, but I can't. Perhaps you will enlighten us, Papio?
 
Posted by duchess (# 2764) on :
 
What-the-law-says put aside...and how people are stealing from Metallica etc put aside...

How is downloading music (mp3) different from just recording a song off the radio?

I honestly would like to know.
 
Posted by Go Anne Go (# 3519) on :
 
Legally, downloading a song isn't any different than recording it off the radio. Practically, recording a song off the radio loses something in the transmission (announcing, back announcing, fade in and out, static, cutting off ends to segue into something else), and if you're taping it, it also loses something in the reproduction.

Taping off radio (and in fact VCR recording) in the US now includes a small fee on every blank tape and blank VCR tape to go to compensate copyright holders based on the amount of play etc they get. But with taping, every subsequent taping loses a little bit of quality, tapes stretch, etc. It also took a fair bit of time and effort to cue up tapes, etc. Now through the magic of techonology, it can all be automated and through digital techology no quality is lost in quick, cheap easy reproductions. This is partly why the huge fuss.

Well, that and people like Papio, who think theft is ok if it suits them just fine. If he's in the UK, the British arm of the RIAA is indeed filing lawsuits and if he's not, I'm quite certain there's someone he can turn himself into. "Hey! I'm a copyright infringer!" Won't get you the chicks, baby.
 
Posted by Go Anne Go (# 3519) on :
 
I think on my next visit to Blighty, I'm going to Papio's house and steal his car. It would suit me well, and he's a cretin, so under his own justifications this is just fine! It might even cause me to buy my own car if I like owning his. But if I don't like it, well then I can just keep it anyway and not buy a car.
 
Posted by Papio. (# 4201) on :
 
Um, I don't own a car and I rather suspect that the number of music fans who have never downloaded a song, or taped off the radio or tape a friends album must be rather tiny.

It's hardly as though it is an unheard of thing to do, but I guess that anyone who's ever done it is a cretin. Ah well.

Some people here are acting as though I have downloaded thousands of songs (I haven't) or as though anyone who has ever owned an illegal copy of a song is a major-league criminal or something. Really, it ain't a big deal. I know (in real life) almost no-one who would even consider it an issue whatsoever. I can't believe that people are getting upset cos someone they have never met downloads a few songs off an album before buying it. I mean, I really can't see why people are making a fuss about it. It strikes me as rather sad.
 
Posted by Go Anne Go (# 3519) on :
 
So where's the line? One song? Ten songs?? A hundred? A thousand????? Where's the line between what you think is ok, and what you think isn't? And why is that the line? Since you can now download songs legally and cheaply, why don't you do that?

You might not have a car, but you get my point. Trying to justify something illegal, being so proud of it, and yet not willing to turn yourself in (so it obviously isn't some great stand against infringements of civil liberties) does make you a cretin, not to mention your horrid language.

Some people call us sad. Other people call us internationally qualified copyright lawyers. Like say, my Mom, and the degrees on my wall.
 
Posted by RooK (# 1852) on :
 
Some call you a waste of time.

I don't consider downloading MP3s for evaluation purposes a big deal. Of course, I also don't consider $0.99 per song a big deal either, so I tend to use iTunes while the record companies fool themselves about music piracy. It doubt it matters much, because the end result is the same: the music companies are going to have an increasingly difficult time selling the majority of the utter shyte they produce.
 
Posted by Papio. (# 4201) on :
 
Where did I say that it was some "great stand for civil liberties"? Find where I said that and I'll cave in [Razz] . And If the word "bloody" is horrid then you ought to hear me when I am actually angry. [Razz]

So, wanting to know what an album is like before I buy it makes me a cretin, but hammering on at someone over a total non-issue, and misrepresenting what that person is saying doesn't make you a cretin? Ok, I'll bear that in mind. [Roll Eyes]

Oh, and the fact that you have a degree clearly makes you much brighter than some poor sod who is about to graduate. Yeah, it must do.

I think I would be rather sad if I was "proud"! that I have the ability to double click on a song on KaZaA, and I really don't think that FYI. I am not "proud", I just can't believe that anyone actually thinks that I am some sort of bogey-man because I am sick of buying albums and then discovering that the one or two songs I have heard legally do not actually represent the album.

And I am also annoyed by people who simply won't acknowledge that tape-trading was an important factor in some bands popularity.
 
Posted by Papio. (# 4201) on :
 
quote:
Originally posted by RuthW:
I've tried to think where it says that if people are paranoid cretins it's okay to steal from them, but I can't. Perhaps you will enlighten us, Papio?

Again, where did I say that?

I said (in summary) that record companies were cretins if they think they can stop music piracy and that bands need exposure, esp if they are not well known. I have since said that I don't consider downloading a few songs to be a big deal and RooK has (i think?) agreed with me.

I also said, on another tediously similar thread, that wealthy owners of record comapnies are not going to miss a bit of loose change. Which they aren't.

I have not said that any theft is fine so long as the victim is a cretin. I simply have not said that.
 
Posted by linzc (# 2914) on :
 
I have only one thing to say (in a very concerned and pious voice):

"What Would Jesus Do?"
 
Posted by Sioni Sais (# 5713) on :
 
quote:
Originally posted by linzc:
I have only one thing to say (in a very concerned and pious voice):

"What Would Jesus Do?"

Possibly something like "Rendering unto Caesar..?"
 
Posted by RuthW (# 13) on :
 
quote:
Originally posted by Papio.:
Do the record companies, or anybody else, actually believe that cracking down on KaZaA or whatever is going to stop music "theft"? Do they think that it wasn't invented before most people had the internet?

If they do, they are simply cretins. If they don't, but they think that cracking down on P2P downloading is going to "solve" the "problem" then they are equally cretinous.

I took this as part of your defense of downloading music illegally. If it was not meant as such, I withdraw my remarks about your argument. But I still think you're doing something you ought to know is wrong.
 
Posted by AngelaSo (# 6699) on :
 
RuthW, I know you are a great believer of one shouldn't downland music from the net. [Smile]

I agree with Papio. In fact, music "theft" has been around for a looong time - Long before the invention of KaZzA or other P2P software.

And pop music CDs are really overpriced. I agree that a classical music CD should worth $20CAD or more, knowing that many classical musicians aren't making that much of money. Pop stars like Britney Spears already have loads of money and they don't need me to contribute to their income.
 
Posted by RuthW (# 13) on :
 
The oil companies are evil and gasoline prices have gone through the roof while my income has remained the same, so I'll just fill up the tank without paying.

What is the difference between that and what you describe, Angela?
 
Posted by Go Anne Go (# 3519) on :
 
Ok, so now the arguments seem to boil down to:
1) big music companies won't miss a bit of "spare change" so it is ok to steal from them.
2) Britney spears seems to have a lot of money, so it is ok to steal from her.
3) Classical musicans don't make a lot of money (although I live round the corner from Yo Yo Ma, and he seems to be doing just fine, thank you) so it is not ok to steal from them.

Apparently, it is all relative.

Tape trading did help some bands, but not many. Also, people were more likely to buy a regular copy of the tape as the copied version was diminished in quality. Not true with MP3s. And in fact there *was* litigation over copying on blank tapes, which is why in the US at least there is a surcharge included in the price of every blank tape to cover copyright infringement! (Ditto, VHS tapes.) So everyone had to pay for it, whehter they were doing it or not. Which is what is happening and going to happen more as people pirate music. I'm being forced to pay for Papio's crimes. We all are! What a cretin!

Oh, and Mr. "About to get a degree" I'm not claiming betterment than you because I have a degree. I'm claiming better education than you because I'm about to finish my fourth degree. In this area! I'm claiming I'm better than you because I don't steal.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Papio.:
Where did I say that it was some "great stand for civil liberties"? Find where I said that and I'll cave in [Razz]

You're trying to justify somehting illegal, without being willing to take the consequences for it. While things that are illegal can be wrong, like say the old Jim Crow laws, the people that broke those laws were willing to be made an example of to show the inhumanity of those laws. You're not. YOu're just being a weasel. You still haven't said how many song you think are ok to download before it is just too much.


quote:
So, wanting to know what an album is like before I buy it makes me a cretin, but hammering on at someone over a total non-issue, and misrepresenting what that person is saying doesn't make you a cretin? Ok, I'll bear that in mind. [Roll Eyes]
There's nothing wrong with wanting to know what an album sounds like before you buy it. What is wrong with it is not using the many many many legal ways of doing it (borrowing it, scanning it at the local disk station at the music store, listening to tracks on the radio, previewing it on a bands website, iTunes, Napster, to name but a few) but instead using an illegal way to do it.

quote:
Oh, and the fact that you have a degree clearly makes you much brighter than some poor sod who is about to graduate. Yeah, it must do.
That's one semester shy of four degrees (two each US and UK) in this particular area of specialty.

quote:
I think I would be rather sad if I was "proud"! that I have the ability to double click on a song on KaZaA, and I really don't think that FYI. I am not "proud", I just can't believe that anyone actually thinks that I am some sort of bogey-man because I am sick of buying albums and then discovering that the one or two songs I have heard legally do not actually represent the album.
No, what is sad is that with so many legal alternatives open to you and open to you easily, you choose to freely break the law because it tickles you and suits your fancy.

And I am also annoyed by people who simply won't acknowledge that tape-trading was an important factor in some bands popularity.

[I am more than annoyed by your wilful neglect of Preview Post. Fool]

[ 04. June 2004, 23:02: Message edited by: Sarkycow ]
 
Posted by Nonpropheteer (# 5053) on :
 
quote:
Originally posted by RuthW:
The oil companies are evil and gasoline prices have gone through the roof while my income has remained the same, so I'll just fill up the tank without paying.


...but the seller has no right to say what you do with your gas after you buy it. You can siphon off a few gallons to give to your friends or a stranded motorist. You can even resell it if you want and can find a buyer.

If CDs were sold like gasoline or any other product, we wouldn't be having this conversation.
 
Posted by Papio. (# 4201) on :
 
RuthW - I do understand your position and cheers for withdrawing your remark since you did indeed misunderstand what I was saying. My fault perhaps.

GoAnneGo - No, your not "being forced to pay for my crimes" because, as I have already said, I don't in fact download as a substitute for purchasing. I buy CD's legally and I probably bought more CD's then I would have otherwise. The reason I don't buy more CD's then I do is that I genuinely cannot afford to do so. I now believe that you have never downloaded a song illegally, however, since you apparently think that they are of the same quality as a CD. They are not.

Oh, and it's hell, if you think that I should specify how many songs I have downloaded then tough luck cos I ain't gonna. If I like the songs, I buy the record and if I don't like the songs I delete them.

As for the rest of you unsubstantiated remarks about me, I really don't care. You can twist my words and call me fluffy names but just don't think that I give a shit. [Razz]
 
Posted by Papio. (# 4201) on :
 
For the benifit of the terminally stupid, if I don't know what a band sounds like or I don't like the band, I am not going to buy that CD anyway. Therefore, the record company are not losing money because I haven't purchased the CD since I had no intention of doing so anyway.

If, on the other hand, I download 2 or 3 songs of a band that I have heard of but haven't heard, like the tracks and then buy the CD then the record comapany are actually making money from me.

The reason is: I have bought a CD which I would not have purchased if I hadn't heard it. Paying to download songs defeats the object of this.

So, in my case at least, you arguement is horseshit, Anne.
 
Posted by Rain Dog (# 4085) on :
 
Talking of which one of the artist's I got into via P2P downloads (and have since bought all of the records) has come out in favour of what I was doing all along [Big Grin]

Thea Gilmore Interview here

The bits re: P2P:
quote:

How about file-sharing - some argue that lots of artists are losing out because of it...


Well lots of records companies are arguing that anyway!

So do you think it has helped you or the opposite?

Well I think the whole hoo-ha about file-sharing is a load of bollocks. The record industry will argue that it's killing the music business. That's rubbish - what's killing the music business is record companies with their lack of belief in music and their lack of faith in artists they can't control every single aspect of. At the same time, I don't like the thought that people think that music should be for nothing, I think that's wrong; I think music, like any form of art, should have a price on it; people shouldn't feel it should be free but I think that file-sharing is a fantastic tool. I tend to find that most people who file-share, are the very same people you'll find in a record shop on a Saturday, buying a record they downloaded off the internet.
(C) CDtimes.co.uk

(Admins, I hope the above quoting is OK. If not, please remove the quote and leave the link)
 
Posted by RuthW (# 13) on :
 
quote:
Originally posted by Nonpropheteer:
quote:
Originally posted by RuthW:
The oil companies are evil and gasoline prices have gone through the roof while my income has remained the same, so I'll just fill up the tank without paying.


