Thread: "Great" books we hate Board: Oblivion / Ship of Fools.
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Posted by la vie en rouge (# 10688) on
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This weekend I was commiserating with a poor unfortunate teenager who is undergoing the cruel and unusual punishment of being forced to read Madame Bovary at school.
For some reason, this tome is considered one of the great masterpieces of the French canon. Neither he nor I can understand why, because it Sucks™.
Synopsis: Nothing happens. For 500 extremely long pages. Finally it picks up a bit when the stupid bint does us all a favour by killing herself. There you go. I have just saved you hours of your life.
Any more candidates for the suckiest sucky books in the history of suckdom?
Posted by Sipech (# 16870) on
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Definitely. Often the higher-praised they are, the harder they fall. I've developed almost an aversion to Booker Prize winners and others shortlisted for it.
One of my most hated books is Midnight's Children. It was supposed to be so good, but it's just pages and pages of turgid nothingness. Afterwards, I was told by someone that you can't possibly hope to appreciate it unless you've first read the complete works of Rudyard Kipling, but I've no appetite for doing such preparatory reading for a single novel.
Another of the worst books ever written is David Mitchell's Cloud Atlas. It's multiple plots are ambitious, but each is derivative, dull and poorly executed.
And of course, there's Moon Tiger, where the central character is underdeveloped and recounts her life story in a cold, heartless manner and which is almost instantly forgettable.
Posted by Kitten (# 1179) on
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I absolutely detested 'Testament of Youth'
Posted by Jane R (# 331) on
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My father-in-law always referred to D H Lawrence as 'The man who made sex boring'. I got as far as the second paragraph of Women in Love once before deciding that life was too short to bother reading the rest.
Posted by Tubbs (# 440) on
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Emma by Jane Austen.
By the time I'd finished it, I wanted to reach into the Kindle and punch her in the face. OTH, Austen did say she was going to write a book with a heroine that no one would like!
Tubbs
Posted by Pigwidgeon (# 10192) on
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The Old Man and the Sea just goes on and on and on about that stupid fish.
Posted by SvitlanaV2 (# 16967) on
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I'm currently reading James Wood's 'How Fiction Works', and he claims that 'Madame Bovary' (and similar works) has been highly influential on the generations of novelists who came afterwards. That's an important aspect of a classic novel's greatness, although not terribly inspiring if you're studying it as a young person and haven't read very widely yet.
I admit that like many others I didn't finish 'Midnight's Children', but I'm loathe to say that I 'hated' a book just because I didn't finish it. The problem could lie with me, not the book! And my feelings might change; one day I'll give 'MC' another try.
Having said that, I was obliged to study Congreve's 'The Way of the World' for my A Levels, and despite not remembering any of the plot I can honestly say I'll be quite happy never to read a restoration comedy ever again. Not my cup of tea.
Posted by Doc Tor (# 9748) on
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I'm with you on Madame Bovery. Pretty much sums up my feelings on Anna Karenina, too.
When you read a book and you keep mouthing "just die already" at the protagonist, you know that you're not enjoying it.
Posted by Brenda Clough (# 18061) on
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I can't abide Moby Dick. Dull! And War & Peace is clearly not put together right. The entire thing (the 'war' part) is about the battle of Borodino, right? So where -is- the battle of Borodino? Why do we never see it or go there or get anything but the fringes?
However. Literature evolves, just like everything else. What the readers demanded in 1800 is not what we want now. The long LONG descriptions in older novels date back to the time when there was no photography, no Google, no Wikipedia. If you wanted to know what a whale was like, Herman Melville had to describe it for you because there was no other way for you to know.
But I still think the battle of Borodino would have been better with some SFX. Explosions!
Posted by Doc Tor (# 9748) on
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quote:
Originally posted by Brenda Clough:
The long LONG descriptions in older novels date back to the time when there was no photography, no Google, no Wikipedia. If you wanted to know what a whale was like, Herman Melville had to describe it for you because there was no other way for you to know.
Most coastal populations would have seen a whale (which were far more plentiful in the 19th C), and whales were (and still are) seen in the Thames as far up as London (example here from the 1840s). Newspapers often used lithographs to illustrate their stories - often fancifully - and since whaling was a major activity across the world, paintings and prints of whalers and whales were common.
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
Posted by Firenze (# 619) on
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quote:
Originally posted by Tubbs:
Emma by Jane Austen.
By the time I'd finished it, I wanted to reach into the Kindle and punch her in the face. OTH, Austen did say she was going to write a book with a heroine that no one would like!
I think that was Fanny Price - who is, as Molesworth would say, uterly wet.
I read one George Meredith - which completely cured me of ever wanting to read another. I read 3 Conrad because I had to - but the grave will close over me before I read a 4th. And I have wasted as much of my life as I want to on Lawrence. I agree that 'Call me Ishmael' is all you need to read of Moby Dick . And to save you even opening The Scarlet Letter - she was bonking the Minister. And the best thing Arnold Bennett ever did was his omelette.
Posted by Sipech (# 16870) on
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quote:
Originally posted by Doc Tor:
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
Careful, now. No dissing the greatest novelist in the English language!
Posted by Doc Tor (# 9748) on
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I'd rather pluck my eyes out than read Hardy again. Curiously, the adaptations on R4 are decent fare, probably because he's decent at dialogue.
I do enjoy some books from the period (Wilkie Collins especially, and The Woman in White is massive), but not Hardy, I'm afraid...
Posted by Karl: Liberal Backslider (# 76) on
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Nearly everything anyone's ever told me is a classic, to be honest.
Posted by Heavenly Anarchist (# 13313) on
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Another one here who just wanted to give Fanny Price a good hard shake and tell her to get a grip. I can just about cope with Hardy though, as long as I skip a few pages during those tediously long descriptions.
Dickens is another matter. I was supposed to have studied Hard Times as part of my degree foundation but had to rely on the study notes book as I just couldn't bear to read it. It was parodied mercilessly at our summer school.
Posted by Dafyd (# 5549) on
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I can't get on with Hardy's novels, but then I was forced to read him for GCSE. Or during my GCSE years anyway. Making someone read something for GCSE is a great way to spoil it for them for life.
Now Austen I discovered for myself when I was twenty. Nobody had ever told me she was funny.
You don't read Moby Dick for the plot. You read it for the tangents. Even Victor Hugo and Sterne don't do tangents as well. (You don't read Les Miserables for the plot. The plot's rubbish: it's about the level of a standard-issue musical.)
Posted by Ariel (# 58) on
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Jane Austen, Trollope, and Russian authors in translation, also anything by Terry Pratchett. There are more, but those are first to come to mind.
William Golding's "Lord of the Flies" was one that left an indelible mark on my memory. One reading of this repulsive book (inflicted on us at school) was one too many.
quote:
I've developed almost an aversion to Booker Prize winners and others shortlisted for it.
Yes, likewise.
Posted by Sioni Sais (# 5713) on
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quote:
Originally posted by Doc Tor:
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
It isn't a Great Book (although it is a great big book) but LOTR is stuffed with long boring descriptions too.
Posted by Lyda*Rose (# 4544) on
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quote:
Originally posted by Tubbs:
Emma by Jane Austen.
By the time I'd finished it, I wanted to reach into the Kindle and punch her in the face. OTH, Austen did say she was going to write a book with a heroine that no one would like!
Tubbs
I couldn't finish Emma so I watched Clueless instead.
Posted by Adeodatus (# 4992) on
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quote:
Originally posted by Doc Tor:
I'd rather pluck my eyes out than read Hardy again. Curiously, the adaptations on R4 are decent fare, probably because he's decent at dialogue.
I do enjoy some books from the period (Wilkie Collins especially, and The Woman in White is massive), but not Hardy, I'm afraid...
Every time I've tried (and always failed) to read Hardy I've come away with the impression that everyone and everything in the 19th century was the colour of mud.
Posted by Angloid (# 159) on
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I love Hardy, despite (or because of?) having to read Return of the Native for A level. We had a good teacher which helped, but for one whose novels were mostly set in a rather earlier age than the time of writing, he is greatly in advance of his time. Strong women. Ambitious but weak men. The impact of technology and social/geographical mobility due to the industrial revolution. And his descriptive passages are brilliant; Egdon Heath is another character in itself, or the chalk fields of Tess's Flintcombe-Ash.
Posted by Albertus (# 13356) on
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quote:
Originally posted by Sipech:
quote:
Originally posted by Doc Tor:
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
Careful, now. No dissing the greatest novelist in the English language!
Hardy the greatest novelist in the English language! It's just doom and gloom in the odour of sheepshit, isn't it?
Posted by Sipech (# 16870) on
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quote:
Originally posted by Dafyd:
Making someone read something for GCSE is a great way to spoil it for them for life.
This is why I nominate Pride and Prejudice. Have been put off anything by Jane Austen for life.
I never discovered Hardy until I was in my 20s. A lot of people in my school had to study Silas Marner for their GCSEs and hated it. I only read it last month and rather liked it, though the middle third was bit lacking.
The one that bucks the trend is To Kill A Mockingbird which just about everyone has had to study at somepoint, though I've yet to find anyone who resents it.
Posted by la vie en rouge (# 10688) on
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As far as Jane Austen goes, Emma didn’t get up my nose nearly so much as Mansfield Park. Fanny Price is a very annoying protagonist. She should have just married the rich dude.
I agree about Moby Dick (which starts out alright for the first few chapters and quickly joins the series of ‘nothing happens for a LOT of pages’).
Posted by Eutychus (# 3081) on
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quote:
Originally posted by la vie en rouge:
This weekend I was commiserating with a poor unfortunate teenager who is undergoing the cruel and unusual punishment of being forced to read Madame Bovary at school.
For some reason, this tome is considered one of the great masterpieces of the French canon. Neither he nor I can understand why, because it Sucks™.
Oh, it's far worse than that. Every word drips with despair and ennui (enfin ils arrivèrent, ces fameux comices!*). The cumulative effect is enough to make you want to throw yourself into the Seine, preferably from a bridge in Rouen.
==
*"At long last the day of the legendary provincial agricultural show dawned"
Posted by JoannaP (# 4493) on
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The book I read at school and hated, hated, hated was Jane Eyre. The next year we read Wuthering Heights
, which was not good but not as sucky as Jane Eyre.
Posted by Lamb Chopped (# 5528) on
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1984 and Brave New World. Both remind me of those dreadful nightmares which are the more terrifying because of their pure boredom.
Posted by Figbash (# 9048) on
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quote:
Originally posted by Sipech:
The one that bucks the trend is To Kill A Mockingbird which just about everyone has had to study at somepoint, though I've yet to find anyone who resents it.
I had to study it. I loathe it. It's just so smarmy. Atticus Finch is less believable than a Frank Capra hero, and the whole Boo Radley thing is simply stupid. But the bit I resented most was being very clearly ordered (with the author's least subtle signposting, and, as she is not an expert in the use of the English language, that is very unsubtle indeed) to revere that foul snurge of an elder brother who is clearly meant to be some kind of White Trash Messiah in the making, but awoke in me a desire only to get my kicking boots out.
To continue, I think the book I hate most in the whole wide world (yes, even more than moron-fodder like Twilight, 50 Shades and The Hunger Games) is Tess of the d'Urbevilles. I kept myself going through the second half of that by composing hymns of hate to Angel Clare and, in the latter stages, developing a scenario for a Dadaist take on the whole thing, which involved a lot of scenes of him being attacked by Lancaster Bombers. I hate him, I hate him, I hate him, I hate him, I hate him.
As far as inability to finish goes, I have been reading Hard Times since 1983, and still have about 200 pages to go.
But Fanny Price is ace. If I met her I would quite happily commit adultery till the cows came home if she signified a desire to do so...
Posted by chive (# 208) on
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quote:
Originally posted by Ariel:
Jane Austen, Trollope, and Russian authors in translation, also anything by Terry Pratchett. There are more, but those are first to come to mind.
I so agree with you about Trollope. Many many months ago I decided I was going to read my way through all of Trollope's books on my kindle during my commute to and from work. Many many months later I've only read 15 and they all have the same storyline. Rich woman/poor woman falls in love with poor man/rich man or vice versa. Various dull things involving politics or farming or incredibly uninteresting business. Because of the rich/poor divide they cannot possibly marry but in the last chapter someone gets an inheritance and everyone lives happily ever after. In endless excessive prose.
I started reading them one after another, then with a book in between for a break, then with two books in between and now I'd happily read the phone book then something by Trollope. But being a stubborn type I'll keep going until they're done or I am. I think the latter may happen first.
Posted by Albertus (# 13356) on
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Um, yes. Like Harold Macmillan, I believe that sometimes just the thing you need is an hour or two on your bed with a Trollope: but you are basically right about the standard plot that he over-uses. That said, The Warden and Barchester Towers (both quite early works IIRC) are are much better than that (and Barchester Towers is in places very funny); The Eustace Diamonds is, for me, outstanding among the political novels, as a crime story; and The Way We Live Now is a wonderfully angry and scathing picture of society decadence. On the whole, Trollope is much better when- as in all these novels, to some extent- his dander is up. He did an awful lot of more or less hack work.
Now Wilkie Collins also did a lot of hack work, but I find him excellent, for his ability to handle a plot, to create and inhabit different and very memorable characters (Lydia Gwilt, the villainess of Armadale must be the most dangerously attractive Wicked Redhead in all literature), and the general flow of his writing.
Oh, the other plot device which Trollope overuses is people backing bills for friends which then land them with huge debts. Every time a character is about to do this I want to scream at them 'What's wrong with you? Don't you know this always ends badly? Haven't you ever read a novel yourself?'
[ 26. November 2014, 16:24: Message edited by: Albertus ]
Posted by Jengie jon (# 273) on
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There are three sorts of "hate" when it comes to literature.
- The hate because you think the writing is in some ways bad e.g. overly descriptive, poor characterisation.
- The hate because the book creates an emotional response so strong you throw it across the room despite being able to see the writing is decent.
- the hate in the "love to hate" sense, when there is something about the plot you dislike yet for that reason it grips you.
For me:
- Any Bertie Wooster and Jeeves book comes into this category. No, I do not find them funny and do not see why anyone else would.
- Wuthering Heights falls into this group. I have officially read it from cover to cover, but I kept having to have breaks from it. I simply loathed it. The week before I had read Jane Eyre in a single evening.
- I honestly cannot think of one for this, but have it a bit with horror stories
Jengie
Posted by Brenda Clough (# 18061) on
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For the legions of suffering humanity who loathe Hardy, I draw your attention to Cold Comfort Farm by Stella Gibbons. It takes every single one of the Hardy tropes, plus a shovelful of Mary Webb, and whizzes them in a blender with gin. Served in a cocktail glass garnished with a brandied cherry, just delightful!
And the despisers of Fanny Price should have a look at Murder in Mansfield Park, one of the surpassingly few Austen sequels which is worth the trees that died to print them. You knew that Fanny actually was the passive-aggressive source of all the trouble in the house, didn't you? And that somebody would take a brick to her one day.
Posted by Brenda Clough (# 18061) on
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Oh, and if Trollope frosts you? Pick up Tooth and Claw, by Jo Walton. It won the World Fantasy Award. You will never see Trollope in the same way again.
Posted by Jay-Emm (# 11411) on
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quote:
Originally posted by Dafyd:
Now Austen I discovered for myself when I was twenty. Nobody had ever told me she was funny.
Northanger Abbey I heard a fragment on the radio, and knew what she was parodying. Similarly the Junvenile stuff.
The other stuff a variant of Poe's law applies.
Two cities I had to read from the outside in to finish. But saw two Christmas Carol's with the same funniest bits, and at that point saw the humour in that story.
Posted by HCH (# 14313) on
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Why has no one mentioned Dickens?
Posted by Sioni Sais (# 5713) on
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quote:
Originally posted by Eutychus:
(re Madame Bovary) Oh, it's far worse than that. Every word drips with despair and ennui (enfin ils arrivèrent, ces fameux comices!*). The cumulative effect is enough to make you want to throw yourself into the Seine, preferably from a bridge in Rouen.
==
*"At long last the day of the legendary provincial agricultural show dawned"
Provided you can get to the bloody bridge. This summer we tried to cross the Seine at Rouen. That was an hour and a half wasted. Clearly a preview of the book. Thanks for the warning.
eta: We haven't mentioned Dickens because it isn't Christmas yet.
[ 26. November 2014, 17:53: Message edited by: Sioni Sais ]
Posted by M. (# 3291) on
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Crime and Punishment. The crime was the author's, the punishment the reader's. That is all.
M.
Posted by Tubbs (# 440) on
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quote:
Originally posted by Brenda Clough:
Oh, and if Trollope frosts you? Pick up Tooth and Claw, by Jo Walton. It won the World Fantasy Award. You will never see Trollope in the same way again.
The wonderful thing about Tooth and Claw is that it's a piss take of whatever classic 19th Century novels you're most familiar with!
Tubbs
Posted by Sipech (# 16870) on
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quote:
Originally posted by HCH:
Why has no one mentioned Dickens?
I started, but fell
Posted by Scots lass (# 2699) on
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quote:
Originally posted by Brenda Clough:
And the despisers of Fanny Price should have a look at Murder in Mansfield Park, one of the surpassingly few Austen sequels which is worth the trees that died to print them. You knew that Fanny actually was the passive-aggressive source of all the trouble in the house, didn't you? And that somebody would take a brick to her one day.
It was me, I got so sick of her being utterly pathetic.
For similar reasons, I took a loathing to A Tale of Two Cities - the golden haired angel has no character and I fail to see why Sidney Carton would do anything for her benefit. I struggled through the tedium in order to stop my friend being horrified that I'd never read any Dickens, and I have no intention of reading any more. Lengthy, unnecessary descriptions and women who are either caricature or paper thin ideal. I do love a good TV adaptation though - Bleak House was great.
Wuthering Heights I loved when I was 16. I tried re-reading it in my mid-20s and couldn't get more than a third of the way through, awful. I liked Jane Eyre much more, and The Tenant of Wildfell Hall is good.
Posted by Badger Lady (# 13453) on
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Hardy. Dear God Hardy.
One short story I read under duress at school involved [IIRC(*)] a man was very very worried about a tree outside his window. So worried he took to his bed and was dying. His son arranged for tree to be cut down. Over many pages. Man wakes up, sees tree has gone. And dies of shock.
I hate Hardy. I've tried Tess and Jude but to no avail. I *like* Trollope; I can stomach Fanny Price; and, Dickens is great for loong train rides. But Hardy.
(*) I may not recall correctly. It was some time ago.
Posted by Dafyd (# 5549) on
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quote:
Originally posted by Sipech:
The one that bucks the trend is To Kill A Mockingbird which just about everyone has had to study at somepoint, though I've yet to find anyone who resents it.
I don't like it. It's all about how white liberals are more wonderful than anybody else, with a special subplot to show that if black people don't wait for white liberals to sort it out for them they'll get shot. (I exaggerate. A bit.)
Posted by Badger Lady (# 13453) on
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quote:
Originally posted by Scots lass:
Wuthering Heights I loved when I was 16. I tried re-reading it in my mid-20s and couldn't get more than a third of the way through, awful. I liked Jane Eyre much more, and The Tenant of Wildfell Hall is good. [/QB]
I had a very similar experience with Anna Karenina. I loved it when I read it in my late teens and thought it all terribly romantic. I re-read it a few years ago and got very frustrated with Anna's selfishness and failure to consider the devastating impact of her actions on her son.
Posted by Albertus (# 13356) on
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Haven't read TKAM for, I should think, about 30 years, and IIRC I quite enjoyed it when I did. But I hate its canonical status. It pushes all the 'right-thinking' buttons, with simple goodies and baddies and oppressed virtuous people- a sort of C20 Uncle Tom's Cabin (which, BTW, I've never read). So it's the kind of thing that liberal English teachers love- it goes (nowadays) which the obligatory copy of Nelson Mandela's autobiography (which I've also never read) on prominent display in the school library.
It's just all so bloody pi
.
[ 26. November 2014, 19:04: Message edited by: Albertus ]
Posted by Al Eluia (# 864) on
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The Sound and the Fury by William Faulkner. I found the prose style tedious and saw nothing compelling about any of the characters.
Posted by Ariel (# 58) on
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quote:
Originally posted by Badger Lady:
quote:
Originally posted by Scots lass:
Wuthering Heights I loved when I was 16. I tried re-reading it in my mid-20s and couldn't get more than a third of the way through, awful. I liked Jane Eyre much more, and The Tenant of Wildfell Hall is good.
I had a very similar experience with Anna Karenina. I loved it when I read it in my late teens and thought it all terribly romantic. I re-read it a few years ago and got very frustrated with Anna's selfishness and failure to consider the devastating impact of her actions on her son.
Some literature is like that - best read at a particular age. I discovered George Macdonald's "Phantastes" in my 20s and thought it wonderful, re-read it recently and loathed it - naive, twee and full of long boring poems. I like poetry as a rule, but not when it maunders on like that.
Posted by Amanda B. Reckondwythe (# 5521) on
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Ayn Rand's Atlas Shrugged. A gross distortion of what would happen if commerce were required by law to behave fairly and humanely, plus a completely unreadable extended defense of objectivism.
Posted by jedijudy (# 333) on
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Sometimes friends and other people will tell me I should read this or that book. Like Uncle Tom's Cabin. I tried, I really did. Several times. It was so-o-o-o boring. Boring. Boring.
Posted by Galloping Granny (# 13814) on
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Does it help if you're a fast reader? I romped through a lot of Dickens and Austen as a teenager, without being forced to. The only 'set' book I remember having to read was Adam Bede, of which I remember zilch, but I read it in a day and then we discussed a chapter a week on Thursdays – that would kill any book.
I read much of Trollope in my youth and enjoyed it, but when I tried to renew the experience recently I got bogged down in the middle of the second book and went back to reading Icelandic murder mysteries.
Much of what's been slated above I enjoyed from choice all those years ago but wouldn't tackle again now.
And NOT Great Books, but the school library in my teens consisted of books that people had donated, and I read D K Broster and Georgette Heyer and wallowed in them. I suspect that Broster wasn't so bad, but I picked up a Heyer one day recently, and managed to get through the first two chapters, one in the middle (to confirm what was obviously going to happen) and the last one. Ugh. All that Regency slang.
