Thread: Don't blink (Dr Who thread) Board: Oblivion / Ship of Fools.
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Posted by LeRoc (# 3216) on
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I understand that the old thread has disappeared into the Void, so I guess it's ok if I start a new one?
If I got it right, The Magician's Apprentice will air on the 19ᵗʰ, so ten days from now. I don't think it is a spoiler if I say that it contains Missy and the Daleks. I think there is going to be a prequel too.
I have to say that I'm not completely convinced about Missy yet. In my opinion, the way Michelle Gomez portrays the character looks a bit too much like how John Simm did it. But if this episode completely blows my mind and changes my opinion about her, all the better.
All I want to say is, I can't wait.
[ 09. September 2015, 21:12: Message edited by: LeRoc ]
Posted by Dafyd (# 5549) on
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Missy is the only version of the character that I enjoy. Until she turned up I thought 'evil counterpart of the Doctor' was just a bit of an unimaginative concept. (The Master's origin was in the UNIT years when they were trying to make Doctor Who more like every other action tv series there was.) I'm not sure what it says about me that I think Missy does work.
I suppose that good as Delgado was as an actor, his version of the Master was a generically evil mastermind with overtones of dodgy foreigner too clever by half. (There's probably some old residue of anti-Jesuit prejudice if not anti-Muslim or anti-semitism.) Ainley was a camp imitation of Delgado; Simm a more modern updating of Ainley. Gomez, even if her version is based on Simm, takes the character out from under Delgado's shadow.
Posted by LeRoc (# 3216) on
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quote:
Dafyd: Gomez, even if her version is based on Simm, takes the character out from under Delgado's shadow.
I can see how Gomez wanted to start out with Simm and take it from there. I have seen the 'start out with Simm' part; now please give me the 'take it from there' part I guess this is one of my hopes for Season 9.
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Dafyd:
Ainley was a camp imitation of Delgado; Simm a more modern updating of Ainley. Gomez, even if her version is based on Simm, takes the character out from under Delgado's shadow.
I view it differently. Delgado's Master was evil. Charming, but evil. But it was a very cold, calculating, sane evil. Ainley's Master, by contrast, was barking mad (or meowing mad in Survival). I didn't object to that because, by character history, he had already been a decomposing corpse of a body and was currently living by body snatching others. That's the sort of thing that might make one go bonkers. While the very brief view we had of Jacobi as the Master seemed more sane, Simms then went back to Master-as-imperfect-anagram-of-"Mad-as-a-Hatter." And Gomez has self-declared as bonkers. Crazy evil is fun, but it would be nice to go back to a cold sane evil version of the Master. In other words, somebody willing to go back under Delgado's shadow.
Posted by Kelly Alves (# 2522) on
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Tell you what, I love me some Michelle Gomez. Can't wait to see her do stuff.
Posted by Ariel (# 58) on
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I can't stand Missy - thanks for the warning. I may skip the episode.
Posted by Jack o' the Green (# 11091) on
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I'm not a great fan either. I prefer my evil 'almost normal/sane but lacking empathy and remorse' rather than pantomime whacky.
Posted by LeRoc (# 3216) on
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quote:
Ariel: I can't stand Missy - thanks for the warning. I may skip the episode.
I think it's a two-parter, so you may want to skip the next one too
Posted by LeRoc (# 3216) on
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quote:
Jack o' the Green: I'm not a great fan either. I prefer my evil 'almost normal/sane but lacking empathy and remorse' rather than pantomime whacky.
I like my villains a bit tragic. For example a villain doing terrible things who honestly believes that he's doing good.
I have the feeling that they tried to bring some drama into the Master with this "Gallifreyans are forced to look into the Untempered Schism when they're eight years old" thing. I think there is more to be explored there, more stories to be told. This is what I would be doing.
Posted by Dafyd (# 5549) on
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quote:
Originally posted by Hedgehog:
Delgado's Master was evil. Charming, but evil. But it was a very cold, calculating, sane evil.
Have you thought about some of the schemes Delgado's Master got up to? In his first adventure he tried to take over the world by distibuting deadly plastic daffodils. Then the Doctor tells him that his allies might try to double-cross him and the Master goes oh dear, I hadn't thought of that, I'd better switch sides.
Posted by Dafyd (# 5549) on
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quote:
Originally posted by LeRoc:
I have the feeling that they tried to bring some drama into the Master with this "Gallifreyans are forced to look into the Untempered Schism when they're eight years old" thing. I think there is more to be explored there, more stories to be told.
I don't think that's drama. That's just angst for the sake of angst. Maybe if you brought Romana back and explored how she coped with the experience there'd be an actual story. But as it is, it's just an obviously artificial attempt to create a tragic backstory.
Anyway, I thought you wanted to get away from the Simm Master.
Posted by LeRoc (# 3216) on
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quote:
Dafyd: I don't think that's drama. That's just angst for the sake of angst.
I largely agree with you. It hasn't become dramatic because so far, they have treated this part of his backstory in a rather superficial way. But if they'd set their minds to doing it better (you already gave a suggestion for that), it could become a compelling story and give a lot of interest to this villain.
quote:
Dafyd: Anyway, I thought you wanted to get away from the Simm Master.
I'm just having a light chat here I guess what I want to get away from is the feeling that she is imitating his mannerisms a bit too much.
[ 10. September 2015, 09:04: Message edited by: LeRoc ]
Posted by Sipech (# 16870) on
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I quite liked Missy. I think it was a case of the writers testing the waters to see how fans would react to a female Doctor. If they do go down that road, I think Mariah Gale would be a good choice.
I'm hoping they'll come up with a good new villain. Since the show was brought back with Christopher Eccleston's doctor, I've only found the Weeping Angels and The Silence to be particularly good.
Posted by Sir Kevin (# 3492) on
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I wish we could get the current series here in the US.
Our adult daughter is a hard-core fan: she goes to a meeting of a local Dr. Who fan club every Tuesday night.
Posted by Ariel (# 58) on
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quote:
Originally posted by Sipech:
I quite liked Missy. I think it was a case of the writers testing the waters to see how fans would react to a female Doctor.
Totally no from my POV, though that's not why I object to Missy: she's just excruciating to watch.
quote:
I'm hoping they'll come up with a good new villain. Since the show was brought back with Christopher Eccleston's doctor, I've only found the Weeping Angels and The Silence to be particularly good.
Yes, I agree. The Daleks have been a bit over-used in recent years I think.
[ 10. September 2015, 10:53: Message edited by: Ariel ]
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Dafyd:
Have you thought about some of the schemes Delgado's Master got up to? In his first adventure he tried to take over the world by distibuting deadly plastic daffodils. Then the Doctor tells him that his allies might try to double-cross him and the Master goes oh dear, I hadn't thought of that, I'd better switch sides.
I never said he didn't have a sense of humor. But the point of the daffodils was that you can kill a human with just a few inches of plastic to seal off the nose and mouth--that is cold, calculating evil. The fact that he chose plastic daffodils as a delivery system also made sense. It beat going door to door and hand-applying the plastic gag to each person. The free daffodils wouldn't get everybody, but they would go to enough people to kill enough people to cause massive disruption to society--which was the point.
As for abandoning it because he realized his ally would double-cross him, that also is logical. For example, I often wonder, in WWII, if Germany had developed the atom bomb first, whether Japan wouldn't have "pulled a Master" and thought "Uh oh! Maybe we should switch sides because we can't trust Germany not to double-cross us." Such re-thinking can happen among sane people.
But that was the Delgado Master's weakness: he listened to logical argument and considered it sanely. That beats heck out of Loony Tunes Master who thinks he can blackmail the entire Universe by sending out a tape recording from Earth....
Posted by Dafyd (# 5549) on
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quote:
Originally posted by Hedgehog:
The free daffodils wouldn't get everybody, but they would go to enough people to kill enough people to cause massive disruption to society--which was the point.
I'm not saying that there wasn't some rationale behind it. What I'm saying is that any sane mind capable of coming up with the plan he did come up with would certainly be capable of coming up with a plan that was simpler and more straightforward.
quote:
As for abandoning it because he realized his ally would double-cross him, that also is logical.
It might be logical. The question is, why given that he's such a sane calculating genius, hadn't he given the possibility some thought earlier? It's not as if he's Eddard Stark who would never double-cross anyone and therefore never thinks that anyone would double-cross him.
Posted by Hedgehog (# 14125) on
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Wasn't there an episode where Jo asks the Doctor why the Master is doing such-and-such, and the Doctor explains that he is just like a small boy stirring up an ant pile. Just doing it for the fun of it. Maybe the whole Nestene Consciousness team-up could be explained that way. The method chosen is inefficient, but he doesn't want efficiency. The fun was causing wide-spread but apparently unrelated deaths. To achieve that effect, the daffodils were perfect.
And, because he was doing it for the fun of it, when the Nestenes got big enough to actually be a threat to him, he called it off.
Or, alternatively, he expected that, by the time the Nestene got a foothold (or tentacle-hold, or whatever-hold) on Earth, he expected to be in his TARDIS and away. Didn't the Doctor disable the Master's TARDIS, thereby trapping him on Earth as well? That would be reason enough for the Master to switch sides.
Of course, that would assume that the Master knew his TARDIS had been disabled...but I'll just say that the Doctor whispered that info to him off-camera just before he changed sides....
<Hedgie, happily rewriting history like the First Law of Time didn't exist>
[tangent]Does anybody else tend to confuse the Nestene Consciousness with the Great Intelligence?[/tangent]
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Sir Kevin:
I wish we could get the current series here in the US.
Our adult daughter is a hard-core fan: she goes to a meeting of a local Dr. Who fan club every Tuesday night.
BTW, BBC America will be showing the new series more or less concurrently. In other words, the first episode of the new series will be shown on September 19 here in the US as well. The trick is getting access to BBC America. Fortunately, it is part of my regular cable package.
Posted by balaam (# 4543) on
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quote:
Originally posted by Hedgehog:
Wasn't there an episode where Jo asks the Doctor why the Master is doing such-and-such, and the Doctor explains that he is just like a small boy stirring up an ant pile. Just doing it for the fun of it.
Isn't that's description of Ecclestone's Doctor? The boyish grin when about to enter a dangerous situation? The Doctor/Master parallels are part of the fun of it.
Posted by Pine Marten (# 11068) on
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Anyone else seen
[ 11. September 2015, 12:33: Message edited by: Pine Marten ]
Posted by Pine Marten (# 11068) on
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Bugger! Anyone else seen this yet?
Posted by Bene Gesserit (# 14718) on
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I have now - and that is interesting!
Posted by Jack o' the Green (# 11091) on
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quote:
Originally posted by Bene Gesserit:
I have now - and that is interesting!
It certainly is. Am really looking forward to the new season now.
Posted by Jack o' the Green (# 11091) on
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quote:
Originally posted by LeRoc:
quote:
Jack o' the Green: I'm not a great fan either. I prefer my evil 'almost normal/sane but lacking empathy and remorse' rather than pantomime whacky.
I like my villains a bit tragic. For example a villain doing terrible things who honestly believes that he's doing good.
Yes, I like that too. However, it takes a very good actor and script to pull it off well. As illustrated by its extremely poor execution in 'Revenge of the Sith'.
Posted by HCH (# 14313) on
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I have a stray question. As I recall, at the end of the episode about the doctor's daughter, she died, or appeared to, and the doctor left thinking she was gone. After that, she revived and dashed off to have adventures.
If that's correct, then the doctor must still think she is dead. In an episode at the end of season 8, Clara (pretending she is the doctor) recites various facts about him, including the existence of his daughter. How could she know this? (I know, the facetious answer is that she has watched that episode.)
I would like the BBC to create a spin-off series about the daughter. The actress who played the role was charming, but if she does not want to do it again, she could regenerate into another actress. She needs to have a Tardis or at least one of those time-travel wrist gadgets, but it would be fun to have a genuinely young Time Lady learning who she is. What kind of companions should she have? (Nonhuman, to avoid sexual complications.)
Posted by LeRoc (# 3216) on
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quote:
HCH: In an episode at the end of season 8, Clara (pretending she is the doctor) recites various facts about him, including the existence of his daughter. How could she know this? (I know, the facetious answer is that she has watched that episode.)
The way I understand it, it has to do with her being the Impossible Girl. She jumped in to his time-stream thingy, and was therefore present at various times in his life. Something like that.
quote:
Jack o' the Green: However, it takes a very good actor and script to pull it off well. As illustrated by its extremely poor execution in 'Revenge of the Sith'.
I completely agree. In fact, I've all but forgotten about RotS. I like having a female Master, and Michelle Gomez is obviously a good actress, but my hope for Missy is that they would pull something like this off. That would be brilliant.
Posted by Kelly Alves (# 2522) on
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quote:
Originally posted by HCH:
I have a stray question. As I recall, at the end of the episode about the doctor's daughter, she died, or appeared to, and the doctor left thinking she was gone. After that, she revived and dashed off to have adventures.
If that's correct, then the doctor must still think she is dead. In an episode at the end of season 8, Clara (pretending she is the doctor) recites various facts about him, including the existence of his daughter. How could she know this? (I know, the facetious answer is that she has watched that episode.)
I would like the BBC to create a spin-off series about the daughter. The actress who played the role was charming, but if she does not want to do it again, she could regenerate into another actress. She needs to have a Tardis or at least one of those time-travel wrist gadgets, but it would be fun to have a genuinely young Time Lady learning who she is. What kind of companions should she have? (Nonhuman, to avoid sexual complications.)
I've gotten the feeling they are gradually building up to something much like this. I'll put a bar of Maya Gold on it.
Posted by Jack o' the Green (# 11091) on
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quote:
Originally posted by LeRoc:
quote:
Jack o' the Green: However, it takes a very good actor and script to pull it off well. As illustrated by its extremely poor execution in 'Revenge of the Sith'.
I completely agree. In fact, I've all but forgotten about RotS.
Aren't you lucky! Wish I had. Sorry for the reminder! Together with the third of Christopher Nolan's 'Dark Knight Trilogy', it was my largest cinematic disappointment. First world problems and all that.
Posted by Penny S (# 14768) on
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I've read a piece somewhere about the guests to be expected in the upcoming series, with hints about David Bowie and Keith Richards being wished for by Capaldi. But the actress who plays Arya Stark in "Game of Thrones" is to be in, and in more than one episode, with an aside about her being a special character.
And my mind went to the first daughter post up thread.
[ 12. September 2015, 21:08: Message edited by: Penny S ]
Posted by Dafyd (# 5549) on
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quote:
Originally posted by Penny S:
But the actress who plays Arya Stark in "Game of Thrones" is to be in, and in more than one episode, with an aside about her being a special character.
I'd like it to be Romana. (Although they'd ask Lalla Ward if she could do the regeneration if necessary.)
Posted by LeRoc (# 3216) on
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quote:
Pine Marten: Anyone else seen this yet?
Ohila? Hmm ...
Posted by Ariel (# 58) on
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quote:
Originally posted by Penny S:
But the actress who plays Arya Stark in "Game of Thrones" is to be in, and in more than one episode, with an aside about her being a special character.
I wish they wouldn't do that. There are times when I think it's turning into a vehicle for celebrity guest appearances. It doesn't need it.
Posted by Penny S (# 14768) on
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I think it's rather that the people who have grown up with it want to be on it, and now have the power to achieve it.
Which makes it rather like trying to watch the Severn Bore with no surfers.
[ 13. September 2015, 20:00: Message edited by: Penny S ]
Posted by Sir Kevin (# 3492) on
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quote:
Originally posted by Ariel:
The Daleks have been a bit over-used in recent years I think.
I think not! My wife and I were on holiday in Cornwall and we visited Land's End in 2007. There was a traveling Dr. Who museum there. The scariest monsters we ever saw in our lives were the
FLYING Daleks! Pity they were out of salt cellars and pepper mills!
My wife does think the Weeping Angels are worse, but they did not exist at the time.
Pity we cannot get a Television Licence!
Posted by The Rogue (# 2275) on
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One of my best Delgardo moments was last year when I was watching the Daemons and he appeared as the local vicar. Middle Rogueling (aged 14) was audibly shocked.