...but the seller has no right to say what you do with your gas after you buy it. You can siphon off a few gallons to give to your friends or a stranded motorist. You can even resell it if you want and can find a buyer.

If CDs were sold like gasoline or any other product, we wouldn't be having this conversation.

CDs are sold like gasoline, and you can give them away, sell them, buy used CDs, whatever. There's a great store here that buys and sells used CDs.

So I assume what you are pointing at is the fact that CDs can be duplicated. And you're right, in that way they are not like gasoline. Though if there's a patent on a process to refine oil into gasoline and you infringe on that patent, you'd be in legal hot water with the oil company who owned the patent.

In any case, stealing is stealing is stealing. And I don't know why that is so hard to understand.
 
Posted by RuthW (# 13) on :
 
quote:
Originally posted by Rain Dog:
(Admins, I hope the above quoting is OK. If not, please remove the quote and leave the link)

So you recognize the importance of copyright law?
 
Posted by RuthW (# 13) on :
 
quote:
Originally posted by Papio.:
For the benifit of the terminally stupid,

Anne? Or me? Either way, you might want to rethink that phrase.

quote:
if I don't know what a band sounds like or I don't like the band, I am not going to buy that CD anyway. Therefore, the record company are not losing money because I haven't purchased the CD since I had no intention of doing so anyway.
There are all sorts of legal ways to find out what a band sounds like. And even if there weren't, you'd still be stealing.
 
Posted by Papio. (# 4201) on :
 
I think the point is that the alleged harm of downloading is outweighed, in at least some case including my own, by the fact that people are getting a broader knowledge of music and are therefore more aware of what that are doing when they go to the record store.

(Nods agreeably at Rain Dog)
 
Posted by Papio. (# 4201) on :
 
For the benifit of anybody who can't grasp the fact that the record companies are not losing money because I haven't purchased an album that I wouldn't have purchased even if I had no way of pirating it?
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by RuthW:
quote:
Originally posted by Rain Dog:
(Admins, I hope the above quoting is OK. If not, please remove the quote and leave the link)

So you recognize the importance of copyright law?
Not wanting to get shipOfFools into trouble was my main objective [Biased]

But generally I do only use P2P to get bootlegs of concerts (which are given the thumbs up by the likes of Ryan Adams, Wilco, Willard Grant Conspiracy and most bands I'm into). I know quite a few artists personally and most of them feel sharing is infringing on their intellectual property - granted they have relatively low profile so it allows them to not be hit as hard by p2p and they have a loyal fanbase who will always buy their records. Globally, I do think artists should be protected from this so globally yes I do agree with copyright protection but I think record companies are barking up the wrong tree and failing to see there's a lot of promotion in P2P sharing.

It's their their lack of support of real artists that's killing them not P2P.

[ 04. June 2004, 15:59: Message edited by: Rain Dog ]
 
Posted by Rain Dog (# 4085) on :
 
missed a crucial NOT in that last post.

All the artist I know think sharing is _not_ infringing on their inellectual property.
 
Posted by Papio. (# 4201) on :
 
quote:
Originally posted by Rain Dog:
quote:
Originally posted by RuthW:
quote:
Originally posted by Rain Dog:
(Admins, I hope the above quoting is OK. If not, please remove the quote and leave the link)

So you recognize the importance of copyright law?
Not wanting to get shipOfFools into trouble was my main objective [Biased]

But generally I do only use P2P to get bootlegs of concerts (which are given the thumbs up by the likes of Ryan Adams, Wilco, Willard Grant Conspiracy and most bands I'm into). I know quite a few artists personally and most of them feel sharing is infringing on their intellectual property - granted they have relatively low profile so it allows them to not be hit as hard by p2p and they have a loyal fanbase who will always buy their records. Globally, I do think artists should be protected from this so globally yes I do agree with copyright protection but I think record companies are barking up the wrong tree and failing to see there's a lot of promotion in P2P sharing.

It's their their lack of support of real artists that's killing them not P2P.

[Overused]
 
Posted by Papio. (# 4201) on :
 
quote:
Originally posted by Rain Dog:
missed a crucial NOT in that last post.

All the artist I know think sharing is _not_ infringing on their inellectual property.

in which case, a bigger [Overused]
 
Posted by RuthW (# 13) on :
 
quote:
Originally posted by Rain Dog:
All the artist I know think sharing is _not_ infringing on their inellectual property.

And I know a musician who is absolutely infuriated by it.
 
Posted by Mousethief (# 953) on :
 
quote:
Originally posted by RuthW:
quote:
Originally posted by Rain Dog:
All the artist I know think sharing is _not_ infringing on their inellectual property.

And I know a musician who is absolutely infuriated by it.
Clearly you guys cancel each other out. Who can rescue me from this body of death?!
 
Posted by RuthW (# 13) on :
 
Jesus, ya moron!

What are they teaching in those Orthodox churches these days? [Biased]
 
Posted by Nonpropheteer (# 5053) on :
 
quote:
Originally posted by Go Anne Go:

Taping off radio (and in fact VCR recording) in the US now includes a small fee on every blank tape and blank VCR tape to go to compensate copyright holders based on the amount of play etc they get.

WEll shit, if I'm paying for it already, then I have the right to copy whatever I want. If I am being charged a fee because I might record a copyrighted program, then I have done my bit.

So screw them.
 
Posted by Rain Dog (# 4085) on :
 
Since we're on the subject of VHS taping (and since Sony tried to prevent it from being allowed back in the 80s), I wonder how many people actually do obey the law and erase their tapes after the fair use period is up (I think it's something like a month in the UK). It is still a breach of copyright but one that seems to have become socially acceptable (of course that doesn't make P2P acceptable).

I do have to agree with you NP - they're assuming you're going to something illegal with it so making you pay (in part) for it which has the effect of semi-legitimatising piracy. France has done the same with all CD-Rs IIRC (there was a major rush on CD-Rs in the last weeks before the tax came in). I don't think assuming guilt of the consumer is a good way of grabbing the moral high ground.

Lessing's Free Culture (which is freely available of course [Biased] ) gives an interesting insight into the current state of copyright, P2P and all that stuff. It's quite technical but a very enjoyable read.

Shouldn't this thread be moved to purgatory as it's getting far too reasonable and rational for hell?

[ 04. June 2004, 17:26: Message edited by: Rain Dog ]
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Papio.:
I buy CD's legally and I probably bought more CD's then I would have otherwise. ... If I like the songs, I buy the record and if I don't like the songs I delete them.


There you go, case in point. You downloaded songs illegally, you didn't like them, you didn't purchase the single or the CD. Thus, you have deprived the artist of money. You seem to think it is ok since you didn't like the song, but this is still the case.

This is basic capitalism. To refer to Nonpropheteers and Ruth(?)'s analogy to petrol, you can totally purchase gas and do what you like with it. And you can buy a CD and lend it to someone, give it to someone, or use it to siphon petrol if you're really creative. What you *can't* do is illegally copy it and give the copies to people.
 
Posted by Mousethief (# 953) on :
 
quote:
Originally posted by Go Anne Go:
There you go, case in point. You downloaded songs illegally, you didn't like them, you didn't purchase the single or the CD. Thus, you have deprived the artist of money. You seem to think it is ok since you didn't like the song, but this is still the case.

Huh? If I go to the store and listen at their "listening station" and decide not to buy the CD, have I deprived the artist of money? What Papio describes is the same, only he does it at home.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Mousethief:
quote:
Originally posted by Go Anne Go:
There you go, case in point. You downloaded songs illegally, you didn't like them, you didn't purchase the single or the CD. Thus, you have deprived the artist of money. You seem to think it is ok since you didn't like the song, but this is still the case.

Huh? If I go to the store and listen at their "listening station" and decide not to buy the CD, have I deprived the artist of money? What Papio describes is the same, only he does it at home.
Legally, it isn't. You haven't made an illegal copy of anything by listening to it at a listening station. In fact, if you read back, you'll see it listed in my reference list of ways to listen to a song legally.

I'd also like to point out that as I pointed out BEFORE that if the artist permits you to make a copy, then it is quite allowed! The Grateful Dead encouraged it. Phish encouraged it. Make all the tapes/CDs/MP3s of their shows you want, pass em around, trade em, build a house out of them - they've given you permission and you're allowed. Metallica didn't give you permission, so don't make copies of their stuff. Ever. Whether or not to do this has a lot of different factors in making the decision, from marketing strategies, to bands differing focus on revenues and how they're obtained (if it gets the people to go to the shows and the get most of the money from t-shirt sales, then bootlegs of the concerts freely available can be a great idea. There may be other reasons to do such a thing too.) The thing is, it isn't your place to decide. It is the owner of the copyright.

Oh, and for what it is worth, Lawrence Lessig rocks my world. Now *that* is a sad statement. But the man knows his stuff! He actually just gave a great talk (and if you want great comparisons of approaches to this problem, go to the Berkman Center for Internet and Society's webpage - they just had a conference on this. With Lessig! Sigh.....)
 
Posted by Kelly Alves (# 2522) on :
 
quote:
Originally posted by RuthW:
quote:
Originally posted by Rain Dog:
All the artist I know think sharing is _not_ infringing on their inellectual property.

And I know a musician who is absolutely infuriated by it.
My audio teacher was once also am independant record producer, and is very adamently against downloading. She says it hits the indies the hardest, because they are so dependant on even small sales.(Her record label just recently closed [Frown] ) In fact most of the people I know who don't see a problem with downloading very quickly change their tune when they get on the production end of things.
 
Posted by Mousethief (# 953) on :
 
The difference between the two scenarios I painted sounds entirely technical.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Mousethief:
The difference between the two scenarios I painted sounds entirely technical.

Honestly, at a certain level it is. Basically, the law is that you can pass around a copy to as many people as you like (the listening station) or play it to as many people as you like (as in a club), but you cannot make copies of it, because the copies are where revenue is potentially lost. As Papio pointed out, he doesn't pay for CDs for stuff he doesn't like. What's to stop him from not paying for stuff he does like?
(this next bit is NOT meant as a slam at Papio, he's just put himself out there. I don't know the man).
Assume Papio is telling the truth, then he is indeed contributing to the revenue of a band he likes. But assume that Papio may be lying, or more likely misrepresenting himself (even to himself). I know personally I have lots of old CDs (and, she admitted, showing her age) tapes that I only ever liked one or two songs on and was ticked about buying the whole album. Or, of course, my other pet peeve, when they release an album and then release anotoher version six months later with the song they've propelled to number one on it (which wasn't on the first version.) Drove me crazy!

The one thing that seems to have been overlooked here is that driven to it the record companies have finally responded. You *can* download just one song for the price of 99cents without getting the whole album. More music is being added every day. I was able to listen to the new Nelly Furtado song about 80 gazillion times off her website before the CD came out (then they took it off). Effective - I bought the CD (actually I downloaded it from iTunes.)

As for the technical difference, if you drive down a highway at 65mph in Massachusetts, you're in compliance with the law. If you drive down the Turnpike to Springfield at 80, you're still on the same road, but it is not in compliance with the law. Technicalities are where it is at!
 
Posted by AngelaSo (# 6699) on :
 
Wow you guys really have to slow down...

I think there's no way to stop people from getting a copy of the song illegally - whether it's from online or not.

I believe the idea of downloading a song legally for 99 cents is great. I think the idea to buy a CDs just to listen to one or two songs really put people off. So, I echo on what some of you people are saying.

I talk about Britney Spears in my last post because I get the impression that her songs are the most popular among "illegal" downloaders. I've downloaded a couple of her songs before but I would never ever consider buying her CDs. I wouldn't even consider buying her songs for 99 cents each either. If they weren't for free, I don't think I would have her songs on my computer. But I buy CDs from Dido because I really support her music.

Want to be a Britney Spears hater,

Angela
 
Posted by RooK (# 1852) on :
 
Just out of curiosity: RuthW and GoAnneGo, do you ever speed? If you do, when you do, do you have horrible attacks of guilt? Or, like many of us, is it really just not matter that much?

It seems sensible to me that making unlicensed copies of copyright material would be technically an offence, but I don't perceive it as being one worth the trouble to pursue policing. Especially not with the vast potential for free marketing. How many millions of dollars do record companies pay to convince radio stations to play their product? Amusingly, I don't listen to radio stations much because of all the advertising...

So, basically, Papio should shut up, and get hell off my side. RuthW and GoAnneGo, while technically correct, seem to be narrow-minded dinosaurs that need to get lives.
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by RooK:
Amusingly, I don't listen to radio stations much because of all the advertising...