GG
Posted by Yorick (# 12169) on
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Proust. A La Recherche du Temps Perdu. This is ONE SENTENCE, people:
quote:
Their honour precarious, their liberty provisional, lasting only until the discovery of their crime; their position unstable, like that of the poet who one day was feasted at every table, applauded in every theatre in London, and on the next was driven from every lodging, unable to find a pillow upon which to lay his head, turning the mill like Samson and saying like him: “The two sexes shall die, each in a place apart!”; excluded even, save on the days of general disaster when the majority rally round the victim as the Jews rallied round Dreyfus, from the sympathy — at times from the society — of their fellows, in whom they inspire only disgust at seeing themselves as they are, portrayed in a mirror which, ceasing to flatter them, accentuates every blemish that they have refused to observe in themselves, and makes them understand that what they have been calling their love (a thing to which, playing upon the word, they have by association annexed all that poetry, painting, music, chivalry, asceticism have contrived to add to love) springs not from an ideal of beauty which they have chosen but from an incurable malady; like the Jews again (save some who will associate only with others of their race and have always on their lips ritual words and consecrated pleasantries), shunning one another, seeking out those who are most directly their opposite, who do not desire their company, pardoning their rebuffs, moved to ecstasy by their condescension; but also brought into the company of their own kind by the ostracism that strikes them, the opprobrium under which they have fallen, having finally been invested, by a persecution similar to that of Israel, with the physical and moral characteristics of a race, sometimes beautiful, often hideous, finding (in spite of all the mockery with which he who, more closely blended with, better assimilated to the opposing race, is relatively, in appearance, the least inverted, heaps upon him who has remained more so) a relief in frequenting the society of their kind, and even some corroboration of their own life, so much so that, while steadfastly denying that they are a race (the name of which is the vilest of insults), those who succeed in concealing the fact that they belong to it they readily unmask, with a view less to injuring them, though they have no scruple about that, than to excusing themselves; and, going in search (as a doctor seeks cases of appendicitis) of cases of inversion in history, taking pleasure in recalling that Socrates was one of themselves, as the Israelites claim that Jesus was one of them, without reflecting that there were no abnormals when homosexuality was the norm, no anti-Christians before Christ, that the disgrace alone makes the crime because it has allowed to survive only those who remained obdurate to every warning, to every example, to every punishment, by virtue of an innate disposition so peculiar that it is more repugnant to other men (even though it may be accompanied by exalted moral qualities) than certain other vices which exclude those qualities, such as theft, cruelty, breach of faith, vices better understood and so more readily excused by the generality of men; forming a freemasonry far more extensive, more powerful and less suspected than that of the Lodges, for it rests upon an identity of tastes, needs, habits, dangers, apprenticeship, knowledge, traffic, glossary, and one in which the members themselves, who intend not to know one another, recognise one another immediately by natural or conventional, involuntary or deliberate signs which indicate one of his congeners to the beggar in the street, in the great nobleman whose carriage door he is shutting, to the father in the suitor for his daughter’s hand, to him who has sought healing, absolution, defence, in the doctor, the priest, the barrister to whom he has had recourse; all of them obliged to protect their own secret but having their part in a secret shared with the others, which the rest of humanity does not suspect and which means that to them the most wildly improbable tales of adventure seem true, for in this romantic, anachronistic life the ambassador is a bosom friend of the felon, the prince, with a certain independence of action with which his aristocratic breeding has furnished him, and which the trembling little cit would lack, on leaving the duchess’s party goes off to confer in private with the hooligan; a reprobate part of the human whole, but an important part, suspected where it does not exist, flaunting itself, insolent and unpunished, where its existence is never guessed; numbering its adherents everywhere, among the people, in the army, in the church, in the prison, on the throne; living, in short, at least to a great extent, in a playful and perilous intimacy with the men of the other race, provoking them, playing with them by speaking of its vice as of something alien to it; a game that is rendered easy by the blindness or duplicity of the others, a game that may be kept up for years until the day of the scandal, on which these lion-tamers are devoured; until then, obliged to make a secret of their lives, to turn away their eyes from the things on which they would naturally fasten them, to fasten them upon those from which they would naturally turn away, to change the gender of many of the words in their vocabulary, a social constraint, slight in comparison with the inward constraint which their vice, or what is improperly so called, imposes upon them with regard not so much now to others as to themselves, and in such a way that to themselves it does not appear a vice.
I hate it and yet I love it.
Posted by Nenya (# 16427) on
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quote:
Originally posted by Sipech:
quote:
Originally posted by Dafyd:
Making someone read something for GCSE is a great way to spoil it for them for life.
This is why I nominate Pride and Prejudice. Have been put off anything by Jane Austen for life.
Indeed. Anything by Jane Austen has my vote. I have tried and tried to read her novels and have invariably ground to a halt after a chapter or two.
I read somewhere, years ago, that Thomas Hardy considered himself a poet and I found that helped me to understand his novels. His descriptions are beautiful; characters and story lines perhaps not so great.
I've enjoyed Dickens, but only reread one, at around this time of year...
Posted by Porridge (# 15405) on
:
Ethan Frome.
That is all.
[ 26. November 2014, 20:38: Message edited by: Porridge ]
Posted by QLib (# 43) on
:
quote:
Originally posted by Firenze:
quote:
Originally posted by Tubbs:
Emma by Jane Austen.
By the time I'd finished it, I wanted to reach into the Kindle and punch her in the face. OTH, Austen did say she was going to write a book with a heroine that no one would like!
I think that was Fanny Price - who is, as Molesworth would say, uterly wet.
Austen definitely said that about Emma - but it's true that poor little Fanny who is truly the least popular.
Posted by Scots lass (# 2699) on
:
quote:
Originally posted by Galloping Granny:
Does it help if you're a fast reader? I romped through a lot of Dickens and Austen as a teenager, without being forced to. The only 'set' book I remember having to read was Adam Bede, of which I remember zilch, but I read it in a day and then we discussed a chapter a week on Thursdays – that would kill any book.
I'm not sure it does - I read fast (the "How fast could you read Game of Thrones thing said I would do it in 77 hours) and yet it took me over a week to get through the wretched Tale of Two Cities. Possibly because I would do almost anything other than read it.
Posted by Gwalchmai (# 17802) on
:
quote:
Originally posted by Jane R:
My father-in-law always referred to D H Lawrence as 'The man who made sex boring'. I got as far as the second paragraph of Women in Love once before deciding that life was too short to bother reading the rest.
Lady Chatterley's Lover would qualify for a Bad Sex award if were to be first published today.
Posted by Garasu (# 17152) on
:
Re: Austen
I suspect half the problem is that she is touted as "Great Literature".
If you think of her as Regency Chick Lit she's much more palatable...
Posted by Doublethink. (# 1984) on
:
I can't bear Mark Twain, or rather specifically Huckleberry Fin - basically anything where accent is written phonetically for long passages. I am a fast reader and it makes me have to stop and sound out, like suddenly putting concrete boots on - it is incredibly frustrating - I just can't tolerate it beyond a certain point . (I missed all the puns in Harry Potter because I don't sound as I read, most people who read beyond a certain speed don't.)
Posted by Yorick (# 12169) on
:
quote:
Originally posted by M.:
Crime and Punishment. The crime was the author's, the punishment the reader's. That is all.
I must protest. This is quite possibly the best novel ever written. If you persist in you foul defamation I shall axe you in the head.
Posted by Jengie jon (# 273) on
:
quote:
Originally posted by Scots lass:
I read fast (the "How fast could you read Game of Thrones thing said I would do it in 77 hours) and yet it took me over a week to get through the wretched Tale of Two Cities. Possibly because I would do almost anything other than read it.
Here is a case where doing it in class changed the perspective of at least some of us the other way. My forms O'level novel for English Language was Tale of Two Cities. Mrs Wadden, our teacher said we would do as though it was a hard text yet it was the best of the texts for that year. She was good, very good and passed on her enthusiasm for the book. I think over half the class would have said it was their favourite book by the end of the year. The rest just had it as a good enjoyable book.
When I say that, you must realise we were the one group of teenage girls who also by the end of the year thought Robert Browning was an enjoyable poet to read despite it being another exam text.
I cannot say she did the same for the play. It was Twelfth Night and I am afraid we had had another good teacher before that who'd taken us through it. So we already liked it.
Jengie
Posted by Firenze (# 619) on
:
Blithering Heights - another one I could never get through. Get over yourselves, already. And don't talk to me about the 18th century - Pamela would not be the only one to lapse into unconsciousness in the course of her trials. And if I never have to read one more hilarious scene in which people are tipped out of carriages landing stark naked in mud and turning Methodist before spending a night in an inn in bed with the wrong person, I will die content.
Posted by Vulpior (# 12744) on
:
As someone who read Lord of the Rings while at primary school, and who enjoys a good multi-book sci-fi/fantasy saga, I thought I'd get on with Donaldson's Thomas Covenant books. How wrong I was! I struggled with the first and abandoned any idea of continuing.
I don't know what it was, but I was in a way disappointed not to like them.
Posted by Moo (# 107) on
:
quote:
Originally posted by Adeodatus:
Every time I've tried (and always failed) to read Hardy I've come away with the impression that everyone and everything in the 19th century was the colour of mud.
{tangent alert}
I never managed to read any of Hardy's novels, but I do like this poem very much.
{/tangent alert}
Moo
Posted by Albertus (# 13356) on
:
quote:
Originally posted by Garasu:
Re: Austen
I suspect half the problem is that she is touted as "Great Literature".
If you think of her as Regency Chick Lit she's much more palatable...
Sorry, don't want to get all hellish, but that's bollocks: she's not chick lit, however modern publishers may package her. Look at Pride and Prejudice: it's basically about a group of women (Mrs B and her daughters) scrabbling to secure a future for themselves in the face of a system which denies them property rights and of an utter abdication of his responsibilities by the man (MrB) who is supposed to support them. Mrs B is not trying to get her daughters married off because she's a soppy woman who likes weddings: she knows perfectly well that unless she can get her daughters married into homes (where she will then be able to stay with them) they will be homeless when Mr B dies.
Now, you may still not like it, but chick lit it ain't.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Nenya:
I read somewhere, years ago, that Thomas Hardy considered himself a poet
As a poet, Hardy is one of the greats. During Wind and Rain and some of the Poems 1912-13 are incredible. They aren't any cheerier than his novels, but while a novel should cover a variety of moods and emotions, it's ok for a poem to be a concentrated version of just the one.
Posted by Evangeline (# 7002) on
:
quote:
Originally posted by Garasu:
Re: Austen
I suspect half the problem is that she is touted as "Great Literature".
If you think of her as Regency Chick Lit she's much more palatable...
So typical of the gender bias that women in any field have to contend with. Jane Austen's works are insightful satire on society, just because the sphere is "domestic" doesn't make it any less worthy.
As for chic lit what a hideously sexist and dismissive term. Why does one never hear Hemingway's work described as cock lit?
Posted by Albertus (# 13356) on
:
I for one will always think of Hemingway's work as cock lit from now on. Thank you.
Posted by bib (# 13074) on
:
Ulysses by James Joyce. I have made many attempts at reading it, but can never find my way to the end as I give up in despair. Another novel by a French author, The Little Prince, is bizarre and I can't fathom what it is all about. Not worth bothering with even if it is said to be significant.
Posted by Firenze (# 619) on
:
quote:
Originally posted by QLib:
quote:
Originally posted by Firenze:
quote:
Originally posted by Tubbs:
Emma by Jane Austen.
By the time I'd finished it, I wanted to reach into the Kindle and punch her in the face. OTH, Austen did say she was going to write a book with a heroine that no one would like!
I think that was Fanny Price - who is, as Molesworth would say, uterly wet.
Austen definitely said that about Emma - but it's true that poor little Fanny who is truly the least popular.
You're right. It's interesting that Emma, who's an agent - however mistaken her premises - plays rather better than the virtuously suffering Fanny or Elinor. The sitting like Patience on a monument smiling at grief is obviously a less valued female behaviour.
[ 26. November 2014, 21:41: Message edited by: Firenze ]
Posted by Brenda Clough (# 18061) on
:
It is less valued -in fiction-, because it makes for dull books. But in real life it was preferred, and the second-class status of women was thoroughly entrenched in law.
Posted by Lothlorien (# 4927) on
:
I have read pretty well all of Patrick White's novels, but Voss eludes me.
Over the years I have made many attempts to read this, but have never got right through. It has been so long since I tried, I don't even remember where i reached last time.
Posted by Sandemaniac (# 12829) on
:
I don't think even Dickens was quite that verbose (quote from the background, said with feeling "Proust was more verbose than Sir Walter Scott"). There's some great stories in there. It's just the acres of verbiage you have to wade through to find them. If ever a man needed a good copy editor...
AG
(has anyone mentioned Dr Zhivago yet?)
Posted by Enoch (# 14322) on
:
No hesitation. My nomination is The Children of Violence series by Doris Lessing. True, not many Shipmates have probably heard of it, but she did get a Nobel Prize for Literature. It has also ensured that I have never read anything else she ever wrote.
It's the best example I know of a classic mistake that nobody who aspires to be a storyteller should ever make. In the course of five volumes, though I didn't manage to complete all of them, you meet some quite interesting other characters. They keep you going for a time. But by volume 3, if not earlier, you're heartily sick of Martha Quest, the person whose story the book is telling. She's uninteresting and not somebody anyone is likely to be able to identify or sympathise with. You just don't care what happens to her.
Lesson for other aspiring writers - don't do that. Have a central character who is interesting, good company and that the reader can relate to.
Oh, and I agree with M about Crime and Punishment. I only managed about 25 pages before I got fed up with Raskolnikov. That's nearly 50 years ago and I've never felt remotely tempted to pick it up again.
Not sure they count as "Great" books, but I've never been able to get into the Gormenghast series.
Posted by Trudy Scrumptious (# 5647) on
:
quote:
Originally posted by Albertus:
I for one will always think of Hemingway's work as cock lit from now on. Thank you.
Yes, that works quite well for me to describe Hemingway as well.
Posted by Pigwidgeon (# 10192) on
:
quote:
Originally posted by Scots lass:
...it took me over a week to get through the wretched Tale of Two Cities. Possibly because I would do almost anything other than read it.
We read TOTC in tenth grade (around age 16). Our teacher insisted we only read the chapters as she assigned them so that our feelings wouldn't be influenced by what goes on in the plot too far in advance. That was all it took for me to devour the book in one weekend.
Posted by Pigwidgeon (# 10192) on
:
quote:
Originally posted by Trudy Scrumptious:
quote:
Originally posted by Albertus:
I for one will always think of Hemingway's work as cock lit from now on. Thank you.
Yes, that works quite well for me to describe Hemingway as well.
Love this!
Posted by Amanda B. Reckondwythe (# 5521) on
:
Indeed. Hemingway's The Sun Also Rises. Let's go in this cafe and get drunk. Then we'll go in some other cafe and get drunk some more.
Posted by LeRoc (# 3216) on
:
quote:
Amanda B. Reckondwythe: Indeed. Hemingway's The Sun Also Rises. Let's go in this cafe and get drunk. Then we'll go in some other cafe and get drunk some more.
That describes my life to a T
Posted by Amanda B. Reckondwythe (# 5521) on
:
Good thing Hemingway isn't around to chronicle it.
Posted by Pre-cambrian (# 2055) on
:
quote:
Originally posted by Badger Lady:
quote:
Originally posted by Scots lass:
Wuthering Heights I loved when I was 16. I tried re-reading it in my mid-20s and couldn't get more than a third of the way through, awful. I liked Jane Eyre much more, and The Tenant of Wildfell Hall is good.
I had a very similar experience with Anna Karenina. I loved it when I read it in my late teens and thought it all terribly romantic. I re-read it a few years ago and got very frustrated with Anna's selfishness and failure to consider the devastating impact of her actions on her son.
Yes, Anna Karenina. The blurb on the back of my copy says: "Acclaimed by many as the world's greatest novel." Most overrated, more like. She really needed a slap. And the banquet scene just brought to mind Dennis Wheatley; not the greatest claim to great literature!
Oh, and to anyone who claims that Thomas Hardy is depressing, just try reading Zola.
Posted by Golden Key (# 1468) on
:
"Foucault's Pendulum", by Umberto Eco. It's the bleakest fiction I ever read. Keep far, far away from it.
Posted by Oscar the Grouch (# 1916) on
:
I so wanted to like The Brothers Karamazov, by Dostoevsky, that I read it twice. It still left me un-wowed, much to my intense disappointment.
Ditto for Gulag Archipelago.
(What is it about Russian writers? Tolstoy was annoying as well, but I never had much expectations from him anyway.)
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Pre-cambrian:
Oh, and to anyone who claims that Thomas Hardy is depressing, just try reading Zola.
Zola has a repressed gothic novelist inside him that is trying to get out. Zola's bleak like torrential rain lashing down. Hardy is like a long slow heavy drizzle.
Posted by ExclamationMark (# 14715) on
:
Satre. Enough said.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Doublethink.:
I can't bear Mark Twain, or rather specifically Huckleberry Fin - basically anything where accent is written phonetically for long passages. I am a fast reader and it makes me have to stop and sound out, like suddenly putting concrete boots on - it is incredibly frustrating - I just can't tolerate it beyond a certain point.
Oh yes. It totally grates and it takes longer to decipher. Robbie Burns' poems have always been a total turn-off for that reason.
Posted by Heavenly Anarchist (# 13313) on
:
quote:
Originally posted by HCH:
Why has no one mentioned Dickens?
A couple of us have mentioned Hard Times, which I consider one of the most depressing and tedious books I ever failed to read.
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Gwalchmai:
quote:
Originally posted by Jane R:
My father-in-law always referred to D H Lawrence as 'The man who made sex boring'. I got as far as the second paragraph of Women in Love once before deciding that life was too short to bother reading the rest.
Lady Chatterley's Lover would qualify for a Bad Sex award if were to be first published today.
I suspect that this will lower my credit in the minds of people who are Supposed To Know About Such Things, but I'll just put my hand up and say, I actually like this book. Also, I want to bang my head against a wall every time someone talks about the sex in it. So, it was controversial at the time. Big deal. Anyone who can read this book and think it is in any way about sex is right up there with the folk who watched the Southpark movie and complained about the bad language. (Now, there's some grating of genres for you).
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Lamb Chopped:
1984 and Brave New World. Both remind me of those dreadful nightmares which are the more terrifying because of their pure boredom.
Have a look at this. I recommend the book.
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Figbash:
[QUOTE]Originally posted by Sipech:
[qb] To continue, I think the book I hate most in the whole wide world (yes, even more than moron-fodder like Twilight, 50 Shades and The Hunger Games) is Tess of the d'Urbevilles. I kept myself going through the second half of that by composing hymns of hate to Angel Clare and, in the latter stages, developing a scenario for a Dadaist take on the whole thing, which involved a lot of scenes of him being attacked by Lancaster Bombers. I hate him, I hate him, I hate him, I hate him, I hate him.
Oh. My. God. Yes. Though the one book I have actually thrown across the room upon finishing was The Mill on the Floss. I still get enraged, thinking about it now, over a decade later. The ending MAKES NO SENSE! It is a piece of stupid, overblown, ridiculous pathos which jars horribly with most of what's come before it. It's as though George Eliot just looked out the window one day and thought, 'It's lovely and sunny out there - what am I doing inside? Fuck it, I'll write one more paragraph and then I'm done.'
Posted by Dafyd (# 5549) on
:
I admit I do not get on with George Eliot much either. People have gone looking for her sense of fun armed with magnifying glasses and microscopes. There are occasional faint rumours of a sighting, but nothing has ever been confirmed.
Posted by Sipech (# 16870) on
:
[slight tangent]
The only book I've actually thrown across the room in disgust was Rick Warren's The Purpose Driven Life, though in fairness it's only a very specific demographic that think it's great.
[/slight tangent]
Am rather distraught at how many Hardy-haters we have on the ship.
Posted by la vie en rouge (# 10688) on
:
Proust. I’d blanked him out of my memory or something.
One of my favourite quotes :
quote:
Life is short and Monsieur Proust is very long.
-Anatole France
Posted by Heavenly Anarchist (# 13313) on
:
quote:
Originally posted by Moo:
quote:
Originally posted by Adeodatus:
Every time I've tried (and always failed) to read Hardy I've come away with the impression that everyone and everything in the 19th century was the colour of mud.
{tangent alert}
I never managed to read any of Hardy's novels, but I do like this poem very much.
{/tangent alert}
Moo
I studied Hardy's poetry at college and it was often beautiful but very sad, with lots of guilt and remorse over his failed first marriage and the death of his wife.
Posted by Jemima the 9th (# 15106) on
:
Wuthering Heights. It's like one of the later rubbish episodes of Buffy.
Posted by Penny S (# 14768) on
:
Somewhere in my house is an exam paper from when I was 12 or 13 and had been studying Tale of Two Cities. According to that, Lucie Manette does have a character, which I clearly described, in words and phrases which now seem so utterly alien (and adult) that I cannot believe it was my teenaged mind which composed them. But it was written under exam conditions, and in my handwriting. And it got good marks.
I will not bother you with it - the search process would be too difficult. But it was quite definite about her having a character. Can't remember what it was, though. (Which probably confirms the position taken upthread.)
Posted by Adeodatus (# 4992) on
:
My instinct is to weigh in in defence of Crime and Punishment and the Gormenghast books, which I think are among the greatest I've ever read. However, in the spirit of the thread, I'll join in dissing Dickens.
The only Dickenses I've ever successfully finished are A Christmas Carol and A Tale of Two Cities - though I agree with the criticism that Lucie Manette might as well be a painting on the wall for all the character she has. Even with the allegedly great Oliver Twist, I've never got past the bit with the undertaker. As for Hard Times, I'm not sure I've ever got past the first paragraph.
Dickens taught me to be wary of people who write novels in instalments, and are paid per instalment.
Posted by Snags (# 15351) on
:
I know I'm going to get shouted down as a philistine, but the biggest load of old bollox I was ever compelled to (mostly) read was Ulysses (James Joyce).
It's weird, it's exactly the kind of self-indulgent literary game-playing experimental wank that I ought to love. But ... no.
I was actually glad when the cat pissed on it and I had to throw it away.
Recently given a run for its money when I decided to read One Thousand Years of Solitude "because I ought to". That was a mistake.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Adeodatus:
Even with the allegedly great Oliver Twist, I've never got past the bit with the undertaker.
Actually Dickens fans are a bit down on Oliver Twist.
Bleak House is great, in all senses.
Posted by quetzalcoatl (# 16740) on
:
quote:
Originally posted by Snags:
I know I'm going to get shouted down as a philistine, but the biggest load of old bollox I was ever compelled to (mostly) read was Ulysses (James Joyce).
It's weird, it's exactly the kind of self-indulgent literary game-playing experimental wank that I ought to love. But ... no.
I was actually glad when the cat pissed on it and I had to throw it away.
Recently given a run for its money when I decided to read One Thousand Years of Solitude "because I ought to". That was a mistake.
I don't think you're a philistine at all; you don't like Ulysses.
Let's face it, it's not an easy book. Many people read bits of it, which is OK. Sometimes I remember 'perfume of embraces all him assailed' and I feel strangely exultant. But that's just me.
I think it's the oughts and the compulsion which do the damage in literary study. I taught Lit Crit for a few years, and I can't face reading any novel now, except possibly Wolf Hall.
Posted by Sioni Sais (# 5713) on
:
quote:
Originally posted by Snags:
I know I'm going to get shouted down as a philistine, but the biggest load of old bollox I was ever compelled to (mostly) read was Ulysses (James Joyce).
It's weird, it's exactly the kind of self-indulgent literary game-playing experimental wank that I ought to love. But ... no.
I was actually glad when the cat pissed on it and I had to throw it away.
Quotes file.
Posted by Sipech (# 16870) on
:
quote:
Originally posted by Snags:
Recently given a run for its money when I decided to read One Thousand Years of Solitude "because I ought to". That was a mistake.