Posted by LeRoc (# 3216) on
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Clara is leaving. To be honest, I'm not terribly sad over that. The latest interviews have been all about how very much attuned Clara and the Doctor have become to each other. I think that's a dead end in the long run; I'd like a little more tension between the Doctor and his companion.
Posted by Schroedinger's cat (# 64) on
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I like Jenna - I hope she is in all sort of other stuff.
Posted by LeRoc (# 3216) on
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Okay, the stakes have been set. I definitely need to see that one again.
Posted by Adeodatus (# 4992) on
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Well I thought that was rather good. A couple of slow bits - notably the medieval scene, which I didn't like at all - but generally really rather good and, I hope, a setup for a suitably twisty conclusion to the story next week. (If next week is the conclusion - I've been carefully avoiding spoilers.)
I thought Missy was much better than last time round - back to a semi-rational Delgado style Master rather than the twitching maniac we saw from Anthony Ainley onwards. And I thought the Other Guest Character was perfectly acted and really quite disturbing - just how he should be!
Posted by Jack o' the Green (# 11091) on
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I very much enjoyed it. I agree that Missy was significantly better than last series. Some thought provoking ideas, and nicely set up for next week.
Posted by LeRoc (# 3216) on
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Adeodatus: I thought Missy was much better than last time round
Me too. For example when she was dancing. I can imagine Simm dancing, but for him it would be something like "I'm going to dance because I'm mad as a hatter and I want to dance tralala!" In Gomez's case, it was more "I'm going to dance because I'm completely superior to you and I can dance if I want to." That's a nice difference.
I'm not completely convinced by "Missy is the Doctor's best friend" yet. Of course it is a well-known trope that archenemies come to develop a sort of respect for eachother. But I like it when that is subtle, it is a bit too much in your face for me here. Let's see where this goes.
quote:
Adeodatus: notably the medieval scene, which I didn't like at all
Neither did I. The joke "look for tiny anachronisms" and then he comes in on top of a tank playing electric guitar is OK, but they should have left the scene right after that.
quote:
Jack o' the Green: nicely set up for next week.
Definitely! Looking forward to it.
Posted by Athrawes (# 9594) on
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Well, that was very interesting. I don't really like Missy, but she is interesting this time around.
Posted by LeRoc (# 3216) on
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BTW What do you think of Clara, the UNIT superwoman? I can't say I'm very fond of that.
(Don't get me wrong, I am not saying that female companions shouldn't have an active role; quite to the contrary. I just don't feel that this is a very interesting way to bring this about.)
Posted by Athrawes (# 9594) on
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I got the impression that they were trying to bring back the 'genius' bit they had at the beginning, and that we've seen so little of. And that UNIT only contacted her because they couldn't get onto the Doctor and thought she might have more info. (Hoping that isn't a spoiler...)
Posted by balaam (# 4543) on
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Capaldi was playing the guitar for real. Released by Radio Times.
Posted by Snags (# 15351) on
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quote:
Originally posted by balaam:
Capaldi was playing the guitar for real. Released by Radio Times.
I was fairly sure he must be, partly from watching the fingering, and partly because it wasn't that flash, which made it plausible he could be doing it rather than having Steve Vai doing overdubs
Posted by Schroedinger's cat (# 64) on
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I am guessing that might be a reason for it lasting so long.
Posted by LeRoc (# 3216) on
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quote:
balaam: Capaldi was playing the guitar for real.
Yes, very cool.
quote:
Schroedinger's cat: I am guessing that might be a reason for it lasting so long.
I don't have a problem with the length of the guitar solo, but the whole speech and him inventing the word 'dude' ... We already had the big anachronism joke, I don't think there was a need for a couple of small ones after that.
Posted by Penny S (# 14768) on
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I had a feeling that as well as referencing Star Wars in the cantina, there were hints of Bill and Ted as well.
Posted by Jack o' the Green (# 11091) on
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Yep, you could be right. I've watched the episode for a second time and am even more impressed with Michelle Gomez's performance. I do find her both likeable and rather sexy . Which may say more about me, but does perhaps say something about her superficial charm as a psychopath.
Posted by Hedgehog (# 14125) on
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I don't know if this can even be answered without giving an undue amount of spoilers, but what the heck did the title of the episode have to do with...ummmm....the episode?
Posted by LeRoc (# 3216) on
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LOL a lot of fans are asking that. In the second prequel, the Saxon guy called the Doctor "magician" repeatedly. Maybe that's a clue?
Posted by Penny S (# 14768) on
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The second episode is called "The Witch's Familiar". In next week's Radio Times, the listed characters are the Doctor, Colony Sarff, the Boy, Davros, and Daleks. No witch.
Bors, by the way, is the name of one of Arthur's knights, who's life is pure enough for him to see, but not not fully, the mass of the Holy Grail.
I was not aware of the existence of the second prequel, but managed to track down a thumbnail version of it. It looks as though Bors is the apprentice. The Doctor being the magician, since sufficiently advanced science will look like magic.
And I'm not very happy that what is quite useful information about the story has been hidden from large parts of the audience - YouTube copies had been blocked by the BBC, which I have paid for.
[ 22. September 2015, 17:56: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
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Penny S: I was not aware of the existence of the second prequel
Neither was I. I found out about it by watching a couple of reviews of The Magician's Apprentice on YouTube.
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Penny S: It looks as though Bors is the apprentice.
That's what I thought too. But I'm not seeing many of the usual elements of the Magician's Apprentice trope here. You know, the apprentice wants to be as good as the magician, but he gets in way over his head. Instead, what we've seen Bors do is swing his axe a couple of times at the Doctor, and then he turned out to be a Dalek. And if he's not on the list for next week's episode ...
Posted by Penny S (# 14768) on
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I tried to avoid that spoiler in case of people waiting until the Friday broadcast. But Bors' early behaviour doesn't seem to fit with it. And as you say, there's nothing of the out of control broom about. I also thought of Lewis' "The Magician's Nephew" with its between world travel, and making of choices. Doesn't really work, either.
At the moment, my friend and I are running with "and then they woke up and it was all a dream and they went home for tea and went to bed. THE END" (I spent a lot of time trying to persuade children that that didn't work.) Second choice - we're in a different trouserleg of the universe from previous stories and it's going to come together at the end of next week. She may not be in the cast list, but the article about Michelle Gomez in next week's Radio Times does not imply that she is gone.
Things I would like to be told. How he got to 1138 and why. What made him think he was going to die - it's a re-run of Trenzalore, isn't it? How Missy survived.
Things I don't like about NuWho. Secret stuff that only the in-crowd know. Long story arcs. Too many short bits without coherent links. Things without explanation. (Even at the level of reversing the polarity.) Too much backstory. Child Who, child Master/Missy, and now child Davros.
[ 22. September 2015, 19:23: Message edited by: Penny S ]
Posted by Hedgehog (# 14125) on
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Episode titles can be misleading. I remember back in the first season of nuWho there was an episode called "The Long Game" which really didn't seem to fit the episode all that well. Oh, you could sort of force it to kind of fit, but not very comfortably. But then when you got to the season finale six weeks later (or however long it was) it tied in with the plot then. In other words, the title was something of a clue to the season arc, not so much the episode itself.
I wonder if something similar is happening here. Maybe we won't understand the title(s) until later on in the season. But one thought that occurred to me was that, if the Doctor is identified with "The Magician" then his "apprentice" could be Clara. For next week, then, could Missy be seen to be "The Witch" and her Familiar...? Could it also be Clara?
Posted by Penny S (# 14768) on
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That's the way my mind was going, but for that absence from the cast list - though that could be deliberate. And sneaky.
So here's the bit from the Radio Times collection of episode descriptions.
quote:
"The Doctor is trapped. He's a prisoner of the creatures who hate him most in the universe. Between us and him is everything the greatest warrior race in history can throw at us. We, on the other hand, have a pointy stick." There are places the Doctor should never go. Planets where his life would not be worth an hour's purchase. Where he finds himself in the very worst of these, withut his Tardis, or his sonic, and with his best friends murdered in front of his eyes, he has only his wits to keep him alive. And perhaps something else. What is the Doctor's confession? Why did he really leave Gallifrey all those centuries ago? And is it a secret he is willing to give up?
Now that suggests that something happened back in Hartnell times, since the child Davros episode is clearly recent. And Hartnell knew nothing about the Daleks back then. Did he?
Posted by LeRoc (# 3216) on
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quote:
Penny S: I tried to avoid that spoiler in case of people waiting until the Friday broadcast.
Oops! I didn't really know what the spoiler rules for this thread are, I assumed that someone who hadn't seen the latest episode yet would avoid reading this thread (that's what I do). I'm not sure if I can discuss The Magician's Apprentice here while being completely spoiler free.
quote:
Penny S: At the moment, my friend and I are running with "and then they woke up and it was all a dream and they went home for tea and went to bed. THE END"
£10 in the Organ Fund says that this is all Missy's doing. She seemed so in control when, erm, something happened to her.
quote:
Penny S: She may not be in the cast list, but the article about Michelle Gomez in next week's Radio Times does not imply that she is gone.
I don't think so either.
quote:
Penny S: How he got to 1138 and why.
That one seems easy. With his TARDIS He knew that after he'd left the child on the battlefield, he had to face Devros. But he wanted to spend some time there first to meditate (actually, to procrastinate).
quote:
Penny S: What made him think he was going to die
Not sure. Maybe he's so ashamed by what he has done that he thinks he deserves to die.
quote:
Penny S: it's a re-run of Trenzalore, isn't it?
A bit. In the first prequel, when Ohira said "Your destruction awaits you", I thought "here we go again ..." In fact, during the episode I was rather pleased that it wasn't him who got zapped but, erm, other people. And things.
quote:
Penny S: How Missy survived.
I actually liked that part. I don't remember what she said, but Missy basically handwaved this away. That was great, I don't need an explanation beyond that.
quote:
Penny S: Things I don't like about NuWho. Secret stuff that only the in-crowd know. Long story arcs. Too many short bits without coherent links. Things without explanation. (Even at the level of reversing the polarity.) Too much backstory. Child Who, child Master/Missy, and now child Davros.
I don't have much of a problem with that. In fact, I liked some of the story arcs. But I guess they can be a problem if you can't watch every episode.
quote:
Hedgehog: I wonder if something similar is happening here.
You may be onto something here. That's interesting.
Posted by Penny S (# 14768) on
:
Well, yes, he obviously got to 1138 in the Tardis - but why then and there, and how did he know he was going to have to deal with old dying Davros, and why did he think that was going to lead to his permanent death when he had had all that new life poured into him last Christmas?
I'm looking forward to Osgood coming back. She has an interview in one of the magazines in which she said how interesting it was to turn up at a convention and meet a load of people (including a 64 year old man) dressed as the character!
Posted by LeRoc (# 3216) on
:
quote:
Penny S: but why then and there
I'm not sure if we need to seek much behind this. He needed a place to chill out and this one seemed nice. (But I could be wrong.)
quote:
Penny S: how did he know he was going to have to deal with old dying Davros, and why did he think that was going to lead to his permanent death
The way I see it is as follows (dozens of spoilers ahead):- Davros was a nice kid
- The Doctor didn't save him on the battlefield
- The handmines got him, but he survived
- His bitterness set in motion a chain of events that led to him creating the Daleks
- So in a sense, the Doctor created the Daleks
This causes so much shame and guilt in the Doctor (he's ultimately responsible for all those deaths) that the only way of finding closure is meeting Davros in such a way that it will lead to his death.
Posted by Athrawes (# 9594) on
:
Or, alternatively, he did save child Davros, who still went on to create the darleks. This makes more sense of the episode's ending.
Posted by LeRoc (# 3216) on
:
quote:
Athrawes: Or, alternatively, he did save child Davros, who still went on to create the darleks. This makes more sense of the episode's ending.
Well, in wibbly wobbly timey wimey ways there are still many things possible. I'm reacting to what I've seen so far.
Posted by Jack o' the Green (# 11091) on
:
It'll be interesting how this turns out. The creation of the Daleks by Davros is a fixed point in time surely. If that's the case, whatever the Doctor does will in some way lead to their creation. Unless he kills him, in which case, he will affect his own time line profoundly. His history is bound up with theirs, and didn't they cause the regenerations of both Hartnell and Tennant (the first one)? It would've been much simpler if Capaldi's Dr had just saved Davros the first time round without assuming that there could only be one person with that name!
Posted by Oscar the Grouch (# 1916) on
:
I have to say that I am becoming increasingly tired of Dr Who. Or rather, I am tired of the shenanigans that Moffatt and the writers are doing. I think I like Peter Capaldi as the Doctor, but Moffatt seems so inordinately pleased with his own cleverness that instead of telling a good story, he wraps everything up in bizarre story arcs, where you need to watch and rewatch a whole series before you really make sense of it.
Just tell the f@@@ing story!
I got bored with the first episode, especially at the end. We all know that Clara, the Tardis and even Missy are not going to be written out of the show in the first episode. So don't even try and make this some sort of "cliffhanger". And the random going backwards and forwards in time is just emphasising the illogicality of time travel. And we all know that the Doctor will never be able to eliminate Davros (and the Daleks) because that would just be plain silliness.
(Having said that, I really REALLY wish we could have a Dr Who series that DIDN'T include the Daleks OR the Cybermen at some point. Get a bloody imagination, Moffatt!)
Take the "hand mines". A great and scary idea (who would knowingly go out into a muddy field after watching that?) - yet it was really tossed out there and thrown away. It could (and should) have been a really scary moment - a classic Dr Who "hide behind the sofa" moment. But it was lost so that more attention could be given to Moffatt's cleverness.
As you can tell, I wasn't that impressed!
Posted by LeRoc (# 3216) on
:
quote:
Oscar the Grouch: Just tell the f@@@ing story!
Well, I can understand that after 30-something seasons, there aren't that many simple stories left to tell. Most series give up long before that. So I can understand why Moffat wants to do this.
quote:
Oscar the Grouch: We all know that Clara, the Tardis and even Missy are not going to be written out of the show in the first episode.
Of course we do. But I must say that Moffat put himself in a bit of a bind here, and I'm curious to see how he's going to get out of this one.
quote:
Oscar the Grouch: Take the "hand mines". A great and scary idea (who would knowingly go out into a muddy field after watching that?) - yet it was really tossed out there and thrown away. It could (and should) have been a really scary moment - a classic Dr Who "hide behind the sofa" moment. But it was lost so that more attention could be given to Moffatt's cleverness.
Hmm, when the hands pulled the soldier down, I found that pretty scary. But I'm not sure if there is still a complete story to be told about the handmines. Not in a series that has run for so long already.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Oscar the Grouch:
I have to say that I am becoming increasingly tired of Dr Who. Or rather, I am tired of the shenanigans that Moffatt and the writers are doing. I think I like Peter Capaldi as the Doctor, but Moffatt seems so inordinately pleased with his own cleverness that instead of telling a good story, he wraps everything up in bizarre story arcs, where you need to watch and rewatch a whole series before you really make sense of it.
Just tell the f@@@ing story!
I must admit, loyal fan that I am, that I've been getting a twinge of this recently. Moffat's had a good long stint on the show now, and I really am wondering if it's time for him to do something else. His twisty-windy mind (first evidenced, I think, in the hilarious non-linear storylines of Coupling) is great for the occasional story, and perfect for something like Sherlock, but sometimes it makes watching Doctor Who positively tiring.
One thing I think he's very good at is getting good stuff out of unexpected guest writers. I've been watching a bit of Season 5 recently and I think two of the best stories are Amy's Choice and Vincent and the Doctor, by Simon Nye and Richard Curtis. (Probably the biggest exception to this rule is that dreadful thing by Frank Cottrell Boyce last season.)
But of course, if Moffat goes, then who takes over? I'm a big fan of Mark Gatiss, but I can't really see him in that role. And God preserve us from Chris Chibnall!
Posted by HCH (# 14313) on
:
I tend to agree that some of the best episodes are those that stand alone, not essentially tied into larger story arcs. Even in the old series, there were sometimes long arcs ("Trial of a Time Lord", "The Key to Time"), but there were many episodes that were just good individual tales.