Advertising? I can't remember the last time I heard a radio advert. Maybe I should move the dial away from Radio 4.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:
Just out of curiosity: RuthW and GoAnneGo, do you ever speed? If you do, when you do, do you have horrible attacks of guilt? Or, like many of us, is it really just not matter that much?

Actually, no I don't. 99% of the time I ride my bike (obeying local traffic laws and wearing a helmet), and the other times I don't speed.

quote:
It seems sensible to me that making unlicensed copies of copyright material would be technically an offence, but I don't perceive it as being one worth the trouble to pursue policing. Especially not with the vast potential for free marketing. How many millions of dollars do record companies pay to convince radio stations to play their product? Amusingly, I don't listen to radio stations much because of all the advertising...
Not that big of a problem worth policing? Surely you're joking right? The Motion Picture Industry in America lists lost revenue from copyright infringement on films (not music) at US$3 billion a year.See here for recent story. When Napster wasn't legal, people were downloading 20 MILLION songs a day. One song here, one song there, everyone does it, it adds up. When I was in Hong Kong, it was estimated that 75% of the computer software for sale was pirated, and thus unable to be verified or supported. Spiderman was the UK's most pirated movie ever, with bootleg copies at boot sales all over the UK while the movie was still in the theatres. Fasttrack-Kazaa had 3.6 billion (yes, dear I said billion) downloads in Feb 2002 alone ( See the Guardian story here on policing net pirates in the UK. ) How big do you want this to be before you think it worthy of your time?

quote:
So, basically, Papio should shut up, and get hell off my side. RuthW and GoAnneGo, while technically correct, seem to be narrow-minded dinosaurs that need to get lives.
And you, quite frankly need to get to grips with the reality of the situation.

[If you're going to spray spittle at me, at least get your code right.]

[ 04. June 2004, 23:08: Message edited by: RooK ]
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by Go Anne Go:
Not that big of a problem worth policing? Surely you're joking right? The Motion Picture Industry in America lists lost revenue from copyright infringement on films (not music) at US$3 billion a year.See here for recent story. When Napster wasn't legal, people were downloading 20 MILLION songs a day. One song here, one song there, everyone does it, it adds up. When I was in Hong Kong, it was estimated that 75% of the computer software for sale was pirated, and thus unable to be verified or supported.

Well all this is not _real_ loss as in someone coming into a shop and taking a CD/DVD/prgram off the shelf so I'm not sure how they can calculate that. Spiderman was also one of the biggest grossing films in theaters as well as on DVD so it's obvious it will be more pirated. Were they out of pocket? Nope.

Re: the software piracy - how many people would actually want to pay for M$ software if they had to pay the full price? Much fewer than the 75% - in fact it's widely believed that piracy helps Windows stay such a dominant platform. If they enforced the law in a much harsher fashion. you would probably see an exodus towards Linux (which I have done BTW since I didn't want to pirate my software nor could I afford to pay for Bill Gates stipend over and over again). I'd be happy if M$ managed to wipe out piracy tomorrow, as it will be the ultimate pyrrhic victory and hand the world over to us Linuxers. [Razz]

[ 04. June 2004, 23:01: Message edited by: Rain Dog ]
 
Posted by RuthW (# 13) on :
 
quote:
Originally posted by RooK:
Just out of curiosity: RuthW and GoAnneGo, do you ever speed?

On very rare occasions, yes. But generally I follow the speed limit.

quote:
If you do, when you do, do you have horrible attacks of guilt? Or, like many of us, is it really just not matter that much?
No, I don't have horrible attacks of guilt.

quote:
RuthW and GoAnneGo, while technically correct, seem to be narrow-minded dinosaurs that need to get lives.
Because we think musicians should get paid for their work? Right.
 
Posted by Go Anne Go (# 3519) on :
 
I have to totally disagree with Ruth. I don't think musicians should get paid for their work.

I think musicians, artists, poets, software writers, novelists, writers, comic strip artists, people like me who design knitting patterns, journalists, sportswriters, graphic artists and anyone who places anything in a fixed medium should be paid for their work.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Rain Dog:
quote:
Originally posted by Go Anne Go:
Not that big of a problem worth policing? Surely you're joking right? The Motion Picture Industry in America lists lost revenue from copyright infringement on films (not music) at US$3 billion a year.See here for recent story. When Napster wasn't legal, people were downloading 20 MILLION songs a day. One song here, one song there, everyone does it, it adds up. When I was in Hong Kong, it was estimated that 75% of the computer software for sale was pirated, and thus unable to be verified or supported.

Well all this is not _real_ loss as in someone coming into a shop and taking a CD/DVD/prgram off the shelf so I'm not sure how they can calculate that. Spiderman was also one of the biggest grossing films in theaters as well as on DVD so it's obvious it will be more pirated. Were they out of pocket? Nope.
Yes, they were out of pocket. Just because they'd already made a profit on something doesn't make their loss any less real. As with any other business (particularly media ones) revenues from one movie/artist/band/writer that is successful helps promote the estimated nine others on a label or company that aren't. Not everything is profitable, you know!

quote:
Re: the software piracy - how many people would actually want to pay for M$ software if they had to pay the full price? Much fewer than the 75% - in fact it's widely believed that piracy helps Windows stay such a dominant platform. If they enforced the law in a much harsher fashion. you would probably see an exodus towards Linux (which I have done BTW since I didn't want to pirate my software nor could I afford to pay for Bill Gates stipend over and over again). I'd be happy if M$ managed to wipe out piracy tomorrow, as it will be the ultimate pyrrhic victory and hand the world over to us Linuxers. [Razz]
Actually, in most "western" countries, most people do pay for Window$. Mostly because it is so bugridden they want to ensure they can get support for it.

But interestingly Linux (and I *love* Linux and open sourceware - different business model entirely and much more in line with my values, showing that people can share and still make money at it, a la Red Hat) is equally litigious when it comes to its copyright and licensing terms. They're just on the other side of the equation - prosecuting those who try to tie up their copyright without their permission. Read the cases at the Free Software Foundation - they're fascinating!

[You'd think that someone so anal about copying would at least try to get quotes right.]

[ 04. June 2004, 23:33: Message edited by: RooK ]
 
Posted by RooK (# 1852) on :
 
quote:
Originally posted by RuthW:
Because we think musicians should get paid for their work? Right.

I think you're technically right, because I agree about the value of copyright. I think you should get a life because the whole issue seems like a waste of time. Despite GoAnneGo's crystal ball numbers about losses, I think the same effect on music profits will happen now that people can buy just what they want more readily.

So, bully for you. Now go find another windmill. I'll comment on that too, of course.

It seems worth mentioning that I don't have the same laissez-faire attitude towards movie piracy. With movie rentals so easily available and inexpensive, I find it hard to believe that someone going through all the trouble of chugging piles of gigabytes off the internet are doing so just to save themselves two bucks at Blockbuster.
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by Go Anne Go:
I think musicians, artists, poets, software writers, novelists, writers, comic strip artists, people like me who design knitting patterns, journalists, sportswriters, graphic artists and anyone who places anything in a fixed medium should be paid for their work.

Well I don't think anyone is advocating that any of these good people doesn't get paid. I just think that now the genie is out of the bottle, they're better trying to use it to their advantage rather than alienating potential buyers. I also think it's assuming a lot that people who download via p2p would autmotically have bought the CDs of each song they download. It's highly unlikely but it serves the music industry to make people believe that. A bit like assuming that people who tape music off the radio (as I used to do as kid) would have bought the albums for each artist we recorded - but why didn't the record companies knowing full well lots of us were doing that quit getting their songs played on the radio? Because the CDs still sold very well (and they were fleecing us at the time as we now know).
 
Posted by Go Anne Go (# 3519) on :
 
Ah, you gotta love Hell - where the hosts at their whim edit your posts and leave insulting commentary ostensibly made by yourself due to a lack of quotes, which is what they were insulting you on.

The fact of the matter is that now that you can download legally for 99cents, your music scenario vs your movie piracy scenario doesn't hold up. They're now the same thing. And there *always* were easy, relatively convenient ways to do it legally.

As for letting it go, it *is* a big deal, and in the past I've been paid rather a lot of money for it (on both sides of the equation)to make sure people did get paid. The illegal downloading has meant that actually a lot of people did NOT get paid, didn't get their money or didn't get invested in by a record company because millions of people were not buying CDs or tapes or albums or whatever. Were they fleecing us? Yeah. And we knew it at the time (cf the old Billy Bragg CD "Pay no more than 2.99 for this CD" or even going back further "Steal this Book.") Arugably, they're fleecing us even now, bringing into debate the question of how much profit is enough? Generally if you're making it, it isn't enough, and if someone else is making it off your back, it is far too much. Basic consumerism says someone builds a better mousetrap and the consumer buys it. You might already own a mousetrap, but you'll buy the better one. Which explains why I'm old enough to own some albums on vinyl AND CD and now MP3.

This is a huge issue, affecting how a lot of industries, and a lot of industries you interact with on a daily basis, make or lose money. They're not my crystal ball numbers - if you think of 20 million downloads on Napster in a day, not every one of those people needs to not buy a CD they would have otherwise before you start to amount to a whole lot of losses.
 
Posted by RooK (# 1852) on :
 
Don't like having your posts edited? Try using preview post. Or complain about me in the Styx. Complaining in Hell about having your posts edited by Hellhosts will just earn you scorn.

I reject the assertion that different art forms are equivalent because of the potential for copying. Pardon me while I find a digital copy of the Mona Lisa on the web, and print it out to pin on my wall. I'll pout with disappointment while others fail to give a shit.

I also disagree about the assertion that this is an important issue. Just because some people are willing to throw lots of money at it does not make it worthwhile. I expect that one of the qualifications for being in your field, GoAnneGo, is to be absolutely dedicated to believing it's important. I don't share that hindrance. The "losses" you keep referring to seem a lot like the "losses" I suffer by not winning the lottery.

[Edited for clarity.]

[ 05. June 2004, 02:02: Message edited by: RooK ]
 
Posted by Nonpropheteer (# 5053) on :
 
quote:
Originally posted by Go Anne Go:
Not that big of a problem worth policing? Surely you're joking right? The Motion Picture Industry in America lists lost revenue from copyright infringement on films (not music) at US$3 billion a year.See here for recent story. When Napster wasn't legal, people were downloading 20 MILLION songs a day. One song here, one song there, everyone does it, it adds up. When I was in Hong Kong, it was estimated that 75% of the computer software for sale was pirated, and thus unable to be verified or supported.

They are basing that figure on the revenue they would have potentially gained if they had actually sold the albumns. If I download one song that is on a $25 CD, then they say "We lost $25 in sales", which is simply not the case. Because I am not going to go buy a CD from an artist I've never heard just to listen to one song a friend mentioned three days ago. If I download the song and like it, I am more likely to go buy the CD.

I can understand being upset if I was downloading and selling the copies I made... but thats not what I do.
 
Posted by Pyx_e. (# 57) on :
 
The first song I downloaded was : "Put a little love in your heart." by Lennox and Green from the movie "Scrooged." I spent 3 years looking for it. I tried ordering it from shops (it's deleted). I looked in every second hand shop (even though the artists would have received nothing in royalties). In the end I used a p2p programme to get it. Illegal? yes.

I am in the, have loads of CD's and use p2p to make better choices in my purchasing corner. I buy as many CD's as I ever did. Indeed I have recently bought a Leftfield album and a Norah Jones Album on the back of a bit of p2p "tasting."

I agree with all the arguments about unhelpful and overly profiteering nature of the record companies. I agree p2p is illegal. But for getting a taste or for finding deleted and unavailable tracks it has proved a real boon.

I do not really bother with artists who are the cash cows of the industry. I mean, Clifford T Ward, do you like his stuff? On the back of my reccomendation how would you have a taste without spending £15 and six hours looking for stuff?

P
 
Posted by Sioni Sais (# 5713) on :
 
quote:
Originally posted by Pyx_e.:
The first song I downloaded was : "Put a little love in your heart." by Lennox and Green from the movie "Scrooged." I spent 3 years looking for it. I tried ordering it from shops (it's deleted). I looked in every second hand shop (even though the artists would have received nothing in royalties). In the end I used a p2p programme to get it. Illegal? yes.

I am in the, have loads of CD's and use p2p to make better choices in my purchasing corner. I buy as many CD's as I ever did. Indeed I have recently bought a Leftfield album and a Norah Jones Album on the back of a bit of p2p "tasting."

I agree with all the arguments about unhelpful and overly profiteering nature of the record companies. I agree p2p is illegal. But for getting a taste or for finding deleted and unavailable tracks it has proved a real boon.

I do not really bother with artists who are the cash cows of the industry. I mean, Clifford T Ward, do you like his stuff? On the back of my reccomendation how would you have a taste without spending £15 and six hours looking for stuff?