Not sure if it was a typo or hyperbole, but it's actually One Hundred Years of Solitude. While I found it rather frustrating for it's nonlinear timeline and the fact that all the characters have almost the same name, I will defend it on the grounds that Gabriel Garcia Marquez's turn of phrase is achingly beautiful. He conjurs up some wonderful imagery, even if it is at the expense of a plot. Love in the Time of Cholera is much better.
Posted by Tubbs (# 440) on
:
quote:
Originally posted by Snags:
...
I was actually glad when the cat pissed on it and I had to throw it away.
...
Given that a book should be loved and cherished before filing it away or passing it on, the fact that you were pleased when this happened at is a) proper book hate and b) the best benchmark for a bad book ever!!!!
[The one exception was the collection of really dodgy Christian literature we found when we cleaned out the church palour. Where unwanted Chrstian books had gone to die. Straight in the black sack! Along with some Richard Clayderman LPs
We had some admissions to the book ownership, but no one claimed the Clayderman!)
Posted by North East Quine (# 13049) on
:
quote:
Originally posted by Pigwidgeon:
The Old Man and the Sea just goes on and on and on about that stupid fish.
Seconded.
And Lord of the Rings. It took me 3 months to read LOTR, because I kept breaking off to read books which were more enjoyable. Then back to plough through a bit more of LOTR.
Posted by LeRoc (# 3216) on
:
How can The Old Man and the Sea go on and on and on if it is that short?
Posted by Karl: Liberal Backslider (# 76) on
:
quote:
Originally posted by North East Quine:
quote:
Originally posted by Pigwidgeon:
The Old Man and the Sea just goes on and on and on about that stupid fish.
Seconded.
And Lord of the Rings. It took me 3 months to read LOTR, because I kept breaking off to read books which were more enjoyable. Then back to plough through a bit more of LOTR.
Whereas LoTR is just about the only fiction book more than about 300 pages I've ever managed to get through. About seven times. I preferred the Silmarillion though.
[ 27. November 2014, 13:40: Message edited by: Karl: Liberal Backslider ]
Posted by balaam (# 4543) on
:
quote:
Originally posted by Sipech:
quote:
Originally posted by Doc Tor:
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
Careful, now. No dissing the greatest novelist in the English language!
Doc, if you want action on every page read Dan Brown. Some of us want storytelling, which is where pacing comes in.
Which is why I disagree with what has been said about The Old Man and the Sea. Brilliantly paced, really slow at the beginning, very descriptive, especially of the Old Man's emotions, then the pace quickens for the actual fishing bit and slowing for the conclusion. One of the best books I have read.
I am unable to comment on Tubbs suggestion of Emma by Jane Austen because I have never read it and never will. I have read Northanger Abbey and tried Sense and Sensibility but could not finish it. I found absolutely nothing of value in either, other than Ms Austen could string a sentence together rather well, it's a shame that talent was wasted on writing drivel.
So not a book, but I give you Jane Austen, the worst author ever to be thought of as "Great."
Posted by la vie en rouge (# 10688) on
:
quote:
Originally posted by Tubbs:
Straight in the black sack! Along with some Richard Clayderman LPs
We had some admissions to the book ownership, but no one claimed the Clayderman!)
Tangent/ The cellist on some of Richard Clayderman’s albums is my teacher, slumming for a paycheck. Crap music, very good money, apparently /Tangent
Posted by balaam (# 4543) on
:
Sometimes even the great authors have times when the muse deserts them and they carry on writing regardless.
Umberto Eco, are you listening?
I enjoyed The Name of the Rose and Foucault's Pendulum, despite the latter having no sympathetic characters. But what were you thinking of writing Baudolino?
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by balaam:
I have read Northanger Abbey and tried Sense and Sensibility but could not finish it. I found absolutely nothing of value in either, other than Ms Austen could string a sentence together rather well, it's a shame that talent was wasted on writing drivel.
You did realise that Northanger Abbey is supposed to be funny?
'No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine.'
(Austen was rewriting Northanger Abbey when she died and I don't think she'd completed the process; there are scenes, such as the wife-murdering scene, that waver uncomfortably between romantic comedy and farce, and as a result I don't think the whole novel really comes together.)
Posted by Aravis (# 13824) on
:
I'm not sure there are any I actually hate, but I have never been able to get through Women in Love, Nostromo, or Moby Dick. I haven't read much Dickens either; it's not the length of the novels, I'm happy with absolutely anything by the Brontes or Elizabeth Gaskell, or some of the longest modern novels such as A Suitable Boy or The Name of the Rose (both favourites).
I used to like Hardy but find him harder work now.
I read Proust once - in French - probably the greatest achievement during the three years of my English degree, and also the most pointless. Never again.
Posted by leo (# 1458) on
:
quote:
Originally posted by Albertus:
quote:
Originally posted by Sipech:
quote:
Originally posted by Doc Tor:
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
Careful, now. No dissing the greatest novelist in the English language!
Hardy the greatest novelist in the English language! It's just doom and gloom in the odour of sheepshit, isn't it?
Yes but he wrote about places where i grew up so love his work.
Posted by opaWim (# 11137) on
:
Most of the reasons/arguments given so far for hating specific books seem to me perfectly applicable to The Bible.
Am I the only one?
Posted by Heavenly Anarchist (# 13313) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by balaam:
I have read Northanger Abbey and tried Sense and Sensibility but could not finish it. I found absolutely nothing of value in either, other than Ms Austen could string a sentence together rather well, it's a shame that talent was wasted on writing drivel.
You did realise that Northanger Abbey is supposed to be funny?
'No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine.'
I think reading her letters to her sister is a fascinating revelation in just how observant and sarcastic she could be:
'Mrs. Hall, of Sherborne, was brought to bed yesterday of a dead child, some weeks before she expected, owing to a fright. I suppose she happened unawares to look at her husband.'
Posted by venbede (# 16669) on
:
Heavens, this thread is depressing. Just because I don’t enjoy a work or it makes me uncomfortable, it has no place in the shifting canon of major novels which should be taken account of in assessing current culture.
I can’t say I particularly enjoyed or understood Joyce’s “Ulysses” but that doesn’t make it any less a major influence on C20 English language writing. Ditto, “Clarissa” for the C18.
If we don’t care for an author it probably says as much about us as the author. For example, I’m not going to bother with D H Lawrence any more. He’s working class, heterosexual, romantic and suffused with nonconformist high mindedness. I’m middle class, gay and suffused with an Anglican sense of camp.
Which is probably why Jane Austen is my joint favourite (with Dickens). If you are a sentimental, irony free straight you probably won’t get her – and be irritated at the amount of adulation she gets in some quarters.
Trollope’s period soap operas are not great literature.
Posted by Curiosity killed ... (# 11770) on
:
Dickens is far better digested via the R4 Classic serial than attempting to read him, the episodic nature really works there. That no-one else likes him on here is really reassuring.
I read Far from the Madding Crowd for my GCSE as my inoculation against Hardy, which I really regret as the 1967 film (Julie Christie, Alan Bates, Peter Finch) was filmed around places I know really well, and I lived for a while in Tess of the D'Urbevilles countryside. I would like to be able to face reading Hardy again.
The other GCSE selection was Conrad. I have managed to blot out Nostromo but some of Heart of Darkness remains, particularly the unpleasantness of Kurtz. Conrad is definitely on the hate list.
I quite liked War and Peace, I read it around my A Levels (and Lord of the Rings around my GCSEs). And I would defend Gormenghast too, well, the first book in particular. I really like Austen, barring Mansfield Park and Jane Eyre but have struggled and failed to read Wuthering Heights.
Posted by Curiosity killed ... (# 11770) on
:
Too late to edit - I do know Jane Eyre is not by Jane Austen. I missed a crucial comma
Posted by Pigwidgeon (# 10192) on
:
quote:
Originally posted by LeRoc:
How can The Old Man and the Sea go on and on and on if it is that short?
It's short for a novel, but still about 100 pages, depending on the edition. And I seem to recall* that about 90 of those pages were about the Old Man towing in a fish that was being eaten by sharks.
*Like most fish stories, this has probably grown quite a bit in my mind since I was last forced to read it.
Posted by Amanda B. Reckondwythe (# 5521) on
:
quote:
Originally posted by Curiosity killed ...:
Dickens is far better digested via the R4 Classic serial. . . . That no-one else likes him on here is really reassuring.
I love Dickens.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Curiosity killed ...:
That no-one else likes him on here is really reassuring.
Dickens is uneven. There's only really two books that are consistently excellent all the way through (Bleak House and Great Expectations). But you don't read Dickens because he's consistent - George Eliot can be consistent. You read him because when he hits a peak he's brilliant.
I have a soft spot for Martin Chuzzlewit. That's the one where Dickens didn't know what to do so sent two of his characters off to America.
Like Austen, you have to realise that he's funny. There's nothing more fatal to either than trying to read them as if you're in an English lesson.
Posted by Sarasa (# 12271) on
:
Love Austen, including Mansfield Park , but find DIckens a struggle, despite my Mother in Law's attempts to educate me. I find brief passages amazing, but find it really hard to get past the silly names.
My mother is always going on about Madame Bovery, it's her favourite book. I read it as a teenager, but have no desire to read it again.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by venbede:
If we don’t care for an author it probably says as much about us as the author. For example, I’m not going to bother with D H Lawrence any more. He’s working class, heterosexual, romantic and suffused with nonconformist high mindedness. I’m middle class, gay and suffused with an Anglican sense of camp.
I believe Lawrence was bi. I gather that the only reasons his stories aren't slashable is that it's too easy.
quote:
Trollope’s period soap operas are not great literature.
Trollope wrote something like forty books, and probably only had about six or seven in him. But two of those books were Barchester Towers and The Way We Live Now, so it doesn't matter.
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Sipech:
quote:
Originally posted by Dafyd:
Making someone read something for GCSE is a great way to spoil it for them for life.
This is why I nominate Pride and Prejudice. Have been put off anything by Jane Austen for life.
I had to read The Bell Jar for the NZ equivalent of A levels, and I haven't wanted to touch anything by Sylvia Plath again, that's for sure. Though there were some course-material books, from both school and university, that I liked very much indeed.
I also don't rate Katherine Mansfield at all, but disclosing that fact to my compatriots tends to get me very funny looks and a slight shrugging away from my vicinity, as though this makes me not only vulgar and tasteless, but sort of suspect in my loyalties to the country. Or perhaps I'm just imagining it...though I have been told, out loud, that as a woman, I ought to like her work. WTF?
Posted by ArachnidinElmet (# 17346) on
:
quote:
Originally posted by Heavenly Anarchist:
quote:
Originally posted by HCH:
Why has no one mentioned Dickens?
A couple of us have mentioned Hard Times, which I consider one of the most depressing and tedious books I ever failed to read.
Good Lord yes. You could use it as cheap anaesthesia.
Reading Brave New World made me understand the difference between a sad ending and a depressing one.
Can someone explain the point of Death of a Salesman to me? Utterly unsympathetic, uninteresting characters. Sometimes life is a grind? No kidding. I'm glad you told me. I love The Crucible so it's not an anti-Miller thing, but I just can't bear it.
Posted by venbede (# 16669) on
:
Little Dorrit is brill, also.
I will admit I give Conrad and Thomas Pynchon a miss now.
I have really wanted to like Henry James since I was a teenager and read and re-read him. But the penny hasn't yet dropped.
Posted by Leorning Cniht (# 17564) on
:
I was compelled to read Steinbeck's "Of mice and complete eyeball-stabbing tedium" at school, which has rather put me off the man. I did try to read "Grapes of Wrath" much later, and gave up. Three times.
He's just unutterably dull.
Posted by Albertus (# 13356) on
:
I thought Death of a Salesman was great. The Crucible, on the other hand, is right there next to To Kill A Mockingbird on the worthy and pi English teachers' bookshelf.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Amanda B. Reckondwythe:
quote:
Originally posted by Curiosity killed ...:
Dickens is far better digested via the R4 Classic serial. . . . That no-one else likes him on here is really reassuring.
I love Dickens.
So do I. "Hard Times" wasn't his best, I agree.
Posted by Firenze (# 619) on
:
I love Dickens. Particularly as I find in myself a growing identification with Flora Finching.
Posted by mousethief (# 953) on
:
quote:
Originally posted by M.:
Crime and Punishment. The crime was the author's, the punishment the reader's. That is all.
I tried to read Crime and Punishment 3 or 4 times, each in a different translation, and gave up each time. Finally when I found Pevear and Volokonsky, I could not just get through it, but devoured it. Constance Garnet should be resuscitated so she can be taken out and shot.
quote:
Originally posted by HCH:
Why has no one mentioned Dickens?
I read Copperfield. Dear God, what a whole lot of nothing. And the guy who is a total failure at life, then goes to Australia and becomes a magnate of industry? Puh-leeze. The only good bit in the whole story is when the undertaker tells Copperfield he regrets that due to his profession he cannot ask after young David's mother lest it seem he's hoping she'll die soon. That was clever.
quote:
Originally posted by Dafyd:
I don't like [To Kill a Mockingbird]. It's all about how white liberals are more wonderful than anybody else, with a special subplot to show that if black people don't wait for white liberals to sort it out for them they'll get shot. (I exaggerate. A bit.)
At that time and place that was in fact true.
quote:
Originally posted by Yorick:
quote:
Originally posted by M.:
Crime and Punishment.
I must protest. This is quite possibly the best novel ever written.
After Brothers Karamazov, maybe, which towers above it. (IMHO)
Frankly, I thought Pride and Prejudice was brilliantly funny. And I adore Lord of the Rings, but realize it's not for everybody.
The book that I nominate for throwing across the room is Ulysses, but it didn't invoke so much rage as it did contempt. I got about a third of the way through it and realized what he was doing, and that I could do it just as well or better. At which point there was no reason to continue.
Posted by Heavenly Anarchist (# 13313) on
:
quote:
Originally posted by Albertus:
I thought Death of a Salesman was great. The Crucible, on the other hand, is right there next to To Kill A Mockingbird on the worthy and pi English teachers' bookshelf.
I also preferred Death of a Salesman but that might be because my English lit teacher was fabulously enthusiastic and reading it out loud in class was a joy.
Posted by Jane R (# 331) on
:
anoesis, on Lady Chatterley's Lover: quote:
I suspect that this will lower my credit in the minds of people who are Supposed To Know About Such Things, but I'll just put my hand up and say, I actually like this book. Also, I want to bang my head against a wall every time someone talks about the sex in it. So, it was controversial at the time. Big deal. Anyone who can read this book and think it is in any way about sex is right up there with the folk who watched the Southpark movie and complained about the bad language.
Well, I have never read it; the opinion I quoted was my father-in-law's. I never got far enough into any of his books to find a sex scene; I read the first page or so of Women in Love and didn't like his writing style. And I don't often give up on a book that early.
Posted by Jack the Lass (# 3415) on
:
I don't know if he's really considered contemporary 'classic' but I know he has a huge following, and I can't bear him - 'he' being Paolo Coelho. The only good thing I can say about "The Alchemist" is that it was better than "The Pilgrimage", which is the closest I've ever come to throwing a book across the room. Pseudo-spiritual willy-waving mumbo-jumbo, ugh.
I never managed to get through "The Hobbit", and as a result have never tried LOTR, although having now seen the films I might give them a go at some point. But my experience of trying with "The Hobbit" isn't making me rush to do that, I must admit.
Posted by Enoch (# 14322) on
:
quote:
Originally posted by Curiosity killed ...:
Dickens is far better digested via the R4 Classic serial than attempting to read him, ...
Virginia Woolff is also far better as Ginny Fox in Gloomsbury than in her own books. Did anyone else hear it?
Posted by Cottontail (# 12234) on
:
quote:
Originally posted by Ariel:
quote:
Originally posted by Amanda B. Reckondwythe:
quote:
Originally posted by Curiosity killed ...:
Dickens is far better digested via the R4 Classic serial. . . . That no-one else likes him on here is really reassuring.
I love Dickens.
So do I. "Hard Times" wasn't his best, I agree.
I love Hard Times. It may be my second favourite Dickens, after A Tale of Two Cities. Not that ToTC is his literary best (although it is jolly fine), but because I fell in love with Sidney Carton aged 13, and I won't hear a thing against him. But David Copperfield now ... I have tried twice, and failed twice, to read it. I get half way, note there is another 400 pages to go, and lose the will to live.
Another tried-and-failed-twice book is Henry James' Portrait of a Lady. I like Henry James in general, but in this book he is totally in love with his vapid heroine, and that never bodes well for a novel.
My last nomination is Moby Dick, which others have mentioned. I love the opening line, which sends shivers down the spine. But then it seems to turn into some big weird gay whale romp, with an awful lot of penes and semen being splashed around. I am probably missing something - I want to like it - but I just can't get there.
Posted by Twilight (# 2832) on
:
quote:
Originally posted by Porridge:
Ethan Frome.
That is all.
No, there's more.
I didn't think I would have much to say on this thread, 19th Century literature being one of my favorite things.
I love Tess so much I've read it four times and Jane Eyre about ten times. I think George Elliot and Tolstoy are brilliant and to a slightly lesser degree, Dickens.
Moving into my second favorite period, turn of the century, I adore Henry James, E M Forster ( a bit later on) and all of Edith Wharton with the huge exception of Ethan Effing Frome.
Posted by Pomona (# 17175) on
:
Hmm, most of those mentioned so far I love! Does this mean my taste is very pedestrian?
Interesting point about books you did at GCSE - I still love most of what I studied at GCSE (Of Mice And Men, Macbeth, Carol Ann Duffy, I can't remember what else aside from a poetry anthology), especially the poetry, but it took me a long time to like Robert Frost after studying him at A Level.
I'm not hugely keen on Hardy and Lawrence as novelists but they're redeemed by their poetry. I hate reading Dickens, but his books make such good TV dramas. So there's not many books that I don't think can be redeemed in some way. Over-description in a book often makes for a really well-done TV drama or film. Also, I love both Jane Eyre and Wuthering Heights, although I love The Tenant Of Wildfell Hall too (poor Anne Brontë being so overlooked, and being buried in Scarborough). Austen is much better if you read it with satire-goggles. Northanger Abbey is hilarious, and I say that as someone who loves ridiculous Gothic fiction.
Posted by Roselyn (# 17859) on
:
I loved Emma; loved Nostromo, loved Jude the Obscure and Lawrence's poetry and other Lawrence's 7 Pillars...Phantastes was good but came to a halt in middle of LOTR book 2. As I did not care about anyone in the story I stopped reading it; the first work of "literature" I just did not finish! Do not read much good literature at all these days finding non fiction more enchanting.
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Jane R:
anoesis, on Lady Chatterley's Lover: quote:
I suspect that this will lower my credit in the minds of people who are Supposed To Know About Such Things, but I'll just put my hand up and say, I actually like this book. Also, I want to bang my head against a wall every time someone talks about the sex in it. So, it was controversial at the time. Big deal. Anyone who can read this book and think it is in any way about sex is right up there with the folk who watched the Southpark movie and complained about the bad language.
Well, I have never read it; the opinion I quoted was my father-in-law's. I never got far enough into any of his books to find a sex scene; I read the first page or so of Women in Love and didn't like his writing style. And I don't often give up on a book that early.
I wasn't having a go at you. I guess I was just being generally defensive because the sort of criticisms I hear made of the book are all missing the point by miles. I do get that his circuitous, wordy, adjective-laden style is not everyone's cup of tea. I rather like the sparse and austere style of prose down the other end of the spectrum myself, but the rider to that statement is that I think (as with other kinds of minimalism), it's exceedingly hard to do it well and still engage people.
Posted by LeRoc (# 3216) on
:
quote:
Jack the Lass: I don't know if he's really considered contemporary 'classic' but I know he has a huge following, and I can't bear him - 'he' being Paolo Coelho.
I live in Brazil, but I totally agree with this.
(BTW The name is Paulo Coelho. I've seen it spelled wrongly a lot of times.)
Posted by Golden Key (# 1468) on
:
Re "Brothers K" and "Women In Love":
If you have any interest, there's a good film of each. "Brothers K" has a very young, glowing William Shatner as Alyosha, and he's actually good. "Women In Love" has Oscar Reed as one of the male leads.
Posted by L'organist (# 17338) on
:
The Mill on the Floss - just awful.
Golding's To the Ends of the Earth - how to make what should be a great adventure so dull it could be marketed as a cure for insomnia.
Anything by Conan Doyle - makes good B movies but not A or B grade literature.
Absolute worst: Cranford: a load of snobbish old biddies spend their dull days gossipping about nothing, looking back over lives filled with nothing and forward to more of the same.
Posted by Pomona (# 17175) on
:
As for Lady Chatterley's Lover - I read it when I was 14, and to someone discovering their sexuality the anti-lesbian stuff was pretty hard to swallow.
Posted by mousethief (# 953) on
:
quote:
Originally posted by Golden Key:
Re "Brothers K" and "Women In Love":
I assume you mean The Brothers Karamazov by Dostoyevsky, and not The Brothers K by David Jones Duncan?
Posted by Golden Key (# 1468) on
:
MT--
LOL, yes. Have been around too many lit majors. "Brothers K" = "The Brothers Karamazov". Don't even know what that other book is.
(I think that's primarily to get around all the myriad ways of pronouncing "Karamazov".)
[ 28. November 2014, 04:44: Message edited by: Golden Key ]
Posted by Sarasa (# 12271) on
:
L'Organist said: quote:
Absolute worst: Cranford: a load of snobbish old biddies spend their dull days gossipping about nothing, looking back over lives filled with nothing and forward to more of the same.
I think Cranford is one of the best books of all time. The characterisation the gentle humour, Miss Matty wearing a widow's cap when the man she should have married but didn't due to her interfering family died. Wonderful, but each to their own I guess.
If I could invite anyone I liked to a dinner party Elizabeth Gaskell would be first on the list.
Posted by Galilit (# 16470) on
:
I was a 10 year old book-worm who "people" were trying to wean off science fiction in the 60's. My teacher suggested to my first Spiritual Director a.k.a. Mum that I read Dickens.
I was in New Zealand. It was sunny and clean and fresh. We had food. We had parents. We had a house. We had a garden. We had the bush and the beach. We had a school. We had friends. We were loved and looked after.
It is a life-long trauma to have been forced to read those books. I did not need to be exposed to that kind of cruelty and deprivation at that age AND to be told it was "literature".
Posted by Enoch (# 14322) on
:
quote:
Originally posted by Galilit:
I was a 10 year old book-worm who "people" were trying to wean off science fiction in the 60's. My teacher suggested to my first Spiritual Director a.k.a. Mum that I read Dickens.
I was in New Zealand. It was sunny and clean and fresh. We had food. We had parents. We had a house. We had a garden. We had the bush and the beach. We had a school. We had friends. We were loved and looked after.
It is a life-long trauma to have been forced to read those books. I did not need to be exposed to that kind of cruelty and deprivation at that age AND to be told it was "literature".
Not sure I agree there. Dickens may not have suited you, but if you've grown up in a garden where everything is lovely, for which God be thanked, a sharp encounter with the fact that not everyone has those blessings is itself a blessing. That is so however traumatic the exposure might be.