I sometimes think of "Horror of Fang Rock" as an archetype of Dr. Who. The Doctor and Leela visit a lighthouse off the coast of England in the early 20th Century. Various events occur--a shipwreck, an alien invasion--and at the end, the two of them are the only survivors.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Oscar the Grouch:
I have to say that I am becoming increasingly tired of Dr Who. Or rather, I am tired of the shenanigans that Moffatt and the writers are doing. I think I like Peter Capaldi as the Doctor, but Moffatt seems so inordinately pleased with his own cleverness that instead of telling a good story, he wraps everything up in bizarre story arcs, where you need to watch and rewatch a whole series before you really make sense of it.
Just tell the f@@@ing story!
I got bored with the first episode, especially at the end. We all know that Clara, the Tardis and even Missy are not going to be written out of the show in the first episode. So don't even try and make this some sort of "cliffhanger". And the random going backwards and forwards in time is just emphasising the illogicality of time travel. And we all know that the Doctor will never be able to eliminate Davros (and the Daleks) because that would just be plain silliness.
(Having said that, I really REALLY wish we could have a Dr Who series that DIDN'T include the Daleks OR the Cybermen at some point. Get a bloody imagination, Moffatt!)
Exactly what I thought. I walked away from the TV half way through the episode and didn't come back.
Oh for the days when the story was just a story, to be wrapped up in one episode (or no more than 4!)
Posted by LeRoc (# 3216) on
:
I like stand-alone stories too (there were some good ones in last season, especially Listen), but I can understand a bit why they do these story arcs.
I have an appreciation of how difficult it is to keep series like this interesting after many seasons. My big example is Season 7 of Star Trek: The Next Generation. It isn't just that the writers ran out of stories to tell, it was also becoming harder and harder to do something new and exciting with these characters. I think this isn't just about writer quality; this is also a natural evolution that happens to these series.
That Dr Who has been able to stave that off for so long is a big achievement. Of course, the fact that the Doctor regenerates and gets new companions helps, but still. Even NuWho reaching Season 9 is pretty amazing.
I have a feeling that the story arcs are also a factor in this. If the writers had stuck with one-off episodes, it's possible that they'd have run out of them by now.
I like stand-alone episodes too, but the story arcs may have helped in Dr Who not becoming Season 7 of ST:TNG.
Posted by Oscar the Grouch (# 1916) on
:
On more reflection....
I don't have a problem with story arcs as such, as long as they don't make it impossible to see a single episode without knowing the whole back story. This is a sci-fi programme, not a bloody soap opera.
Part of my annoyance with the first episode is that the story itself is pretty light. There's actually not much there, once you strip away all the froth and flashy baubles. Instead of a story, we get silly gimmicks, like the airplanes freezing in mid air. Why are they doing that? No reason - just to show off and get attention.
I think that part of the problem is that Moffatt has forgotten that Dr Who is, above all else, a sci-fi programme. But that brings with it a requirement to have a certain degree of plausibility. You can't just do whatever you like - no matter how illogical - just so that you can show off and have a flashy moment. Great sci-fi writers have always known this. Take the likes of Asimov or Clarke - they could imagine all sorts of new worlds and strange situations, but they took care not to just create absurdities for the sake of it. There was an attempt to have a rational, sensible basis for it all. I think that the word I am looking for here is "credibility". Something I felt that a lot of recent Dr Who lacks.
As for the argument about running out of ideas - I don't really buy it. The great thing about Dr Who is that you don't have ANY limitations - the universe is your oyster. You can dream up all sorts of new worlds, creatures and situations - you just have to have the imagination.
(I will admit that I am deeply wary about any TV programme or film which relies too much on time travel to tell its story, as such stories quickly become mired in all sorts of logical impossibilities. Once again - go back to the classic sci-fi writers and see how carefully they trod in respects of time travel. But the greatest Dr Who stories have been ones where travelling through space AND time is simply a vehicle for placing the doctor in an interesting situation and seeing how he will deal with it.)
Posted by LeRoc (# 3216) on
:
quote:
Oscar the Grouch: Instead of a story, we get silly gimmicks, like the airplanes freezing in mid air. Why are they doing that? No reason - just to show off and get attention.
With this I agree. I found that there was too much happening in this episode, and some of it didn't really go anywhere.
I probably would have made the medieval scene shorter (alright you can do the guitar solo but then off you go), dropped the "where is the Doctor?" bit (I found that very ineffective) and wrung more out of the handmines scene. There are ways of making that very scary, rather standard ways perhaps, but effective nonetheless.
quote:
Oscar the Grouch: As for the argument about running out of ideas - I don't really buy it. The great thing about Dr Who is that you don't have ANY limitations - the universe is your oyster. You can dream up all sorts of new worlds, creatures and situations - you just have to have the imagination.
Of course you can. You can bring up a new world and a new monster every week. And some of these will be rather interesting. But a new world and a new monster doth not a new story make. And the human mind is a strange thing: no matter how imaginative you are, after a while they tend to become more of the same.
I think that even for a series as wide in scope as this one, it is much more difficult to come up with interesting stories after all this time than we sometimes imagine it to be. So kudos for the people behind Dr Who that they've mostly managed this so far, perhaps for even longer than might be expected.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by HCH:
I tend to agree that some of the best episodes are those that stand alone, not essentially tied into larger story arcs. Even in the old series, there were sometimes long arcs ("Trial of a Time Lord", "The Key to Time"), but there were many episodes that were just good individual tales.
I sometimes think of "Horror of Fang Rock" as an archetype of Dr. Who. The Doctor and Leela visit a lighthouse off the coast of England in the early 20th Century. Various events occur--a shipwreck, an alien invasion--and at the end, the two of them are the only survivors.
Oddly enough, Horror of Fang Rock wasn't well reviewed at the time. And the writer, Terrance Dicks, admits there are problems with it - he says in the dvd commentary that the only purpose of some of the shipwreck survivors is to get killed one by one, which from a writer's point of view isn't a great reason for a character to be there. But the story has aged remarkably well - it's one of my favourites.
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.) I very much prefer it to Moffat's favourite "everybody lives!"
I think it was the great Robert Holmes who said that "every Doctor Who story should have one great idea - but it doesn't have to be your great idea" - as he gleefully plundered the scripts of the Hammer movies.
There's a lovely simplicity to a lot of the classic stories, especially in the "gothic" period, roughly 1975-78. I think the nearest we've had recently were last year's Mummy on the Orient Express and Listen, both of which were very close to my idea of Doctor Who heaven.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Oscar the Grouch:
I think that part of the problem is that Moffatt has forgotten that Dr Who is, above all else, a sci-fi programme.
If Doctor Who is sf, it's not hard sf. There are fluffy cushions which are harder sf than Doctor Who.
Modern Doctor Who hasn't done anything as far from the Asimov style of sf as The Mind Robber. I don't think it's even done anything quite as far from Asimov as Kinda or Enlightenment.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Adeodatus:
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.) I very much prefer it to Moffat's favourite "everybody lives!"
I disagree with this (on average and with exceptions - I think Fang Rock is a classic, for example.)
That said, Moffat's reputation for everybody lives is rather exaggerated.
quote:
There's a lovely simplicity to a lot of the classic stories, especially in the "gothic" period, roughly 1975-78. I think the nearest we've had recently were last year's Mummy on the Orient Express and Listen, both of which were very close to my idea of Doctor Who heaven.
Aside from the mummy iconography, I'm not sure that either of those were similar in style to anything in the gothic period. Even the scary bits are scary in a different way.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Adeodatus:
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.)
Warriors From The Deep, perhaps? I forget if literally everybody died, but the body count was high. I seem to recall that, as the TARDIS crew leaves, the Doctor sadly mutters "there should have been another way."
Posted by orfeo (# 13878) on
:
Hmm.
I just got caught up on last week's episode. Over the previous week or so I've been watching the episodes from Series 8 that I liked/was intrigued by enough to keep for a re-watch (for the record: Deep Breath, Listen, The Caretaker, Mummy on the Orient Express, In the Forest of the Night, Dark Water/Death In Heaven).
And having just watched last season's 2-part finale, I guess this suffers a bit in comparison.
I don't like Missy better here. Although Michelle Gomez is never less than excellent, and she gets some fine one-liners, the fact that Missy isn't actually the protagonist means it's all just a bit for show.
And then things like "ending" Missy/Clara/the Tardis just don't feel believable in the first episode of the series. Okay, at least one of those things would never be believable at any point (you can't have a madman without his box), but these days it's nigh on impossible to believe that characters this important would be dispensed with so casually. Remember Rory dying? Okay, so he came back anyway, but it was a big tragic deal when it happened.
Medieval guitar didn't do a lot for me either (although snake-man did). I just guess a lot of things felt tonally a bit off. There were some very nice moments (handmines are fairly awesome, for example) but for me it didn't quite coalesce.
Posted by orfeo (# 13878) on
:
Oh yes. Favourite moment?
Tom Baker talking about the morality of killing a child. I mean, clearly that was the genesis of this story (ahem) but I'm not a big enough fan to have thought of it before it was quoted. It really hit home.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Hedgehog:
quote:
Originally posted by Adeodatus:
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.)
Warriors From The Deep, perhaps?
Pyramids of Mars. It may be the first.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Hedgehog:
quote:
Originally posted by Adeodatus:
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.)
Warriors From The Deep, perhaps?
Pyramids of Mars. It may be the first.
O yes! How could I forget Pyramids
And why did you make me remember Warriors?
Posted by Penny S (# 14768) on
:
It wasn't so much the guitar (though I did not "get" the axe joke without research). It was the tank.
How did that get there? (I know it was missing from the house near Beulah Hill with the fish, which is also missing, but that doesn't get it to 1138.)
Still haven't found any reason for that year.
Posted by orfeo (# 13878) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Hedgehog:
quote:
Originally posted by Adeodatus:
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.)
Warriors From The Deep, perhaps?
Pyramids of Mars. It may be the first.
The Doctor pretty much leaves everyone to perish in The Myth Makers, and well and truly leaves everyone to die in The Massacre (the clue's in the title).
It is much to be regretted that so much of that section of season 3 is missing, frankly.
[ 26. September 2015, 13:07: Message edited by: orfeo ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by orfeo:
The Doctor pretty much leaves everyone to perish in The Myth Makers, and well and truly leaves everyone to die in The Massacre (the clue's in the title).
There's at least one character who dies in the source material who doesn't die in The Myth Makers. And it's suggested that there are survivors even among the Hugeunot characters in The Massacre.
quote:
It is much to be regretted that so much of that section of season 3 is missing, frankly.
Agreed.
Posted by Penny S (# 14768) on
:
Well, that was satisfactory. Devious people being devious, the good guy being the good guy, though maybe for the wrong reason.
When they built our lovely mall, Bluewater, there was a wonderful grotto in the food hall, rather Victorian in concept, with dinosaur footprints crossing the pathway from cave wall to cave wall, and a green man, and poetry quotes along the passgeway. I used to say it was more in the spirit of Joseph Paxton than the architecture proposed for the Crystal Palace site, which is required by law to embody that. They have now eradicated it. But when I first went round, on the first day of opening, there were a couple of quotes which had been plastered over by the time I went round again, on the second day. (It was just down from where I lived.)
One of the doomed ones was from T S Eliot. "The last temptation is the greatest treason, to do the right deed for the wrong reason."
For Clara, many would die. But if he had not done what he did, he would not have been himself.
Posted by orfeo (# 13878) on
:
I quite liked Part 2. Well, I probably liked the very last parts of it the least... the way the whole sewers thing resolved was a bit much, as was the whole power of mercy thing...
But before that Missy got a few more good bits, and the Doctor and his real archenemy made a damn fine pairing.
I rewatched Part 1 before and liked it a bit better as well.
So on the whole, reasonably good, and a few bits of interesting set-up about Gallifrey both past and present.
Posted by balaam (# 4543) on
:
The set up seems to be for a story arc. Expect Missy to be bach before the last episode.
Please. I like Missy. Especially the pantomime elements. Gasp at the cruelty whist laughing at the same time, like when Clara was pushed down the hole.
Posted by Penny S (# 14768) on
:
One of the review sites had a quote which seemed to be from advance publicity, referring to the Doctor's greatest temptation - so maybe I was meant to think of Eliot.
Posted by balaam (# 4543) on
:
Publicity for every series talks about the Doctor's greatest ... something.
Don't read too much into it, it's only advertiseing.
Posted by Penny S (# 14768) on
:
Still think he did it for the wrong reason.
Posted by Schroedinger's cat (# 64) on
:
So if he had killed the young Davros, the events would not have happened anyway. So surely that would have been better?
As it was, it seems that he was constrained to go and save Davros, because of what had happened, which is the problem of time travel of this nature.
I think the rise of the sewers was odd. I am not sure that the old, decaying Daleks would actually have destroyed themselves - that seems somewhat odd and un-dalek-like. But it was fine.
I want to see more hand-mines.
Posted by LeRoc (# 3216) on
:
I liked it too. Some interesting twists, and everything tied neatly together.
Looking back, I'm not really sure if having Davros and Missy in the same episode was a good idea. It was interesting to see that "They've been enemies for so long, they're almost friends" worked much better between the Doctor and Devros than with Missy. It seemed a bit like she was playing second violin in this episode, and that's not really her style.
I think this is one of the few two-parters I've seen where the second part was better than the first.
quote:
orfeo: So on the whole, reasonably good, and a few bits of interesting set-up about Gallifrey both past and present.
I find the Confession Dial interesting. I'm sure we're going to see more of that.
quote:
LeRoc: £10 in the Organ Fund says that this is all Missy's doing.
Ha! (Don't worry, I'll still put £10 in the Organ Fund. Is that credit card thing working again?)
Posted by balaam (# 4543) on
:
quote:
Originally posted by Hedgehog:
I don't know if this can even be answered without giving an undue amount of spoilers, but what the heck did the title of the episode have to do with...ummmm....the episode?
The same can be asked about the title of the second episode. The magician's apprentice and the witches familiar would both seem to point to Clara.
Clara, or a version of her have twice been Daleks now and both died and survived. Upcoming episodes include 'The girl who died' and 'the woman who survived.' Is there a connection, or is it another of Moffat's clever games?
Posted by orfeo (# 13878) on
:
All of the episode titles this year are in pairs, even the ones that are being advertised as separate stories.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: Still think he did it for the wrong reason.
Sometimes people interpret stories differently. That's why I'm asking, out of curiosity: for what reason do you think he did it? (Did what?)
Posted by Robin (# 71) on
:
Did anyone else notice the Steptoe reference, or was I imagining it?
"Vampiring off your own creations just to eke out your days" (around 17:50). In the voice of Harold Steptoe / Harry H Corbett, particularly the second half of the sentence. Fits the context perfectly.
Robin
Posted by Sipech (# 16870) on
:
I'm still wondering when they will break the great taboos of time travel. Even if you restrict yourself to earth, there are some jolly interesting events they haven't dared visit; notably those of religious significance.
While it would undoubtedly ruffle feathers if the satanic verses were actually the Doctor's mischievous whisperings, I don't think any scriptwriter would have the guts to explore the origins of Islam or portray Mohammad on screen.
But would they ever go back and look at any events from the life of Jesus? It would definitely annoy a lot of people, though I wonder if the topic ever came up they'd just use the "it's time locked" excuse to get out of it.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Robin:
Did anyone else notice the Steptoe reference, or was I imagining it?
"Vampiring off your own creations just to eke out your days" (around 17:50). In the voice of Harold Steptoe / Harry H Corbett, particularly the second half of the sentence. Fits the context perfectly.
Speaking of vampire references, Missy's pointy stick comment seems to me to be a reference to Buffy the Vampire Slayer. Take, for example, this line from Season 4 of Buffy, when a rival demon hunter is commenting: "We use the latest in scientific technology and state-of-the-art weaponry, and you, if I understand correctly, poke them with a sharp stick."
And, really, they went waaaaaaaaaay out of their way to have Missy talk about having a pointy stick. It had to be intentional.
Hmmmm, now that I think about it, that Buffy character (Professor Walsh) turned out to be making a hybrid creature (technology and various demon parts), which also fits in with the hybrid Dalek/Time Lord theme. And (back to the Who titles) magicians and witches are far more of a Buffy thing.
Or am I imagining all that. "Humans. Always finding connections in things that aren't there."