P

When I was a child I had quite a collection of Matchbox and Corgi die-cast cars. They aren't being made any more and I would dearly love to have them again. But isn't that the point? You don't have a right to something simply because it has done at some time in the past.

You can't get Old English Spangles either. There are lots of things that aren't being made any more. The situation with recorded music in particular but Copyright material in general is by contrast far better than is the case for any other kind of property.

As for your final point about getting a taste that is 100% fair and does need to be addressed by the rights owners and retailers. In shops you can sample the album and on line retailing has to go fully that way. It is there in part, but it needs to go further to make p2p unnecessry as well as illegal.

ps. I like some Clifford T Ward.
 
Posted by Papio. (# 4201) on :
 
GoAnneGo - nope, I am not depriving an artist of money for not buying a CD I wasn't ever gonna buy.

RooK - if you don't agree with me, please say why. Cheers.
 
Posted by Sarkycow (# 1012) on :
 
quote:
Originally posted by Go Anne Go:
Ah, you gotta love Hell - where the hosts at their whim edit your posts and leave insulting commentary ostensibly made by yourself due to a lack of quotes, which is what they were insulting you on.

Ah, you gotta love the stupid idiots.

Actually, no, you don't.

1. Editing was for your blown code - I hit the dit button about 2 secs after RooK's edit went through. If I had been quicker, you would have had my rude comments, not his.

2. Insulting commentary was clearly by RooK about you. Commentary was made in the same way as all hostly editing comments in Hell. So either you're extraordinarily thick, and have never noticed them before, or you're a whinging muppet.

So, which are you? Stupid or whiny?

Both is also possible.

Sarkycow
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Nonpropheteer:
quote:
Originally posted by Go Anne Go:
Not that big of a problem worth policing? Surely you're joking right? The Motion Picture Industry in America lists lost revenue from copyright infringement on films (not music) at US$3 billion a year.See here for recent story. When Napster wasn't legal, people were downloading 20 MILLION songs a day. One song here, one song there, everyone does it, it adds up. When I was in Hong Kong, it was estimated that 75% of the computer software for sale was pirated, and thus unable to be verified or supported.

They are basing that figure on the revenue they would have potentially gained if they had actually sold the albumns. If I download one song that is on a $25 CD, then they say "We lost $25 in sales", which is simply not the case. Because I am not going to go buy a CD from an artist I've never heard just to listen to one song a friend mentioned three days ago. If I download the song and like it, I am more likely to go buy the CD.

I can understand being upset if I was downloading and selling the copies I made... but thats not what I do.

My understanding is that they're basing that figure on a percentage of sales that would have been realized. For example, not every downloaded song would have resulted in a sold CD - far from it. But if you take the 20Million songs a day on Napster for February 2001 (when not as many people owned the software to do p2p) and extrapolate that out, 20million songs on average for every day in Feburary (28 of them) means 560 million songs. Feburary's a short month, but we'll use that as an average anyway, so 560 million songs a month times 12 months is 6,720,000,000 songs a year. On one network. Being illegally downloaded. Huge, huge problem. Bring in other networks, etc and you start to see the huge scale of the issue. Even if only a small percentage of these people would have bought the CD, the CD sells for $20ish. That's a whole lot of lost revenue.

There's a couple other factors at play here as well. First off, the most rampant illegal downloaders prior (and honestly, after) to the RIAA suing people (which did have a real chilling effect, and bringing out legal download networks such as iTunes and legalized Napster is helping as well)were college students, who frankly are the ones who had the serious bandwidth to do it. (And tend to be a) more into the music scene and its changing tastes, and b) not have any money). And because the issue wasn't clear (and initially in the days of Napster, it wasn't - hadn't been decided. The law does tend to play catch up to technology.), it didn't occur to them it was illegal. No one had said it was illegal, not even the courts (not that the kids were watching the courts - why should they?)and if is isn't illegal then it is legal. Ish. So the scene is set for lots of techno savvy kids to swap gazillions of files of some good, some bad quality. Heck, it was an undergraduate here at Northeastern (Sean Fanning) who even designed Napster. It was a good tech idea and it took off. And then it was ruled illegal (which by the end of the litigation it got kind of obvious it was going to be, once the judge ruled that it wasn't file swapping but file copying, but there you have it.). But everyone was already doing it, and how were they going to stop these people? There were no sanctions, there were no penalties except theoretical ones, there was nothing but the possible fear of litigation, and who's going to sue poor studious little undergrads and high school students? Turns out, the RIAA, that's who! Because there was really no other way to stop it. And in suing and showing that the penalties had teeth, there was a huge chilling effect on other people doing it, particularly by getting parents involved and seeing what their kids were doing on line (a good idea anyway, for reasons other than copyright violations!) and being forced to sit down and say to the kids "Look, sex - get protected. Drugs - be educated. Copyright violations - here's section 106(d) of the copyright laws (which is about fair use if I remember correctly but I don't have my texts in front of me. But you get my point.)." None of the litigation cases of the RIAA have actually gone to trial yet, and the vast vast majority have settled out of court as liability is very clear, and possible penalties are up to $100K per violation. As in each song copied. When you're facing a couple million in possible fines plus legal fees and the RIAA is offering to settle for $3K, you settle.

Simultaneously, the record companies DID wake up to the possibility of legal downloads and went as fast as they could to play catch up and offer iTunes, a legal version of Napster and others. iTunes just marked its first anniversary with 70 Million downloads - legally. There's been 500K legal downloads in the UK so far, but it is catching on (there aren't as many legal services available there yet).

There had to be a reason to stop people downloading illegally - and in the end turns out the threat was litigation (stick) with legal alternatives (carrot). Getting the generation that was doing it illegally to do it legally offers a lot more promise for the future. Older generation people (like me!) tend to download and still buy CDs sooner or later, but the MP3 iPod generation doesn't. They don't buy CDs at all, except maybe blank ones to burn. These are the bigger issue.

That said, people rip on the record companies for huge gouging profits, and with good reason. This has been the case since the beginning of the music industry. I think the internet offers some serious possibilities that are going to take artists and put them in much more control of their artistic lives, and consequently their own revenues. Internet radio is one of those alternatives, but the ability to record, produce and in fact release music on line is also going to help.

I think the other bit of good news is that it is getting easier and easier to find music along the lines of what Pyx_e alluded to. I myself own a copy of a song by an artist that has never been released commercially although it was on the radio. Thanks to the power of the internet, I was able to state the reasons why I owned it and the artist granted me permission to get a copy of a radio broadcast which had it on it. With the comparative low cost of putting old songs on something like iTunes, there is a lot of new money to be made from old hash for exactly the songquest situation that Pyx_e has described, and I think a lot of us have gone through! It is just taking a while for all of that music to get up there!

Teh internet/tech revolution is also going to help people you're NOT talking about here who are also getting gouged - authors. The ability to self publish and self promote on line is going to help authors phenomonally. We all know how hit or miss the publishing world is (I'm sure all those publishing houses that passed up JK Rowling are kicking themselves now!) and internet access could really change the way that business is done as well.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:

I reject the assertion that different art forms are equivalent because of the potential for copying. Pardon me while I find a digital copy of the Mona Lisa on the web, and print it out to pin on my wall. I'll pout with disappointment while others fail to give a shit.


The Mona Lisa has been in public domain for coming up to 500 years now. Go nuts! Make as many copies as you like! You're right, no one will give a shit!
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Papio.:
GoAnneGo - nope, I am not depriving an artist of money for not buying a CD I wasn't ever gonna buy.


If you weren't ever going to buy it, why are you downloading it illegally? Why not just listen to samples on line, or do it in a legal way?
 
Posted by Papio. (# 4201) on :
 
quote:
Originally posted by Go Anne Go:
quote:
Originally posted by Papio.:
GoAnneGo - nope, I am not depriving an artist of money for not buying a CD I wasn't ever gonna buy.


If you weren't ever going to buy it, why are you downloading it illegally? Why not just listen to samples on line, or do it in a legal way?
To see if I wanted to buy it. If I decide that I don't like the music, then I wasn't ever gonna buy it. If I like the songs, I buy it. I won't buy an album unless I am sure I will enjoy it becuase I think that £15 is a lot of money. It is to me anyway.

I do also get songs legally, but as I say, those songs do not always represent the album.
 
Posted by Amazing Grace (# 4754) on :
 
quote:
Originally posted by Go Anne Go:
When Napster wasn't legal, people were downloading 20 MILLION songs a day. One song here, one song there, everyone does it, it adds up.



All the more reason the industry should have gotten its act together four years ago and sanctioned alternatives like today's ITunes and WallyWorld "less than $1". I seem to recall that you could buy the mp3s legally some way at the time but you had to jump through hoops. They seemed to concentrate on taking Napster down and found that didn't work since people switched to Kazaa instead. D'oh!

I've personally never downloaded any music - intellectual property has been berry, berry good to me and I have to clean up after downloaders clogging disks and network connections at work. I also think that Kazaa (and other P2P software) is a major league, big time security hole, so it won't go on any machines I own.

Now that I do have broadband at home I might try the ITunes type download. I did make some album purchases based on tunes other people had downloaded and played for me.

Charlotte
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by Sioni Sais:
When I was a child I had quite a collection of Matchbox and Corgi die-cast cars. They aren't being made any more and I would dearly love to have them again. But isn't that the point? You don't have a right to something simply because it has done at some time in the past.

It's not exactly the same - more like if you were provided with the plans on how to make these toys and you went about recreating them yourself. You're breaking their copyright by recreating them but are they actually going to care? Probably not. Take a look at homeoftheunderdogs where many many game developers have abandoned their rights to old games that will no longer sell so people can still enjoy them...
 
Posted by Go Anne Go (# 3519) on :
 
Just as an aside, if anyone wants to know more about these issues, I would totally recommend starting with a book called "Copyright's Highway" - well written to be a good read to the average joe, giving a great history of the whole thing from the Statute of Go Anne Go, I mean the Statute of Anne, to just shy of the current state of play. It was written pre-Napster, but it gives you the great background on the law, how it developed, rationales behind it and plenty of good anecdotes. I'd send you my copy, but I already a) packed it, and b) promised to send it to Mousethief when I unpack.

When you get the basic issues, I strongly then recommend Lawrence Lessig's books (any of them) but in particular "The Future of Ideas." He gives a number of different possibilities for how to resolve a lot of these issues.
 
Posted by Papio. (# 4201) on :
 
Who wrote "copyright's highway"?

I'm not against copyright, I just think that downloading a few tracks is, or should be, such a minor offence that it isn't worth worrying about.
 
Posted by Go Anne Go (# 3519) on :
 
Copyright's Highway is by Paul Goldstein (and interestingly, currently part of a double offer with The Future of Ideas on Amazon. I swear to you, I didn't know!). Paul is also at Stanford, like Lessig. Used hardcover copies are available for $1.38, and I would say they're worth more than that! (Paperback copies are more.) I read this book before taking Copyright in law school and I read it again before taking Advanced Copyright. I lend it to all kinds of people. It is really good at explaining all the basic concepts, and tracing the history through, which helps understand the law so much.

The thing with the one or two downloads is generally the whole "slippery slope" idea. One or two here, three or four million there.......

[ 05. June 2004, 15:04: Message edited by: Go Anne Go ]
 
Posted by irreverentkit (# 4271) on :
 
To follow the logic of why illegal downloads are OK, I offer the following actions. Would you do them, too?

Eat produce on display at the grocery store to see if you "like it" before deciding to buy it. Or just take it. Shouldn't produce be free?

Take a book home from the local book store to see if you "like it" before deciding to buy it. Or, just take it. Shouldn't books be free?

Drive away from the gas station without paying for your fuel because the petroleum companies are polluting, worker-exploiting, profit-grubbing capitalists.

Help yourself to some Motrin or Claritin or Benedryl from the pharmacy shelves because the pharmaceutical companies are the spawn of Satan, gouging sick people with high costs for necessary medicines.

Why are songs any different from these other products?
 
Posted by Papio. (# 4201) on :
 
Because I'm not costing anybody any money?
 
Posted by Mousethief (# 953) on :
 
If I eat a vegetable, burn a tank of gas, or steal a book from a store, then those things cannot be sold to another customer, so I have deprived the rightful owners of (potential) income.

If I download a song, I do not deprive anybody of anything. There is nothing that they used to have, that my "theft" has deprived them of. There is nothing that they could have sold to another customer but now cannot.

There may be a case for making such downloads illegal. But your analogies are completely beside the point, irreverentkit. They aren't analagous.