IMHO, the opportunity to encounter other peoples' life experience in a way that engages a person's ability to imagine themselves into someone else's life is one of the more valuable reasons for including literature in school curricula.
Posted by venbede (# 16669) on
:
quote:
Originally posted by L'organist:
Absolute worst: Cranford: a load of ... old biddies spend their dull days gossipping about nothing, looking back over lives filled with nothing and forward to more of the same.
You make it sound like a feminist version of "Waiting for Godot".
Posted by Albertus (# 13356) on
:
It's a light piece of some charm, with some good funny moments (e.g. the story about the cat swallowing the lace). It keeps its place on my bookshelf, although for that kind of thing I'd rather have Barbara Pym.
Posted by venbede (# 16669) on
:
I was thinking Barbara Pym as well. "Quartet in Autumn" could fit that negative description of "Cranford", but it is a wonderful coming to terms with mortality.
For those who don't like Jane Austen and don't know Barbara Pym, I'd say "If you didn't like that, you'll loathe this".
Posted by Sioni Sais (# 5713) on
:
quote:
Originally posted by venbede:
quote:
Originally posted by L'organist:
Absolute worst: Cranford: a load of ... old biddies spend their dull days gossipping about nothing, looking back over lives filled with nothing and forward to more of the same.
You make it sound like a feminist version of "Waiting for Godot".
I don't think "Waiting for Godot" pretends to be anything other than what it is.
Posted by balaam (# 4543) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by balaam:
I have read Northanger Abbey and tried Sense and Sensibility but could not finish it. I found absolutely nothing of value in either, other than Ms Austen could string a sentence together rather well, it's a shame that talent was wasted on writing drivel.
You did realise that Northanger Abbey is supposed to be funny?
Yes. I picked it up expecting satire. Sadly it wasn't funny.
Posted by Barnabas Aus (# 15869) on
:
I'm with bib and snags. I'm a literature major who failed the second semester of my course when Ulysses was a set book. I wrote a 250-word explanation of my reasons for not finishing the book and being unable to answer the essay question, which got zero marks. The head of department bailed me up a couple of weeks later wanting to know what had happened, as he had taught the first semester where I'd achieved a high distinction.
I find stream of consciousness writing in general boring. If Joyce has had an influence on modern literature, in my view it has been negative.
Posted by venbede (# 16669) on
:
I read "Northanger Abbey" as a teenager and loved it and the sending up of silly romanticism.
It is Jane Austen' least mature work, but I find it highly amusing.
Posted by Snags (# 15351) on
:
quote:
Originally posted by quetzalcoatl:
quote:
Originally posted by Snags:
I know I'm going to get shouted down as a philistine, but the biggest load of old bollox I was ever compelled to (mostly) read was Ulysses (James Joyce).
It's weird, it's exactly the kind of self-indulgent literary game-playing experimental wank that I ought to love. But ... no.
I was actually glad when the cat pissed on it and I had to throw it away.
Recently given a run for its money when I decided to read One Thousand Years of Solitude "because I ought to". That was a mistake.
I don't think you're a philistine at all; you don't like Ulysses.
Let's face it, it's not an easy book. Many people read bits of it, which is OK. Sometimes I remember 'perfume of embraces all him assailed' and I feel strangely exultant. But that's just me.
I think it's the oughts and the compulsion which do the damage in literary study. I taught Lit Crit for a few years, and I can't face reading any novel now, except possibly Wolf Hall.
Delayed coming back to this. Ulysses was a compulsion, owing to being one of the set texts for in the final year of an English degree. It stands in honour as one of only a handful of books I've started and not finished. I read just enough to blag a finals answer out of it.
These days I'm too frazzled to read much at all, which is horrible. When I do, I read "good quality crap" because it's for fun, and periodically leaven it with random samples from the contemporary worthy section. By choice; just occasionally not a vindicated choice.
Posted by Snags (# 15351) on
:
quote:
Originally posted by Sipech:
quote:
Originally posted by Snags:
Recently given a run for its money when I decided to read One Thousand Years of Solitude "because I ought to". That was a mistake.
Not sure if it was a typo or hyperbole, but it's actually One Hundred Years of Solitude.
An honest mistake (that I've just made again in another reply). It just felt like a thousand years
Posted by quetzalcoatl (# 16740) on
:
Snags wrote:
Delayed coming back to this. Ulysses was a compulsion, owing to being one of the set texts for in the final year of an English degree. It stands in honour as one of only a handful of books I've started and not finished. I read just enough to blag a finals answer out of it.
These days I'm too frazzled to read much at all, which is horrible. When I do, I read "good quality crap" because it's for fun, and periodically leaven it with random samples from the contemporary worthy section. By choice; just occasionally not a vindicated choice.
I did an English degree, and eventually taught Eng Lit; and as I said, eventually, I burned out. I mean, I can't read novels or poetry now.
Well, occasionally, I swallow down a Jane Austen or the like. But modern novels seem like rat poison to me.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Barnabas Aus:
I find stream of consciousness writing in general boring. If Joyce has had an influence on modern literature, in my view it has been negative.
I've read Ulysses. I quite like bits of it, but the stream of consciousness sections are dull. I think the theory behind stream of consciousness is flawed.
That said, I disagree with your assessment of Ulysses' influence. It goes far beyond just stream of consciousness. I think stream of consciousness is as much the fault of Henry James as of Ulysses - now there's a writer whose influence I think has been far too constraining.
Posted by venbede (# 16669) on
:
I have read a lot of James over the years and it's never clicked. Although he's said to do away with the omniscient narrator, I don't get it. A mannered and fussy narrator seems all pervasive.
I've never understood why Isabel goes back to her husband. A bit of the stream of her consciousness would clear things up a bit.
Posted by Tubbs (# 440) on
:
quote:
Originally posted by ArachnidinElmet:
...
Can someone explain the point of Death of a Salesman to me? Utterly unsympathetic, uninteresting characters. Sometimes life is a grind? No kidding. I'm glad you told me. I love The Crucible so it's not an anti-Miller thing, but I just can't bear it.
I hated The Crucible. So much so that I must be the only Richard Armitage fan in the UK who didn't bother trying to get tickets to see him playing John Proctor. If I'm going to spend that much on something, I want to be something I know I'm going to like.
This thread isn't depressing. It's hilarious how many "classic books" that some people don't consider to be all that whilst others love them. And at least we're talking about them!
Tubbs
Posted by balaam (# 4543) on
:
quote:
Originally posted by Tubbs:
This thread isn't depressing. It's hilarious how many "classic books" that some people don't consider to be all that whilst others love them. And at least we're talking about them!
Tubbs
Yes. I'm enjoying the Austen v. Dickens debate.
Posted by Sir Kevin (# 3492) on
:
I rather liked The Old Man and the Sea but I haven't bothered with much other Hemingway. I detest Dickens: it just that it all seems so dreary.
Posted by Tubbs (# 440) on
:
quote:
Originally posted by balaam:
quote:
Originally posted by Tubbs:
This thread isn't depressing. It's hilarious how many "classic books" that some people don't consider to be all that whilst others love them. And at least we're talking about them!
Tubbs
Yes. I'm enjoying the Austen v. Dickens debate.
At least Austen wasn't as prolific ...
Tubbs
Posted by Brenda Clough (# 18061) on
:
I'm reading a biography of Dickens. This was a troubled man, profoundly oppressed by the culture of his time. Austen seems to have been more easy in her milieu; she uses her pen as a needle, not as a sword.
Posted by quetzalcoatl (# 16740) on
:
I think Austen has been misplaced, by comments about her elegance and so on. In fact, she is a profoundly moral writer, and also a profound one. Also her psychological insights are something else, see Emma with her sexual projections all over the place, trying to avoid her own sexuality. Ooops, this is supposed to be hate, not adoration.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Sipech:
quote:
Originally posted by Snags:
Recently given a run for its money when I decided to read One Thousand Years of Solitude "because I ought to". That was a mistake.
Not sure if it was a typo or hyperbole, but it's actually One Hundred Years of Solitude. While I found it rather frustrating for it's nonlinear timeline and the fact that all the characters have almost the same name, I will defend it on the grounds that Gabriel Garcia Marquez's turn of phrase is achingly beautiful. He conjurs up some wonderful imagery, even if it is at the expense of a plot. Love in the Time of Cholera is much better.
I fell in love with OHYOS, but I have the feeling it was because
I am a John Irving fan, I dunno, I felt like Irving was training wheels for Marquez.
Glad to see all the Hemingway hate-- "cock lit" it is. Not that I begrudge anyone who likes him, but I have been sharply scolded for not liking him. Only answer I need now is, " Well, Trudy doesn't like him either."
Posted by quetzalcoatl (# 16740) on
:
I think some of Hemingway's short stories are little jewels, simple short words, simple sentences, deadly.
But yeah, in his novels he over-reached, and tried to fit his own image. As he used to say, poor old Hem.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by quetzalcoatl:
I think some of Hemingway's short stories are little jewels, simple short words, simple sentences, deadly.
But yeah, in his novels he over-reached, and tried to fit his own image. As he used to say, poor old Hem.
True about the short stories.
Maybe the problem is great short story writers feel called upon to write novels. First of all, different skill set, second of all, that implies short stories are inferior. I think short stories are underrated, myself. But pardon my woolgathering.
Posted by leo (# 1458) on
:
quote:
Originally posted by Snags:
Ulysses was a compulsion, owing to being one of the set texts for in the final year of an English degree.
I tried to reasd Ulysses for pleasure but it was hard work. I loved portrait, which was a set text when i did A' level.
Posted by mousethief (# 953) on
:
quote:
Originally posted by Kelly Alves:
Glad to see all the Hemingway hate-- "cock lit" it is. Not that I begrudge anyone who likes him, but I have been sharply scolded for not liking him. Only answer I need now is, " Well, Trudy doesn't like him either."
Amazed no one has mentioned Steinbeck. Literature to slit your wrists by. Hated Of Mice and Men, despised Grapes of Wrath. Was nonplussed by Red Pony and Cannery Row. Gag me with a dust bowl.
Posted by Chamois (# 16204) on
:
Originally posted by venbede:
quote:
I have really wanted to like Henry James since I was a teenager and read and re-read him. But the penny hasn't yet dropped.
Now James is a REALLY boring writer. Over the years I've tried his books from time to time but I've never finished one yet. Nothing ever happens, nobody ever does anything and even if his characters start out different they all end up the same as the characters in his last book, the one before that and the one before that.
The only book he started with a decent plot device was What Maisie knew. A great beginning, but after the first couple of chapters it tails off into the usual Jamesian rubbish about the very dull inner soul-searching of one of the very dull minor characters.
Thank God I was never set one of his books at school, I'd have failed the course for sure.
Posted by Brenda Clough (# 18061) on
:
Hemingway -- Hemingway, my god! -- found it impossible to make a living writing short stories, and so he moved on to the more profitable novels. People do not make a living writing short stories, any more than they do writing tweets, or poems. Their life style is supported by something like a tenured professorial position.
Posted by Twilight (# 2832) on
:
quote:
Originally posted by quetzalcoatl:
I think Austen has been misplaced, by comments about her elegance and so on. In fact, she is a profoundly moral writer, and also a profound one. Also her psychological insights are something else, see Emma with her sexual projections all over the place, trying to avoid her own sexuality. Ooops, this is supposed to be hate, not adoration.
I agree. She wrote many prayers that were beautiful and very telling about her own weaknesses and her drive for improvement.
I think some of the humor she is so often prized for is occasionally insensitive and can be almost cruel at times. As with Dorothy Parker, I think some of that famous wit and sarcasm would just seem like ordinary catty remarks without the gift of time.
So, I like Austen very much, but I feel as though I like her "wrong." My least favorite is Pride and Prejudice (hands down her most popular work) and my favorite is "Mansfield Park." That was her last book and I think her deepest, most mature work, and as you say, profoundly moral.
Posted by venbede (# 16669) on
:
quote:
Originally posted by balaam:
quote:
Originally posted by Tubbs:
This thread isn't depressing. It's hilarious how many "classic books" that some people don't consider to be all that whilst others love them. And at least we're talking about them!
Tubbs
Yes. I'm enjoying the Austen v. Dickens debate.
What Austen v. Dickens debate? I love them both. Dickens is usually contrasted with "George Eliot", but that is because Mary Ann Evan (aka George Eliot) was an intellectual liberal and doesn't have his obvious faults. However humane, imaginative novelist though she undoubtedly was, she is terminally worthy. And her prose style is dreary.
I sense that to express my distaste for Hemingway, Steinbeck (who I've never read) or D H Lawrence is just to reveal myself as a mannered, middle class poof. I'm glad to see others not care for them.
Posted by venbede (# 16669) on
:
quote:
Originally posted by Twilight:
My least favorite is Pride and Prejudice (hands down her most popular work) and my favorite is "Mansfield Park." That was her last book and I think her deepest, most mature work, and as you say, profoundly moral.
Her last novel was in fact "Persuasion". But good on you for standing up for Fanny Price, who has been written off here as a goodie. God, what she has to put up with. Aunt Norris is Austen's nastiest character and all too believable.
Posted by balaam (# 4543) on
:
quote:
Originally posted by Brenda Clough:
Hemingway -- Hemingway, my god! -- found it impossible to make a living writing short stories, and so he moved on to the more profitable novels. People do not make a living writing short stories, any more than they do writing tweets, or poems. Their life style is supported by something like a tenured professorial position.
Even so the short ones are the best from EH. The compilation "Snows of Kilimanjaro" is a must read.
Posted by Heavenly Anarchist (# 13313) on
:
Persuasion is my favourite and the one I consider the most mature. It's a very thoughtful novel and probably reflects a lot of her own feelings as someone past her bloom who never married. And her heroine, Anne Elliot, is very likeable, IMO.
Posted by venbede (# 16669) on
:
Given that Jane was almost certainly more intelligent than any man she ever met, it is no surprise she never married.
Posted by Evangeline (# 7002) on
:
I agree with Venbede Mansfield Park is IMO Jane Austen's deepest novel it's a profound examination of morality and moral courage within the gentry of the time. It's sad that Fanny is just too passive to be a likeable heroine but it's difficult for us to understand today how courageous it is for her to risk her precarious position in the household by saying "no' to anything.
Aunt Norris is indeed a thoroughly nasty character and all too real, I think she represents another response to being in a precarious financial and social position. Often female villains aren't particularly well drawn but Aunt Norris is perfect in her nastiness.
[ 28. November 2014, 20:00: Message edited by: Evangeline ]
Posted by Lola (# 627) on
:
quote:
Originally posted by Firenze:
I love Dickens. Particularly as I find in myself a growing identification with Flora Finching.
Bravo, Flora is ace. Also the marvellous Caddy Jellyby and Fanny Dorrit.
Posted by Amanda B. Reckondwythe (# 5521) on
:
I see myself as Betsey Trotwood.
Posted by Ariel (# 58) on
:
Fanny Price - notable for getting a "headach" after cutting roses in the garden for just five minutes. What a wimp.
"Mansfield Park" was my introduction to Jane Austen. We did this for A level and I hated it so much that after I'd flung the book across the room, I sat down and wrote a version I felt happier with, where Fanny's uncle and aunt were Satanists, and Fanny got involved in a knife fight with Mary. I don't remember the other details (Henry Crawford may have been on drugs), but you get the general gist.
quote:
Originally posted by mousethief:
Amazed no one has mentioned Steinbeck. Literature to slit your wrists by. Hated Of Mice and Men, despised Grapes of Wrath. Was nonplussed by Red Pony and Cannery Row. Gag me with a dust bowl.
Hated those too.
I like Hardy, by the way. There's a bit of a knack to his books, but once you get into them they're quite interesting. Eustacia Vye and Bathsheba Everdene come across as distinct personalities - love them or hate them they are memorable.
Posted by Enoch (# 14322) on
:
So many Shipmates are so manifestly better read than me. Many of you have actually read the books I'd prefer not to admit that I've never opened. It's cheering to discover that with many of those books, I haven't missed anything.
Posted by Jane R (# 331) on
:
mousethief: quote:
Amazed no one has mentioned Steinbeck. Literature to slit your wrists by.
So true! I've had a grudge against Steinbeck ever since a well-meaning relative gave me a copy of 'The Red Pony' in the mistaken belief that it was a suitable book for a pony-mad eleven-year-old. I was heartbroken when the pony died, and I hated the ending.
[ 28. November 2014, 21:29: Message edited by: Jane R ]
Posted by Pigwidgeon (# 10192) on
:
quote:
Originally posted by Jane R:
mousethief: quote:
Amazed no one has mentioned Steinbeck. Literature to slit your wrists by.
So true! I've had a grudge against Steinbeck ever since a well-meaning relative gave me a copy of 'The Red Pony' in the mistaken belief that it was a suitable book for a pony-mad eleven-year-old. I was heartbroken when the pony died, and I hated the ending.
I think I had nightmares after having to read that.
Posted by Heavenly Anarchist (# 13313) on
:
quote:
Originally posted by Evangeline:
I agree with Venbede Mansfield Park is IMO Jane Austen's deepest novel it's a profound examination of morality and moral courage within the gentry of the time. It's sad that Fanny is just too passive to be a likeable heroine but it's difficult for us to understand today how courageous it is for her to risk her precarious position in the household by saying "no' to anything.
I'd have far more respect for her if she had told Edmund to take a hike
Posted by Brenda Clough (# 18061) on
:
Steinbeck (like Dos Passos) is one of those authors whose star has sunk tremendously in my lifetime. If it were not for school exams he would not be read at all today.
Posted by Leorning Cniht (# 17564) on
:
quote:
Originally posted by mousethief:
Amazed no one has mentioned Steinbeck. Literature to slit your wrists by. Hated Of Mice and Men, despised Grapes of Wrath. Was nonplussed by Red Pony and Cannery Row. Gag me with a dust bowl.
I had him on the previous page. I am in complete agreement with you here.
He's just unutterably dull.
Posted by Kelly Alves (# 2522) on
:
Meh. I liked East of Eden. But maybe I was just attracted to the Monterey County geographical name dropping. (I'm a California history geek.)
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Ariel:
"Mansfield Park" was my introduction to Jane Austen. We did this for A level and I hated it so much that after I'd flung the book across the room, I sat down and wrote a version I felt happier with, where Fanny's uncle and aunt were Satanists, and Fanny got involved in a knife fight with Mary. I don't remember the other details (Henry Crawford may have been on drugs), but you get the general gist.
You are my hero.
Posted by Galloping Granny (# 13814) on
:
Steinbeck: loved Cannery Row and Sweet Thursday; I have CR on my bookcase and shall read it again and see if it still works. I have a feeling I've read some other Steinbeck but if so it's passed out of my consciousness.
quote:
Austen is much better if you read it with satire-goggles. Northanger Abbey is hilarious, and I say that as someone who loves ridiculous Gothic fiction.
This.
Gormenghast: Mervyn Peake was an artist and in every scene I felt him building the picture word by word like a painter with brush strokes. I revelled in it.
GG
Posted by The5thMary (# 12953) on
:
"An American Tragedy" by Theodore Dreiser. Boring, simplistic, boring, badly written, boring and, oh, did I mention it's boring?
Posted by Pigwidgeon (# 10192) on
:
quote:
Originally posted by The5thMary:
"An American Tragedy" by Theodore Dreiser. Boring, simplistic, boring, badly written, boring and, oh, did I mention it's boring?
Did you have to mention that? I had happily forgotten that horrid book, and now you've made me remember it.
Posted by Arabella Purity Winterbottom (# 3434) on
:
quote:
Originally posted by anoesis:
I also don't rate Katherine Mansfield at all, but disclosing that fact to my compatriots tends to get me very funny looks and a slight shrugging away from my vicinity, as though this makes me not only vulgar and tasteless, but sort of suspect in my loyalties to the country. Or perhaps I'm just imagining it...though I have been told, out loud, that as a woman, I ought to like her work. WTF?
With you on that. The curse of NZ schoolchildren.
I love Dickens and Austen. I'm another Hardy disliker - Tess in the sixth form depressed the hell out of me.
But the one I've gone off the most would be Lord of the Rings - one of the few cases where I think the films are better than the books. Tolkein is a clunky writer, and I always felt I needed a concordance and an atlas to keep track of it all.
Posted by The5thMary (# 12953) on
:
"The Girl With The Dragon Tattoo" by...whoever the hell the guy's name was.
It was a good book, in places, but most of it was incredibly violent, incredibly boring, incredibly tedious, and the little statistics about violence against women was off-putting. The movie with Daniel Craig and Rooney Mara was meh. Rooney Mara was really cool but still, the movie was like the book--way too violent.
Posted by Kelly Alves (# 2522) on
:
I hated Portnoy's Complaint. Protagonist was a whiny little shit.
Posted by North East Quine (# 13049) on
:
quote:
Originally posted by Jack the Lass:
I don't know if he's really considered contemporary 'classic' but I know he has a huge following, and I can't bear him - 'he' being Paolo Coelho. The only good thing I can say about "The Alchemist" is that it was better than "The Pilgrimage", which is the closest I've ever come to throwing a book across the room. Pseudo-spiritual willy-waving mumbo-jumbo, ugh.
Agreed. I can see why "The Alchemist" might appeal to an angsty 14 year old - in fact I'd probably have loved it at 14 - but any older than that, no.
I love "Hard Times." It was a set text for the OU Foundation Arts course, so perhaps the joy of starting my history degree made everything in that context seem excellent. I've never managed to read "A Tale of Two Cities."
Posted by Curiosity killed ... (# 11770) on
:
Talking about whiny little shits, can we include Holden Caulfield in The Catcher in the Rye?
I quite like Of Mice and Men, probably a good job as I've had to teach it a few times. But it reads as a play script to me, partly because there are so few backdrops to the scenes: on the road by the river, the bunkhouse and the barn (both with Crooks and with the puppies), which would be so easy to set as a play. Gove removed Steinbeck from the approved writers list so from next year he's off the GCSE syllabus.
Has anyone managed to read Saul Bellow? He came up on a list of 100 great books everyone should read a few years back, which I used as a reading suggestion list for a bit, until I got to Saul Bellow and gave up on the whole idea.
Posted by Stetson (# 9597) on
:
quote:
Originally posted by The5thMary:
"The Girl With The Dragon Tattoo" by...whoever the hell the guy's name was.
It was a good book, in places, but most of it was incredibly violent, incredibly boring, incredibly tedious, and the little statistics about violence against women was off-putting. The movie with Daniel Craig and Rooney Mara was meh. Rooney Mara was really cool but still, the movie was like the book--way too violent.
For all its feminist pretensions, I can't help but read that story(going by the films, mind you) as "middle-aged male journalist's fantasy about having kickass adventures(and accompanying sex) with hot twentysomething comic-book heroine".
Posted by Stetson (# 9597) on
:
quote:
Originally posted by The5thMary:
"An American Tragedy" by Theodore Dreiser. Boring, simplistic, boring, badly written, boring and, oh, did I mention it's boring?
I think that's kind of the "idea" of Dreiser. The introduction to Penguin's restored edition of Sister Carrie quotes a critic as saying something to the effect of "Okay, yeah, he really kicks the English language around like a worn-out football, but, dammit, that's all part of the fun."