Posted by Penny S (# 14768) on
:
The wrong reason was to save one person, knowing that that would lead to many deaths. He said as much.
OTOH, hearing Clara speak of mercy told him that he would be going to have done it. Not sure if that is the right tense. It had been done, therefore he had no choice but to do it.
OYAH, he could not not do it and still be him.
Pity they couldn't have had him keep child Davros away from Skaro until his brain was set on a less psychopathic path.
Posted by beatmenace (# 16955) on
:
Hedgehog said
quote:
quote:
Originally posted by Adeodatus:
The "nobody survives" idea in Fang Rock is actually very rare in Doctor Who. (I'm struggling to call to mind another example, in fact.)
Warriors From The Deep, perhaps? I forget if literally everybody died, but the body count was high. I seem to recall that, as the TARDIS crew leaves, the Doctor sadly mutters "there should have been another way."
I recall 'Warriors from the Deep' was directly followed by 'Revelation of the Daleks' which also has a massive body count.
That was about the point that Michael Grade started to take interest in the series content!
Posted by LeRoc (# 3216) on
:
quote:
Penny S: The wrong reason was to save one person, knowing that that would lead to many deaths. He said as much.
Hmm, I find this sentence difficult to parse grammatically.
quote:
Penny S: OTOH, hearing Clara speak of mercy told him that he would be going to have done it.
Yes, that's one part of it. But to me, there is more to it than that. The logic of time travel in the Dr Who universe is shaky at best. To me, the possibility when he heard Clara speak of mercy, that this reminded him that this is the right thing to do is definitely in there. (What you said in the OYAH part.)
quote:
Penny S: Not sure if that is the right tense.
Wibbly wobbly timy wimey
quote:
Penny S: Pity they couldn't have had him keep child Davros away from Skaro until his brain was set on a less psychopathic path.
Then history would have been changed in a rather big way.
Posted by Penny S (# 14768) on
:
It's been done in Star Trek. And then they could explore the tyrannicide question of whether another of Davros' persuasion would have filled the void.
[ 28. September 2015, 18:41: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
quote:
Penny S: It's been done in Star Trek.
Out of curiosity: in which film/episode? (I'm not being adversarial here; I'm not saying that Dr Who shouldn't rewrite its history. In fact, I think it has already done so a couple of times)
quote:
Penny S: And then they could explore the tyrannicide question of whether another of Davros' persuasion would have filled the void.
Hmm, that would make for an interesting episode! I wouldn't do this with Davros, he is too much connected to the history of the show. But with another tyrant ...?
Posted by Jack o' the Green (# 11091) on
:
Perhaps Omega? Maybe even Rassilon (although that might be stretching it a bit).
Posted by Jay-Emm (# 11411) on
:
Not too sure I liked the implication of the ending. While the mechanism was clearly foreshadowed, and he's definitely done something similar before. It seems to make the bit before seem a bit actory and not doctory.
Which made the 'oh, I knew it all along' grate a little.
[apologies for the non-clarity from spoiler avoidance]
[ 28. September 2015, 21:59: Message edited by: Jay-Emm ]
Posted by Jay-Emm (# 11411) on
:
Oh, also did anyone think there could have been another option for the 'prophecy of the 2 deadly races' coming true as the doors shut (not that that merger hasn't been made multiple times with multiple effects).
Posted by Penny S (# 14768) on
:
Star Trek has done it in the new run of films - totally deleted everything involving Vulcans from the beginning with the demolition of Vulcan. (I haven't seen the Cumberbatch one yet, no spoilers, please.)
Posted by beatmenace (# 16955) on
:
I must say I was quite disappointed that Davros survived and consider this one to have been a missed opportunity, as the journey was so much fun.
In finally doing something interesting with Davros (who is normally a bit of a pantomime dictator) in giving him a degree of refelection and even (nearly) regret, I was thinking Moffatt was going to give us something meaty and write Davros out of the series memorably.
Its a characteristic of Moffatt that virtually no one ever actually dies in Who apart from Danny Pink (and from the viewers point of view that could be seen as a mercy killing).
The Doctor has been faced with an unchangeable time and date of death in nearly every Moffat series so far (Shot by River Song ; Killed by Daleks on Trenzelore and now delivering the Confession Dial to Missy in anticipation of his own demise.), as well as magical resurrections from Rory, River Song (sort of) and Strax, and Osgood soon apparently (I don't count Missy as she was always going to reappear).
It inevitable that we have stopped taking the deaths of returning characters too seriously!
Sadly Moffat must consider Davros too essential to lose, but I wish he had been sacrificed, as that would have set a bit of an 'all bets are off' vibe which Moffatt likes to try and generate and usually backtracks on. Even Gallifrey escaped in the end.
Posted by LeRoc (# 3216) on
:
quote:
Jay-Emm: Which made the 'oh, I knew it all along' grate a little.
I definitely agree with this. They could have solved this differently.
quote:
Penny S: Star Trek has done it in the new run of films
Ah yes of course. I've only seen the first film, and I've mostly forgotten about it. I don't think I would like it if Dr Who would do a reboot of this kind.
Another question: did the Doctor pull a man from his wheelchair and leave him on the ground? Is this disturbing?
Posted by Jack o' the Green (# 11091) on
:
quote:
Originally posted by beatmenace:
Sadly Moffat must consider Davros too essential to lose, but I wish he had been sacrificed, as that would have set a bit of an 'all bets are off' vibe which Moffatt likes to try and generate and usually backtracks on. Even Gallifrey escaped in the end.
The same could be said for characters in Buffy and Angel at one time before 'Fred' had her soul utterly destroyed in season 5 of Angel when she was 'infected' with the demon Illyria. I think the scene of her death was very disturbing because of its finality - both in and of itself, and because of the ''all bets are off' vibe' which you mention. Apparently, had it not been the final season before the show was axed, Fred and Illyria would have been separated before Fred died.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by LeRoc:
Another question: did the Doctor pull a man from his wheelchair and leave him on the ground? Is this disturbing?
Strictly, it wasn't a wheelchair but a mobile command console. However, it was also a life support system to which Davros was physically attached (he was left on the ground with wires/pipes trailing from his torso, much like the Borg Queen). Yes, it was a bit unpleasant, but it contrasted with the Doctor's inability to decide whether or not to kill the boy Davros.
I did like the comment that Davros had scoured Skaro for the only chair on the planet - after all, no one there needed to sit down!
Posted by Athrawes (# 9594) on
:
I also think we are forgetting that the Doctor lies. He may have worked out what Davros was going to do, or he may have lied about it. And he didn't say *when* he had worked it out. I still see the Doctor with dying Davros being genuine rather than acting.
Posted by Adeodatus (# 4992) on
:
I thought Part 2 of the story was a big improvement on Part 1. Some good old fashioned stuff for the older fans, bu which would have looked new to the younger - I'm thinking of the Clara in the Dalek scenes. There might be complaints about the story's consistency with "established" Dalek history, but then, when has Dalek history ever been consistent?
What's a bit worrying is that, even allowing for the fact that the show was scheduled against the rugby world cup, the ratings are significantly down on last year. What is it that people don't like?
Posted by Penny S (# 14768) on
:
quote:
Originally posted by Athrawes:
I also think we are forgetting that the Doctor lies. He may have worked out what Davros was going to do, or he may have lied about it. And he didn't say *when* he had worked it out. I still see the Doctor with dying Davros being genuine rather than acting.
I think Missy led up to the "when he thought it out" matter when she said how quickly the Doctor could work things out.
And leaving Davros on the ground was a bit questionable.
And relying on someone to come and get him out of the energy extracting apparatus? That didn't look like thinking it out.
Posted by Gill H (# 68) on
:
As we were watching on Saturday, Hugal pointed out that we now have a Scottish version of the Master, and a Scottish Doctor. The previous incarnations of the Master have been English (apart from the film, and he was stealing bodies then rather than regenerating).
So the only non-English Doctors had non-English Masters!
Posted by Oscar the Grouch (# 1916) on
:
quote:
Originally posted by Adeodatus:
I thought Part 2 of the story was a big improvement on Part 1. Some good old fashioned stuff for the older fans, bu which would have looked new to the younger - I'm thinking of the Clara in the Dalek scenes. There might be complaints about the story's consistency with "established" Dalek history, but then, when has Dalek history ever been consistent?
What's a bit worrying is that, even allowing for the fact that the show was scheduled against the rugby world cup, the ratings are significantly down on last year. What is it that people don't like?
Still not terribly impressed. To be honest, I thought that the storyline was a complete shambles, with far too many creations of deus ex machinas.
All in all, I think it was a Dr Who for the aficionados and obsessives. If you're not "in the know", you'd probably get lost very quickly and give up watching.
Give me a rattling good story, a few freaky aliens, a healthy dollop of imagination tinged with scariness and some giggles. Just stop farting around.....
Posted by Rosa Winkel (# 11424) on
:
I enjoyed both episodes.
At the same time, it was silly of Davros not to think of the effect that regeneration energies would have on the sewer daleks.
Missy had me laughing a few times.
I swear I have heard a dalek say "mercy" before though. In "The last dalek in the universe" it says "pity!", at least.
Posted by LeRoc (# 3216) on
:
quote:
Athrawes: I also think we are forgetting that the Doctor lies. He may have worked out what Davros was going to do, or he may have lied about it. And he didn't say *when* he had worked it out. I still see the Doctor with dying Davros being genuine rather than acting.
Hmm, an interesting take on it. I don't think that this is what Moffat intended, usually there are visual clues when the Doctor lies. But hey, we don't have to follow Moffat.
Posted by Pine Marten (# 11068) on
:
Latest news about a BBC spin-off called Class, here ...
Posted by Hedgehog (# 14125) on
:
So what do you think? Set at Coal Hill School. Is it a spin-off based on Clara to take the place of The Sarah Jane Adventures? I know Jenna Coleman is supposed to be playing Young Queen Vic, but perhaps this would be filmed after that?
Posted by Pine Marten (# 11068) on
:
Hmmm, this does sound like Sunnydale and Oz's comment on surviving school:
"... to remember that the horrors of the darkest corners of existence are just about on par with having to pass your A-Levels."
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Oscar the Grouch:
Give me a rattling good story, a few freaky aliens, a healthy dollop of imagination tinged with scariness and some giggles. Just stop farting around.....
Having watched the preview clips on the BBC website, it looks like tonight you'll be granted at east some of your wishes. One of the brief clips, that doesn't give away any more spoilers than were in last week's "next time", is very creepy. And writer Toby Whithouse has a good track record.
Posted by LeRoc (# 3216) on
:
quote:
Adeodatus: Having watched the preview clips on the BBC website, it looks like tonight you'll be granted at east some of your wishes.
I thought the same thing. Looking forward to it.
Posted by Stumbling Pilgrim (# 7637) on
:
quote:
Originally posted by Adeodatus:
What's a bit worrying is that, even allowing for the fact that the show was scheduled against the rugby world cup, the ratings are significantly down on last year. What is it that people don't like?
I wonder if part of it is to do with timing? The Saturday teatime slot catches families who can settle down together and all find something to enjoy (and how many programmes can you say that about?). The recent move to various times around 7.30 - 8.30 means people have either gone out, the kids are in bed, or people have other reasons for not being in front of the tv. I can't speak for anyone else, but the later time just feels 'wrong' somehow for me, in a way I can't quite put my finger on. It sends out a message that it's for a different audience, that doesn't include children to the same extent. I don't know anything about the repeat and catch-up figures though, so they may well show that I'm talking utter nonsense.
I have to say though that I feel as though the content has been moving in that direction too, with deeper themes being dealt with that need thinking about rather than just an action-adventure show with funny bits, sad bits and scary bits. (I mean, the themes have always been there, but they rather than the actual plot seem to be the focus now.) Maybe that's a bit alienating (argh, no pun intended) for some.
I dunno, I'm probably talking rubbish, just trying to articulate how I feel. Still enjoying it, and Twelve (thirteen? thirteen and a half?) is wonderfully bonkers, just like the Doctor should be!
Posted by Penny S (# 14768) on
:
I do find that the timing seems a bit odd - but it's due to that tedious dance programme getting all the ratings. Last Sunday, for no apparent reason, both the first two episodes were broadcast in the afternoon instead of car racing, so maybe they are trying to get the usual audience back again. But it's 8.25 tonight.
Wasn't mucking about with transmission times one of the methods they used to get rid of OldWho?
I've been catching up on very old stuff. The Deadly Assassin and Snakedance. Also, accidentally, last Christmas' special, which I suspect will be confusing when I watch today's. Isolated group, strange entities.
Still, there are only so many plots in the universe, aren't there?
[ 03. October 2015, 19:59: Message edited by: Penny S ]
Posted by The Rogue (# 2275) on
:
A classic scary one today with youngest Rogueling hiding behind her ipad. Loved it.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Adeodatus:
What's a bit worrying is that, even allowing for the fact that the show was scheduled against the rugby world cup, the ratings are significantly down on last year. What is it that people don't like?
I don't know about anyone else, but I just got bored with it, I guess. I didn't watch the first two episodes of this new series and haven't felt any sense of loss or regret or any burning need to catch up. Maybe it's been running for too long, maybe it just lost its way, or over-extended itself with too many special effects, celebs and mega-plot-twists, but for me it's just ho-hum, here we go again stuff.
I caught the last 10-15 minutes of tonight's episode and sorry folks, but I wasn't engaged by what I saw and haven't any real interest in watching next week.
Posted by LeRoc (# 3216) on
:
Nice one! No idea how it will end. Looking forward to them going to the past. I think this metal / magnetic thing is going to be significant.
Posted by Ann (# 94) on
:
Wasn't the young scientist kept out of the alien ship (twice)? Does that mean he's the only one not to have seen the four symbols? And will that be significant?
Posted by M. (# 3291) on
:
I loved it and am looking forward to next week. Which I'm pleased about, because I didn't like the first pair of episodes at all (I loved the set up and the references back to Genesis of the Daleks but thought the rest of the story was a bit lame.)
But I love a good base under siege story with a bit of a twist!
Does anyone else think Missy is great but entirely unlike the Master?
M.
Posted by Stumbling Pilgrim (# 7637) on
:
quote:
Originally posted by Penny S:
Last Sunday, for no apparent reason, both the first two episodes were broadcast in the afternoon instead of car racing, so maybe they are trying to get the usual audience back again.
Yes, I thought that was odd, wonder if it will happen again next week?
Wasn't mucking about with transmission times one of the methods they used to get rid of OldWho?
That occurred to me as soon as I'd posted!
Posted by LeRoc (# 3216) on
:
quote:
Ann: Wasn't the young scientist kept out of the alien ship (twice)? Does that mean he's the only one not to have seen the four symbols?
Hmm ...
Posted by LeRoc (# 3216) on
:
The actress who plays Cass really is deaf. As in: wow.
Posted by Schroedinger's cat (# 64) on
:
quote:
Originally posted by LeRoc:
The actress who plays Cass really is deaf. As in: wow.
That is awesome. Serious cred to her.
Posted by Sipech (# 16870) on
:
I thought it was a fantastic episode. Up there with the "Are you my mummy" episode and the introduction of the Weeping Angels.
Posted by Palimpsest (# 16772) on
:
Speaking of Star Trek has Dr Who ever done an alternate universe version where the Doctor traipse around messing things up and someone like the Master is busy trying to fix the damage? Could make an interesting place to visit.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Palimpsest:
Speaking of Star Trek has Dr Who ever done an alternate universe version where the Doctor traipse around messing things up and someone like the Master is busy trying to fix the damage?
The problem with that is that there's not that much more to the Master as a character than the Doctor's slightly camp evil version. So there's be no real difference from the standard universe. I suppose it might be fun to have an alternate universe in which Capaldi was playing the Master and Gomez the Doctor.
Posted by LeRoc (# 3216) on
:
quote:
Palimpsest: Speaking of Star Trek has Dr Who ever done an alternate universe version where the Doctor traipse around messing things up and someone like the Master is busy trying to fix the damage?
From the Master's point of view, this is what happening in our universe
Alternate universes have been done by Dr Who, mostly as an explanation of where this week's baddies come from. The interaction of our universe with the one in Season 2 of NuWho (where Rose's father still lived) was a bit more complex.