[ 05. June 2004, 16:57: Message edited by: Mousethief ]
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by irreverentkit:
Eat produce on display at the grocery store to see if you "like it" before deciding to buy it. Or just take it. Shouldn't produce be free?

Take a book home from the local book store to see if you "like it" before deciding to buy it. Or, just take it. Shouldn't books be free?

Drive away from the gas station without paying for your fuel because the petroleum companies are polluting, worker-exploiting, profit-grubbing capitalists.

Help yourself to some Motrin or Claritin or Benedryl from the pharmacy shelves because the pharmaceutical companies are the spawn of Satan, gouging sick people with high costs for necessary medicines.

Why are songs any different from these other products?

None of these examples are the same as P2P and we've already talked about this. You take a CD from a store, the store has one less - you download an mp3, the store still has that CD.

Interestingly, your first example is in fact law in France. You have the right to test fresh products before buying - it's the consumers right. So is the French law wrong and encouraging thieving?

Your final example is also fallacious (have you actually read the thread?) as I've already pointed out - it's more like producing generic drugs to alleviate say AIDS - oh wait a minute, 3rd world countries already _do_ have that right to do that in the case of AIDS drugs...
 
Posted by Papio. (# 4201) on :
 
quote:
Originally posted by Mousethief:
If I eat a vegetable, burn a tank of gas, or steal a book from a store, then those things cannot be sold to another customer, so I have deprived the rightful owners of (potential) income.

If I download a song, I do not deprive anybody of anything. There is nothing that they used to have, that my "theft" has deprived them of. There is nothing that they could have sold to another customer but now cannot.

There may be a case for making such downloads illegal. But your analogies are completely beside the point, irreverentkit. They aren't analagous.

Exactly.
 
Posted by Sienna (# 5574) on :
 
So, under the "okay to download music" theory, it okay to sneak into a theater, sit in an unsold empty seat and see a movie without paying for a ticket?

You haven't kept the theater owner from selling that seat to someone else, and you haven't deprived him of the "property" - he still has the reels of film and can show them over and over. Just curious as to how you feel this analogy applies.

Regards,
Sienna
 
Posted by Papio. (# 4201) on :
 
It doesn't.
 
Posted by Sienna (# 5574) on :
 
But do you think it's okay to do it? You're not costing anyone any money, you haven't deprived them of a tangible, re-saleable good.

So, why should I pay to go to the movies?

Sienna
 
Posted by Papio. (# 4201) on :
 
I am not decieving anybody by downloading a song, which i would be by sneaking into a movie theatre.
 
Posted by Sioni Sais (# 5713) on :
 
quote:
Originally posted by Rain Dog:

(note - partial quote)
None of these examples are the same as P2P and we've already talked about this. You take a CD from a store, the store has one less - you download an mp3, the store still has that CD.

Interestingly, your first example is in fact law in France. You have the right to test fresh products before buying - it's the consumers right. So is the French law wrong and encouraging thieving?

Your final example is also fallacious (have you actually read the thread?) as I've already pointed out - it's more like producing generic drugs to alleviate say AIDS - oh wait a minute, 3rd world countries already _do_ have that right to do that in the case of AIDS drugs...

A couple of things: Although there are International agreements on Copyright (Berne Convention amongst others) the law is still determined nationally so what France does applies in France to, under convention, all Copyright matters there.

Secondly the rights regarding AIDS/HIV drugs were negotiated. It wasn't simply a matter of the countries that needed cheap AIDS drugs going off on their own although many of the countries involved did have the means, which added some muscle to that side of the negotiations.
 
Posted by Sienna (# 5574) on :
 
What about the origination of the file being downloaded? The copyright notices, etc. are pretty clear, so, if you're not being deceptive by downloading, aren't you profiting from someone else's illegal act, namely whoever distributed the file to begin with? And they quite possibly purchased the original file with no intention of abiding by the notice, which is deceptive.

And because I'm just following this down various trails, is it okay to buy bootleg DVDs and software from the guy on the corner, even if you know they're bootlegs?

Sienna

[ 05. June 2004, 20:54: Message edited by: Sienna ]
 
Posted by Glass Angel (# 5779) on :
 
In addition to which, I don't think deception is what is at issue here. The issue is theft.
 
Posted by Papio. (# 4201) on :
 
What am I depriving anybody of?
 
Posted by Sioni Sais (# 5713) on :
 
quote:
Originally posted by Sienna:
What about the origination of the file being downloaded? The copyright notices, etc. are pretty clear, so, if you're not being deceptive by downloading, aren't you profiting from someone else's illegal act, namely whoever distributed the file to begin with? And they quite possibly purchased the original file with no intention of abiding by the notice, which is deceptive.

And because I'm just following this down various trails, is it okay to buy bootleg DVDs and software from the guy on the corner, even if you know they're bootlegs?

Sienna

It is true that distribution without permission is illegal - it is an offence in its own right.

If you don't know bootlegs are just that, then you may get off with a warning, but I wouldn't depend on it. Strict liability again, but the precise consequences vary according to the exact laws.
 
Posted by Sienna (# 5574) on :
 
Well, Papio distinguished sneaking into a movie theater and seeing a movie you haven't paid for from from downloading music you haven't paid for by saying that sneaking into a movie theater is deceptive, hence the deceptiveness disgression. Besides, if we're talking about whether downloading music is right or wrong, it's possible for it to be wrong for other reasons besides theft....

Papio, when you buy bootleg DVDs, you're depriving the holder of the copyright of profits from the sale of the property, and you're depriving anyone who had a right to royalties from the sale of their share of the royalties....unless you want to try to make the argument that people only buy bootleg copies of DVDs they'd otherwise do without entirely.

Sienna
 
Posted by irreverentkit (# 4271) on :
 
Intellectual property is in fact, property. It may not be tangible (sorry you all didn't like my produce/gasoline examples), but it is still property under the law.

If you don't pay for use of it, the person who owns it is deprived of his or her legal income from it, which they would have gained had you BOUGHT it instead of STEALING it.

There are plenty of MP3s out there that the artists offer for free. There is a lot of shareware out there that the programmers offer for free (check out snood.com, my personal fave). It is their choice to share with the rest of the world, to relinquish their right to profit from their creations.

But until they do, the right to use that intellectual property belongs to the copyright holder.

There is no moral high ground for people who download music illegally. Why not just say you steal music and be honest about it?
 
Posted by Rain Dog (# 4085) on :
 
quote:
Originally posted by irreverentkit:
Intellectual property is in fact, property. It may not be tangible (sorry you all didn't like my produce/gasoline examples), but it is still property under the law.

Well your examples were frankly pretty shit - none of them looked at intellectual property as I pointed out. Find appropriate parralels if you don't want them shot down...

quote:

There are plenty of MP3s out there that the artists offer for free. There is a lot of shareware out there that the programmers offer for free (check out snood.com, my personal fave). It is their choice to share with the rest of the world, to relinquish their right to profit from their creations.

But until they do, the right to use that intellectual property belongs to the copyright holder.

Erm yes - we're all aware of that (previously discussed around Linux)

quote:
There is no moral high ground for people who download music illegally. Why not just say you steal music and be honest about it?
I don't think anyone is arguing that depriving an artist of income is wrong - it's just that some of us feel that many artists have been helped by P2P and that cultural knowledge of various musics has been enhanced by it. As I've previously stated I never keep mp3s or burn them into CDs since I'd rather support the artist than do that. If I were a thief I should stop doing that, stick to my murky principles and never buy a CD again, just freeloading forever more.

[ 05. June 2004, 21:56: Message edited by: Rain Dog ]
 
Posted by Rain Dog (# 4085) on :
 
Doh! I meant "depriving artists of income is right" not wrong
 
Posted by irreverentkit (# 4271) on :
 
quote:
Originally posted by Rain Dog:
As I've previously stated I never keep mp3s or burn them into CDs since I'd rather support the artist than do that. If I were a thief I should stop doing that, stick to my murky principles and never buy a CD again, just freeloading forever more.

Others have not said this. And there are plenty of other people in the world who don't pay, who do keep their files and who do burn their CDs and insist that somehow they are right to do that because the music industry is corrupt.

I am not a musician. But I was a professional writer for 20 years, and my husband is a programmer. We trade in intangibles. They are our goods for sale. Just because you can't touch them, or because you think that the industry that handles them is corrupt does not make them any less our stock in trade.
 
Posted by RooK (# 1852) on :
 
quote:
Originally posted by Papio.:
RooK - if you don't agree with me, please say why. Cheers.

Papio, before I made this statement you seemed to by saying that there was nothing wrong with downloading illegal MP3s. This is just clearly not so, because the concept of intellectual property is a well-established one. The rights of those owning a song include not letting anyone "sample" it without buying a CD. Sure, it seems like a stupid business model that will probably fail, but that's what our society has agreed upon, and consumers don't have a say about it. Go to iTunes and behold the high-quality bounty, with free samples.

Referring to GoAnneGo's raw downloads numbers for songs, I'd like to point out that companies drool unabashedly at TV commercials that are anywhere near that kind of audience size. A radio station with that kind of listenership would be getting its ass kissed belovedly by the record companies. At the risk of becoming too Purgatorial, I'd like to suggest that the music companies spending who-knows-how-much to ineffectually stanch this tide of free advertising have their business model all fucked up. It shouldn't be about creating prepackaged bits of artistic property for sale; it should be about entertaining and charming people out of their money.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:
quote:
Originally posted by Papio.:
RooK - if you don't agree with me, please say why. Cheers.

Papio, before I made this statement you seemed to by saying that there was nothing wrong with downloading illegal MP3s. This is just clearly not so, because the concept of intellectual property is a well-established one. The rights of those owning a song include not letting anyone "sample" it without buying a CD. Sure, it seems like a stupid business model that will probably fail, but that's what our society has agreed upon, and consumers don't have a say about it. Go to iTunes and behold the high-quality bounty, with free samples.
Thank God, I finally feel like someone's read what I wrote.

quote:
Referring to GoAnneGo's raw downloads numbers for songs, I'd like to point out that companies drool unabashedly at TV commercials that are anywhere near that kind of audience size. A radio station with that kind of listenership would be getting its ass kissed belovedly by the record companies. At the risk of becoming too Purgatorial, I'd like to suggest that the music companies spending who-knows-how-much to ineffectually stanch this tide of free advertising have their business model all fucked up. It shouldn't be about creating prepackaged bits of artistic property for sale; it should be about entertaining and charming people out of their money.
Free advertising? Free advertising? All these downloads aren't free advertising! And just when you started to seem smart enough to tie your own shoes, too. While the "older" generation do tend to go buy CDs after sampling (or not buying the CD if they don't like it), 20 million illegal copies made a day of something isn't "free advertising." It is the equivalent of taking a book and xeroxing off an exact copy for free and handing it to someone, and repeating it 20 million times using who knows what combination of how many different books (it isn't the same song being downloaded 20 million times). They might buy an original copy, but then again if they have an MP3 player and not a CD player (as most of the 'kids' I know these days do) then why would they buy the CD at all? So the business moves from selling vinyl to selling 8tracks (remember those?) to selling cassettes to selling CDs and then the market got ahead of itself as the consumers wanted MP3s before the companies could sell them and apparently the markets abhor a vaccuum. Advertising gets people to buy something - illegal downloads take revenue away from artists. Yes, it also takes it away from record companies with evil business models, but that's nothing new. "Record companies are evil" is just an excuse used by people to justify their illegal copying. If they truly didn't want to support the record company, they would do a lot of things differently. Taking money away from record companies just sets artists free without a dime to.....generally wind up waiting tables somewhere if they haven't already made their millions on royalties.

The record companies are trying to staunch this tide because their bottom line is affected - end of story. As you yourself pointed out, you might not like the business model but that's what society has given us. Personally, I think the business model sucks and find it exciting that the the internet gives us the ability for artists to take better control over their careers and music.

Frankly, I don't really know a basic corporation anywhere that isn't based on exploiting the worker - this was the whole appeal of communism and if I recall correctly it was also a large part of the appeal of the intital dot com boom, but I digress. If you don't want to support the company, then you don't support that company, but you don't steal from it. That makes you to my mind even more exploitive than the company, because not only are you exploiting the hard work of others, you're not compensating them in any way shape and form for it, you're just stealing.


And Papio, I'll tell you for the gazillionth time (and no doubt you'll repeat yourself again anyway) - part of the horrid business model that no one likes except companies that are trying to sell you something is that before, you would have bought the CD to see if you liked it. You still might not have liked it, but you'd already have bought it. Now, through your sampling, you haven't bought it, and thus you've deprived someone of money. Maybe you wouldn't have bought the CD every time, but I'm willing to bet that if you look back through your CD collection there's CDs in there that had you used your P2P sampling, you would not have bought. But you bought them anyway. Because this is no longer happening, you're depriving someone of income. And again, I'll say, there's legal ways to sample the songs or even the whole CD, so why not just use those?