[ 29. November 2014, 07:37: Message edited by: Stetson ]
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Curiosity killed ...:
Talking about whiny little shits, can we include Holden Caulfield in The Catcher in the Rye?
Preach. And Stetson,spot on about The Mary Sue with the Dragon Tattoo.
Posted by Tubbs (# 440) on
:
American Gods by Neil Gaimen. What a load of piffle. Masterwork my arse
Tubbs
Posted by Moo (# 107) on
:
quote:
Originally posted by Kelly Alves:
I hated Portnoy's Complaint. Protagonist was a whiny little shit.
YES
He seemed to enjoy doing repulsive things and then moaning about the fact that he was the kind of person who did those things.
Moo
Posted by leo (# 1458) on
:
Anything by Joseph Conrad. My grandfather was a friend of his and was best man at his wedding so i thought i ought to read his stuff but I couldn't get on with it.
[ 29. November 2014, 11:47: Message edited by: leo ]
Posted by Twilight (# 2832) on
:
I nearly got kicked out of two book clubs for this but I can't stop myself:
I hated Beloved.
I thought Toni Morrison was hell bent on inflicting every single recorded atrocity from the history of slavery on this one small group and making sure every last white person, including the abolitionists were pure evil. Morrison's anger omits all subtlety. None of the characters were developed past their own list of miserable happenings so the reader's empathy was reduced to what one might feel reading a newspaper account of tragedy.
Her protagonist was illogical as well as much of the imagined inner life of the slaves. For example, the old woman was spending her time thinking about colors because "she had never had time" to do that before. Wouldn't the main feature of many of her jobs have been extreme tedium and boredom? Wouldn't a day spent picking strawberries lent enough time to think about red?
Toni Morrison's writing is my perfect example of brilliance without discipline. Reading her is worse than boring it's annoying.
Posted by Signaller (# 17495) on
:
I loved Steinbeck when I was twenty, have a full set of paperbacks. Thirty years on, I sometimes pick one up again, but it never seems to grip, except for Cannery Row, Tortilla Flat and Sweet Thursday, which are his most satisfying books. I think the humour gives the stories a reality that the relentessly gloomy more political works lack.
In Dubious Battle, for instance, seems peopled by caricatures who lack any humanity.
Posted by Heavenly Anarchist (# 13313) on
:
quote:
Originally posted by North East Quine:
quote:
Originally posted by Jack the Lass:
I don't know if he's really considered contemporary 'classic' but I know he has a huge following, and I can't bear him - 'he' being Paolo Coelho. The only good thing I can say about "The Alchemist" is that it was better than "The Pilgrimage", which is the closest I've ever come to throwing a book across the room. Pseudo-spiritual willy-waving mumbo-jumbo, ugh.
Agreed. I can see why "The Alchemist" might appeal to an angsty 14 year old - in fact I'd probably have loved it at 14 - but any older than that, no.
I love "Hard Times." It was a set text for the OU Foundation Arts course, so perhaps the joy of starting my history degree made everything in that context seem excellent. I've never managed to read "A Tale of Two Cities."
That's the same course where I studied it and hated it
Posted by Brenda Clough (# 18061) on
:
Neil Gaiman is one of those authors that I just know has a stupendous, worldchanging book in him. Unfortunately he never writes it, instead pouring out his putative genius on what feels like ephemera. (Ocean at the End of the Lane was severely disappointing.)
Posted by Tubbs (# 440) on
:
quote:
Originally posted by Brenda Clough:
Neil Gaiman is one of those authors that I just know has a stupendous, worldchanging book in him. Unfortunately he never writes it, instead pouring out his putative genius on what feels like ephemera. (Ocean at the End of the Lane was severely disappointing.)
I liked it.
Tubbs
Posted by Kitten (# 1179) on
:
quote:
Originally posted by Tubbs:
quote:
Originally posted by Brenda Clough:
Neil Gaiman is one of those authors that I just know has a stupendous, worldchanging book in him. Unfortunately he never writes it, instead pouring out his putative genius on what feels like ephemera. (Ocean at the End of the Lane was severely disappointing.)
I liked it.
Tubbs
Me too, I like most of his work. Loved American Gods
Posted by L'organist (# 17338) on
:
Gone with the wind
Have some time for Scarlett but Melly Wilkes! She's of the type a friend calls 'killers in chiffon' - so nice they set your teeth on edge just by walking into a room and as soon as they speak you want to shake them till their teeth rattle. Olivia de Haviland got her off to a tee in the film, which is what made it so unbelievable that Scarlett didn't just smack her.
Now for a true stinker: although no one ever said it was a 'great' book, if you really want to plumb the depths track down a copy of The Heart has its Reasons by the late Duchess of Windsor. Over 300 pages of self-justifying tripe in a style of such dreadful arch whimsy it induces migraine and nausea.
Yes, you may feel the Wallis did the British a favour and we should erect a statue to her - but this book will make you give up on that idea after the first few paragraphs.
Posted by Brenda Clough (# 18061) on
:
I feel like the schoolteacher, saying, "But Neil is not working up to his potential. He could do so much better."
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by venbede:
quote:
Originally posted by Twilight:
My least favorite is Pride and Prejudice (hands down her most popular work) and my favorite is "Mansfield Park." That was her last book and I think her deepest, most mature work, and as you say, profoundly moral.
Her last novel was in fact "Persuasion". But good on you for standing up for Fanny Price, who has been written off here as a goodie. God, what she has to put up with. Aunt Norris is Austen's nastiest character and all too believable.
I like Fanny Price. Maybe the fact that she makes no effort to be likeable makes me like her.
Posted by SvitlanaV2 (# 16967) on
:
quote:
Originally posted by Twilight:
I nearly got kicked out of two book clubs for this but I can't stop myself:
I hated Beloved.
I thought Toni Morrison was hell bent on inflicting every single recorded atrocity from the history of slavery on this one small group and making sure every last white person, including the abolitionists were pure evil. Morrison's anger omits all subtlety. None of the characters were developed past their own list of miserable happenings so the reader's empathy was reduced to what one might feel reading a newspaper account of tragedy.
It's been a long time since I read 'Beloved' and my memories are probably heavily influenced by the film, but I suspect that the reality of slavery in that place and time was far worse in most cases than a modern fictional account. I can't imagine it was a way of life, for either slave or slave-holder, that admitted much subtlety.
Anyway, regarding books I couldn't finish and feel unlikely to return to, I'd include:
'The Europeans' by Henry James,
'A Day in the Life of Ivan Denisovitch' by Solzhenitsyn,
a fantasy novel by Michael Moorcock,
'Fear and Loathing in Las Vegas by Hunter S Thompson
'The Silent Touch of Shadows' by Christina Courtenay
If anyone wants a really boring read I'd recommend 'La Jalousie' by Alain Robbe-Grillet. I finished it because I was sure something was going to happen eventually. But it never did. Would anyone publish that sort of thing today, even in France? I doubt it.
Posted by Oscar the Grouch (# 1916) on
:
quote:
Originally posted by Kitten:
quote:
Originally posted by Tubbs:
quote:
Originally posted by Brenda Clough:
Neil Gaiman is one of those authors that I just know has a stupendous, worldchanging book in him. Unfortunately he never writes it, instead pouring out his putative genius on what feels like ephemera. (Ocean at the End of the Lane was severely disappointing.)
I liked it.
Tubbs
Me too, I like most of his work. Loved American Gods
Yup. American Gods is a fantastic book. Of course, Neil Gaiman will always struggle in future to get anywhere near the masterpiece that he co-wrote with Terry Pratchett - Good Omens. Still one of the best books of all time.
Posted by Palimpsest (# 16772) on
:
I thoroughly enjoyed "The Ocean At The End Of The Lane" American Gods falls in the "OK" category but isn't one of my favorites.
Posted by Enoch (# 14322) on
:
quote:
Originally posted by Kelly Alves:
I hated Portnoy's Complaint. Protagonist was a whiny little shit.
That confirms what I said upthread about Martha Quest and The Children of Violence. If you want people to read and admire your books, don't write them round a dislikable main character that your readers won't want to spend time with.
Posted by Albertus (# 13356) on
:
quote:
Originally posted by L'organist:
Now for a true stinker: although no one ever said it was a 'great' book, if you really want to plumb the depths track down a copy of The Heart has its Reasons by the late Duchess of Windsor. Over 300 pages of self-justifying tripe in a style of such dreadful arch whimsy it induces migraine and nausea.
Oh, I read that in a couple of hours lying on the sofa a couple of Boxing Days ago, minding the dog while while Mrs A took the inlaws to the panto, and rather enjoyed it as a sort of extended Hello article. Suitable for convalescents and so on.
Posted by Jemima the 9th (# 15106) on
:
quote:
Originally posted by Galloping Granny:
Gormenghast: Mervyn Peake was an artist and in every scene I felt him building the picture word by word like a painter with brush strokes. I revelled in it.
I tried to read the first Gormenghast book whilst in early pregnancy. Big mistake. I got as far as the drunk, swaying chef, and had to give in. The whole thing made me dizzy and nauseous.
It's a shame, as I really wanted to like it, and I'd just heard some adaptations on the radio and loved them. Perhaps I'll have another go and feel a bit less sick.
[ 29. November 2014, 22:00: Message edited by: Jemima the 9th ]
Posted by Twilight (# 2832) on
:
quote:
Originally posted by SvitlanaV2:
quote:
Originally posted by Twilight:
I nearly got kicked out of two book clubs for this but I can't stop myself:
I hated Beloved.
I thought Toni Morrison was hell bent on inflicting every single recorded atrocity from the history of slavery on this one small group and making sure every last white person, including the abolitionists were pure evil. Morrison's anger omits all subtlety. None of the characters were developed past their own list of miserable happenings so the reader's empathy was reduced to what one might feel reading a newspaper account of tragedy.
It's been a long time since I read 'Beloved' and my memories are probably heavily influenced by the film, but I suspect that the reality of slavery in that place and time was far worse in most cases than a modern fictional account. I can't imagine it was a way of life, for either slave or slave-holder, that admitted much subtlety.
Of course slavery was horrible and I agree that the reality would be much worse than a fictional account. Why would you jump to the conclusion that I didn't think slavery was terrible, because I didn't like this particular modern woman's book about it? I think it's a subject that deserves better than a florid, overwrought ghost story.
My problem with this book is that I don't think Morrison does a good job of making the reader feel any part of what it was like. I didn't say that slaves or the slave holders lacked subtlety, but Toni Morrison. I think a better writer could have taken the same subject and developed all aspects of the character so that we could see her as a real person first and then feel the events with her.
I've read accounts by people who actually were slaves as well as people who lived through concentration camps during WWII and I'm always amazed at the human spirit that can survive through such things. Amazingly those people were still generous, still able to laugh at times, and still able to hope. I felt none of that in the characters in "Beloved," and I think it was because Morrison thought that any moment of joy or spark of wit would undermine her message. I think she underestimates the people who survived slavery as well as the intelligence of her readers.
Posted by Kelly Alves (# 2522) on
:
Same here-- the television adaptation was so fantastic I eagerly scooped up the book. One of the rare occasions in which I''d say, " Stick with the movie."
[ epic crosspost-- I was talking about Gormenghast. ]
And while I did love Hugo's Les Miserables, here would be a rare occasion I would say, " get the abridged edition." I was young and proud and though I was too good for anything abridged. I was punished for the sin of pride by having to slog through chapter after chapter of expository political tirades. Fuck me. I guess that is what happens when your editor is a political ally.
It gave me a giggle, though, to read how Hugo declared he was drawing a veil of respect over Marius and Cosette's wedding night, only to spend the next page and a half rhapsodizing about it.
[ 29. November 2014, 22:40: Message edited by: Kelly Alves ]
Posted by Brenda Clough (# 18061) on
:
Les Miserables is a book that I would have sworn was impossible to bring to the musical stage. Shows you what I know, eh? It is almost deliberately badly written -- the first large chunk solely devoted to the philosophy of Bishop Myriel, who then vanishes from the plot. Jean Valjean doesn't appear for many chapters.
Posted by mousethief (# 953) on
:
quote:
Originally posted by Brenda Clough:
Les Miserables is a book that I would have sworn was impossible to bring to the musical stage. Shows you what I know, eh?
Well, the opera did suck. Badly.
Posted by SvitlanaV2 (# 16967) on
:
quote:
Originally posted by Twilight:
I've read accounts by people who actually were slaves as well as people who lived through concentration camps during WWII and I'm always amazed at the human spirit that can survive through such things. Amazingly those people were still generous, still able to laugh at times, and still able to hope. I felt none of that in the characters in "Beloved," and I think it was because Morrison thought that any moment of joy or spark of wit would undermine her message. I think she underestimates the people who survived slavery as well as the intelligence of her readers.
There are some very life-affirming texts about slaves, slave owners and Holocaust survivors, true. But perhaps we need to hear a little of the alternative, sometimes. Plenty of people would have been totally destroyed, morally and spiritually, by these experiences. Indeed, many commentators note the disastrous effects of the slave trade are still apparent today; there isn't always a happy ending, although times change and things move on.
Regarding the ghost aspect, there's a lot of that in African slave and post-slavery culture in the Americas, so a number of novels about those days are likely to include it. However, it occurs to me that slave narratives written at the time would largely have excluded any mention of ghosts, though, as the authors would have known or been made aware their bourgeois readership would have been unforgiving of 'superstition'. More contemporary literary attempts to recuperate all aspects of slave culture would obviously be more willing to incorporate and explore belief systems that would once have been considered dangerous and shameful.
I'm not saying that anyone has to like this particular book, though! We're all different.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by mousethief:
quote:
Originally posted by Brenda Clough:
Les Miserables is a book that I would have sworn was impossible to bring to the musical stage. Shows you what I know, eh?
Well, the opera did suck. Badly.
Dude, some things you learn to enjoy just so you can throw your arms around your friends' shoulders and drunkenly bawl out " Empty Chairs and Empty Tables."
Posted by Pomona (# 17175) on
:
I like Steinbeck, and Gormenghast (have not seen the television adaptation and heard it was awful). I've not read any of Gaiman's novels except for Coraline, but I love his Batman comics.
Posted by mousethief (# 953) on
:
quote:
Originally posted by Kelly Alves:
quote:
Originally posted by mousethief:
quote:
Originally posted by Brenda Clough:
Les Miserables is a book that I would have sworn was impossible to bring to the musical stage. Shows you what I know, eh?
Well, the opera did suck. Badly.
Dude, some things you learn to enjoy just so you can throw your arms around your friends' shoulders and drunkenly bawl out " Empty Chairs and Empty Tables."
The melodies were so utterly forgettable I wouldn't be able to do so, even if I memorized the words.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Kelly Alves:
And while I did love Hugo's Les Miserables, here would be a rare occasion I would say, " get the abridged edition."
Nonsense. The reason to read Les Miserables is to watch and see what tangent Hugo is going to go off on next. (Hugo is one of France's best poets - the tangents are prose poems.)
The other advantage of the tangents is that in real life it would be an intolerable coincidence that the same four or five people keep bumping into each other. You don't feel this so much when each encounter is separated by fifty pages on the Battle of Waterloo, or twenty pages on sewers.
Posted by Doublethink. (# 1984) on
:
I also hated Beloved, it wasn't the portrayal of slavery but the nature of the writing. I vaguely remember, (its been over 20 years since we did the book at school), that early on the character thinks / is described as feeling she needs a man to lift her heavy breasts, the way she needs one to help round the house.
Posted by anoesis (# 14189) on
:
quote:
Originally posted by SvitlanaV2:
quote:
Originally posted by Twilight:
I've read accounts by people who actually were slaves as well as people who lived through concentration camps during WWII and I'm always amazed at the human spirit that can survive through such things. Amazingly those people were still generous, still able to laugh at times, and still able to hope. I felt none of that in the characters in "Beloved," and I think it was because Morrison thought that any moment of joy or spark of wit would undermine her message. I think she underestimates the people who survived slavery as well as the intelligence of her readers.
There are some very life-affirming texts about slaves, slave owners and Holocaust survivors, true. But perhaps we need to hear a little of the alternative, sometimes. Plenty of people would have been totally destroyed, morally and spiritually, by these experiences.
Bingo. I agree. And these people, by definition, are not going to write any books. So someone needs to write them for them. Whether or not they can do a convincing job of it is another matter, and not one I'm qualified to comment on, having not read 'Beloved'.
It's a funny thing (and probably a tangent), but when I do feel a burning need to force myself to sit down and address the issue of man's inhumanity to man, slavery in the US doesn't come into it. Or the holocaust. No, I need to flagellate myself with tales of the English brutalising the Irish, or Indians, or indeed, their own less-fortunately-cirucumstanced countrymen. Corporate intergenerational guilt, huh? I think it possesses writers as well as readers...
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Albertus:
quote:
Originally posted by L'organist:
Now for a true stinker: although no one ever said it was a 'great' book, if you really want to plumb the depths track down a copy of The Heart has its Reasons by the late Duchess of Windsor. Over 300 pages of self-justifying tripe in a style of such dreadful arch whimsy it induces migraine and nausea.
Oh, I read that in a couple of hours lying on the sofa a couple of Boxing Days ago, minding the dog while while Mrs A took the inlaws to the panto, and rather enjoyed it as a sort of extended Hello article. Suitable for convalescents and so on.
You, Sir, win the grand prize for cattiness on this thread, hands down. And I say that with a
, rather than a
, to be clear...
Posted by Curiosity killed ... (# 11770) on
:
I'm another one who couldn't finish Beloved. It wasn't the story because I didn't get that far into it. I just couldn't engage with any characters enough to want to read further. The same sort of feelings engendered by Charles Bukowski.
Another prize winning book that didn't live up to expectations was Hotel du Lac - and that one I finished.
Posted by Twilight (# 2832) on
:
quote:
Originally posted by Doublethink.:
I also hated Beloved, it wasn't the portrayal of slavery but the nature of the writing. I vaguely remember, (its been over 20 years since we did the book at school), that early on the character thinks / is described as feeling she needs a man to lift her heavy breasts, the way she needs one to help round the house.
Yes, and she says it was a relief to share "the responsibility," of her breasts.
Really, I don't know why I try to explain it. I've read books where the protagonist is in as much unremitting agony and liked them better. It's really just the writing.
Now, "Hotel Du Lac" is a good contrast. It is also introspective with some stream of consciousness going on but when Anita Brookner does it, I can at least follow it, if not necessarily call it a fun time. I do usually like her though, if I'm in the right mood.
[ 30. November 2014, 11:09: Message edited by: Twilight ]
Posted by Doublethink. (# 1984) on
:
There is a specific kind of female (rather than feminist) writing / programme making that is obsessed with femaleness as understood as any bodily function, or attribute not common to both sexes. They have to tell you if the character has their period, or are "hormonal" or the sun sets like her memory of libido before she had six kids or whatever. And I find it turgid and alienating to read.
In the same way every bloody time I hear women's hour in the car its about the menopause, or sharing custody of the children, or the glass ceiling, or vulval cancer, or some similar issue as if women have no identity or interest beyond a) their sex and b) their relationships with men in any given sphere.
Posted by L'organist (# 17338) on
:
Actually Albertus has a point (about the Wallis Simpson book) because, in its own dreadful way, it is quite an enjoyable read and one keeps turning the pages to see what justification or tripe she comes up with next.
Posted by SvitlanaV2 (# 16967) on
:
quote:
Originally posted by Twilight:
quote:
Originally posted by Doublethink.:
I also hated Beloved, it wasn't the portrayal of slavery but the nature of the writing. I vaguely remember, (its been over 20 years since we did the book at school), that early on the character thinks / is described as feeling she needs a man to lift her heavy breasts, the way she needs one to help round the house.
[...]
Really, I don't know why I try to explain it. I've read books where the protagonist is in as much unremitting agony and liked them better. It's really just the writing.
But explaining your feelings is the point of a book group, isn't it?
I can imagine that in an environment of PC readers it's hard to criticise a book like this. But you're probably on safer territory among such people if you make it clear that it's the style and not the content that you disapprove of. Although some of your comments above seemed to blend into content too, e.g. re the ghosts, and the slave holders being depicted as unremittingly bad people rather than being nuanced characters.
Did your book groups read any other novels by black authors about slavery, or was this the only one? I think it's very unfortunate when a just one or two books are singled out to represent what was a vast, complex and controversial history.
I'm trying to think of some really boring or frustrating novels I've read on this subject but from my perspective they've all been engaging in some way, even Phillipa Gregory's 'A Respectable Trade', which some people think is cliched and sentimental, and 'Uncle Tom's Cabin', mentioned above. However, I'm particularly interested in this subject so perhaps I'm a more forgiving reader.
Posted by Trudy Scrumptious (# 5647) on
:
quote:
Originally posted by Doublethink.:
There is a specific kind of female (rather than feminist) writing / programme making that is obsessed with femaleness as understood as any bodily function, or attribute not common to both sexes. They have to tell you if the character has their period, or are "hormonal" or the sun sets like her memory of libido before she had six kids or whatever. And I find it turgid and alienating to read.
But isn't that most likely just a reaction to a long tradition of women's writing in which it was considered inappropriate to talk about those things? I said on the Longbourn book club thread that you could read all of Austen without ever thinking anyone went to the bathroom -- and you could certainly go all through her work, and that of many other women writers, assuming that none of the heroines ever had (or, heaven forbid, missed!) a period either. So when the taboo on writing about that sort of thing began to disappear, I think there was (and to some extent still is) a reaction in the opposite direction, to write at some length about this huge swathe of human existence that had been silent before.
I have to say how much I am LOVING this thread ... both to see people hating books that I hate, and also hating books that I love, because it just underlines how completely subjective the whole reading/writing project is. Despite the status of some books as "classics" or "great books," it still, always, ultimately comes down to whether a particular book connects with a particular reader or not. And for every book on here that someone has hated there are people ready to leap to its defense.
Even true within the work of a single author. Re Neil Gaiman: I loved Ocean at the End of the Lane; thought it was chilling, insightful and brilliant. I couldn't figure out what the hell I was reading from the front cover of American Gods to the back.
I did go through a little project last year of revisiting a number of classic novels that I had either given up on, or disliked, when I was younger. Most of them -- including Les Miserables, Anna Karenina, Crime and Punishment, The Great Gatsby, A Sale of Two Titties -- had improved with (my) age, and I was able to enjoy them more, though some were still not easy reads. Others ... well, Tristram Shandy is always going to be slow going, there's no question about that. And yet another crack at Hemingway did not render him more readable.
I didn't try Hardy again during this project (most of these were books read or attempted during university years and not touched since, and Hardy would fall into that category) but now I feel like I should give him another shot.
[Edited to clarify that I did in fact read American Gods from front to back, not the reverse as my post originally suggested: if I had, that would certainly have explained why the book didn't work for me.]
[ 30. November 2014, 15:01: Message edited by: Trudy Scrumptious ]
Posted by Albertus (# 13356) on
:
quote:
Originally posted by anoesis:
quote:
Originally posted by Albertus:
quote:
Originally posted by L'organist:
Now for a true stinker: although no one ever said it was a 'great' book, if you really want to plumb the depths track down a copy of The Heart has its Reasons by the late Duchess of Windsor. Over 300 pages of self-justifying tripe in a style of such dreadful arch whimsy it induces migraine and nausea.