I don't think that Dr Who has ever done a Trek style mirror universe, where the Doctor is suddenly evil as evidenced by him having a goatee. Perhaps I'm glad they didn't.
[ 06. October 2015, 12:50: Message edited by: LeRoc ]
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by LeRoc:
I don't think that Dr Who has ever done a Trek style mirror universe, where the Doctor is suddenly evil as evidenced by him having a goatee. Perhaps I'm glad they didn't.
Not as such, although Inferno came close with an evil version of the Brigadier (wearing an eye patch in lieu of a goatee). They did not show an alternate version of the Doctor in that adventure, although later fan fiction suggested that that alternate world's Leader (seen only as an image on a poster) was the Doctor--and our Doctor realized it because the face was one of the faces that the Time Lords had offered him at the end of The War Games. So, in that universe, the Doctor was still banished to Earth by the Time Lords, but he then decided to take control of the planet.
Posted by The Machine Elf (# 1622) on
:
quote:
Originally posted by Penny S:
And relying on someone to come and get him out of the energy extracting apparatus? That didn't look like thinking it out.
Unless he thought it out earlier than that and had decided that having his enemy borrow his regeneration 'magic' to turn out of control and destroy him - like 'the sorcerer's apprentice', but with bits of Dalek rather than bits of broom. So the plan was for the Daleks to kill Davros, and so the Doctor went with expectation of death without regeneration, and would have done had it not been for Missy.
Since I fell for the interviews Karen Gillan gave when Amy Pond was shot by plastic Rory, I don't believe anything about people saying they are leaving until they do.
Posted by orfeo (# 13878) on
:
I just watched "Under the Lake".
I dunno, I was put off by the early behaviour of the Doctor and (especially) Clara. Rather too glib. And some of the jokes were really jarring, as in it just felt like someone was standing there with the stopwatch and saying "insert joke here, don't worry about whether it impedes the flow of the story".
On the other hand, what an awesome ending.
Posted by orfeo (# 13878) on
:
quote:
Originally posted by LeRoc:
quote:
Ann: Wasn't the young scientist kept out of the alien ship (twice)? Does that mean he's the only one not to have seen the four symbols?
Hmm ...
Hmm. Is he the one the ghosts left alone?
I think he is. Although one of my criticisms of the episode is that the characterisation was sufficiently bland that I'm not certain of that.
No vision, no transmission.
Posted by Snags (# 15351) on
:
quote:
Originally posted by orfeo:
quote:
Originally posted by LeRoc:
quote:
Ann: Wasn't the young scientist kept out of the alien ship (twice)? Does that mean he's the only one not to have seen the four symbols?
Hmm ...
Hmm. Is he the one the ghosts left alone?
I think he is. Although one of my criticisms of the episode is that the characterisation was sufficiently bland that I'm not certain of that.
No vision, no transmission.
Yes, they made a big (huge, enormous, I thought fairly unmissable) thing about keeping that particular character out of the ship, and also of doing a funky reflected-glow-symbols-on-eyeball thing every time someone looked up at them.
I was/am assuming it was/is going to be some kind of visual NLP type thing rather than a physical transmission like the inky black eyes from The X Files all those years ago.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by orfeo:
...Although one of my criticisms of the episode is that the characterisation was sufficiently bland that I'm not certain of that... [/QB]
That's not quite fair. There was the clever deaf one, the giggly girly one, the good-looking translatey one and the tall geek. Oh, and the dead ones.
That's more characterisation in 45 minutes than in 3 or 4 Hollywood blockbusters put together.
Posted by LeRoc (# 3216) on
:
If I got it right, giggly girl and tall geek are with the Doctor in the past, while clever deaf woman and her translator are still with Clara under water.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by LeRoc:
If I got it right, giggly girl and tall geek are with the Doctor in the past, while clever deaf woman and her translator are still with Clara under water.
Correct!
Posted by Ann (# 94) on
:
So the Doctor has a potential ace in the hole with tall geek who hadn't seen the message characters and has been dismissed once already by the ghosts.
Posted by Ann (# 94) on
:
Wrong way round - it was translator guy back on base who hadn't seen the words.
Posted by LeRoc (# 3216) on
:
quote:
Ann: Wrong way round - it was translator guy back on base who hadn't seen the words.
Yes, I was a bit confused about this also.
Can't say I'm entirely happy with the conclusion. It feels a bit like a cop-out.
Posted by Adeodatus (# 4992) on
:
I really enjoyed this story. Toby Whithouse is a very good writer - his stories are starting to have an identifiably different "feel" to them than much of Moffat's material. I thought the design of the alien was brilliant, but the bit that had me almost jumping off the sofa was (avoiding too much of a spoiler) the ghost dragging the axe along the floor ...
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by LeRoc:
quote:
Ann: Wrong way round - it was translator guy back on base who hadn't seen the words.
Yes, I was a bit confused about this also.
Can't say I'm entirely happy with the conclusion. It feels a bit like a cop-out.
It doesn't help that that's exactly the wrong way to submerge a village in normal conditions (although to be fair the village is a bit unnatural anyway). So the fact that the rest was pretty much forshadowed ...
And it pretty much proved the criticism of the Dr was pretty much exactly right.
But did enjoy much of it, and the axe bit (especially once I got it was good)
[ 11. October 2015, 07:37: Message edited by: Jay-Emm ]
Posted by M. (# 3291) on
:
I really liked - much much better than the first story.
M.
Posted by Schroedinger's cat (# 64) on
:
I think it was very good. Very scary.
I suppose the one thing that I always struggle with in these types of story is that a ghost only appears when we know someone has died. But (without giving too much away), one character died in the past - meaning that they were already dead at the start, and so should have been a ghost.
The alternative is that the future was changed by the activity in the past. Which would seem to contravene the Doctors principles (why could he not change it back?)
I realise it is a dramatic trick, but it is mistaken. and bugs me, especially given the emphasis put on not changing things. And the Beethoven paradox.
Posted by LeRoc (# 3216) on
:
quote:
Schroedinger's cat: I suppose the one thing that I always struggle with in these types of story is that a ghost only appears when we know someone has died. But (without giving too much away), one character died in the past - meaning that they were already dead at the start, and so should have been a ghost.
I see what you mean. Yes, that seems to be a logical flaw.
quote:
orfeo: I just watched "Under the Lake".
I dunno, I was put off by the early behaviour of the Doctor and (especially) Clara. Rather too glib.
I'm a bit late to this, but I see what you mean here too.
Posted by orfeo (# 13878) on
:
I rewatched some bits of Part 1 again, and liked it a bit more because it made more sense when you knew what to look out for.
Then I just watched Part 2.
I did kind of like it, and most of all it did the scares well. But I could have really done without the Beethoven exposition business - that first scene absolutely looked like something shoehorned in later on because things were running a bit short? I mean, why is the Doctor alone for the whole scene?
Also, pointless romance with no backgrounding.
Posted by LeRoc (# 3216) on
:
quote:
orfeo: I did kind of like it, and most of all it did the scares well.
Especially the part with the axe was brilliant.
quote:
orfeo: But I could have really done without the Beethoven exposition business
Me too. My gripe with it wasn't even that the Doctor broke the fourth wall. I can live with that. But Dr Who has done the bootstrap paradox so many times already, and now they feel the need to explain it?
quote:
orfeo: Also, pointless romance with no backgrounding.
It didn't do much for me either. No chemistry between the characters at all, and suddenly they're supposed to be head over heels in love with each other?
Also, when Clara says she understand what Bennett is going through, are we supposed to be reminded of Danny Pink? I'm never sure; at times it seems that Moffat wants us to forget about him.
(There are more instances in this series where I have the feeling that he wants us to forget about things in the franchise's past. For example, Clara in a Dalek. She's been a Dalek before. Well, not exactly her, but still. And a clip of Michelle Gomez wondering who would win in a fight between the Daleks and the Cybermen. Er ... we've had such a fight.)
Posted by Siegfried (# 29) on
:
Actually, I think the Doctor was talking to Clara at the start, as he is talking to her at the end when he brings up Beethoven again. That only makes sense if he'd told her about it already. The fourth wall breaking was a trick in camera positioning to avoid showing us Clara.
Posted by LeRoc (# 3216) on
:
quote:
Siegfried: Actually, I think the Doctor was talking to Clara at the start, as he is talking to her at the end when he brings up Beethoven again. That only makes sense if he'd told her about it already. The fourth wall breaking was a trick in camera positioning to avoid showing us Clara.
Yeah, that's good enough for me.
Posted by Dafyd (# 5549) on
:
For me the story is pretty much summed up by the axe on the floor scene. The only reason that the axe is on the floor is that it then makes a sound for Cass to be unable to hear.
In short, while the scene is genuinely suspenseful, not only is it a scene where a disabled character is in peril because of their disability, but it's utterly contrived in the way it sets up the peril.
And then again we have a likeable female character whose only dramatic role is to get killed in order to provoke some perfunctory Davies-style questioning of the Doctor's willingness to put other people in danger to show how angsty we are.
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: For me the story is pretty much summed up by the axe on the floor scene. The only reason that the axe is on the floor is that it then makes a sound for Cass to be unable to hear.
In short, while the scene is genuinely suspenseful, not only is it a scene where a disabled character is in peril because of their disability, but it's utterly contrived in the way it sets up the peril.
And then again we have a likeable female character whose only dramatic role is to get killed in order to provoke some perfunctory Davies-style questioning of the Doctor's willingness to put other people in danger to show how angsty we are.
It's funny how people appreciate an episode differently. Neither of these two is a problem for me.
Posted by Penny S (# 14768) on
:
I would have wished he would apply what he feels for Clara to others. I was not happy that the woman died - she did put herself in harm's way but I wanted him to stop that when he went back again.
And if he needs autistic cue-cards this time round, which he has not needed before, maybe he could read them and practice in the Tardis beforehand.
And the guy who lost his colleague would have no reason to know that Clara has lost someone important. All he has seen is her with the Dr. No help at all, she's as useless as the Doctor in the circumstances.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: I would have wished he would apply what he feels for Clara to others.
What I like about the episode is that at least this is called out. Bennett slaps the Doctor around the ear that he didn't save O'Donnell but goes out of his way to save Clara.
The Doctor's alienness, the fact that he sees the big picture but sometimes fails to see individual people because of this, has been a subject for the show for a while now. I find it interesting how the series tries to explore this.
quote:
Penny S: I would have wished he would apply what he feels for Clara to others.
I wanted him to save O'Donnell too. I guess we saw in Father's Day what would have happened then.
quote:
Penny S: And the guy who lost his colleague would have no reason to know that Clara has lost someone important. All he has seen is her with the Dr. No help at all, she's as useless as the Doctor in the circumstances.
Have the Doctor and Clara been useless so far in Bennett's eyes? I'd have to watch Under the Lake again, but I think they have done some useful things already. They lured the ghosts into the Faraday cage, they found out what it's about with the message, the Doctor went into the past to try resolve things ... That sounds pretty useful to me.
Posted by Penny S (# 14768) on
:
Useless solely in the situation of trying to show sympathy. He could not see that she had suffered the loss.
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by Dafyd:
For me the story is pretty much summed up by the axe on the floor scene. The only reason that the axe is on the floor is that it then makes a sound for Cass to be unable to hear.
To be fair, they were often feeble, which both justified that scene (against the axe not on floor variant, not the staying in place), and enabled other escapes earlier.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: Useless solely in the situation of trying to show sympathy. He could not see that she had suffered the loss.
Sometimes I have problems parsing your sentences I can see that 'he' is the Doctor here, but who is 'she'?
quote:
Originally posted by Jay-Emm:
quote:
Originally posted by Dafyd:
For me the story is pretty much summed up by the axe on the floor scene. The only reason that the axe is on the floor is that it then makes a sound for Cass to be unable to hear.
To be fair, they were often feeble, which both justified that scene (against the axe not on floor variant, not the staying in place), and enabled other escapes earlier.
For me, this scene — apart from being really scary — was about reaffirming how badass Cass is. She couldn't hear the axe, but she had a way of visualising it and thereby she saved herself. To me, the scene worked rather well in this sense. I'd be curious to know what deaf people think of it.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
For me, this scene apart from being really scary was about reaffirming how badass Cass is. She couldn't hear the axe, but she had a way of visualising it and thereby she saved herself.
She did have another way of visualising it than using her super reading vibrations through her fingers power. She could have turned around to see if anything was behind her.
Posted by Penny S (# 14768) on
:
Sorry. I meant that Bennett had no way to know that Clara knew about loss.
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: She did have another way of visualising it than using her super reading vibrations through her fingers power. She could have turned around to see if anything was behind her.
But that wouldn't have been cool
I can come up with kind of an explanation. It goes like this:
She wasn't aware there was someone behind her. She just had a sense of danger; maybe she already felt the axe's vibrations a bit through her shoes. But at that point, the danger could still be anywhere, not necessarily behind her. So she took the logical step: finding out where the vibrations came from with the sense that works best for her.
But to be honest, I think that few television programmes or films stand up to the tests of logic you want to submit them too. Including old Dr Who.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: Sorry. I meant that Bennett had no way to know that Clara knew about loss.
I'm sorry, I'm still having trouble following your argument. Which is a shame, because I do think it's interesting.
Posted by Penny S (# 14768) on
:
Sorry again. Nobody in the research group knew anything about the Doctor's and Clara's pasts. So they wouldn't know about Danny and his pointless death and how that shattered Clara. They had seen the relationship between the Doctor and Clara which could have suggested that it was her important relationship, and so that she wouldn't have really understood loss, since the Doctor was still there. Bennett would have been perfectly justified in thinking, as people often do when someone tries to offer comfort, that they cannot possibly know what is felt. "I know how you are feeling" is the wrong thing to say.
And thinking about this, though it isn't part of the argument, the Doctor knows about loss, even though it isn't due to death, many many times. In his other avatars he has been perfectly capable of recognising people's feelings.
[ 11. October 2015, 21:15: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
quote:
Penny S: Sorry again. Nobody in the research group knew anything about the Doctor's and Clara's pasts. So they wouldn't know about Danny and his pointless death and how that shattered Clara. They had seen the relationship between the Doctor and Clara which could have suggested that it was her important relationship, and so that she wouldn't have really understood loss, since the Doctor was still there. Bennett would have been perfectly justified in thinking, as people often do when someone tries to offer comfort, that they cannot possibly know what is felt. "I know how you are feeling" is the wrong thing to say.
Okay yes, I understand it now.
What I'm still unsure about: are we supposed to think about Danny in that scene? Sometimes it seems to me that Moffat wants us to forget he ever existed.
quote:
Penny S: And thinking about this, though it isn't part of the argument, the Doctor knows about loss, even though it isn't due to death, many many times. In his other avatars he has been perfectly capable of recognising people's feelings.
I agree. Susan Foreman.
I have the feeling that one of the themes for season 9 is "Clara is becoming just like the Doctor". The Doctor doesn't always care for the feelings of individual people, and normally the companion has been there to remind him of this. In this case however, Clara is becoming just like him.
This is rather obvious in some moments, especially in the scene when Clara sent Lunn into danger. I also felt it in the story before this one. So I think that it is a theme for this series.
The other, rather obvious, theme is: Clara needs to deal with death. Either of herself, or of someone she loves. There were already some rather explicit conversations about this in this episode, and I have an inexplicable hunch there will be more of this in the next one, The Girl Who Died.
I have the feeling that these two themes will come together at the end of the series. This also makes sense, given that Jenna Coleman will leave.
So we have the two big themes "Clara is in danger of becoming as insensitive to an individual's feeling as the doctor is" and "Clara needs to deal with death". To me the big elephant in the room is: is Danny Pink going to figure in this?
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
What I'm still unsure about: are we supposed to think about Danny in that scene? Sometimes it seems to me that Moffat wants us to forget he ever existed.
Since Death in Heaven we've had the Christmas special (in which he sort of appears) and one story in which there's no specific allusion to him. That's not enough of a pattern to judge that the lead writer wants us to forget he ever existed.
Obviously it's an allusion to Danny. Who else would it be to? (I suppose possibly Clara's mother, but that's even more of a stretch.)
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
But to be honest, I think that few television programmes or films stand up to the tests of logic you want to submit them too. Including old Dr Who.