[How about you spend some time in the Styx practicing UBB before I get really testy?]

[ 06. June 2004, 03:28: Message edited by: RooK ]
 
Posted by RooK (# 1852) on :
 
quote:
Originally posted by Go Anne Go:
Thank God, I finally feel like someone's read what I wrote.

See, now, this just makes you look stupid. Perhaps if you actually engage with what I'm writing you might not have to get as shrill as you do next...

quote:
Free advertising? Free advertising?
For those intelligent enough to recognize it, yes, that's exactly what it could be.

quote:
"Record companies are evil" is just an excuse used by people to justify their illegal copying.
I hope you're not saying this to me. I said they're stupid, not evil. I'm also saying that you're stupid, and lacking the requisite panache to be evil.

quote:
The record companies are trying to staunch this tide because their bottom line is affected - end of story.
Wow. Did you figure that out by yourself, or were you taught that in one of your 3.5 degrees?

The situation reminds me of how much the Big Three auto makers screamed bloody murder when evil "under-priced" imports caused their profits to spiral down the tube. They must have spent billions on lobbyist groups to crank up import duties. The amusing thing was that people were actually buying the imports, despite the hardships, because all the domestic vehicles were complete shit in comparison. They didn't pull themselves out of that slump until they started making products of comperable quality. My point? Now that consumers can buy single songs without wasting money on stuff they don't like, record company profits are going to spiral downward anyway, and their current desperation is just a waste of their money. Still, scape goats are handy - just don't expect me to care when they arbitrarily mention losses in the same sentence with illegal downloads.

quote:
Frankly, I don't really know a basic corporation anywhere that isn't based on exploiting the worker...

<Pardon me while I tune out marxist rant. I've got toenails to clip.>

...you're just stealing.

Again, are you referring to me? I'm paying for my downloads, thankyouverymuch. I just don't particularly care how the low-quality, spyware-ridden, hacker-infested P2P systems effect the music market. I agree that it's wrong, and wouldn't disagree with making those found guilty pay the buck-per-track plus some punitive fine. I'm arguing that it's a waste of time.

Of course, considering that you're resorting to arguing that record companies have a right to trick people into paying for something they don't actually want as a legitimate business model, wasting time appears to be one of your degrees.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Free advertising? Free advertising?
quote:
For those intelligent enough to recognize it, yes, that's exactly what it could be.
Sure, I suppose it could be. Much the same way you could be an intelligent human being. As in if you got a brain transplant. The simple fact is that while certain forms of downloads from legitimate websites are used as advertising, p2p file sharing networks aren't advertising.

quote:
"Record companies are evil" is just an excuse used by people to justify their illegal copying.
quote:
I hope you're not saying this to me. I said they're stupid, not evil. I'm also saying that you're stupid, and lacking the requisite panache to be evil.
Since I've never actually aspired to be evil, I'm reassured that you think I won't be. "Record companies are stupid" is also an excuse used by people to justify their illegal copying. That and fools who don't know advertising from theft.

quote:
The record companies are trying to staunch this tide because their bottom line is affected - end of story.
quote:
Wow. Did you figure that out by yourself, or were you taught that in one of your 3.5 degrees?
Strangely enough, I brought it up because everyone else seems to keep wondering why the record companies want to take down the P2p networks. Because it effects their bottom line. Big fat suprise, but people seem to fail to comprehend this!

quote:
The situation reminds me of how much the Big Three auto makers screamed bloody murder when evil "under-priced" imports caused their profits to spiral down the tube. They must have spent billions on lobbyist groups to crank up import duties. The amusing thing was that people were actually buying the imports, despite the hardships, because all the domestic vehicles were complete shit in comparison. They didn't pull themselves out of that slump until they started making products of comperable quality. My point? Now that consumers can buy single songs without wasting money on stuff they don't like, record company profits are going to spiral downward anyway, and their current desperation is just a waste of their money. Still, scape goats are handy - just don't expect me to care when they arbitrarily mention losses in the same sentence with illegal downloads.
This has to be the dumbest analogy you've come up with yet. The car issue was about price, and then quality on a fungible every day consumable, and the net effects of product dumping and trade law/policy. This is about maximizing revenue on an intangible good. Record company profits will most likely increase as they respond accurately to what the market wants. At the moment, they don't know musically what the market wants, but when they find/create the next big wave (punk/latin/hip hop/boy bands/the re-birth of Ozzy/Kiss/Britney) they do need to be poised to make money on it.

quote:
Frankly, I don't really know a basic corporation anywhere that isn't based on exploiting the worker...

<Pardon me while I tune out marxist rant. I've got toenails to clip.>

...you're just stealing.

quote:
Again, are you referring to me? I'm paying for my downloads, thankyouverymuch. I just don't particularly care how the low-quality, spyware-ridden, hacker-infested P2P systems effect the music market. I agree that it's wrong, and wouldn't disagree with making those found guilty pay the buck-per-track plus some punitive fine. I'm arguing that it's a waste of time.

Of course, considering that you're resorting to arguing that record companies have a right to trick people into paying for something they don't actually want as a legitimate business model, wasting time appears to be one of your degrees.

I'm sorry, at what point did I say that? I'm all for iTunes and better consumer choice. I, too, have paid plenty for one hit CDs where the rest of them sucked. I'm just perpetually suprised that people seem to think that the music company business model is something new. It is one of the reasons why there are separate albums and singles charts. People buy books they think will be good, which turn out to suck after the opening chapter. It's one of the reasons Microsoft tried to bundle explorer in with its OS. You may think I'm stupid and a time waster, but you're obviously pig-ignorant as to how the real world works.

[You fucked up your code, AGAIN? Is there anything simple enough for you to learn, besides corporate dogma?]

[ 06. June 2004, 20:47: Message edited by: RooK ]
 
Posted by Joykins (# 5820) on :
 
I'm following this debate with interest because my husband is an independent musician with his own label, who does most of his marketing online.

As in the debate here, indie musicians' opinions are divided on the topic of illegal downloads. Some view it as expanding their fan base, while others see it as lost sales.

I asked my husband what he thought and he seemed most bothered by, get this, the deterioration in sound quality that happens when one person rips an mp3 from a cd (lowering the bit rate or some such thing) and sets it up on a P2P. [Killing me]

His label did experiment with free downloads. The downloads were posted, and a totally optional "click to donate to support this project" was set up. He got hundreds of dollars in donations.

Joy
 
Posted by RooK (# 1852) on :
 
One last chance, GoAnneGo, to see if you can manage to follow my point without just resorting to your mantra. After this, I'm probably just going to start insulting you recreationally.

quote:
Originally posted by Go Anne Go:
The simple fact is that while certain forms of downloads from legitimate websites are used as advertising, p2p file sharing networks aren't advertising.

ad·ver·tise
v.tr.
To make known; call attention to.

How's that for a simple fact? How hard would it be to release low-bitrate versions of songs into the wild on P2P, with a tag soundbyte mentioning where they can buy a high-quality version? I'm guessing... pretty fucking easy. And it would be advertising, and it would be free. If you could have rubbed the minimum number of braincells together to think of it. I really have to stop assuming you can get subtle suggestions.

quote:
This has to be the dumbest analogy you've come up with yet.
And yet, you seemed to miss the point of it - the fundamental point that fighting P2P isn't going to be worth the trouble. Tell us honestly: considering the time and money spent on "cracking down" on P2P, how much actual return on investment do you think it has earned?

quote:
I'm sorry, at what point did I say that?
Here:
quote:
Originally posted by GoAnneGo:
And Papio, I'll tell you for the gazillionth time (and no doubt you'll repeat yourself again anyway) - part of the horrid business model that no one likes except companies that are trying to sell you something is that before, you would have bought the CD to see if you liked it. You still might not have liked it, but you'd already have bought it. Now, through your sampling, you haven't bought it, and thus you've deprived someone of money. Maybe you wouldn't have bought the CD every time, but I'm willing to bet that if you look back through your CD collection there's CDs in there that had you used your P2P sampling, you would not have bought. But you bought them anyway. Because this is no longer happening, you're depriving someone of income.

quote:
People buy books they think will be good, which turn out to suck after the opening chapter.
Uh-oh! Now she's after the book-sharing establishment - public libraries!!!

quote:
You may think I'm stupid and a time waster, but you're obviously pig-ignorant as to how the real world works.
No, I'm painfully aware that the "real world" is stuffed full of stupid, time-wasting people. Doesn't mean I have to agree with it.

So, I think I've finished explaining why I think P2P music-sharing is really only a minor issue. Don't bother trotting out any more revenues numbers that would make global-warming climatologists cringe uncomfortably. I recognize that you disagree, and that's fine, especially considering your background. But if you insist on trying to chase this around one more circle of witless repetition, I assure you that all future turns will be ugly.
Yeah, I know that sounds lamely threatening. Amusingly, seasoned Denizens will probably recognize it as one of my rare moments of being considerate.
 
Posted by Nonpropheteer (# 5053) on :
 
The fact is that a service allowing us to pay for single downloadable tracks would never have been made available without the "illegal" file trading that blossomed. Were it not for bootleggers and the government's inability to control them, we would still have prohibition.

The American (indeed the world) public wants to be able to download individual tracks and avoid all that crap that record companies use to fluff up their sales and CD sizes. It is only through the efforts of those willing to take the risk that we gain freedom from corporate corruption and greed. I'm willing to risk 99 cents on an artist to find out if I am interested in their work, but I will never go spend $20 just for a test drive. Especially since most places will not let you return a used CD.

Thank you mp3 pirates, for making the record companies finally come around to giving me a true choice about the music I listen to.
 
Posted by Sarkycow (# 1012) on :
 
So the ends justify the means?

Argue all you want about whether the system is right, ethical, fair, good, what-have-you. Bottom line is that those who illegally download music are breaking the law. That's kinda given in the 'illegally' part.

So, Papio, argue all you want about whether the law is right or wrong. If you think it's wrong, and therefore that you're morally justified in breaking it, then you should also be ok about accepting the consequences. Just don't whine that it's really ok to break the law, and you shouldn't be punished for it.

Three pages of the same tedious whirligig whining and rebuttals. God it's boring.

Sarkycow
 
Posted by duchess (# 2764) on :
 
I won't post anymore except to say I am enjoying more and more how pro-capitalist bourgeois RooK is getting as Go Anne Go provokes him to hit that hockey puck into the goal tender. Yowza! [Devil]

I will refrain though from anymore comments since I hate being 100% in agreement with him so I can say no more. [Hot and Hormonal]
 
Posted by Rat (# 3373) on :
 
Cycling on the pavement is illegal, because some people do it inappropriately and inconsiderately. But on a narrow country road that is packed with cars and empty of pedestrians the only sensible thing for a cyclist do to is hop up on the footpath. Everybody wins - the road isn't obstructed, the drivers don't get frustrated and overtake on a corner, and the cyclist doesn't get splatted.

Sure, if the police decided to come along and arrest you, you wouldn't have a leg to stand on, you are breaking the law and would just have to pay the fine. Does that make it morally wrong and worthy of vilification?

Luckily, the police generally have better things to do than run around arresting cyclists for behaviour that is harming no-one and benefiting everyone. It sounds like record companies would do well to follow their example, stop pouring money into fighting a losing battle against minor downloaders and make album tracks available to download as a loss-leader to encourage sales. Bearing in mind that someone who downloads a track and likes it will very likely not just buy that particular CD, but future releases by that band as well.
 
Posted by Mousethief (# 953) on :
 
From where I sit it seems that the genie is out of the bottle and the record companies really can't do a hell of a lot about it. Sure they can wave scary lawsuits around but that only alienates their customer base and makes people less likely to want to obtain music in the proper and legal manner.

Sure they've been getting away with obscene profit levels but that's really beside the point. This would have happened even if they weren't making obscene profits. The technology came along for p2p music sharing, and it caught the record companies napping, and now they're in a quandry over how best to do damage control.

Frankly I'm glad I'm not in their shoes. I think that 20 years from now there won't be any record companies; every artist will promote his own music and get paid directly. The record companies will go the way of the buggy whip manufacturers. They are becoming, and will soon be completely, obsolete.

No wonder they're so upset. Poor souls.
 
Posted by Ian M (# 79) on :
 
This idea that the Internet etc. will make the music and book publishing industries obsolete just doesn't go away, does it? And yet so far for books at least the Internet has just led to increased sales of paper books - and some electronic sales as well.