Oh, I read that in a couple of hours lying on the sofa a couple of Boxing Days ago, minding the dog while while Mrs A took the inlaws to the panto, and rather enjoyed it as a sort of extended Hello article. Suitable for convalescents and so on.
You, Sir, win the grand prize for cattiness on this thread, hands down. And I say that with a
, rather than a
, to be clear...
Aw, gee, shucks...
Posted by Brenda Clough (# 18061) on
:
There is a large class of things that we simply don't write about and don't read about (except in medical textbooks and health articles): excretory matters, flatulence, flossing of the teeth, sanitary napkins, boborygmus (a pity, such a cool word!) and so forth.
Many of these are bodily functions and fall into the 'not in public, dear' category. It is interesting to look at what has moved into, and out of, this class over time. Sex, for instance, is now front and center in a way that would make Austen's eyes pop. But we are as shy as ever about bowel movements, and to a great extent cigarettes have moved into the no-go zone in my lifetime.
But some of these things, like tooth flossing, are just things that are dull and everyday, and that it is not interesting to read about. The author very properly feels that if it's not interesting (and cannot be made interesting) then it shouldn't be written about. Life is too short, to write, or read, about dull things.
But from the historical point of view, these things are fascinating. Austen didn't write about chamberpots because of rule 1, above. But they also came under rune 2, and now we know nothing of it, mostly.
Posted by lilBuddha (# 14333) on
:
quote:
Originally posted by Doc Tor:
quote:
Originally posted by Brenda Clough:
The long LONG descriptions in older novels date back to the time when there was no photography, no Google, no Wikipedia. If you wanted to know what a whale was like, Herman Melville had to describe it for you because there was no other way for you to know.
Most coastal populations would have seen a whale (which were far more plentiful in the 19th C), and whales were (and still are) seen in the Thames as far up as London (example here from the 1840s). Newspapers often used lithographs to illustrate their stories - often fancifully - and since whaling was a major activity across the world, paintings and prints of whalers and whales were common.
I just happen to think long descriptive passages fell out of vogue because they're startling tedious. And yes, Thomas Hardy, I'm looking at you...
Seeing a whale in the Thames is hardly sailing on a ship on the high seas, exporing foreign lands or discovering unknown civilisations.
In the past, what most saw was quite limited. Now with the telly, any experience is shared immediately and with high-definition clarity. And the general attention span is lessening as well as the sheer amount entertainment options.
quote:
Originally posted by Sioni Sais:
It isn't a Great Book (although it is a great big book) but LOTR is stuffed with long boring descriptions too.
Sir! We meet at dawn, bring your second.
Posted by mousethief (# 953) on
:
quote:
Originally posted by lilBuddha:
quote:
Originally posted by Sioni Sais:
It isn't a Great Book (although it is a great big book) but LOTR is stuffed with long boring descriptions too.
Sir! We meet at dawn, bring your second.
I'll be your second, LB.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Brenda Clough:
But some of these things, like tooth flossing, are just things that are dull and everyday, and that it is not interesting to read about. The author very properly feels that if it's not interesting (and cannot be made interesting) then it shouldn't be written about. Life is too short, to write, or read, about dull things.
Vonnegut told about a short story he read folowimg a day in the life of a nun who had gotten a piece of dental floss stuck in her back teeth. He said you couldn't read it without wanting to fish around in your mouth with a finger.
I really think it depends on the writer.
Those who write about mundane bodily matters in a " behold how I am GoingThere" sort of way are kind of tedious. But a frank, non- sensational description of a character's tolieting habits can be revealing and entertaining.
Anne Lamott had a flip little scene in one of her books in which a character walks in on his lover in the bathroom as she is holding her tampon in front of her face to check for yeast infection, and because the tone is so casual and frank, it winds up being a funny little example of how close the two are getting.
This would probably make a great thread of its own.
Posted by lilBuddha (# 14333) on
:
quote:
Originally posted by mousethief:
quote:
Originally posted by lilBuddha:
quote:
Originally posted by Sioni Sais:
It isn't a Great Book (although it is a great big book) but LOTR is stuffed with long boring descriptions too.
Sir! We meet at dawn, bring your second.
I'll be your second, LB.
If his aim is as true as his critique, that shall not be necessary. But popcorn and mousethief coolers would be quite welcome.
Posted by Starbug (# 15917) on
:
quote:
Originally posted by Gwalchmai:
quote:
Originally posted by Jane R:
My father-in-law always referred to D H Lawrence as 'The man who made sex boring'. I got as far as the second paragraph of Women in Love once before deciding that life was too short to bother reading the rest.
Lady Chatterley's Lover would qualify for a Bad Sex award if were to be first published today.
No, that award goes to Valley of the Dolls.
Posted by Enoch (# 14322) on
:
quote:
Originally posted by Trudy Scrumptious:
But isn't that most likely just a reaction to a long tradition of women's writing in which it was considered inappropriate to talk about those things? I said on the Longbourn book club thread that you could read all of Austen without ever thinking anyone went to the bathroom ...
Apart from Apthorpe and the Thunderbox in Sword of Honour I can't think of many books by men that say much about this daily experience.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Starbug:
quote:
Originally posted by Gwalchmai:
quote:
Originally posted by Jane R:
My father-in-law always referred to D H Lawrence as 'The man who made sex boring'. I got as far as the second paragraph of Women in Love once before deciding that life was too short to bother reading the rest.
Lady Chatterley's Lover would qualify for a Bad Sex award if were to be first published today.
No, that award goes to Valley of the Dolls.
My vote for that is for Anne Rice D'Pseudonym's Sleeping Beauty series.
I have nothing against spanking, sub fantasies, or a healthy dose of erotica, but there are only so many adjectives you can go through to describe gushing bodily fluids before things get tedious. And sticky.
Posted by anoesis (# 14189) on
:
quote:
Originally posted by Kelly Alves:
Those who write about mundane bodily matters in a " behold how I am GoingThere" sort of way are kind of tedious. But a frank, non- sensational description of a character's tolieting habits can be revealing and entertaining.
...[snip]...
This would probably make a great thread of its own.
I'm glad you think so, seeing as I was gagging to start one! Here it is.
Posted by Twilight (# 2832) on
:
quote:
Originally posted by SvitlanaV2:
I can imagine that in an environment of PC readers it's hard to criticise a book like this. But you're probably on safer territory among such people if you make it clear that it's the style and not the content that you disapprove of. Although some of your comments above seemed to blend into content too, e.g. re the ghosts, and the slave holders being depicted as unremittingly bad people rather than being nuanced characters.
Did your book groups read any other novels by black authors about slavery, or was this the only one? I think it's very unfortunate when a just one or two books are singled out to represent what was a vast, complex and controversial history.
Nowhere did I complain about all the slave holders being unremittingly bad people. I said all the white people were awful including the abolitionists. And as I already explained to you, I was talking about Toni Morrison's writing when I said there was a lack of subtlety, not the characters.
We've read "Uncle Tom's Cabin," together (I liked it) and many other books by African American authors. We recently read James McBride's "Good Luck Bird," about the raid at Harper's Ferry and I loved it.
I really don't see why it's not PC for me to dislike both the style and the content of this novel. Your reaction is like some of the women in my book group. You act as though I said slavery never existed or that slaves didn't suffer. We're talking about a work of fiction. I happen to think this subject deserves good writing and authentic characters. You seem to think any book at all written on this subject, becomes sacred because of it's subject matter. I don't. I'm a Christian but I don't think every book published as "Christian," is a good book.
Posted by Albertus (# 13356) on
:
quote:
Originally posted by Enoch:
quote:
Originally posted by Trudy Scrumptious:
But isn't that most likely just a reaction to a long tradition of women's writing in which it was considered inappropriate to talk about those things? I said on the Longbourn book club thread that you could read all of Austen without ever thinking anyone went to the bathroom ...
Apart from Apthorpe and the Thunderbox in Sword of Honour I can't think of many books by men that say much about this daily experience.
IIRC in Anthony Burgess' Enderby novels the protagonist spends a fair bit of time in the loo, although not always necessarily actually on it.
Posted by Penny S (# 14768) on
:
[tangent] The thing about Woman's Hour is that it discusses the things not discussed elsewhere, not that women are confined to listening to it. We can listen to Jim Al Khalili, Melvyn Bragg, anything and everything outside that three quarters of an hour, but those things are not discussed anywhere else, and they need to be. (Actually, I find the singer songwriters tedious and turn elsewhere.) [/tangent]
Posted by Jemima the 9th (# 15106) on
:
quote:
Originally posted by Evangeline:
Why does one never hear Hemingway's work described as cock lit?
Now see here, people of SoF. I was playing the piano in church this morning, and the visiting Bishop began his sermon with the tale of Hemingway's 6 word stories. I had to bite my tongue to prevent an outbreak of the giggles.
I blame you people.
Posted by Jemima the 9th (# 15106) on
:
quote:
Originally posted by Penny S:
[tangent] The thing about Woman's Hour is that it discusses the things not discussed elsewhere, not that women are confined to listening to it. We can listen to Jim Al Khalili, Melvyn Bragg, anything and everything outside that three quarters of an hour, but those things are not discussed anywhere else, and they need to be. (Actually, I find the singer songwriters tedious and turn elsewhere.) [/tangent]
My beef with WH is not the discussion of Things Particular to Women, it's the endless carping about how today's young women aren't proper feminists and how they were all much better at it in the 70s.
Posted by SvitlanaV2 (# 16967) on
:
quote:
Originally posted by Twilight:
Your reaction is like some of the women in my book group. You act as though I said slavery never existed or that slaves didn't suffer. We're talking about a work of fiction. I happen to think this subject deserves good writing and authentic characters. You seem to think any book at all written on this subject, becomes sacred because of it's subject matter. I don't. I'm a Christian but I don't think every book published as "Christian," is a good book.
I think you've misunderstood me.
I certainly didn't say that any book on slavery is 'sacred'. Indeed, I implied the opposite: firstly, I agreed that one has a perfect right to disapprove of an author's style. Secondly, I implied that it's preferable to read a range of fiction on the topic because no couple of novels can tell the whole 'sacred' truth about slavery. Thirdly, I didn't line myself up to approve of your book group pals. I'm simply aware that some PC people feel that this sort of writing is always beyond any sort of criticism, and I thought it might be wise to be careful and precise in arguing with people like that. But that's not because I feel just the same as they do (and I might have misunderstood what you said about them).
I do realise that in the USA slavery is a very sensitive topic, and I can understand that one might feel angry when supposedly sensible people start 'protecting' bad books just because of the subject matter. However, I don't believe that high aesthetic qualities are the only things that make a novel valuable or interesting, whatever the subject matter. Neither do I remember 'Beloved' as a bad book, though. I'll have to re-read it and check!
FWIW, I can think of two slavery novels that have been criticised for their flaws without creating any sort of backlash about their 'sacredness': 'Incomparable World' by S. I. Martin and 'Daddy Sharpe' by Fred Kennedy. To put it simply, the former has problems with editing, the latter with storytelling. Still, they were both engaging and I wasn't bored or frustrated with either of them so I wouldn't call them a bad novels. These are fairly subjective judgments, I admit.
(Re white abolitionists, they've been getting some bad press in academic circles recently!)
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Kelly Alves:
And while I did love Hugo's Les Miserables, here would be a rare occasion I would say, " get the abridged edition."
Nonsense. The reason to read Les Miserables is to watch and see what tangent Hugo is going to go off on next. (Hugo is one of France's best poets - the tangents are prose poems.)
The other advantage of the tangents is that in real life it would be an intolerable coincidence that the same four or five people keep bumping into each other. You don't feel this so much when each encounter is separated by fifty pages on the Battle of Waterloo, or twenty pages on sewers.
Point 2 I like, but as to point1-- Hugo just struck me as someone way too impressed with his own poetry. And again I blame the editor. The unanridged version of Les Miz is like an 19th century version of The Tommyknockers.
That's right! I said The Tommyknockers !
Posted by Kelly Alves (# 2522) on
:
Oh, and while I'm here, Jude the Obscure was yet another whiny little shit.
[ 01. December 2014, 01:53: Message edited by: Kelly Alves ]
Posted by Starbug (# 15917) on
:
Having enjoyed The Hobbit, I was surprised that I just couldn't get into Lord of the Rings at all.
Posted by Ariel (# 58) on
:
Yes, they are surprisingly different. "The Hobbit" is a lot more accessible.
Posted by Pomona (# 17175) on
:
quote:
Originally posted by Brenda Clough:
There is a large class of things that we simply don't write about and don't read about (except in medical textbooks and health articles): excretory matters, flatulence, flossing of the teeth, sanitary napkins, boborygmus (a pity, such a cool word!) and so forth.
Many of these are bodily functions and fall into the 'not in public, dear' category. It is interesting to look at what has moved into, and out of, this class over time. Sex, for instance, is now front and center in a way that would make Austen's eyes pop. But we are as shy as ever about bowel movements, and to a great extent cigarettes have moved into the no-go zone in my lifetime.
But some of these things, like tooth flossing, are just things that are dull and everyday, and that it is not interesting to read about. The author very properly feels that if it's not interesting (and cannot be made interesting) then it shouldn't be written about. Life is too short, to write, or read, about dull things.
But from the historical point of view, these things are fascinating. Austen didn't write about chamberpots because of rule 1, above. But they also came under rune 2, and now we know nothing of it, mostly.
For the urban poor until the very last part of the 20th century, at least in the UK, communal toilets meant that bowel habits were actually spoken about very casually. They'd be written about if the urban poor in those days were doing much writing. The Call The Midwife book (the original book) talks about how literal toilet humour was not considered rude or not for public ears at all, whereas discussion of sex very much was.
Posted by la vie en rouge (# 10688) on
:
I liked Les Misérables with all its endless tangents. I think it helps to remember that one of the main characters is Paris. It isn’t just a story about Jean Valjean, Cosette and the rest. Also, unlike Moby Dick I actually found all the tangents enjoyable reading.
Nonetheless, I do think the hundred-page digression about the sewers is a bit unnecessary.
Posted by Twilight (# 2832) on
:
quote:
Originally posted by Kelly Alves:
The unanridged version of Les Miz is like an 19th century version of The Tommyknockers.
That's right! I said The Tommyknockers !
That's the perfect comparison, Kelly! Nobody needs a ruthless editor more than Stephen King. I guess his publishers are so glad to have him they just let him run off as many words as he likes. It's all gold for them.
On Brenda's subject: I occasionally come across a writer who lets her protagonist wake up and use the toilet before hitting the shower, but it's rare. What always bores me to death, and this is more often in the Danielle Steele type chick-lit books -- detailed description of the clothes being worn, right down to the brand names of the shoes. The recent rash of food driven novels bore me, too, but at least those books are obviously written for foodies and easily avoided.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Kelly Alves:
Oh, and while I'm here, Jude the Obscure was yet another whiny little shit.
Tell me about it. All that stuff about "the eastwrd position, and all creation groaning!" He wouldn't have lasted ten minutes in Ecclesiantics.
(
added in case anybody thinks I really am a heartless git.)
Posted by Angloid (# 159) on
:
quote:
Originally posted by Albertus:
Suitable for convalescents and so on.
That's a very good aside. Some books seem designed to be read when you're not feeling very well: most of Wodehouse for example.
On the other hand, I once read one of Susan Howatch's church-themed novels when I was suffering from bronchitis. Don't ever do that! All her pompous and arrogant ecclesiastics without a glimmer of humour or self-awareness prancing around some Establishment shrine of a cathedral close, drove me almost suicidal.
So much so that I could never face reading another of her massive tomes. She was highly thought of at one time (20 years ago perhaps?) but seems to have, understandably, faded from the scene. My impression was confirmed when I saw her on telly talking about her ideal candidate for Archbishop of Canterbury. Having seen that, I was quite relieved when we got Carey instead, which just shows!
(tangentially, the above reminds me of a comment by a recently-retired bishop about one of the supposed qualifications for that office being 'gravitas.' His interpretation of that was 'is he boring enough?')
Posted by Penny S (# 14768) on
:
I am so glad to read that comment! My mother was recommended them by a fellow congregant in the village where she used to live, and I tried a couple, not finding them particularly helpful, but attributing the failing to me. One of them, though, got a bit squelchy (in description of a coupling - I don't like violent squelchy, either) without the participants feeling any moral problem, which they should have, bearing in mind their places in life and I gave up.
Then I heard her on "In the psychiatrist's chair with Anthony Clare - I missed the first part of the programme so deduced it was her from the content and the delivery. She was so sure of her superiority and her gift of discernment, and he was being very, very polite, and, I felt, allowing her to excavate her hole unprompted. Perhaps self awareness was something she simply couldn't write in others.
You have further confimed that my not liking the books wasn't a failing in me - it is so easy to pick up that idea when others do like something.
[ 01. December 2014, 13:34: Message edited by: Penny S ]
Posted by The5thMary (# 12953) on
:
quote:
Originally posted by Angloid:
quote:
Originally posted by Albertus:
Suitable for convalescents and so on.
That's a very good aside. Some books seem designed to be read when you're not feeling very well: most of Wodehouse for example.
On the other hand, I once read one of Susan Howatch's church-themed novels when I was suffering from bronchitis. Don't ever do that! All her pompous and arrogant ecclesiastics without a glimmer of humour or self-awareness prancing around some Establishment shrine of a cathedral close, drove me almost suicidal.
So much so that I could never face reading another of her massive tomes. She was highly thought of at one time (20 years ago perhaps?) but seems to have, understandably, faded from the scene. My impression was confirmed when I saw her on telly talking about her ideal candidate for Archbishop of Canterbury. Having seen that, I was quite relieved when we got Carey instead, which just shows!
(tangentially, the above reminds me of a comment by a recently-retired bishop about one of the supposed qualifications for that office being 'gravitas.' His interpretation of that was 'is he boring enough?')
Ugh! I tried in vain to like Susan Howatch's books because Andrew M. Greeley, priest and "steamy novel" author was always raving about her and had some characters in his "Contract With An Angel" waxing rhapsodic about her. They keep saying, "She's the Anthony Trollope of the twentieth century". Well. I've never read any Anthony Trollope but if his writings are as ponderous and borrrrrrrrrrrrring as Howatch's writing, I'll just decline thanks. And speaking of Greeley, some of his books had moments in them I liked--especially God as a Womanly presence but Greeley WAS obsessed with women's breasts. All his male characters were breast-fixated and all his young women characters were wise beyond their years as had such stupid, unbelievable names: Lourdes Kim, an Asian American Catholic? Megan "Megperson" Tobin. After Greeley introduces Megan Tobin, he refers to her as "The Megperson" for the rest of the book. #@$! Annoying! Anyway, let me stop here or I will go on and on about Greeley's aggravating tropes.
Posted by The5thMary (# 12953) on
:
quote:
My vote for that is for Anne Rice D'Pseudonym's Sleeping Beauty series.
I have nothing against spanking, sub fantasies, or a healthy dose of erotica, but there are only so many adjectives you can go through to describe gushing bodily fluids before things get tedious. And sticky.
Welllllll, that's true but one doesn't read those books cover to cover for the literary content. One reads them to...uhh...you know..."bang the bishop". "Dig down deep for a dime". "Have a date with Rosy Palm and her five sisters".
Posted by Brenda Clough (# 18061) on
:
I went to a charity store once, and made a quick survey of the used book shelves. There was a separate shelf for the kiddie books: picture books, Harry Potter, Little House on the Prairie and so on. And there on the lower shelf was Sleeping Beauty, by A.N. Roquelaire. The clerks clearly did not know what the work was about. I didn't feel equal to an explanation. I just moved the book from the kid section to the top shelf of the grown-ups' bookcase.
Posted by lilBuddha (# 14333) on
:
quote:
Originally posted by Twilight:
That's the perfect comparison, Kelly! Nobody needs a ruthless editor more than Stephen King. I guess his publishers are so glad to have him they just let him run off as many words as he likes. It's all gold for them.
As long as enough readers are happy to be idolatrising voyeurs, writers will be happy to masturbate for them.
quote:
Originally posted by Starbug:
Having enjoyed The Hobbit, I was surprised that I just couldn't get into Lord of the Rings at all.
The Hobbit is a childrens' book, The Lord of the Rings is a saga.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Twilight:
quote:
Originally posted by Kelly Alves:
The unanridged version of Les Miz is like an 19th century version of The Tommyknockers.
That's right! I said The Tommyknockers !
That's the perfect comparison, Kelly! Nobody needs a ruthless editor more than Stephen King. I guess his publishers are so glad to have him they just let him run off as many words as he likes. It's all gold for them.
King himself said the brst thing that ever happened to him was when he got a ruthless editor. IMO this shows in his later works. ( Say, Dolores Clairborn and on.)
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by The5thMary:
quote:
My vote for that is for Anne Rice D'Pseudonym's Sleeping Beauty series.
I have nothing against spanking, sub fantasies, or a healthy dose of erotica, but there are only so many adjectives you can go through to describe gushing bodily fluids before things get tedious. And sticky.
Welllllll, that's true but one doesn't read those books cover to cover for the literary content. One reads them to...uhh...you know..."bang the bishop". "Dig down deep for a dime". "Have a date with Rosy Palm and her five sisters".
..and when you become too bored to accomplish that, something is wrong.
Posted by ArachnidinElmet (# 17346) on
:
quote:
Originally posted by The5thMary:
quote:
My vote for that is for Anne Rice D'Pseudonym's Sleeping Beauty series.
I have nothing against spanking, sub fantasies, or a healthy dose of erotica, but there are only so many adjectives you can go through to describe gushing bodily fluids before things get tedious. And sticky.
Welllllll, that's true but one doesn't read those books cover to cover for the literary content. One reads them to...uhh...you know..."bang the bishop". "Dig down deep for a dime". "Have a date with Rosy Palm and her five sisters".
They're not particularly good even as one-handed reading.
quote:
Originally posted by Brenda Clough
quote:
I went to a charity store once, and made a quick survey of the used book shelves. There was a separate shelf for the kiddie books: picture books, Harry Potter, Little House on the Prairie and so on. And there on the lower shelf was Sleeping Beauty, by A.N. Roquelaire. The clerks clearly did not know what the work was about. I didn't feel equal to an explanation. I just moved the book from the kid section to the top shelf of the grown-ups' bookcase
I've done this once or twice with Laurell K Hamilton and Charlaine Harris in an Oxfam bookshop of my acquaintance. A member of staff clearly think they are Twilight-a-like tween vamp books and might get a bit of surprise if they opened one up!
[ 01. December 2014, 15:53: Message edited by: ArachnidinElmet ]
Posted by Lord Jestocost (# 12909) on
:
quote:
Originally posted by Brenda Clough:
I went to a charity store once, and made a quick survey of the used book shelves.
This was the very next line after The5thMary's post about Rosy Palm etc and I wish it hadn't been.
Posted by Stetson (# 9597) on
:
5th Mary wrote:
quote:
Lourdes Kim, an Asian American Catholic?