I'm not quibbling with the lack of logic as such. It's that I can see too easily what the writer is up to and I think it's cheap.
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: Obviously it's an allusion to Danny. Who else would it be to?
Hmm, I hope so.
quote:
Dafyd: I'm not quibbling with the lack of logic as such. It's that I can see too easily what the writer is up to and I think it's cheap.
Like I said, it's funny to see how people are focussing on different things. I have some issues with the writing in this episode (mainly what the Doctor's ghost turned out to be, and the sudden need to be all explainy about the bootstrap paradox), but the axe scene isn't one of them.
I can see what the writers wanted to do in this scene. And it worked for me.
Posted by Pine Marten (# 11068) on
:
Interesting thread. I'm going to have to watch these last 2 eps again to fully benefit from insights here, but....is it cos I'm getting old and deaf, or can nobody else hear a bloody word Clara is saying these days???
Posted by LeRoc (# 3216) on
:
quote:
Pine Marten: is it cos I'm getting old and deaf, or can nobody else hear a bloody word Clara is saying these days???
I have to concentrate a bit to understand a number of Dr Who actors, including Peter Capaldi. This probably is because I'm not British?
Posted by Pine Marten (# 11068) on
:
Well, I'm British and sometimes find it very hard to follow - but I find increasingly these days actors either gabble or do not speak clearly enough. I had some ado to follow Matt Smith at times.
it is one of several pleasures ( ) to listen to actors like Tom Hiddleston, who speak uncommonly well (as a reviewer once said of Ralph Fiennes).
Posted by Rosa Winkel (# 11424) on
:
Given that some were wanting the present Doctor to share their same sex, it would be good to see a companion having a disability. It would be an interesting challenge for a lot of people if a companion relied upon sign language.
Posted by HCH (# 14313) on
:
I often find that the doctor--any doctor--speaks too rapidly for me to follow easily.
Posted by LeRoc (# 3216) on
:
quote:
HCH: I often find that the doctor--any doctor--speaks too rapidly for me to follow easily.
I'm glad I'm not the only one
Posted by LeRoc (# 3216) on
:
LOL, this is the world map of the year 2119 that was shown in the control room of the Drum. The most important features:- Global warming has taken the west of the US, some chunks of Africa, the south of India and a part of Brazil (including my house ). Inexplicably, Europe is mostly intact. Even the Netherlands are completely above water.
- The geo-political situation is exactly as in 2015. The only thing I can see is that South Sudan has united with Sudan again. The Vector Petroleum marker wisely masks whether Scotland is still part of the UK or not
[ETA: Ah! I just saw! The Red Sea has been poldered.]
[ 13. October 2015, 17:25: Message edited by: LeRoc ]
Posted by balaam (# 4543) on
:
quote:
Originally posted by HCH:
I often find that the doctor--any doctor--speaks too rapidly for me to follow easily.
A lot of that is deliberate to hide the nonsense that is the pseudo-science that can make up the dialogue. It was a lot easier when all they had to do was reverse the polarity of the neutron flow.
Posted by Penny S (# 14768) on
:
no, No, NO! That is so wrong, Wrong, WRONG!
The Vikings did NOT have COW HORNS on their helmets! Nor did they have whopping great feathered wings on their helmets either!
And that some of them are aliens pretending to be the Aesir is utterly irrelevant. Some of the ones who are supposed to be real world Vikings are tarted up like the crew members at the foot of the gangplank trying to inveigle cruise passengers into having their photos taken with the archaeological travesty of plasticly horned helmets anywhere remotely vikingy. Like Norway. Or Iceland. I've had it twice this year.
I have just seen the trailer.
Perhaps someone should have explained to them what happens when a helmet with protrusions receives a blow from an heavy sword or an axe. (I'm sure I've seen one of those armoury wonks describing this on a programme.) Or they could have used some re-enactors. They get it right.
I hope the makers of "The Last Kingdom" don't do it. (Perhaps they had all the proper helmets and Dr Who had to make do with the leftovers.)
[ 13. October 2015, 18:39: Message edited by: Penny S ]
Posted by Eigon (# 4917) on
:
Yep - it's enough to make a Viking re-enactor weep into their mead.
Posted by Penny S (# 14768) on
:
To be fair, I didn't see any plastic horns - they looked like real cow horn to me, though where they would get those from these days, I wouldn't know. I haven't seen a horned cow since I was a child.
Where do the re-enactors get their mead horns from to weep into?
Posted by Athrawes (# 9594) on
:
I wonder if the horned helmets are a reference to the First Doctor's comment to One of the companions on first travelling through time - they see a Viking helmet, and he says, ". And what is that, then? A space helmet for a cow?!"
Posted by Pine Marten (# 11068) on
:
quote:
Originally posted by Penny S:
no, No, NO! That is so wrong, Wrong, WRONG!
The Vikings did NOT have COW HORNS on their helmets! Nor did they have whopping great feathered wings on their helmets either!
You got there before I did, Penny S. I had no mead to weep into, but I did a fair bit of shouting at the screen.
Let us be charitable and hope that one of the characters corrects this in passing...Actually, I doubt it
[ 14. October 2015, 09:55: Message edited by: Pine Marten ]
Posted by balaam (# 4543) on
:
quote:
Originally posted by Penny S:
no, No, NO! That is so wrong, Wrong, WRONG!
The Vikings did NOT have COW HORNS on their helmets! Nor did they have whopping great feathered wings on their helmets either!
But they id have spiked helmets.
Yes, really.
Posted by LeRoc (# 3216) on
:
Hmm. Cow horns on helmets. Cool.
Posted by Charles Read (# 3963) on
:
Did people spot that the amp was supplied / made by Magpie electronics?
And two episodes now where the Dr plays the theme music ion his guitar - this time merging into the credits.
Posted by LeRoc (# 3216) on
:
quote:
Charles Read: Did people spot that the amp was supplied / made by Magpie electronics?
I did!
Posted by Penny S (# 14768) on
:
quote:
Originally posted by balaam:
quote:
Originally posted by Penny S:
no, No, NO! That is so wrong, Wrong, WRONG!
The Vikings did NOT have COW HORNS on their helmets! Nor did they have whopping great feathered wings on their helmets either!
But they id have spiked helmets.
Yes, really.
I am wondering if those rather small spikes were connected to the chinstrap issue, or some sort of cover, as in the pickelhaube, where covers were used to reduce reflection. (Amazing how quickly one can pick up recondite trivia nowadays, isn't it?) Obviously not for fixing plumes to, though. Would they have been useful during the construction process?
Is there any evidence for boiled leather, as that article points out that metal was too expensive for most people?
For a pacifist I am far too interested in this sort of stuff.
Posted by Wet Kipper (# 1654) on
:
quote:
Originally posted by LeRoc:
- Global warming has taken the west of the US,
maybe it was an earthquake/shift on the San Andreas, which we keep getting told is "long overdue"
[ 16. October 2015, 12:41: Message edited by: Wet Kipper ]
Posted by LeRoc (# 3216) on
:
Ooo ... kay?
Posted by Athrawes (# 9594) on
:
quote:
Originally posted by LeRoc:
Ooo ... kay?
I hope that is Ok as in intriguing, not Ok as in what was that about...
Posted by LeRoc (# 3216) on
:
I guess a bit of both
Posted by Athrawes (# 9594) on
:
Yes, I've just watched it. It will be interesting to see where it goes.
Posted by LeRoc (# 3216) on
:
Until now, I was a bit critical about Peter Capaldi. I felt that his timing as an actor was a bit off at times, both in the comical bits as in the serious work. To me, this was the first episode where he got it exactly right.
Posted by balaam (# 4543) on
:
quote:
Originally posted by Athrawes:
Yes, I've just watched it. It will be interesting to see where it goes.
Hopefully it will go to find how Vikings managed to get electric eels, a South American species. I am wondering if the answer to this, and the horned helmets, will be that not just the dragon sequence, but the whole episode is a hallucination from storyteller Ashildr.
I hope not, that would be too simple a solution.
Posted by Jay-Emm (# 11411) on
:
I think it at least partially succeeded in having the Vikings not being something other than 21stC Was(c-p)'s with inaccurately pointy hats, at least at the important times.
Not sure that something actually was Norse.
The "I'm different" speech skirted over, but probably ended on the right side.
And the left-behind can't have been so extreme, but need some allowance for rule-of-funny.
Posted by balaam (# 4543) on
:
quote:
Originally posted by Jay-Emm:
rule-of-funny.
Rufus Hound is in the next episode I believe, and DW has a history of casting a comedian and letting him/her do their thing within the script.
Should be good.
Posted by Penny S (# 14768) on
:
Odd thing, I was sure, from reading in advance, that Ashildr's name would be As-hildr, meaning god-battle, which would have been very fitting. But everyone said Ash-ildr, which doesn't mean anything.
Wherever the eels hailed from, I'm not sure they would have had enough power for the job.
Echoes of late Quatermass, as well as the Magnificent 7. And something else, not sure what. "How to train your dragon"? "Noggin the Nog"? Can't place it.
[ 18. October 2015, 14:16: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
It is well known that the Vikings had colonies in North America. The eels were a curiosity gift from a South American tribe they were trading with at some point.
Posted by Adeodatus (# 4992) on
:
I thought last night's story was rather patchy, ranging from the unbearably cheesy (most of the Viking "Dad's Army" stuff) to the utterly brilliant (all the other bits that had Peter Capaldi in them).
I actually got a shiver down my spine when he started his translation of the "baby talk". The tone of it was judged to perfection.
Posted by Penny S (# 14768) on
:
Nice hall. Very nice carvings. Wonder where they shot it. Wasn't the one at Borg on Lofoten.
It was a bit too nice for that size settlement.
And I wonder where the Doctor got all his knowledge of the projection equipment and stuff in the helmets. Didn't see him with an electronic source (with Don't Panic on the cover).
Posted by Penny S (# 14768) on
:
I've been reading elsewhere.
Apparently the production team knew the horns were wrong, but used them because "some of the audience would expect them".
One comment suggested the reference to "corn" was another anachronism. got corrected, Though.
O tempora, O flipping ignorance.
Posted by Eigon (# 4917) on
:
Nothing wrong with "corn".
I did wonder where Ashildr's mum was, though - and Baby Lofty's mum.
Posted by LeRoc (# 3216) on
:
quote:
Adeodatus: I actually got a shiver down my spine when he started his translation of the "baby talk". The tone of it was judged to perfection.
Absolutely. Maybe when I look back, this will be the episode where Capaldi really started to fit in the role. More of this please.
Another thing: I know that a couple of people on this thread don't like having celebrities on the show. I don't watch Game of Thrones, so I can't judge that very well. But that scene where Ashildr was standing on the shore, the sun moving around her, and she turns from an innocent girl to someone with the wisdom of ages ... I'm not sure if a lesser actor could have pulled that off. Brilliant.
quote:
Penny S: It was a bit too nice for that size settlement.
I felt the same way. The angles on those house were too straight. I think this is because they used an existing museum-medieval village as a set?
quote:
Penny S: And I wonder where the Doctor got all his knowledge of the projection equipment and stuff in the helmets. Didn't see him with an electronic source (with Don't Panic on the cover).
He had his 2000 year diary.
quote:
Eigon: I did wonder where Ashildr's mum was, though - and Baby Lofty's mum.
Maybe this was part of the show's attempt to show diversity, non-traditional role models and such?
Posted by Penny S (# 14768) on
:
Baby Lofty's mum was obviously about as the baby "spoke" to her.
I know there's nothing wrong with "corn" but someone elsewhere thought it could only be used of maize. (Lindsey Davis has a similar problem with readers who visualise the stuff in Ancient Rome.)
I should have noticed, but "As" is the same name element as "Os".
Posted by Dafyd (# 5549) on
:
That passed in at least half the time of last week's, possibly less. There were things happening. The dialogue was doing stuff other than setting up scary bits.
(Nitpick: viking is an occupation not a nationality. It's like a group of Elizabethan English peasants calling themselves privateers.)
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by Dafyd:
(Nitpick: viking ...
In Norse maybe, but clearly the Tardis translator, translated Gaet (or whatever) as Viking*
Also, I found wikipedia does have a (very partial) old english version.
*I'm now trying to think of an appropriate country with a really mismatched stereotype or etymology.
Posted by LeRoc (# 3216) on
:
Did they call being Viking a nationality on the show?
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by LeRoc:
Did they call being Viking a nationality on the show?
Not quite.
But the non-viking(verb) norse* people declared themselves vikings (as supposed to the other trades).
*I bet this is just as bad.
Posted by Pine Marten (# 11068) on
:
Moving on from Vikings...is this the end of the sonic shades? Is the screwdriver going to make a welcome return? And since when did the Doctor have the ability to choose his next face?
Posted by Gill H (# 68) on
:
Romana chose her next face, so it's possible.
And I liked that little callback, personally. Maybe remembering the importance of the few (or the one) will put an end to this silly idea that this Doctor doesn't know to relate to humans. The 'cue-cards' the other week felt like a leftover Sherlock joke from Moffatt's bottom drawer.
And please lose the glasses! Midlife crisis or what?
Posted by Pine Marten (# 11068) on
:
Ah, I'd forgotten Romana - I've not seen those eps in years.
And I second the rest of your post, Gill H. It was a touching little scene that brought a lump to the throat.
Posted by Robert Armin (# 182) on
:
Sorry, still not working for me. Electric eels, the Doctor talking baby, high tech gadgets whipped up out of nothing - it all felt very silly. (And the enemy shared a name with a villain from Classic Who, without any apparent connection, but that is a bit geeky I know.)
Also, early on the Doctor says he only wants to make ripples, then goes and creates an immortal - surely that is a tidal wave? By the end I didn't care sufficiently for Asshilder to care if she was brought back, instead of any of the other characters who'd died. Have I said on these boards that I fear Capaldi is in danger of becoming another McCoy - a good actor who never gets the chance to shine because of silly scripts?
Posted by LeRoc (# 3216) on
:
quote:
Robert Armin: Also, early on the Doctor says he only wants to make ripples, then goes and creates an immortal - surely that is a tidal wave?
Of course it is, that's the whole idea of this episode (and probably the next).
Posted by Pine Marten (# 11068) on
:
Well, in the trailer for next week Ashildr appears as any number of characters, including a highwayman. So a tidal wave is about to slosh over things, it would seem.
Posted by ArachnidinElmet (# 17346) on
:
In other news, I'm greatly enjoying the old Who repeats on the Horror Channel on my newly re-tuned freebox. We've had 2 stories per Doctor, the best IMO being The Silurians and Inferno, both Jon Pertwee. I hadn't seen much number three stuff but am pretty impressed.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by ArachnidinElmet:
In other news, I'm greatly enjoying the old Who repeats on the Horror Channel on my newly re-tuned freebox. We've had 2 stories per Doctor, the best IMO being The Silurians and Inferno, both Jon Pertwee. I hadn't seen much number three stuff but am pretty impressed.
You'll be getting more than 2 per Doctor from here on in, and you're entering the period that for some fans (especially Of A Certain Age) is the best.
For myself, I think The Silurians is one of the best stories in the show's history, and I distinctly remember at the age of 7 being terrified by the opening scene of the first episode, and then at regular intervals throughout. The story falls to bits a bit in the last episode, but it's one of the greatest. If I remember right, the writer intended it as a sort of parable on the subject of immigration - who does the planet "belong" to? (On a completely different level, an amusing game to play during The Silurians is to spot how many times Jon Pertwee is cruel to pencils - slamming them down on the desk, knocking them onto the floor, etc. Bad day for pencils.)
After Inferno, Horror Channel will be showing Terror of the Autons, which introduces the Master. It's one of Robert Holmes's more brilliant scripts for the show and has some deliciously dark comic moments. (Now I think of it, there are definite similarities between the Master's characterisation in that story, and Missy's most recent appearance.)
Posted by Ariel (# 58) on
:
Mm yes, those of us of a certain age may also be pleasantly surprised by the appearance of a youthful-looking Paul Darrow in "The Silurians".
("Timelash" is best forgotten about.)
Posted by ArachnidinElmet (# 17346) on
:
I started watching as a kid with late Baker, so any opportunity to catch up is pounced on.