The problem is that if everyone's free to promote their own novel or songs, the choice gets so overwhelming that you're likely to end up with everyone plumping for the safest possible option (or you get companies set up to spot the talent, develop it and bring it to people's attention - ie. to publish it, in whatever form that may be).

Anyway, I've read all through this thread with the intention of contributing, but it's been done for me - just as the record companies used CDs (with their 'improved' technology) to make everyone re-purchase stuff they already owned on LP, so surely they now need to develop a better-than-CD download technology that they can have an exclusive on to promote proper quality recordings of their artists' work? After all, MP3s aren't even as good as CDs anyway... Or just make low-bit-rate files available really readily, and sell the MP3 versions.

It's frankly pathetic how long it's taken for record companies to get anything worked out with regard to electronic distribution of music files, and it's hardly surprising people have taken it into their own hands. But as/if people can get hold of stuff legally with ease and at reasonable prices, most will end up doing that.

Tactility is the only other thing they could consider - I still love LPs for the physical involvement you have with getting the record out, the space for artwork etc. on the sleeve; and CDs have some of that, and it helps one when considering what to listen to, rather than just having a long list of artists and tracks as when files have been bought over the internet.

I guess we could end up with MP3 download plugs in record shops and you could get given the 'album cover' at the same time; but would there be any equivalent for electronic purchases?

Ian
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:
One last chance, GoAnneGo, to see if you can manage to follow my point without just resorting to your mantra. After this, I'm probably just going to start insulting you recreationally.

Oh, like you haven't already?

quote:
Originally posted by RooK:
quote:
Originally posted by Go Anne Go:
The simple fact is that while certain forms of downloads from legitimate websites are used as advertising, p2p file sharing networks aren't advertising.

ad·ver·tise
v.tr.
To make known; call attention to.

How's that for a simple fact? How hard would it be to release low-bitrate versions of songs into the wild on P2P, with a tag soundbyte mentioning where they can buy a high-quality version? I'm guessing... pretty fucking easy. And it would be advertising, and it would be free. If you could have rubbed the minimum number of braincells together to think of it. I really have to stop assuming you can get subtle suggestions.

And if you could only learn basic reading comprehension, and thus the difference between what *IS* and what *COULD BE.* I said p2p currently isn't advertising. You said it could be. Sure, it could, but it isn't. Dumbass.

quote:
Originally posted by RooK:
quote:
Originally posted by Go Anne Go:
This has to be the dumbest analogy you've come up with yet.

And yet, you seemed to miss the point of it - the fundamental point that fighting P2P isn't going to be worth the trouble. Tell us honestly: considering the time and money spent on "cracking down" on P2P, how much actual return on investment do you think it has earned?
Actually, I think it has earned quite a bit. First of all, it gave people an actual incentive to use legal methods to download instead of illegal ones. Secondly, it did stop a number of people from using the networks or thinking about using it - what lawyers refer to as a "sand in the eyes" feature, sort of like all that small print disclaimer stuff you get on everything these days. The vast majority of it isn't enforcable, but if it prevents a lawsuit or something being used for an incorrect purpose than companies deem it worth it. While the crack down isn't to prevent consumers suing the music companies, it does stop at least some people from using p2p for illegal purposes for fear of being sued. Thus, money saved. P2P also needed to be cracked on for other reasons. While there are legitimate uses for P2P, interestingly the biggest problem on P2P is not actually music downloads any more. It is porn, and particularly child porn. And while the music industry has been most vocal about its crackdowns (which are aimed more at the little guy) the sex industry has profited more from the internet than anyone else. Sad (in my opinion) but true. And quietly, the sex industry is cracking down on Kazaa and others because of their copyrights being violated and their profits diminishing. And of course police forces are cracking down as well in order to prevent transfer of child porn.

quote:
Originally posted by RooK:
I'm sorry, at what point did I say that?

Here:
quote:
Originally posted by GoAnneGo:
And Papio, I'll tell you for the gazillionth time (and no doubt you'll repeat yourself again anyway) - part of the horrid business model that no one likes except companies that are trying to sell you something is that before, you would have bought the CD to see if you liked it. You still might not have liked it, but you'd already have bought it. Now, through your sampling, you haven't bought it, and thus you've deprived someone of money. Maybe you wouldn't have bought the CD every time, but I'm willing to bet that if you look back through your CD collection there's CDs in there that had you used your P2P sampling, you would not have bought. But you bought them anyway. Because this is no longer happening, you're depriving someone of income.

Papio wanted to know how he was depriving someone of money, I told him. Again, learn to read.

quote:
Go Anne Go:
People buy books they think will be good, which turn out to suck after the opening chapter.

quote:
RooK:
Uh-oh! Now she's after the book-sharing establishment - public libraries!!!

I'm hardly after the book-sharing establishment, and in fact I donated over $500 worth of books to my local public library on Saturday. What I'm pointing out is that the music industry business plan is hardly unique. I really think you need to get the concept of legal uses of copyrighted material straight before you get so freaking preachy. Of course, that would involve your being able to read.

[Clearly you can't read fuckwit, as you haven't bothered using Preview Post on your last 10 posts.]

[ 07. June 2004, 17:15: Message edited by: Sarkycow ]
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Mousethief:
From where I sit it seems that the genie is out of the bottle and the record companies really can't do a hell of a lot about it. Sure they can wave scary lawsuits around but that only alienates their customer base and makes people less likely to want to obtain music in the proper and legal manner.

Actually, I think that it has more put people in a position to obtain music in a legal manner, once they finally wised up to offer it to them.

quote:
Sure they've been getting away with obscene profit levels but that's really beside the point. This would have happened even if they weren't making obscene profits. The technology came along for p2p music sharing, and it caught the record companies napping, and now they're in a quandry over how best to do damage control.

Frankly I'm glad I'm not in their shoes. I think that 20 years from now there won't be any record companies; every artist will promote his own music and get paid directly. The record companies will go the way of the buggy whip manufacturers. They are becoming, and will soon be completely, obsolete.

No wonder they're so upset. Poor souls.

Yup. Pretty much. I do think this is what is going to happen to the music industry, but I do also think that this particular fight they're fighting will help those individual artists when they're out there selling their songs.

[And again you fuck up worse than a newbie troll. Try the practice thread in the Styx.]

[ 07. June 2004, 17:18: Message edited by: Sarkycow ]
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Ian M:
This idea that the Internet etc. will make the music and book publishing industries obsolete just doesn't go away, does it? And yet so far for books at least the Internet has just led to increased sales of paper books - and some electronic sales as well.

The problem is that if everyone's free to promote their own novel or songs, the choice gets so overwhelming that you're likely to end up with everyone plumping for the safest possible option (or you get companies set up to spot the talent, develop it and bring it to people's attention - ie. to publish it, in whatever form that may be).

Anyway, I've read all through this thread with the intention of contributing, but it's been done for me - just as the record companies used CDs (with their 'improved' technology) to make everyone re-purchase stuff they already owned on LP, so surely they now need to develop a better-than-CD download technology that they can have an exclusive on to promote proper quality recordings of their artists' work? After all, MP3s aren't even as good as CDs anyway... Or just make low-bit-rate files available really readily, and sell the MP3 versions.

It's frankly pathetic how long it's taken for record companies to get anything worked out with regard to electronic distribution of music files, and it's hardly surprising people have taken it into their own hands. But as/if people can get hold of stuff legally with ease and at reasonable prices, most will end up doing that.

Tactility is the only other thing they could consider - I still love LPs for the physical involvement you have with getting the record out, the space for artwork etc. on the sleeve; and CDs have some of that, and it helps one when considering what to listen to, rather than just having a long list of artists and tracks as when files have been bought over the internet.

I guess we could end up with MP3 download plugs in record shops and you could get given the 'album cover' at the same time; but would there be any equivalent for electronic purchases?

Ian

The thing about MP3s is that they don't sound at their best on CDs, they sound best on an MP3 player. Which you're right, doesn't have the tactile feel, which is why e-books haven't taken off yet. And self publishing leads to the "how do I find anything good?" issue. I have spent some time reading books submitted to an agent to see if the agent will take them and let me tell you, the most horrid published books you've read out there were a WHOLE LOT better than these. So how do you tell what you might want to read.

Future careers looking on the upswing: book reviewier, and some sort of "Google" type thing that helps sort out the good from the bad from the ugly. The way it currently stands, I think that paper books will continue to be the way for rather a long while - there's no substitue for flipping pages. But I think that the book industry will move more and more towards self publishing, similar to the music industry. That's where new forms of reviewing are going to become very crucial.
 
Posted by RooK (# 1852) on :
 
quote:
Originally screeched by GoofAnneGoof:
Oh, like you haven't already?

Smeglick to English translation: Kick me.

OK.
Your clueless persistance with the exact same failed thrusts indicate that you are either insane, or an amazing world-class moron. Yes, I acknowledge that both P2P music sharing and jaywalking are illegal, I just don't care and I think it's a waste of resources to pursue. You have failed, again and again, to produce any reason why I should care or convincing argument about why it would be worthwhile.

So, if you've used the exact same argument already, and I don't agree - what non-functional little excuse of a neuron makes you think that saying the same stupid shit again is going to be convincing this time? Maybe you think that the added panache of totally fucking up the formatting such that your useless comments are buried in garble will make them more entertaining for me? Maybe having to fix the code on virtually every moronic post you make will warm me up to the idea of puerile litigation against 12-year-olds?

Guess what, you unfortunately-unspilled-blot-of-semen, that doesn't work very well. I hope you try this sort of arguing technique while you're working for the record companies, because your ineptitude will certainly hasten the end of this stupidity.

To summarize: Go clumsily fuck yourself with a rusty garden rake, you annoyingly shrill little felchdrip.
 
Posted by Norman the Organ (# 5477) on :
 
[tangent]

My God, is there some sort of award for screwing up code about ten times on the same thread? [Eek!]

[/tangent]
 
Posted by Go Anne Go (# 3519) on :
 
Quite simply put, to apply RudE's arguments against himself, since I think Preview Post and UBB code are a big waste of time, I don't have to worry about them, and none of his apathetic little attacks are going to make me care either, although it tickles me muchly that he feels the need to go back and re-edit them!
 
Posted by Nonpropheteer (# 5053) on :
 
quote:
Originally posted by Sarkycow:
So the ends justify the means?

Argue all you want about whether the system is right, ethical, fair, good, what-have-you. Bottom line is that those who illegally download music are breaking the law. That's kinda given in the 'illegally' part.

Sarkycow

Sometimes the ends do justify the means, especially when the law is being used to abuse people. While obviously p2p file sharing is not on the same 'injustice' scale as as some laws that have been passed, it is only by breaking laws (such as Rosa Parks did in the '60s) that an progress is made in the law. The consumer now has options. Options that the record lables never would have made available to them if they didn't have to.

With choices, the consumer has the power to decide how much of their money gets spent where.

I'm genuinely surprised that so many democratic/ socialist types would support laws that protect greedy, corrupt, price-gouging corporations. (*not putting that lable on you, specifically, Sarky... it just occured to me as I skimmed back through some of the posts.)
 
Posted by RooK (# 1852) on :
 
To G.A.G:
Fair enough. I never said you must use code correctly, just that you appeared stupid because of it.

What I'm wondering now is if you're this tense and bitchy because you can't get laid, or if you can't get laid because you're this tense and bitchy. It's probably one of those chicken-and-egg things though, right? Kind of like you failing to comprehend my points because you're stuck in your dogmatic little wheel, and you're stuck in your dogmatic little wheel because you fail to comprehend my points. Whatever. Keep on spinning that squeaky little wheel all you want, if it makes you feel better.
 
Posted by Nightlamp (# 266) on :
 
Go Anne Go finds a new excuse for being incompetent.

{typo}

[ 07. June 2004, 22:02: Message edited by: Nightlamp ]
 
Posted by Sarkycow (# 1012) on :
 
Me, I was just asking a question. Oh, and pointing out that disputing whether it's illegal or not is rather stupid. Arguing whether it's moral, right, good, what-have-you - these are infinitely better arguments to have.

Beyond that, I haven't got a dog in the fight.

Sarkycow
 
Posted by Norman the Organ (# 5477) on :
 
Oooooo - a full house of Hellhosts, all in a row. What do we win? [Big Grin]
 
Posted by Sarkycow (# 1012) on :
 
The pleasure of us ripping some stupid poster a whole new asshole [Big Grin]
 
Posted by Norman the Organ (# 5477) on :
 
Ahh, I see.

Do carry on [Two face]
 
Posted by Sine Nomine (# 3631) on :
 
quote:
Originally posted by RooK:
What I'm wondering now is if you're this tense and bitchy because you can't get laid, or if you can't get laid because you're this tense and bitchy.