Well, in my experience, Korean Catholics, when choosing "English" names for themselves, often tend to go with their baptismal names, which usually are derived from the saints.
Mind you, I don't know if "Lourdes", being technically the name of the place and not the saint, is ever used as a baptismal name. It does turn up as a given name, so it probably wouldn't be entirely implausible that a Korean-American would use it.
Posted by Pancho (# 13533) on
:
"Lourdes" is a baptismal name, popular among Hispanic Catholics like other Marian names. I don't know if it's common among Korean Catholics
Posted by mousethief (# 953) on
:
I knew a woman from the Philippines named Lourdes. Very nice woman, too. A nurse.
Posted by Brenda Clough (# 18061) on
:
And there is always Madonna's daughter.
Posted by Anselmina (# 3032) on
:
quote:
Originally posted by The5thMary:
I've never read any Anthony Trollope but if his writings are as ponderous and borrrrrrrrrrrrring as Howatch's writing, I'll just decline thanks.
You may not like Anthony Trollope if you do ever get round to reading him - as you're entitled not to! But just to say, I've yet to read any author who even approaches him for humanity, self-awareness, the irony of the human condition, and the clear-cut explanation of the complex feelings and behaviour of the simplest person.
He must have been capable of deeply understanding a great deal about human nature, even what he would've disagreed or disapproved of; and could write of it in a way which challenged the reader.
His characters are disconcertingly 3-D, his dialoguing authentic and sometimes surprizing; and his writing has an underlay of wry, understated humour which is, frankly, never comic, like Dickens, but somehow more natural and realistic. He is one of the few authors that I re-read often and still find myself challenged and entertained.
Posted by Dafyd (# 5549) on
:
Anthony Trollope is an interesting writer. Apart from Barchester Towers most of his novels are rather padded. He does tend to repeat himself from novel to novel. He doesn't have the edge or incisiveness of the great novels.
But I don't know of any other novelist, except perhaps Dostoyevsky, whose characters, even the ones he dislikes or is prejudiced against, suddenly come to life as real people in the way Trollope's do.
Also, at his best he's more morally subtle than any other English novelist of his time period. He's better at combining the two judgements: this is a morally wrong thing to do, with, the person doing it was tempted as we all are and we should not judge them harshly, in a way that is really tricky to pull off.
Posted by ChaliceGirl (# 13656) on
:
I didn't read this whole thread but did anyone mention "The Great Gatsby"? The most boring waste of time I ever had. The only blessing is that it isn't too thick a book.
Posted by SvitlanaV2 (# 16967) on
:
I don't remember being wildly impressed with 'The Great Gatsby', though it wasn't unpleasant to read. I don't know why it's so famous, though. Did the subject matter capture a particular moment in American culture, or has the book's style or content been highly influential in some way?
Posted by ChaliceGirl (# 13656) on
:
I have no clue either.
I watched the movie "The Great Gatsby" to see if maybe it would be better as a film.
No, it wasn't.
Posted by venbede (# 16669) on
:
quote:
Originally posted by The5thMary:
They keep saying, "She's the Anthony Trollope of the twentieth century".
ie Susan Howatch. If anyone says that, either they've never read Trollope, or they've never read Howatch and probably neither.
Trollope wrote about clergy (in four of the Barchester Novels) but was totally uninterested in religion. (He wrote about politicians but was uninterested in politics.)
Howatch wrote with a conscious intention of religious apologia.
I was no great fan, but I remember Anglea Tilby prior to ordination being enthusiastic about Howatch at an Affirming Catholicism conference.
Posted by Evangeline (# 7002) on
:
I think The Great Gatsby is beautiful to read, the prose is just perfect. I believe the feeling is that it did capture the Zeitgeist of 1920s America and that it is important because of what it says about the corruption of the American dream. It does seem to be a novel that people either love or hate.
[ 02. December 2014, 20:47: Message edited by: Evangeline ]
Posted by Albertus (# 13356) on
:
quote:
Originally posted by venbede:
quote:
Originally posted by The5thMary:
They keep saying, "She's the Anthony Trollope of the twentieth century".
ie Susan Howatch. If anyone says that, either they've never read Trollope, or they've never read Howatch and probably neither.
Trollope wrote about clergy (in four of the Barchester Novels) but was totally uninterested in religion. (He wrote about politicians but was uninterested in politics.)
Howatch wrote with a conscious intention of religious apologia.
I was no great fan, but I remember Anglea Tilby prior to ordination being enthusiastic about Howatch at an Affirming Catholicism conference.
That fits. Howatch was very popular in the sort of Diocese of Southwark Aff-Cathy circles which I moved on the fringes of 20-odd years ago.
Not sure that trollope was uninterested in politics. He did stand for Parliament, unsuccessfully, as a Liberal. But his political novels are political in that they are about politicians, rather than being about political issues.
Posted by Curiosity killed ... (# 11770) on
:
Those Howatch books were odd. I read a few of them pretty much as they were published and they did capture something at the time, but I tried to pick one up a few years back and couldn't get into it at all.
Cross post - that also makes sense from the people I knew and attended churches with at the time.
I'll defend The Great Gatsby too.
[ 02. December 2014, 21:14: Message edited by: Curiosity killed ... ]
Posted by Moo (# 107) on
:
It is not true that Trollope was not interested in politics. His dream, which never came true, was to be in Parliament. This thread runs through the Palliser novels.
Moo
Posted by SvitlanaV2 (# 16967) on
:
quote:
Originally posted by Evangeline
I think The Great Gatsby is beautiful to read, the prose is just perfect. I believe the feeling is that it did capture the Zeitgeist of 1920s America and that it is important because of what it says about the corruption of the American dream. It does seem to be a novel that people either love or hate.
Ah, I see. I think it's the subject matter that doesn't really appeal to me, but I might try it again for the prose.
quote:
Originally posted by Curiosity killed ...:
Those Howatch books were odd. I read a few of them pretty much as they were published and they did capture something at the time, but I tried to pick one up a few years back and couldn't get into it at all.
I read one of them once. An interesting introduction to an aspect of English religion that I have no connection with. There's a more recent author called Michael Arditti who writes about a similar sort of Anglo-Catholic environment.
It was surprising to discover recently that Howatch is more popular in the USA than in the UK; I didn't realise that this sort of religious setting would travel very well. But there's more of a readership for 'religious' novels in the USA than in the UK.
Posted by Albertus (# 13356) on
:
Oh, I'm not surprised that Howatch is popular in the USA, though it might not be the religion, as such, which makes them so: they are very English in a way that I'd imagine would appeal to the kind of Americans who like things like Downton Abbey, BBC classic serials, Rumpole, The Remains of the Day, and so on. (And I'm not being snooty about this: I liked the Howatch books when they came out, and like all the things I've listed, with the exception of Downton Abbey, which I've never seen.)
[ 03. December 2014, 09:35: Message edited by: Albertus ]
Posted by leo (# 1458) on
:
quote:
Originally posted by venbede:
I was no great fan, but I remember Anglea Tilby prior to ordination being enthusiastic about Howatch at an Affirming Catholicism conference.
So did I - her domineering clergy were the sort that we Affcaths love to hate.
Posted by Firenze (# 619) on
:
I have been pratchettified to the point where I keep reading about the author Susan Hogwatch. I daresay she writes about the Unseen Church.
Posted by Albertus (# 13356) on
:
Posted by Angloid (# 159) on
:
quote:
Originally posted by SvitlanaV2:
quote:
Originally posted by Curiosity killed ...:
Those Howatch books were odd. I read a few of them pretty much as they were published and they did capture something at the time, but I tried to pick one up a few years back and couldn't get into it at all.
I read one of them once. An interesting introduction to an aspect of English religion that I have no connection with. There's a more recent author called Michael Arditti who writes about a similar sort of Anglo-Catholic environment.
I wouldn't have thought Howatch's characters were particularly anglo-catholic. Though (for reasons expressed earlier) I have only read one of her books and tried to dismiss it from my mind. Her typical cleric seems to be a pompous self-obsessed establishment (or would-be establishment) figure. Probably 'high church' liturgically - the sort that likes dressing up in copes and parading in processions - but not any sort of anglo-catholic that I know of. Even less 'affirming catholic'; and as another who was involved in Aff Cath in the diocese of Southwark about 20 years ago I find that recommendation odd.
Posted by SvitlanaV2 (# 16967) on
:
Sorry - I read 'Aff-Cathy' in Albertus's post above and it became 'Anglo-Catholic' in my mind.
(These labels are all rather confusing for someone who's not an Anglican! As I said, though, Howatch's - and even Arditti's - fictional churches are rather exotic to me. The CofE churches I attend are very different.)
Posted by Dafyd (# 5549) on
:
I believe Howatch used to write romantic airport novels before her conversion. After her conversion she basically wrote romantic airport novels about clergy with added theology.
She therefore gets read by people who want to read romantic airport novels but needs added theology as an excuse.
(I couldn't possibly comment on whether I've read them.)
Posted by Enoch (# 14322) on
:
quote:
Originally posted by Dafyd:
I believe Howatch used to write romantic airport novels before her conversion. After her conversion she basically wrote romantic airport novels about clergy with added theology.
She therefore gets read by people who want to read romantic airport novels but needs added theology as an excuse.
(I couldn't possibly comment on whether I've read them.)
Women who dream of being ravished by Heathcliff, Rhett Butler or Darcy in a clerical collar.
Posted by Albertus (# 13356) on
:
I think the last two posts are spot on, especially Dafyd's. They were a permissible way of reading slightly trashy and lurid and in its own terms quite enjoyable fiction.
Posted by Angloid (# 159) on
:
quote:
Originally posted by SvitlanaV2:
Sorry - I read 'Aff-Cathy' in Albertus's post above and it became 'Anglo-Catholic' in my mind.
(These labels are all rather confusing for someone who's not an Anglican! As I said, though, Howatch's - and even Arditti's - fictional churches are rather exotic to me. The CofE churches I attend are very different.)
That's quite understandable SvitlanaV2. These fine distinctions are puzzling enough even to Anglicans. 'Aff-Cathy' is indeed a type of Anglo-catholicism. My point was that I couldn't quite understand why anglo-catholics (affirming or otherwise) should rate Howatch so highly, and that I wouldn't have thought her ecclesiastical world had much in common with the A-C world. Arditti's does of course. And, in a very understated way, so does Barbara Pym. (Going off at a slight tangent, I always think of the TV series Rev as not dissimilar from Barbara Pym's churches, despite the social class and churchpersonship difference).
Posted by leo (# 1458) on
:
quote:
Originally posted by Angloid:
I wouldn't have thought Howatch's characters were particularly anglo-catholic.
They are inasmuch as they behave like autocrats of the 'father knows best kind'. The most powerful are the weakest - spiritual directors and faith-healers who have massive mental breakdowns.
Posted by Angloid (# 159) on
:
OK, you are probably right. I don't intend to read any more of her books to confirm that though!
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Angloid:
My point was that I couldn't quite understand why anglo-catholics (affirming or otherwise) should rate Howatch so highly
Could it be that Howatch's novels are a bit camp?
Posted by venbede (# 16669) on
:
I have to say that although I never hate books, Michael Arditi's get up my nose. In a sense I ought to like them - Christianity and gayness together - but I find them pretentious.
Patrick Gale's A Perfectly Good Man is far more interesting and moving.
Posted by Timothy the Obscure (# 292) on
:
quote:
Originally posted by Badger Lady:
Hardy. Dear God Hardy.
One short story I read under duress at school involved [IIRC(*)] a man was very very worried about a tree outside his window. So worried he took to his bed and was dying. His son arranged for tree to be cut down. Over many pages. Man wakes up, sees tree has gone. And dies of shock.
I hate Hardy. I've tried Tess and Jude but to no avail. I *like* Trollope; I can stomach Fanny Price; and, Dickens is great for loong train rides. But Hardy.
(*) I may not recall correctly. It was some time ago.
I also tried Tess and Jude. I think I might have actually finished Jude, but I'm damned if I can recall anything about it after about a third in (except that everyone is miserable and dies, but with Hardy that's a foregone conclusion). I read just enough of Tess to realize that she was too stupid to live, and too unimaginative to die in an interesting way.
Posted by venbede (# 16669) on
:
quote:
Originally posted by Angloid:
And, in a very understated way, so does Barbara Pym. (Going off at a slight tangent, I always think of the TV series Rev as not dissimilar from Barbara Pym's churches, despite the social class and churchpersonship difference).
Love Barbara Pym. (Never seen Rev. It's not a book.)
Posted by Albertus (# 13356) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Angloid:
My point was that I couldn't quite understand why anglo-catholics (affirming or otherwise) should rate Howatch so highly
Could it be that Howatch's novels are a bit camp?
Yes, they are a bit, aren't they? BTW IIRC most of her clergy aren't A-C: some quite definitely not so. Are Barbara Pym's novels camp? In a sense, and in places, perhaps, but I think they have a truthfulness which outweighs that.
Posted by Enoch (# 14322) on
:
quote:
Originally posted by Albertus:
... Are Barbara Pym's novels camp? In a sense, and in places, perhaps, but I think they have a truthfulness which outweighs that. ...
Philosophical question. Is it possible for a novel - rather than the sensibilities of some of her readers - written by a women about women's lives, to be camp?
Posted by Angloid (# 159) on
:
quote:
Originally posted by venbede:
(Never seen Rev. It's not a book.)
It is now. Even if only a spin-off.
Not that it's ever likely by be a 'great' book, hated or otherwise. But it's full of insight nevertheless.
Posted by Kelly Alves (# 2522) on
:
OK, too much agreement here. Allow me to shock and outrage you all.
Many people have insisted I read the Foundation Trilogy. I keep trying. I just can't get into it. I am sure this is because I am a horrible person with a poor literary palate.
Strangely, though, I love Asimov's short stories, and I really love his essays and scholarly works. Odd, isn't it? how you can completely embrace an author in one genre and be stumped by him in another?
Posted by Brenda Clough (# 18061) on
:
Authors, like horses, have a form that they are best at. Asimov seems to be better at the short form, and perhaps this is what you are perceiving. Even his novels feel like a couple or three novellas strung together.
I am allergic to zombies. Also vampires, except possibly Bram Stoker's, and werewolves. This saves me vast quantities of time.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Brenda Clough:
Authors, like horses, have a form that they are best at. Asimov seems to be better at the short form, and perhaps this is what you are perceiving.
I know. I was just ruminating on the dynamic.
Posted by doubtingthomas (# 14498) on
:
quote:
Originally posted by Kelly Alves:
OK, too much agreement here. Allow me to shock and outrage you all.
Many people have insisted I read the Foundation Trilogy. I keep trying. I just can't get into it. I am sure this is because I am a horrible person with a poor literary palate.
Strangely, though, I love Asimov's short stories, and I really love his essays and scholarly works. Odd, isn't it? how you can completely embrace an author in one genre and be stumped by him in another?
I like Foundation &c., which are not really a trilogy, but a set of 8 novellas in 3 volumes. I'm not a fan of short stories as a form, and this intermediate format gives Asimov the chance to bridge the gap - unlike his actual novels, which are not as good.
Posted by Oscar the Grouch (# 1916) on
:
quote:
Originally posted by doubtingthomas:
quote:
Originally posted by Kelly Alves:
OK, too much agreement here. Allow me to shock and outrage you all.
Many people have insisted I read the Foundation Trilogy. I keep trying. I just can't get into it. I am sure this is because I am a horrible person with a poor literary palate.
Strangely, though, I love Asimov's short stories, and I really love his essays and scholarly works. Odd, isn't it? how you can completely embrace an author in one genre and be stumped by him in another?
I like Foundation &c., which are not really a trilogy, but a set of 8 novellas in 3 volumes. I'm not a fan of short stories as a form, and this intermediate format gives Asimov the chance to bridge the gap - unlike his actual novels, which are not as good.
The original Foundation books ("The Trilogy") are awesome. All that followed (much much later) was trash.
Having re-read the Foundation Trilogy not so long ago, I was struck by how much they have dated - which is quite remarkable for science fiction set in the far far future! But on the whole, they bear up well, I think. I don't think Asimov was a great writer, but some of the ideas behind his books were remarkable (such as the Three Laws of Robotics).
Asimov was such a prolific writer that it is almost inevitable that he wrote stuff some people loved and others detested. His best short stories are great, but there are a lot of them that are pretty ordinary.
Posted by Kelly Alves (# 2522) on
:
Hm. It may be that I just don't have a knack for hard SF. I lean toward weird tales~~ stuff that tweaks the mundane. As an example , one of my favorite Short stories is Robin Hobbs's A Touch of Lavender and the reason I love it is that it creates a world that the average person can slide right into with ease-- while at the same time there are aliens and low grade dystopia and magical babies.
Or Clarke's A Walk in the Dark. Never gotten over that. (shudder)
Or Avram Davidson's Selectra Six-Ten, which is a tedious, self-absorbed letter from a writer to his editor that suddenly gets weird. I like the sensation of not quite knowing what the heck is going on, and hard SF is all about explaining stuff. Or at least, I am under the impression it is.
In any case, due to Asimov's general brilliance, I have decided the fault is in my temperament, if there needs to be fault at all. I just don't get it.
[ 05. December 2014, 01:55: Message edited by: Kelly Alves ]
Posted by Lamb Chopped (# 5528) on
:
quote:
Originally posted by Kelly Alves:
OK, too much agreement here. Allow me to shock and outrage you all.
Many people have insisted I read the Foundation Trilogy. I keep trying. I just can't get into it. I am sure this is because I am a horrible person with a poor literary palate.
Strangely, though, I love Asimov's short stories, and I really love his essays and scholarly works. Odd, isn't it? how you can completely embrace an author in one genre and be stumped by him in another?
I'm guessing it's because Asimov doesn't do characters. He just doesn't. They are like little named chesspieces, acting out the grand ideas of his mind. Which are pretty grand, and definitely interesting, which is why I forgive him for the lack of interesting characters. But that's easier to do in a short story than in a novel, when you occasionally want a break from intelligence.
Posted by balaam (# 4543) on
:
quote:
Originally posted by Kelly Alves:
OK, too much agreement here. Allow me to shock and outrage you all.
Many people have insisted I read the Foundation Trilogy. I keep trying. I just can't get into it. I am sure this is because I am a horrible person with a poor literary palate.
Strangely, though, I love Asimov's short stories, and I really love his essays and scholarly works. Odd, isn't it? how you can completely embrace an author in one genre and be stumped by him in another?
The irony is that the Foundation trilogy was originally a series of short stories that got compiled into novels.
Posted by mousethief (# 953) on
:
quote:
Originally posted by Lamb Chopped:
quote:
Originally posted by Kelly Alves:
OK, too much agreement here. Allow me to shock and outrage you all.
Many people have insisted I read the Foundation Trilogy. I keep trying. I just can't get into it. I am sure this is because I am a horrible person with a poor literary palate.
Strangely, though, I love Asimov's short stories, and I really love his essays and scholarly works. Odd, isn't it? how you can completely embrace an author in one genre and be stumped by him in another?
I'm guessing it's because Asimov doesn't do characters. He just doesn't. They are like little named chesspieces, acting out the grand ideas of his mind. Which are pretty grand, and definitely interesting, which is why I forgive him for the lack of interesting characters. But that's easier to do in a short story than in a novel, when you occasionally want a break from intelligence.
That's funny because Lije Bailey is one of my favorite characters in science fiction.
Posted by Lamb Chopped (# 5528) on
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He's a rare one, though even he is a bit sparse on characterization. But yes, he's my favorite too of the Asimov characters, most of whom I cannot even recall by name.
Posted by mousethief (# 953) on
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quote:
Originally posted by Lamb Chopped:
He's a rare one, though even he is a bit sparse on characterization. But yes, he's my favorite too of the Asimov characters, most of whom I cannot even recall by name.
I read somewhere that one of the glories of genre fiction is that plot matters more than characterization. It's a storyteller's medium, not a psychologist's. Not sure if I believe that 100%, but there's something to it. Certainly in short stories, which are as everyone says his forté, characterization takes a back seat to story.
Of his novels, my favorite is The Naked Sun, although he stole the core sociological idea from E.M. Forster's short story-cum-novella "The Machine Stops".
"Nightfall" is one of the best short stories ever written, IMHO.
Posted by Kelly Alves (# 2522) on
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Ooo, yes. That is one of the aforementioned short stories I loved.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by mousethief:
quote:
Originally posted by Lamb Chopped:
He's a rare one, though even he is a bit sparse on characterization. But yes, he's my favorite too of the Asimov characters, most of whom I cannot even recall by name.
I read somewhere that one of the glories of genre fiction is that plot matters more than characterization. It's a storyteller's medium, not a psychologist's. Not sure if I believe that 100%, but there's something to it.
I think you have hit on why I am so darn picky-- I can't have story without character, and I can't have character without story.
Posted by lilBuddha (# 14333) on
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As we've wandered into short stories, Minority Report by Philip K. Dick. A rubbish movie made from a completely shite story. Alright, not completely, the concept was fine. And the ending was better in the book, but the actual writing was horrid.
Posted by venbede (# 16669) on
:
quote:
Originally posted by Enoch:
quote:
Originally posted by Albertus:
... Are Barbara Pym's novels camp? In a sense, and in places, perhaps, but I think they have a truthfulness which outweighs that. ...
Philosophical question. Is it possible for a novel - rather than the sensibilities of some of her readers - written by a women about women's lives, to be camp?
It depends what you mean by camp. I'd think of it as a disassociation between form and content and sometimes it is the best way to convey the complexity of life.
Barbara Pym can certainly describe camp gay men (Keith, Mr Bason) and does it with a dryness of tone which would fit my definition.
But she's not camp in the tedious O-isn't-it-all-a-hoot-and-a-scream camp.
Lesbians can certainly do camp. They are women.
Posted by Doc Tor (# 9748) on
:
quote:
Originally posted by Brenda Clough:
Even his novels feel like a couple or three novellas strung together.
Which is because that's what they are.
(just noticed balaam's post.)
[ 05. December 2014, 06:59: Message edited by: Doc Tor ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Oscar the Grouch:
The original Foundation books ("The Trilogy") are awesome. All that followed (much much later) was trash.
I thought they jumped the shark when they introduced the Mule half way through volume two.
But the first book and a half are very much whodunnit detective fiction(*) for people who would like to be Marxists but can't because they're Americans during the Cold War. Otherwise of little literary merit.
(*) By which I mean that the main interest is 'what is the solution to this problem'.
[ 05. December 2014, 07:08: Message edited by: Dafyd ]
Posted by quetzalcoatl (# 16740) on
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Had a quick look through the thread, and to my relief Tolkien has already been mentioned. I could never get beyond page one of any of his books, nor indeed, of any long mythic novel. Just not my cuppa char at all. I don't hate them though, they are not close enough to me for that.
Posted by Lord Jestocost (# 12909) on
:
quote:
Originally posted by Dafyd:
I thought they jumped the shark when they introduced the Mule half way through volume two.