Re: Inferno and The Silurians. Apart from all the other good things (Oh logical plotting, where did you go?) Liz Shaw is an excellent companion: capable and straight forward and not fawning.
Posted by Penny S (# 14768) on
:
There was a period when I couldn't afford a TV, and missed things - most of McCoy for example. It's great being able to catch up, as well as re-viewing ones I remember. I definitely hadn't seen the one with Martin Clunes as a useless aristocrat and Tegan taken over by a fiendish serpent. Davison was as guilty about having exposed her to harm and determined to save her as the current avatar with Clara.
But why "Horror"? And Wild Wild West, Wonder Woman, Xena and Hercules? These are horror?
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by ArachnidinElmet:
Re: Inferno and The Silurians. Apart from all the other good things (Oh logical plotting, where did you go?) Liz Shaw is an excellent companion: capable and straight forward and not fawning.
I agree about Liz Shaw, though the then production team decided she was too competent and didn't even bother to write her out.
If you wanted to subject the logic of the plots of Inferno and Silurians to the same scrutiny as the modern series you'd get about the same results. The old series, seven episodes, can get away with putting long chunks of technobabble over the cracks, where the new series just has to lampshade it and run.
The Silurians is the one where the Doctor originally reverses the polarity of the neutron flow.
Posted by Erik (# 11406) on
:
Going back to the underwater ghosts episode, I was really pleased to see a deaf character where her deafness did not turn out to be integral to the plot. It was just part of her character. I also really enjoyed the scene with the axe.
I wasn't sure about this week's Viking episode either. Especially bring the girl back an immortal. I can't help wondering if hybrids are going to be a significant polt arc this series (with both the dalek/time lord hybrid and the immortal girl being refered to as a hybrid). Or it could just be coincidence.
Posted by Pine Marten (# 11068) on
:
I've just seen a load of comments on Facebook about who Ashildr might be - a lot of people seem to want her to be either the new companion, or Capt Jack ...can't see that meself, and as (I believe) she's still filming Game of Thrones, I doubt whether she'll be much of a recurring character, let alone a new companion. But who knows?
I really really want the new companion to be male...
Posted by ArachnidinElmet (# 17346) on
:
quote:
Originally posted by Pine Marten:
I really really want the new companion to be male...
I maintain that Bernard Cribbins would have made an excellent companion.
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by ArachnidinElmet:
I maintain that Bernard Cribbins would have made an excellent companion.
Me too - very disappointed that he didn't get that job!
I'm not expecting any surprises in the choice of next companion.
Posted by LeRoc (# 3216) on
:
I just have one request: can the next companion please please not have a boyfriend? (unless perhaps if it's a male companion) We've done that with Rose, with Amy and with Clara and it never worked well.
Posted by Penny S (# 14768) on
:
Not Dr Who, but apparently Bernard Cornwell's "The Last Kingdom", showing tonight, set in Alfred's period, includes some pumpkins and a Harris hawk (I wouldn't have spotted the hawk as being transatlantic, but someone writing to Radio Times did.)
I wonder if they'll have cow horns as well.
Posted by Pine Marten (# 11068) on
:
quote:
Originally posted by Roseofsharon:
quote:
Originally posted by ArachnidinElmet:
I maintain that Bernard Cribbins would have made an excellent companion.
Me too - very disappointed that he didn't get that job!
I'm not expecting any surprises in the choice of next companion.
Thirded - I still miss Wilf
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
I just have one request: can the next companion please please not have a boyfriend? (unless perhaps if it's a male companion) We've done that with Rose, with Amy and with Clara and it never worked well.
I'll give you with Rose. And I can just about see an argument that Danny didn't work well even if I disagree with it. But how can anyone say Rory didn't work well?
Posted by Ariel (# 58) on
:
quote:
Originally posted by Pine Marten:
quote:
Originally posted by Roseofsharon:
quote:
Originally posted by ArachnidinElmet:
I maintain that Bernard Cribbins would have made an excellent companion.
Me too - very disappointed that he didn't get that job!
I'm not expecting any surprises in the choice of next companion.
Thirded - I still miss Wilf
Fourthed. If there is such a word. Wilf was lovely. But please, no more lovelorn females with crushes on the Doctor. Let's have a geeky youth who knows all there is to know about computers and can even fly the Tardis, but is hopeless and often inarticulate with attractive young women.
[ 22. October 2015, 19:30: Message edited by: Ariel ]
Posted by Penny S (# 14768) on
:
Please, no. No Adric, no Will whats'isname from Star Trek, and who was the other one who was good at stuff (in the bits I missed, but only saw briefly)? Not because I don't think a male companion would be bad, but there are other skills, surely, which would be useful. Without cutting across the Doctor too much. He does rather limit the range of engineering skills which would be valuable. And having no communication skills with women would mean there were two of them. Someone who could swarm up scaling ladders could be useful, and yomp around carrying the gear needed for the next fancy device. If they aren't having the sonic screwdriver, they're going to need real ones. with different heads. And adjustable spanners and stuff...
I've got a fancy pen sent to me to encourage me to encourage girls to do IT at school - which I was already doing. We don't need more TV showing computers as male territory.
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: But how can anyone say Rory didn't work well?
At the start, when he was still Amy's boyfriend, the writers tried to make a lot of this Amy-Rory-Doctor triangle, culminating in that horrible scene where Amy tried to throw the Doctor on the bed. They tried this kind of triangles with Rose and Clara also, and it never worked.
It got much better after Amy and Rory were married and this triangle stuff finally stopped. Arthur Darvill is a terrific actor (I personally think he's one of the most underrated ones in Dr Who), and when they finally let go of this ballast, he could really shine. But some of the boyfriend stuff was very bad.
Posted by The Rogue (# 2275) on
:
quote:
Originally posted by Pine Marten:
... she's still filming Game of Thrones, I doubt whether she'll be much of a recurring character, let alone a new companion. But who knows?
Being a main character in Game of Thrones today does not mean that tomorrow you won't be appearing on the Westeros Death Pool.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: no Will whats'isname from Star Trek
Wil Wheaton. While Wesley Crusher was an annoying character, Wil Wheaton is actually an admirable person. I read a lot of the stuff he writes on the internet, and I like it a lot. (In fact, he'd be the first to admit that Wesley Crusher was an annoying character.)
quote:
Pine Marten: as (I believe) she's still filming Game of Thrones, I doubt whether she'll be much of a recurring character, let alone a new companion. But who knows?
I think that in one of the BBC interviews, it was suggested that she would become a recurring character.
[ 22. October 2015, 21:02: Message edited by: LeRoc ]
Posted by Penny S (# 14768) on
:
I did have that impression from stuff I had seen about Wil Wheaton. An occasion when I feel that remembering the actor's name rather than the character was an error.
Posted by Pine Marten (# 11068) on
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Going back to possible male companions, I had a wistful liking for The Next Doctor's Jackson Lake, too. He was bold, courageous, and had mechanical skills.
And Dervla Kirwan made a great villain - I grow nostalgic just thinking of them both...
Posted by Gill H (# 68) on
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Sadly I don't think James Corden's character would have such great chemistry with Capaldi. Otherwise he would have been a fun companion.
Posted by Eigon (# 4917) on
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In the Big Finish stories, the Sixth Doctor had a Companion called Evelyn, who was a history professor close to retirement age, who always carried a handbag. She was great!
Posted by Ariel (# 58) on
:
It's been a few decades since Adric. I'd envisage someone more like Turlough (who I liked), but without confidence with women.
Mickey was a bit of a disaster for quite some time until he got the hang of it towards the end of the series.
Posted by Penny S (# 14768) on
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Why without confidence with women? Over confidence I could understand, but someone able to get on with women as equals would be acceptable, surely?
Posted by Ariel (# 58) on
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Boring. He'd be just like pretty well everybody else, and probably immediately forgettable. A companion ought to have some kind of quirk. It's more fun that way.
Posted by Penny S (# 14768) on
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Really? What I wrote is ordinary? And there are other quirks to hand, surely? Being afraid of the dark? Always having to step out of a door left foot first? Reading a book at every available moment? Cooking to Bake-Off standards? Being able to play any musical instrument? Making musical instruments. Being dyslexic? High end Downs Syndrome? Deaf? Veteran with PTSD and injury? Someone as good at disguise as Sherlock Holmes or that guy in Greenmantle. Sandy Arbuthnot. Muslim. (Problem - where is Mecca? The Tardis would have to have a self-aligning prayer room.) They had one in Robin Hood. Friar. Educated shaman. First Nations from somewhere. With survival skills.
Some of those would have problems getting on with women, but that would be secondary.
Posted by LeRoc (# 3216) on
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(Actually, some of these things describe me.)
Posted by Ariel (# 58) on
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quote:
Originally posted by Penny S:
Really? What I wrote is ordinary? And there are other quirks to hand, surely? Being afraid of the dark? Always having to step out of a door left foot first? Reading a book at every available moment? Cooking to Bake-Off standards? Being able to play any musical instrument? Making musical instruments. Being dyslexic? High end Downs Syndrome? Deaf? Veteran with PTSD and injury? Someone as good at disguise as Sherlock Holmes or that guy in Greenmantle. Sandy Arbuthnot. Muslim. (Problem - where is Mecca? The Tardis would have to have a self-aligning prayer room.) They had one in Robin Hood. Friar. Educated shaman. First Nations from somewhere. With survival skills.
Some of those would have problems getting on with women, but that would be secondary.
It's fiction. Whatever quirk they have has to be directly relevant to the plot somehow and a kind of recurring theme, not a subsidiary one that pops up now and again. Being afraid of the dark would be a good one.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by ArachnidinElmet:
In other news, I'm greatly enjoying the old Who repeats on the Horror Channel on my newly re-tuned freebox. We've had 2 stories per Doctor, the best IMO being The Silurians and Inferno, both Jon Pertwee. I hadn't seen much number three stuff but am pretty impressed.
Is that on Freeview? I don't think I have seen it on my Freeview box!
Posted by Penny S (# 14768) on
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It is Freeview 70 - you may need to retune. And then go through removing all the dreck again.
Posted by LeRoc (# 3216) on
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That was nice.
Posted by Dafyd (# 5549) on
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I enjoyed it. I'm not quite a fan of Doctor Who stories about how being a lonely immortal is a bad thing, but this was one of the better ones.
The ending of the action plot suffered from trying to do an alien invasion on a BBC budget.
Maisie Williams is good.
Posted by orfeo (# 13878) on
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Really, really enjoyed that one. I watched both "parts" today, and I did enjoy the first one quite a lot as well, but the burden of the centuries really made the second half a winner for me.
Posted by Penny S (# 14768) on
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I liked it too, but I shall have to watch again, having missed some of the dialogue at the end. The gallows humour was a good touch - something like Jack Shepherd, I imagine.
I do have a few niggles, though. The period couldn't seem to make its mind up - bits were Georgian, bits Commonwealth.
How did the wanted posters for the Doctor arrive?
And how did the lovely Maisie get into her beautifully laced dress with her hair so fancily coiffed without a maid? Can't see her male servant having those skills.
And Tyburn wasn't outside a castle. It was on open ground ouside the settlements - executions happened on the boundaries. The very name Tyburn means boundary stream - it defined an AS charter boundary, which can be walked.
And why on earth should an alien happening to come from a star in a grouping just happening to look a bit leonine from Earth happen to look leonine, and have a leonine name?
It seems a bit peculiar to criticise a work of fiction for having characteristics which made it seem unreal and dreamlike, but that is my impression. Then again, production staff who will put in cow horns just because they feel like it can't be trusted to try to suspend disbelief effectively. I'm left wondering if these inconsistencies are going to surface as a plot development or just vanish as trivial.
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: I'm not quite a fan of Doctor Who stories about how being a lonely immortal is a bad thing, but this was one of the better ones.
I see what you mean. Parts of it were a bit predictable perhaps, but it was well executed.
quote:
Dafyd: The ending of the action plot suffered from trying to do an alien invasion on a BBC budget.
Hehe yes. If the aliens ever invade for real, I hope they'll invite the BBC to stage it for them
quote:
Penny S: The gallows humour was a good touch
I liked that too. The part at the end where he was having drinks together with his executioner was especially brilliant.
quote:
Penny S: And how did the lovely Maisie get into her beautifully laced dress with her hair so fancily coiffed without a maid?
100,000 hours of practice
Posted by Penny S (# 14768) on
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Nope, doesn't work. The hair, maybe, and could be a wig. Not the lacing. It's a two woman job. She'd have had her dressmaker make the bodice with front or side laces.
Posted by Penny S (# 14768) on
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I've woken from a complex and instantly forgotten dream with a nasty thought. quote:
It seems a bit peculiar to criticise a work of fiction for having characteristics which made it seem unreal and dreamlike, but that is my impression. Then again, production staff who will put in cow horns just because they feel like it can't be trusted to try to suspend disbelief effectively. I'm left wondering if these inconsistencies are going to surface as a plot development or just vanish as trivial.
The repetitive plots. The stacked up anachronisms. I don't trust anything since the beginning of last week, with the thing in Clara's suit being so like the thing at Christmas in its modus operandi. In fact, I don't trust anything since Christmas.
Missy came back too easily. Clara in a Dalek again? An isolated station again? Wasn't Father Christmas' power to undo time just too easy?
Posted by LeRoc (# 3216) on
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Do you think they're all still in a dream? Like the Father Christmas one?
Posted by Penny S (# 14768) on
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It has occurred to me that it may not simply be like the Father Christmas one, it may be the same one.
I may end up renouncing the programme for cheating.
[ 26. October 2015, 08:47: Message edited by: Penny S ]
Posted by Roseofsharon (# 9657) on
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Oh dear, I have enough trouble remembering the details of the last episode i saw, how on earth am I supposed to remember things from last Christmas?
Posted by Penny S (# 14768) on
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If you really want to know...
I was going to post the URL to Wikipedia's synopsis of "Last Christmas", but it wasn't liked. However, it is there to be found, and had stuff I didn't remember! Like a tangerine in the final shot.
Posted by Adeodatus (# 4992) on
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I thought The Woman who Lived was extremely well written, directed, and acted, but that it was curiously quiet and low-key. I think it was Peter Capaldi's Boom Town (which I liked at the time) - an interesting conversation piece, which for me didn't feel very like an episode of Doctor Who.
Posted by ArachnidinElmet (# 17346) on
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quote:
Originally posted by Sparrow:
quote:
Originally posted by ArachnidinElmet:
In other news, I'm greatly enjoying the old Who repeats on the Horror Channel on my newly re-tuned freebox. We've had 2 stories per Doctor, the best IMO being The Silurians and Inferno, both Jon Pertwee. I hadn't seen much number three stuff but am pretty impressed.
Is that on Freeview? I don't think I have seen it on my Freeview box!
Yes, as Penny S says its Freeview 70. Hope you found it. Today we're just starting 'The Daemons' again with Jon Pertwee.
Back to Saturday's nu-Who. That was the most I've enjoyed an episode for ages. It felt solidly written rather than 'take a beginning and an end and make it up as you go along'. It'll be interesting to see how the story develops.
Posted by Penny S (# 14768) on
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I liked the narrative, and the deep thoughts, but as I said, I now think that every single niggle about Horrible Histories (which do get their stuff amazingly right), Tellytubby/Python face in the sky, rubbish alien invasion, electric eels, Blackadder, Carry on Dick, everything except the people falling like corn, was there deliberately for some reason.
I've been reading other places, but no-one else seems to be thinking like me! The most extreme suggestion is that Clara is already gone, and the Dr is visiting her timeline. which clearly doesn't apply to the last episode.
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Penny S:
I've been reading other places, but no-one else seems to be thinking like me!
Okay, I admit that that is probably the strongest evidence that you have it right...
Personally, I am putting a lot of it down to "production office fatigue." When a production team has been with the show too long, a couple things happen. One is an increased tendency to send up the show. "Let's have a bit of fun with this one..." Whenever the production team gives in to wanting to have a "bit of fun" with a story, it is usually bad news. "Let's have stage Vikings! With an eyepatch! Ha! And let's have the day saved by electric eels that actually produce large quantities of electricity! It's funny! And let's get a popular guest star and put in huge allusions to the show that they are popular in so that everybody knows that we know who it is we cast!"