Have you thought about calling her "missy" yet?
 
Posted by Norman the Organ (# 5477) on :
 
Ah, Sine, but he has to go through the lesser insults, like "fucktard", first.
 
Posted by Mertseger (# 4534) on :
 
quote:
Originally posted by Norman the Organ:
Ah, Sine, but he has to go through the lesser insults, like "fucktard", first.

Actually, I thought "felchslurp" was his most inspired recent invention. Truly, I'd rather see RooK swinging for the fences than going through the rote -tards, and -wits and so forth even if doing so results in the occasional auger controversy.

[edit: spelling]

[ 07. June 2004, 22:22: Message edited by: Mertseger ]
 
Posted by Pyx_e. (# 57) on :
 
quote:
Originally posted by Sarkycow:
The pleasure of us ripping some stupid poster a whole new asshole [Big Grin]

quote:
Originally posted by Norman the Organ:
Ahh, I see.

Do carry on [Two face]

She was talking about you asshat, sheesh.

P
 
Posted by Mousethief (# 953) on :
 
I truly don't understand this "how do I find anything good?" problem y'all are touting. Like there isn't an ocean of trash, both in books and music, already? And that's why God made critics and book clubs. I just can't see as many drawbacks to the demise of the music publishing industry as y'all are fantasizing.
 
Posted by Nonpropheteer (# 5053) on :
 
Have you ever been a member of a book club, MT?

They were created by the devil, not God.
 
Posted by Mousethief (# 953) on :
 
Hush.
 
Posted by Duo Seraphim (# 3251) on :
 
You know, all the debate about lost CD sales caused by illegal mp3 downloads ignores the revenue streams made by records companies and artists through licensing music for public performance eg radio, broadcasting, television commercials,lift music etc. Then there's inclusion of the sound recording or performance of a musical work in film scores, commercials, home videos, sheet music and so on.

In fact, given the "deductions" on an artist's royalty stream on CD sales, music licensing starts to look good for an artist.

And those revenue streams happen to be unaffected by the level of music downloads. Personally, I think the record companies will survive. There are certain economies of effort in their relationships with radio stations, cable etc and their ability to push and promote new talent.

I have some sympathy with the "promotion" and "try before you buy" arguments for illegal downloads. Doesn't make unlicensed downloads any less copyright infringement. That role can be played by legal sites like iTunes, which do this well.

Likewise all creators have the right to control the exploitation of the results of their intellectual effort. Right now, the imperfect legal way we do that is by the imperfect intangible property right of copyright vested originally in the author (or author's employer) and by performance right and by moral rights (right to be identified as author,(or not to be identified) and the right to object to derogatory treatment of a work, affecting one's reputation and honour as an author). Then there's the "diversity" argument: the question of the artist simply using the technology to promote and distribute their works, where the record companies won't - Prince being the outstanding example here.

Put bluntly copyright infringement is illegal, along with a whole other bunch of things, including speeding and murder. Legislation doesn't stop illegal things happening. I don't download illegal mp3s, because being caught might have adverse effects on my ability to practice law, and, given what I do to earn a buck, it would make me a hypocrite.

End of copyright jurisprudence 101 and Purgatorial argument. Returning you to your usual Hell service...

[die,typo,die]

[ 08. June 2004, 03:46: Message edited by: Duo Seraphim ]
 
Posted by Papio. (# 4201) on :
 
quote:
Yes, I acknowledge that both P2P music sharing and jaywalking are illegal, I just don't care and I think it's a waste of resources to pursue. You have failed, again and again, to produce any reason why I should care or convincing argument about why it would be worthwhile.

I think I will let this stand for me, too.

When has anybody claimed that P2P were legal?
 
Posted by Sioni Sais (# 5713) on :
 
This may not be more than a pointless interjection but the BBC News website has a line about publishers ignoring valuable e-book sale opportunities.

It is however attributed to an e-book seller so, once again it can be put down to vested interests. No surprise there.

Publishers (and e-book sellers) want to control the market, people who don't want to pay stacks of cash to acquire things legally when they feel they can get it free with little risk want the whole area levelled out so that the need or desire to copy illegally is reduced or removed and I'm sure that many copyright lawyers recognise the need for some change in the law because historically it takes technological advances to force changes in copyright law.
 
Posted by Nonpropheteer (# 5053) on :
 
I look at it this way: Take the money out and get a better product.

Football was better before the first player was signed to a million dollar contract. I still enjoy watching college and high school ball better because those players want to be there even knowing that they may never recieve any reward or acknowledgement for their service.

Movies were better before stars began getting paid their "fair share" and they had to want to work for more reasons than just the money involved. Small theaters with underpaid actors still produce some of the best performances.

Music was and is still better from less popular, under-or-no paid bands.

Broadband and p2p are here to stay. Hopefully record and film companies are becoming a thing of the past and artists will end up in a position where they get paid directly from the consumer rather through a series of executives and accounts who all syphon off the fat. Then, we'll start seeing the re-emergence of good, imaginative, fresh, films and music.

viva la revolución!
 
Posted by Go Anne Go (# 3519) on :
 
Ah, go away for a day and see what I miss.

What I truly love is that what RooK and Papio claim to not care about, they'll spend hours ranting against me on here and speculating on my sex life. Hee hee hee! But claim not to care about whether or not / goes before or after some bit of code and RooK's knickers get all in a twist. Why? Because he feels compelled to go fix it. So it is obviously worth *his* time to go correct my typos, but not worth my time to go and get paid for pursuing copyright law. Which, given his ignorant statements about things in the public domain, libraries, and things that could constitute advertising but aren't (sort of in the way that one *could* build a railroad to the moon, but it isn't there right now), it is probably just as well that he stays out of it, as he's really uninformed in this field, not to mention unwilling to learn anything.

Here's what I don't get. RooK claims he doesn't care about it, and thinks it is a waste of time to pursue illegal measures. BUT he's willing to waste his time here arguing with me about it, AND he claims that his downloads are all legal, so there's something motivating him to do it legally, and judging by his general obnoxiousness, it isn't his undue respect for authority. So I'd love to know what it actually is. I'm not trying to be obnoxious here - I'm generally curious.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Papio.:
quote:
Yes, I acknowledge that both P2P music sharing and jaywalking are illegal, I just don't care and I think it's a waste of resources to pursue. You have failed, again and again, to produce any reason why I should care or convincing argument about why it would be worthwhile.

I think I will let this stand for me, too.

When has anybody claimed that P2P were legal?

P2P itself is quite legal. It is whether or not the materials being copied may be copied legally. If they can (public domain, permission of the copyright holder, etc) then there is no legal issue. If they cannot, and P2P is allowing the illegal copying, then there are damages for copyright infringement, which depending on a) the financial resources of the P2P network and b) the amount of illegal copying, may bring down the company with that particular system. Should P2P bring up a sort of system where only authorized marterials are copied, the record companies, porn companies, film companies and authors will leave it alone, and indeed I dare say embrace it more.

To analogize the issue, cars are legal. Hitting people with cars, speeding, driving without insurance, etc are illegal. But if you follow the laws, you're unlikely to have any legal problems.

[ 09. June 2004, 16:16: Message edited by: Go Anne Go ]
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Sioni Sais:
This may not be more than a pointless interjection but the BBC News website has a line about publishers ignoring valuable e-book sale opportunities.

It is however attributed to an e-book seller so, once again it can be put down to vested interests. No surprise there.

Publishers (and e-book sellers) want to control the market, people who don't want to pay stacks of cash to acquire things legally when they feel they can get it free with little risk want the whole area levelled out so that the need or desire to copy illegally is reduced or removed and I'm sure that many copyright lawyers recognise the need for some change in the law because historically it takes technological advances to force changes in copyright law.

Well, this copyright lawyer and many others like her feel that one of the first changes in the law that needs to be made is that the length of copyright needs to be cut back a little. I would say any laws generally attributable to Disney Corporation and officially attributable to Sonny Bono (the "Sonny Bono Copyright Extension Act" - yes, that Sonny Bono, of "I Got You Babe," formerly married to Cher) may be offically described as "Mickey Mouse" and a bad idea.
 
Posted by Sine Nomine (# 3631) on :
 
quote:
Originally posted by Go Anne Go:
But claim not to care about whether or not / goes before or after some bit of code and RooK's knickers get all in a twist. Why? Because he feels compelled to go fix it. So it is obviously worth *his* time to go correct my typos

Actually, and I find it surprising you don't know this, fixing code is one of the primary hostly duties. They do it to make it easier for the rest of us to read posts by people who are too lazy or uncaring to use preview post.
 
Posted by RooK (# 1852) on :
 
quote:
Originally posted by G.A.G.:
BUT he's willing to waste his time here arguing with me about it, AND he claims that his downloads are all legal, so there's something motivating him to do it legally, and judging by his general obnoxiousness, it isn't his undue respect for authority. So I'd love to know what it actually is. I'm not trying to be obnoxious here - I'm generally curious.

I like arguing. Especially when I'm more adept at it than a supposedly professional arguer.
I prefer the high-quality, spyware-free, secure products and service I get from iTunes. I grew annoyed with P2P MP3s because they were generally low quality, and it literally infested my machine with spyware.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:
quote:
Originally posted by G.A.G.:
BUT he's willing to waste his time here arguing with me about it, AND he claims that his downloads are all legal, so there's something motivating him to do it legally, and judging by his general obnoxiousness, it isn't his undue respect for authority. So I'd love to know what it actually is. I'm not trying to be obnoxious here - I'm generally curious.

I like arguing. Especially when I'm more adept at it than a supposedly professional arguer.
I prefer the high-quality, spyware-free, secure products and service I get from iTunes. I grew annoyed with P2P MP3s because they were generally low quality, and it literally infested my machine with spyware.

See, now that's a good reason, and nothing to do with the illegality or all of it. You should have brought that to the fore more in your arguments. You're not actually all that adept at arguing - your entire M.O. seems to be "I'm not going to put a decent arguement, I'm going to remain ignorant of the issue, and when called on this fact, I'm going to resort to name calling." I've watched guys like you advocate for clients. They usually wind up getting the judge pissed off at them, and this spells doom for their clients case.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by Sine Nomine:
quote:
Originally posted by Go Anne Go:
But claim not to care about whether or not / goes before or after some bit of code and RooK's knickers get all in a twist. Why? Because he feels compelled to go fix it. So it is obviously worth *his* time to go correct my typos

Actually, and I find it surprising you don't know this, fixing code is one of the primary hostly duties. They do it to make it easier for the rest of us to read posts by people who are too lazy or uncaring to use preview post.
So you living up to your duties (and I was aware of them, by the way) is not a waste of time, but my living up to mine is?
 
Posted by RooK (# 1852) on :
 
Perhaps if my purpose were to convince a judge, I would use a different method. My purpose has been to toy with you, and I've been fantastically successful.

I'd actually argue that the record companies are wasting their time with the whole process. Your personal involvement undoubtedly is primarily associated with getting paid by the record companies, so you're the best judge of whether that's worthwhile for you.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:
Perhaps if my purpose were to convince a judge, I would use a different method. My purpose has been to toy with you, and I've been fantastically successful.

I'd actually argue that the record companies are wasting their time with the whole process. Your personal involvement undoubtedly is primarily associated with getting paid by the record companies, so you're the best judge of whether that's worthwhile for you.

I hate to doubt your undoubted statement that it is/was primarily getting paid by the record companies - it offends my Marxist sensibilities. But you are in fact at least half wrong. I worked both sides of the fence, and generally had a more interesting time with the user, not the record company. As I pointed out before, when it all first started, it was far from clear whether or not Napster et al were part of copyright infringement. It was fascinating, and fun to see which way the law was going to evolve. It evolved a certain way, and once the judge made some initial rulings, it was clear where things were headed, and clarity helps the law. Although it didn't help my clients!
 
Posted by RooK (# 1852) on :
 
I'll concede that the "by the record companys" bit can be dropped.

I'll also concede that I'm somewhat surprised that you were able to be hired more than once. You haven't demonstrated even the insightfulness that I'd expect from an organ-grinding macaque.
 
Posted by Go Anne Go (# 3519) on :
 
quote:
Originally posted by RooK:
I'll concede that the "by the record companys" bit can be dropped.

I'll also concede that I'm somewhat surprised that you were able to be hired more than once. You haven't demonstrated even the insightfulness that I'd expect from an organ-grinding macaque.

Yeah, thems was the days. Ah, the dot.com boom. $2800 a week, every week, just for being me. How I loved it. The organ-grinding macaque I bought with the stupid wads of cash provided me with all the insight I needed. Smart investment, that.
 


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