Problem was, he pretty well had to. The whole series was getting too cosy: historically inevitable crisis arises; hero inevitably defeats it thanks to historical inevitability. He realised he had to throw in a wildcard just to keep it bumping along. But even that only proved a temporary lifeline. He was getting bogged down in continuity, and found the methods he was forced to show the Second Foundation using to preserve its identity were ... disturbing. So he drew a line. Thus, the original Foundation Trilogy is a grand but ultimately failed project that still made an incalculable mark on the history of science fiction.
Which is why all the later Foundation gubbins is so indefensible, tying it in with his robot stories and galactic empire stories and making like it's what he meant all along. He makes George Lucas's retconning look positively hands-off. So, everything from Foundation's Edge onward is my nomination for this list. Confused, impenetrable and frankly insulting to the intelligence of his readers.
Posted by Kelly Alves (# 2522) on
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God, even reading the above descriptions of Foundation makes me go all attention- deficit. Sorry, I guess I'm just blocked.
Posted by Brenda Clough (# 18061) on
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Not all fix-up novels (i.e. fixed up by ramming several shorter works together) fail to stand as novels. Some of the great classics of the genre are fix-ups -- A CANTICLE FOR LEIBOWITZ would be a grand example.(And would be a great choice for a monthly book read some day.) It's not that it can't be done, it's just that Asimov didn't do it.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Oscar the Grouch:
The original Foundation books ("The Trilogy") are awesome. All that followed (much much later) was trash.
I thought they jumped the shark when they introduced the Mule half way through volume two.
That's how it looks if you look at the stories as, presumably, Asimov did, starting with the first chapter of Foundation and working forwards. Lord Jestocost is right: a story in which everything happens exactly as some genius has foretold it is ultimately boring. But if you look at the trilogy as a whole, it's almost about the Mule - i.e. it's about the crisis of confidence that happens when a culture hits a discontinuity in how it thinks its history is supposed to go.
I loved the Foundation stories when I was about 15. I look at them now and the writing sets my teeth on edge. I think Douglas Adams once said that Asimov's ideas were amazing, but his style was so awful he wouldn't even trust Asimov to write out his shopping list.
Posted by Kelly Alves (# 2522) on
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Oh, can't agree with that, Mr. Adams. Asimov the essayist is energetic, engaging, focused, and even charming. I think reading his editorials in F&SF is what turned me into a science fact afficionado. I think it is also what makes his fiction pale by comparison.
The first Asimov book I read was Asimov's Treasury of Humor which is a combination joke collection and a series of essays on the function and art of joke-telling. Absolutely brilliant. But didn't really pave the way for me to appreciate him as a scifi author.
[ 05. December 2014, 14:21: Message edited by: Kelly Alves ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Lord Jestocost:
quote:
Originally posted by Dafyd:
I thought they jumped the shark when they introduced the Mule half way through volume two.
Problem was, he pretty well had to. The whole series was getting too cosy: historically inevitable crisis arises; hero inevitably defeats it thanks to historical inevitability. He realised he had to throw in a wildcard just to keep it bumping along.
Firstly, it's not as if he had to keep it bumping along. He could have decided he'd explored the formula sufficiently. Maybe the formula just had its limitations.
Secondly, even if there were a good way to keep the series bumping along, I don't think the Mule is it.
It's as if Arthur Conan Doyle, instead of throwing Sherlock Holmes off a waterfall, had decided to enliven the formula by having his next case be a genuine vampire.
Posted by SvitlanaV2 (# 16967) on
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Whether the Harry Potter books are 'great' is arguable, but the assumption seems to be that they're going to join the classics of children's literature.
Unfortunately, I read the first one and lost interest. It wasn't exactly boring, but not terribly gripping either. Shame, because I'd like to have shared the same enthusiasm as everyone else for these books.
Posted by Evangeline (# 7002) on
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I believe the first Harry Potter novel is a near perfect work of fiction for children. The prose, the characterisation, the structure, the morals, the world-creation, the foreshadowing and the humour are pure genius IMO. Unfortunately by the time it got to book 4 in the series nobody was game enough to tell JK that her work needed editing. The last book, was IMO not particularly well- structured, at least 50% longer than it needed to be and the narrative frequently "sagged", shame really but the series still deserves its place in the all-time greats of children's literature.
Posted by Brenda Clough (# 18061) on
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I was never able to get past the first page of Harry. Nor could I ever manage more than a paragraph or two of Stephen King. I have never seen a full episode of Star Trek, and only sat through one of the movies (the one about the whales) by accident. And, I cannot read Game of Thrones. I am, theoretically, an outcast in my genre. (In actuality we are so eclectic nobody particularly cares.)
Posted by ChastMastr (# 716) on
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I think for me a lot of stuff hinges on the underlying beliefs of the author, if they're particularly visible. There's a great swath of nineteenth- and twentieth-century "literary" stuff that one has to read in college, but that seemed so empty and depressing to me that I disliked it intensely, kind of like (more subtly, and on a larger "literary" level) some of the more shrilly anti-theistic episodes of Star Trek.
Does that make sense?
Posted by Enoch (# 14322) on
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'Obviously' I've never read any Harry Potter. He wasn't around when I was a child. He couldn't have been. JKR is younger than me. So I can't comment.
But as a child, I can remember that I didn't reckon much to most children's fiction. The Famous Five were too far out of kilter with credibility. The Arthur Ransome series seemed to be describing children as adults would like us to be. The William books were the only ones I enjoyed and that I look back on with pleasure.
I was quite glad when one progressed onto 'easy reading for adults', people like John Moore, James Hilton, Ian Hay, A. J. Cronin, Somerset Maugham, Nancy Mitford, and of course in those days the ubiquitous Conan Doyle. Apart from the latter, how many of those are read now.
Posted by TurquoiseTastic (# 8978) on
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quote:
Originally posted by Evangeline:
Unfortunately by the time it got to book 4 in the series nobody was game enough to tell JK that her work needed editing.
YES
Posted by Sherwood (# 15702) on
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The Horse and his Boy by C.S. Lewis. I'd read Lion, the two with Prince Caspian in and The Magician's Nephew first (as that was the order I'd been given them over a few birthdays and Christmasses) and then I recieved this one when I was 10. I just could not get into it at all. I think I managed four or five pages and then put it aside for four months, then just put it back on the shelf where it remained.
I missed the Pevensies too much, I think, and it didn't have a real-world hook like TMN, and I think the combination put me off.
[ 06. December 2014, 12:42: Message edited by: Sherwood ]
Posted by balaam (# 4543) on
:
quote:
Originally posted by Sherwood:
The Horse and his Boy by C.S. Lewis.
That and The Last Battle. But that still leaves 5 glorious Narnia books.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by TurquoiseTastic:
quote:
Originally posted by Evangeline:
Unfortunately by the time it got to book 4 in the series nobody was game enough to tell JK that her work needed editing.
YES
Hear that, editors out there? The more prolific an author gets, the more they need a ruthless editor.
Posted by Chamois (# 16204) on
:
Originally posted by Kelly Alves:
quote:
quote:
Originally posted by TurquoiseTastic:
quote:
Originally posted by Evangeline:
Unfortunately by the time it got to book 4 in the series nobody was game enough to tell JK that her work needed editing.
YES
Hear that, editors out there? The more prolific an author gets, the more they need a ruthless editor.
I agree, but in relation to JK it's very odd. IMO the third Harry Potter book is the best of the series. It is superbly written, characterised, structured and plotted. It's really a classic detective story and JK very fairly gives the reader all the clues needed to solve the mystery - but the denouement is a wonderful surprise which I defy anyone who hasn't read the book or been warned about the ending to guess beforehand.
So what on earth went wrong when she tackled book 4? Did she change publisher/editor? Or was it signing the film series contract at about that stage which tied her into writing more words? Still very amusing, but all the tautness went out of her writing.
But the whole series is definitely classic children's literature, with plenty of added laughs for adults reading to/with their children.
Posted by Kelly Alves (# 2522) on
:
Back to King-- he described that dynamic as " bestsellerasaurus rex". He said he had normally strict editors for hus first few books, but once he reached a certain level of popularity, editors started going easier on him, like evrything he wrote was shat straight from God's behind. And he milked it.
In my mind, a smart editor would see that coming, and be on guard to reign in prose coming from newly popular writers punch drunk on their success. More power to them for enjoying their success, but someone's gotta edit.
Posted by Lamb Chopped (# 5528) on
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I dunno. I suspected a change (or lack) of editor too, but to be fair, vol. 4 is by nature an episodic plot, and those can't help being looser than the ones that went before. (I agree, 3 is the absolute best of the lot for plotting.)
Posted by mousethief (# 953) on
:
quote:
Originally posted by Kelly Alves:
Hear that, editors out there? The more prolific an author gets, the more they need a ruthless editor.
From what I understand, fewer and fewer publishing houses are using in-house editors, and are expecting the author to hire their own editor on their dime. And if you're working for the author, and not the publishing house, you're going to not necessarily tell your boss something they don't want to hear, for fear of your job.
Also agree that HP3 was the best one.
Posted by Brenda Clough (# 18061) on
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Editors no long edit. They spend all their time in marketing meetings.
There is also the 'don't mess with success' feeling. If Stephen King is selling books by the boxcar load, someone is doing something right. Why rock the boat? Better to take the money and run.
Posted by Kelly Alves (# 2522) on
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And then poor Stephen King cries himself to sleep every night over the continued existence of The Tommyknockers. Will no one think of the writers?
i know, wiping his eyes with fifty dollar bills, but still.
[ 06. December 2014, 19:35: Message edited by: Kelly Alves ]
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by mousethief:
quote:
Originally posted by Kelly Alves:
Hear that, editors out there? The more prolific an author gets, the more they need a ruthless editor.
From what I understand, fewer and fewer publishing houses are using in-house editors, and are expecting the author to hire their own editor on their dime. And if you're working for the author, and not the publishing house, you're going to not necessarily tell your boss something they don't want to hear, for fear of your job.
Hear that, writers out there? Don't hire a suck up editor.
Posted by Brenda Clough (# 18061) on
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The trick, of course, is to find an editor who can tell you what you need to hear in the way that will get you to hear it. Just like, from the other side, a great editor will somehow get the writer to fix the ms without alienating him completely.
Everything is greatly exacerbated by the tremendous psychological problems of writers. (Editors have problems too, but let us put them to one side for a moment.) To write is already very difficult. To actually persevere enough to complete a work is a stunning feat in and of itself. (This is why NaWrNoMo is so popular.) The only way to carry the work through to completion, for most of us, is to cultivate an overweening egotism. I don't care what you say, I will write this thing. And this does allow one to write, and to complete. But then it is a barrier to editing. All of a sudden now I have to listen to what you say? Why?
Posted by mousethief (# 953) on
:
quote:
Originally posted by Brenda Clough:
But then it is a barrier to editing. All of a sudden now I have to listen to what you say? Why?
To which the answer is, as you well know, "Because you are too close to it, too heavily invested in it, and too enamoured of it, to see its flaws."
Posted by Kelly Alves (# 2522) on
:
Just remember that a lot of writers had to deal with ruthless editors when revisions happened with pen and paper. At least all we have to do nowadays is cut-paste.
Mousethief, my experience with you reading my stuff ( such as it is) is that you are both a thorough and encouraging editor-- hopefully this isn't rampant in the proffesional editing world, but there are people out there who (unlike you) confine their " feedback" to sneers. So, yeah, I think it is important to find editors/ first readers who "get" you, but someone who only says " well done" is useless.
[ 06. December 2014, 20:19: Message edited by: Kelly Alves ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by mousethief:
To which the answer is, as you well know, "Because you are too close to it, too heavily invested in it, and too enamoured of it, to see its flaws."
This is not quite true. It's more that if the writer hadn't spent the last how ever long training themselves to ignore the flaws the writer would never have actually finished.
Posted by venbede (# 16669) on
:
quote:
Originally posted by Enoch:
The Arthur Ransome series seemed to be describing children as adults would like us to be.... John Moore, James Hilton, Ian Hay, A. J. Cronin, Somerset Maugham, Nancy Mitford, and of course in those days the ubiquitous Conan Doyle. Apart from the latter, how many of those are read now.
I certainly read and re-read Nancy Mitford. I wouldn't have liked Arthur Ransome as a child, but I certainly enjoy reading and re-reading him now. And there is certainly a degree of camp in Ransome about how these children are total fantasists who always have to imagine a place or person is something different (except in We Didn't Mean To Go To Sea where potentially mortal reality creeps up on them like a fog.
I read Harry Potter when I was old enough to be a parent.
Posted by Curiosity killed ... (# 11770) on
:
I've read Somerset Maugham and A J Cronin, but not the others. Somerset Maugham was definitely worth reading and some of the AJ Cronin, but I found as I kept reading AJ Cronin, the books became formulaic.
I read the Swallows and Amazons books as a child and started reading them at 7, the same age as Roger in the first book. We sailed as kids and the imaginary den building and other play-based story-telling was very real for us too at the time and at that age.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by venbede:
quote:
Originally posted by Enoch:
The Arthur Ransome series seemed to be describing children as adults would like us to be.... John Moore, James Hilton, Ian Hay, A. J. Cronin, Somerset Maugham, Nancy Mitford, and of course in those days the ubiquitous Conan Doyle. Apart from the latter, how many of those are read now.
I certainly read and re-read Nancy Mitford. I wouldn't have liked Arthur Ransome as a child, but I certainly enjoy reading and re-reading him now. And there is certainly a degree of camp in Ransome about how these children are total fantasists who always have to imagine a place or person is something different (except in We Didn't Mean To Go To Sea where potentially mortal reality creeps up on them like a fog.
I read Harry Potter when I was old enough to be a parent.
And I still read Somerset Maugham. I think he's one of the greatest writers I've ever read. At his best, he's one of those writers who never wastes a single word. He's got a dry, sparse style that sticks in your brain. It's like imbibing a very dry martini through your optic nerve.
On Harry Potter - yes, the more JKR wrote, the more she needed an editor. I borrowed each book in turn from a friend who really liked them. I struggled with Order of the Phoenix, and managed about two chapters of the next one before deciding I'd just stopped caring what happened to these people.
Posted by Brenda Clough (# 18061) on
:
It is like selecting a friend to shop for a swim suit with. (For those of you who do this.) It is useless to bring along a friend who is uninterested in the fine points of fashion, or who is hopeless enamored of you. I brought my husband once, and it was a waste of both our times. Everything I wore was adorable and without peer -- a noble and laudable attitude in a spouse, but not so useful with swimsuits.
On the other hand, to bring along a friend who is too slender and toned is aggravating, especially if she is frank about cellulite or love handles. You want someone neither too hot nor too cold but just right, someone who will be supportive and positive (Oh, now that's a pretty color!) but truthful (but not on you, honey).
Posted by Firenze (# 619) on
:
Hang on a minute - how did we get from dissing Hard Times and Tess of the D'urbervilles to copy editing and swimsuits?
Back to moaning about Moby Dick , people.
Firenze
Heaven Host
Posted by Kelly Alves (# 2522) on
:
Yes'm. Sorry.
Posted by Lamb Chopped (# 5528) on
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Off to start a thread about editors now...
Posted by Brenda Clough (# 18061) on
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People know about the Bad Sex Awards, right? They are awarded only for the sex scenes. I have always wondered whether the parent work, from which the scene was selected, is better.
Posted by mousethief (# 953) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by mousethief:
To which the answer is, as you well know, "Because you are too close to it, too heavily invested in it, and too enamoured of it, to see its flaws."
This is not quite true. It's more that if the writer hadn't spent the last how ever long training themselves to ignore the flaws the writer would never have actually finished.
Yes, but if there are remaining flaws, the author doesn't see them, or s/he wouldn't think s/he was ready to hand it off to an editor.
Posted by jedijudy (# 333) on
:
Ahem! Repeating Firenze's instruction:
quote:
Originally posted by Firenze:
Hang on a minute - how did we get from dissing Hard Times and Tess of the D'urbervilles to copy editing and swimsuits?
Back to moaning about Moby Dick , people.
Firenze
Heaven Host
jedijudy
Heaven Host with a raised eyebrow and the 'Mama Look'
[ 07. December 2014, 02:04: Message edited by: jedijudy ]
Posted by mousethief (# 953) on
:
Right, heh, sorry.
Posted by JoannaP (# 4493) on
:
quote:
Originally posted by balaam:
quote:
Originally posted by Sherwood:
The Horse and his Boy by C.S. Lewis.
That and The Last Battle. But that still leaves 5 glorious Narnia books.
The Horse and his Boy is my favourite of the lot
.
I really loved the Swallows & Amazons as a child but re-reading them several years ago, it suddenly struck me that their campsites never have a loo tent and I have not been able to take them seriously since
.
Posted by Garasu (# 17152) on
:
quote:
Originally posted by JoannaP:
quote:
Originally posted by balaam:
quote:
Originally posted by Sherwood:
The Horse and his Boy by C.S. Lewis.
That and The Last Battle. But that still leaves 5 glorious Narnia books.
The Horse and his Boy is my favourite of the lot
.
I really loved the Swallows & Amazons as a child but re-reading them several years ago, it suddenly struck me that their campsites never have a loo tent and I have not been able to take them seriously since
.
The last battle is a definite lapse into preaching. Is the problem with The horse and his boy to do with switching the perspective from an 'our world' protagonist to a 'their world' protagonist?
Posted by Brenda Clough (# 18061) on
:
Some books simply have to be read at a certain point in life, or before a certain age. I missed Ransome until I was too old, and have never enjoyed them in consequence. (I suppose some day I could be old enough to read them again.)
Likewise there are books that you are not old enough to get the juice out of. I consider that I am still too young for Ulysses.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by JoannaP:
I really loved the Swallows & Amazons as a child but re-reading them several years ago, it suddenly struck me that their campsites never have a loo tent and I have not been able to take them seriously since
.
I always assumed they went in the lake! Although of course, they got their drinking water from the lake as well ....
And I loved The Horse and His Boy as well. I liked seeing Edmund, Susan and Lucy as grown ups, as well as the whole panorama of Calormen, Archenland and Narnia. And being a pony mad little girl I loved the horses as well.
Posted by The5thMary (# 12953) on
:
I'm over most of these dumb vampire/werewolf books. Laurel K. Hamilton is always trotted out as this wonderful writer of fantasy and horror but I tried to read one book that had her sleeping and having sex with all these shape-shifters/werewolves and I just wanted to throw up. Every other chapter it seemed as though she was hopping into bed with a werewolf or a handsome vampire who had a penis the length of a cricket bat...who the hell wants to sleep with the undead? Bleccch! Her vampires and werewolves are like Stephenie Myers' vamps and werewolves. All are amazing in bed and all of them are beautiful. Sure. That's so tired. Sigh. If it wasn't vampires, it's werewolves or were-creatures. If it's not werewolves, it's the Fey. And all the Fey are beautiful and have gigantic penises...yeahhhh.
Posted by mousethief (# 953) on
:
quote:
Originally posted by JoannaP:
The Horse and his Boy is my favourite of the lot
.
Same here. It is the most like a fairy tale, and the one that most stands on its own rather than filling a place in the chronology.
[ 08. December 2014, 00:09: Message edited by: mousethief ]
Posted by Roselyn (# 17859) on
:
We were set "Wind in the Willows" for the Intermediate Certificate c. 15/14 yrs old.
I cannot think of a worse age, too old; too young.
Posted by ChastMastr (# 716) on
:
I love The Last Battle, myself.
Posted by Lamb Chopped (# 5528) on
:
yeah. me too.
Posted by Timothy the Obscure (# 292) on
:
quote:
Originally posted by Kelly Alves:
quote:
Originally posted by TurquoiseTastic:
quote:
Originally posted by Evangeline:
Unfortunately by the time it got to book 4 in the series nobody was game enough to tell JK that her work needed editing.
YES
Hear that, editors out there? The more prolific an author gets, the more they need a ruthless editor.
There's a weird effect I've observed, especially in genre fiction (mystery and SF, mainly). Novice writers don't get edited, presumably because the publishers don't want to spend the money. One conspicuous example is P.C. Doherty, who writes historical mysteries (also under various pseudonyms). His early stuff is full of the most egregious errors--I mean basic grammatical mistakes, especially singular-plural agreement problems--but after the first half-dozen books it got better, possibly because he learned something, but more likely because the publisher decided he made enough profit to justify the expense of a copy editor.
The other end of the spectrum is (e.g.) Rowling where it's assumed that the profit is a given, so why risk alienating a golden goose by messing with her sentence structure...
Posted by Brenda Clough (# 18061) on
:
There is many a slip between cup and lip, behind the scenes. I have heard of the wrong version of the ms going to the printer -- the one before the copy edits and authorial fixes.
There are also authors who have the bulge to have a no-edit clause in their contract. This shows they are fools, because then their books appear on the shelves without a period at the end of a sentence, or other very obvious errors that anyone would wish to be fixed.
My favorite horror story involved the author who was writing a fat fantasy trilogy. About halfway along she decided that her hero should not be Robert, but Michael (or some such swap, I am not remembering the details). She was blitzing along so she just kept on writing about Michael. And she forgot to do a Global Search and Replace. So the front half of the trilogy is about the adventures of Robert, and then suddenly it all switches over to Michael. This passed through editoral, copy edit, proofread, and authorial okay. When it appeared on the bookshelves the poor readers complained that they really liked Robert, and who is this Michael guy that took over the end of the book?
Posted by Kelly Alves (# 2522) on
:
Uh, guys? Remember the mom look? Otherwise known as a Host Post reminding us to get back to the topic?
There is a whole new shiny thread about editors in Heaven. Find it and use it.
Kelly Alves
Admin
Posted by Chamois (# 16204) on
:
Originally posted by Brenda Clough:
quote:
I consider that I am still too young for Ulysses.
I'm ashamed to say that I love Ulysses. Joyce wrote like an angel but by golly he had a filthy mind. So I sort of feel that loving Ulysses reflects badly on my own mind.
Although I don't go around imagining the sort of stuff Joyce imagined. No, I don't. Really.
Posted by venbede (# 16669) on
:
I'm the only person I know who got all the Gilbert and Sullivan references in "Ulysses".
There is a scene where according to the commentaries, Bloom watches a young girl masturbating while in a neighbouring chapel there is Benediction of the Blessed Sacrament.
I got all the references to Benediction. I didn't understand about the other bit.
Posted by Palimpsest (# 16772) on
:
The book that's sat the longest on my shelf without getting chucked is "The Tale of Genji". It seems impenetrable to me but too important to just discard.
Posted by Tea (# 16619) on
:
Don Quixote. I wanted so much to enjoy it, but soon tired of Quixote's delusions of chivalric excellence. Unfortunately, Sancho Panza was no compensation; I remained unbeguiled.
Posted by Brenda Clough (# 18061) on
:
Herodotus's Histories. I have a lovely HB volume of it here on the TBR bookcase, but have never gotten more than half-way along. (Although looking at it it is clear where Mary Renault was mining her material.)
Posted by leo (# 1458) on
:
quote:
Originally posted by venbede:
I'm the only person I know who got all the Gilbert and Sullivan references in "Ulysses".
There is a scene where according to the commentaries, Bloom watches a young girl masturbating while in a neighbouring chapel there is Benediction of the Blessed Sacrament.
I got all the references to Benediction. I didn't understand about the other bit.
Well, they're both about exposures without consummation.
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