Another sign is the overuse of certain things. So the producer is thinking how to fill this season and thinks: "Daleks are popular, let's use Daleks. Missy was popular, let's use Missy. Osgood was popular, let's use Osgood (even if we did kill her off). Oh, and let's get a popular actor to be a guest star for a couple episodes! Secluded base stories are always fun and the Second Doctor thrived on them, so let's use secluded bases...there, that's this season sorted!" It is Doctor Who By The Numbers, and always a sign that the production team needs to be shaken up so that fresh ideas can come in.
All that said, I rather liked this most recent episode. While the theme of "why don't you take me with you" came up early in the episode, I confess I didn't think of the reason given until it was stated...and then it made sense to me. (I guess I can't say more than that without undue spoilers.)
Posted by Penny S (# 14768) on
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I'm not sure which I prefer. It was all a dream, or who cares about the audience anyway. I don't like either, really.
Posted by LeRoc (# 3216) on
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Once again, I disagree
I realise how difficult it must be to run an action based series for such a long time. I don't know of many examples that have pulled this off. And I can forgive them if they need to pull a couple of tricks sometimes to make it happen.
To me, the difficulty of doing this isn't just about the danger of "running out of stories". It has much more to do with the dynamics of the universe you have created. Isaac Asimov has been mentioned as an example on this thread. He created this brilliant Foundation Universe, that is often seen as one of the highlights of Science Fiction of all times. Well, famously, Asimov has run out of stories to tell in this universe. This isn't because there weren't any interesting places to be created in the Foundation Universe, it is just how the dynamics of fictional universes work.
To me, the way Dr Who has avoided running into this wall for a bloody 52 years is because it has always played fast and loose with the rules. And it consistently had the ability to be tongue in cheek about itself. It has mostly avoided jumping the shark by jumping over it five times every episode. I think that's brilliant, and to me, there is something very British about this.
So yes, their portrayal of Vikings isn't according to how they really were. So fucking what? If I want to learn about Vikings, I'll read a book or watch a fucking documentary. They put horns on the Vikings' helmets because horns are cool, and I can live with that. The "Dad's army" part of the Vikings story was a bit daft, but it was part of a beautiful two-parter that told the old story about the burden of immortality in a new, gripping way to me. So I'm a happy camper.
Yes, they brought Missy back because she was popular with viewers. I can forgive them for that. Viewing numbers have dropped over the past years, and I can imagine that they want to pull some tricks like this. I thought Michelle Gomez's portrayal of the character was much better than in last season, so I liked that. And as for how she survived the Cybermen thing: to me, her line "Dying is for ordinary people" was the absolutely perfect explanation for that. Exactly in line with her character, and not giving a further explanation was a brilliant example of the show not taking its own rules too seriously. The non-explanation of her survival was one of the highlights of this season so far.
I don't watch Game of Thrones, so I just judged Maisie Williams' appearance on the quality of her acting in these two episodes. And boy, did she deliver! It was absolutely amazing, the range she has as an actor completely carried the episode for me. And that for an eighteen year old, I'm very impressed. So I just watch that, and I don't care why the BBC put her on this show.
Were there low points this season? Yes, absolutely. The first episode was far too convoluted. Some of the villains were a bit silly (I'm looking at you, lion man). And I was a bit frustrated of the cop-out that the Doctor's ghost turned out to be.
Of course, the show won't have the 10M viewers anymore it had under Tennant and Piper. And some people will already have made their minds up, continuing to grumble about the appearance of celebrities, and how everything was better under Old Who. Let them. I can forgive the show pulling some tricks, and even some low points, because it continues to amaze me with some of the stories it's able to tell me after more than 52 years.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
And as for how she survived the Cybermen thing: to me, her line "Dying is for ordinary people" was the absolutely perfect explanation for that. Exactly in line with her character, and not giving a further explanation was a brilliant example of the show not taking its own rules too seriously. The non-explanation of her survival was one of the highlights of this season so far.
I hate to point this out, since you like the non-explanation, and I agree that she is entirely the sort of character who can get away with surviving certain death just because she did, but at the start of episode two she explained that she survived in exactly the same way she and Clara survived the episode one cliffhanger.
quote:
how everything was better under Old Who.
The Platonic ideal Doctor Who fan thinks Doctor Who jumped the shark when it turned out that the old man's mysterious police box was bigger on the inside and a time machine.
[ 27. October 2015, 10:20: Message edited by: Dafyd ]
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: but at the start of episode two she explained that she survived in exactly the same way she and Clara survived the episode one cliffhanger.
Hmm, I must have blocked that out. I think I'd much prefer it if they had left it at "Dying is for ordinary people".
Maybe this writing team is coming to an end in a way, and at some point someone else will have to take over from Moffat. That's OK. Writers have come and gone in the 52 years of Dr Who.
But I assure you that the new head writer will use the 'base under siege' trope at some point. As well as other tropes. That's ok. There isn't really a way to avoid that. Of course, I'd love them to come up with brilliantly original episodes like Blink from time to time (and I hope they will), but I don't think you can expect that every week.
In the meantime, I'm looking forward to what the rest of this season will bring me. Some low points? Probably. Some plot holes or historical characters portrayed in the wrong way? I assume so. Some tropes that have already been done, either on Dr Who or elsewhere on TV? I'm counting on it. But I'm also hoping for some beautiful stories, as we've already seen so far. That's why I'm watching.
Posted by Hedgehog (# 14125) on
:
I certainly agree that the show has demonstrated great flexibility to re-invent itself from time to time, and I would not want it to be too constrained by precedent. And you are right that certain tropes and archetypes are going to re-appear no matter what. There is nothing wrong with that. But there is also a danger in becoming too entrenched with just one man's vision of the show.
I went to The Font Of All Knowledge (a/k/a Wikipedia) and, since Steven Moffat took over producing the show in Series 5 (Matt Smith's first year), he has either written or co-written:
- 6 of 13 stories in Series 5
The 2010 Christmas Special
5 of 13 stories in Series 6
The 2011 Christmas special
4 of 13 stories in Series 7
The 2012 Christmas special
The Day of the Doctor anniversary story
The 2013 Christmas special (The Time of the Doctor)
7 of 12 stories in Series 8
The 2014 Christmas special
6 of 12 stories in the current Series 9, and
The forthcoming 2015 Christmas special
That is a LOT of one man's view of the Doctor. I really like Moffat's work and I think he did a great job with the 50th Anniversary. He deserves praise for that. But any one person only has so much ingenuity, inventiveness and newness. I expect there will still be flashes of brilliance to come this year, but I think there are also signs that he is running dry.
Obviously, nothing will change for the current series, but for the health of the show I think we need somebody with a fresh vision to take over.
In the meantime, I will keep watching because even bad Who tends to be more entertaining than the majority of stuff on television. And, for the record, I don't classify any of the episodes this year as "bad." This last episode is actually fairly high on my list of good episodes, despite the alien. I also am enjoying that Peter Capaldi finally seems to have a good grasp on what he wants to do with the character. He appears much more comfortable in the part than he was in the last series.
Posted by LeRoc (# 3216) on
:
I don't think we disagree that much, actually. I haven't reached the level of "it's become so bad, Moffat's got to go", but I think neither have you. Yes, perhaps it would be refreshing to have a different head writer in the next season. Of course, it isn't my decision, it's the BBC's. And in that case, I still hope they keep Moffat on to write the odd episode.
quote:
Hedgehog: I also am enjoying that Peter Capaldi finally seems to have a good grasp on what he wants to do with the character. He appears much more comfortable in the part than he was in the last series.
I wholeheartedly agree with this. I never had a problem in the last season with the fact that Capaldi was less of a "cool popular dude" than Tennant and Smith were, each in their own way. I actually found it refreshing that he was a bit more cold and unapproachable.
But I did have some problems with things like his timing and delivery last season. Maybe this can be described as "not being comfortable in the role yet". This has improved very much over the last few episodes, and I'm definitely looking forward to seeing more of him.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Hedgehog:
I went to The Font Of All Knowledge (a/k/a Wikipedia) and, since Steven Moffat took over producing the show in Series 5 (Matt Smith's first year), he has either written or co-written:
- 6 of 13 stories in Series 5
The 2010 Christmas Special
5 of 13 stories in Series 6
The 2011 Christmas special
4 of 13 stories in Series 7
The 2012 Christmas special
The Day of the Doctor anniversary story
The 2013 Christmas special (The Time of the Doctor)
7 of 12 stories in Series 8
The 2014 Christmas special
6 of 12 stories in the current Series 9, and
The forthcoming 2015 Christmas special
You mean episodes rather than stories I think, since you're counting double episode stories as two?
By comparison Russell Davies wrote 8 stories in his first season, 5 in the second, 5 in the third, 5 in the fourth, plus Christmas specials and two more in season 4b, and heavily rewrote a lot of other stories in those seasons. So Moffat's not done that much.
Perhaps we're getting to the point where Moffat is out of ideas (although I'd be more inclined to agree if there weren't substantial bodies of opinion on the internet who've been saying the same thing since the first few minutes of The Beast Below). But I'm not seeing any plausible successor just now.
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by Dafyd:
I enjoyed it. I'm not quite a fan of Doctor Who stories about how being a lonely immortal is a bad thing, but this was one of the better ones.
It's also one where it shows writers have no sense of scale (or comparison).
They quote an age of 1000 years and don't notice that that the immature girl* has already almost equaled (and Rory's at least half again).
They quote less than 100,000,000,000 seconds (3000yrs) as though he's seen stars from alpha to omega, when he's spend less than ten seconds per year on one star, or ten seconds per human, or one second per star (in one galaxy), or an hour per (current earth) species. Basically in every way on the creature/celestial scale he's a slightly unusually accomplished human, not a small god.
(Personally I quite like bouncing between the Cartmellish Dr and Veritesque Dr, but just because I like it, does it mean I can't laugh at it)
*portrayed as such in comparison to the Dr
Which isn't to say you cant get a bit bored, or 'oh another ant, and this ones got a longer thorax has it, how interesting'. The number of real firsts might well kicking in by then.
Posted by LeRoc (# 3216) on
:
quote:
Jay-Emm: They quote less than 100,000,000,000 seconds (3000yrs) as though he's seen stars from alpha to omega
And he spent a lot of his time on Trenzalore.
Posted by Penny S (# 14768) on
:
But this week, very little in Brockwell Park or Dulwich, despite the on screen notices.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: But this week, very little in Brockwell Park or Dulwich, despite the on screen notices.
Well, a couple of minutes.
It took a while to get going, but the end was good.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Penny S:
But this week, very little in Brockwell Park or Dulwich, despite the on screen notices.
They didn't spend any time in Brockwell Park.
Posted by Sparrow (# 2458) on
:
At last, an episode where I actually understood what was going on!
Posted by LeRoc (# 3216) on
:
Ah, they filmed it in another park? (I go to London sometimes but I don't know the city that well.)
Posted by Ariel (# 58) on
:
quote:
Originally posted by LeRoc:
To me, the way Dr Who has avoided running into this wall for a bloody 52 years ...
Point of fact: it hasn't been running for 52 years. It started in 1963 and ran out of steam by 1989, which gave it 26 years, during which time most people would probably agree it went downhill. It was then revived after a 16-year absence in 2005 with a new slant.
Cult TV it may be but from where I'm standing it's running out of steam, losing focus and going downhill again, and IMO it could do with another break.
Posted by LeRoc (# 3216) on
:
Yes, I knew that.
Posted by Penny S (# 14768) on
:
It was filmed in an area of Cardiff, I find, so why they decided to fix it in another place is a bit of a mystery. As is giving the school a name not found in the vicinity they claimed. Brockwell Park is a large open space on the south side of Brixton that was once a big house's grounds, not a pokey little playground. Its claim to fame is its Lido, recently restored. I don't know why they didn't just invent somewhere like Coalhill School. Or invent a part of South London - there are a number of convincing sounding possibilities. North Dulwich, East Norwood, South, East, North or West Brixton. It doesn't quite convince as the invented places of a dreamscape. Especially as Truth or Consequences exists. As for the "istan" place with church spires and a tunnel to London...down which one can walk.
I find it doesn't confirm my hypothesis of last week, nor destroy it. It may push it back a bit, depending on how long Clara has been in a pod, and how much we are meant to believe the versions of the scene on the flats landing.
And why choose the name Bonnie? There's Bonnie and Clyde, or the pirate Ann Bonney, or the Bonnie who lies over the ocean...
One thing I am sure about - Moffat doesn't do things for no reason, and he isn't careless.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: I find it doesn't confirm my hypothesis of last week, nor destroy it. It may push it back a bit, depending on how long Clara has been in a pod, and how much we are meant to believe the versions of the scene on the flats landing.
Well, that scene pretty much establishes the moment she went into the pod. Unless you believe that Moffat has been messing with us there also.
I find your theory interesting, but at the moment I'm not putting much faith in it. I guess we'll know by Christmas.
Posted by Penny S (# 14768) on
:
There are others now spotting a parallel with Amy as a clone.
And people who live in New Mexico have complained that, despite actually filming somewhere over there and not in Wales, actual south of the border Mexican flags were deployed, which would add to the mistakes, if such they are.
I forgot to mention that it was odd that the Zygon that Osgood and the Dr got hold of echoed "Clara" for some reason which no-one picked up on.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Ariel:
Point of fact: it hasn't been running for 52 years. It started in 1963 and ran out of steam by 1989, which gave it 26 years, during which time most people would probably agree it went downhill. It was then revived after a 16-year absence in 2005 with a new slant.
I think classic Doctor Who went downhill, uphill, downhill again, uphill again, and then down, and then actually went out on a high note.
Last year was one of the most consistently brilliant runs of Doctor Who ever. This year is perhaps not quite that good, and not as good as season five. But seasons six and seven were a bit ropy until the 50th anniversary special. I think this series is still consistently better than the first four (five) years of the new series. If you compare what we've had so far with Tennant's second season, with Martha, I can't see any reason to think there's been a decline.
Posted by Adeodatus (# 4992) on
:
Wel, I thought The Zygon Invasion was absolutely superb. I was hooked from the first scene, nicely bamboozled by all the who's-who stuff, pleasantly surprised at one or two bits I thought would be scary for the kids, and impressed that they tried to do a political subtext, like the classic series did from time to time.
Also, did anyone notice that the guest cast were almost all women? I actually didn't notice while I was watching it, but some people have been making a bit of a thing about it online today.
Posted by LeRoc (# 3216) on
:
quote:
Adeodatus: I was hooked from the first scene
To be honest, I wasn't. All the running around in New Mexico and Turmezistan didn't do much for me. Yeah, of course some people will turn out to be Zygons. But there wasn't a lot of suspense in this for me. I liked the political subtext (although it was a bit in-your-face at times). The ending made up for a lot though.
quote:
Adeodatus: Also, did anyone notice that the guest cast were almost all women?
I did
Posted by balaam (# 4543) on
:
I like the way the double episodes give more time so the pace of the episides does not have to be too frenetic. Matt Smith was really good at that but a different Doctor needs different pacing.
2 45 to 50 minute episodes per story, and we are back to the story length of the classic series (3 to 5 25 minute episodes.)
Posted by Penny S (# 14768) on
:
I've seen a complaint about the women, and blaming the military inadequacies on them.
Last week there were complaints about the non-white faces in the Tyburn crowd.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Penny S:
I've seen a complaint about the women, and blaming the military inadequacies on them.
Oh, for crying out loud. That is so stupid. The number of Classic Who stories where the predominantly male UNIT was actually competent could be counted on the fingers of one hand.
To be honest, I am with Adeodatus. I did not even notice when watching that the guest cast was almost all female.
I liked the spin on Osgood and her "sister," including her refusal to state whether she is the original human Osgood or her Zygon counterpart. I said back at the time of "The Day of the Doctor" that, of all the UNIT personnel, I thought Osgood really understood the Doctor's approach to problems. She is the peace--refusing to acknowledge that there is a difference between her and her sister.
Posted by Rosa Winkel (# 11424) on
:
Is it me or was the Doctor playing "Amazing Grace" on his guitar at the start?
It's ace to see a Doctor giving it some axe welly; that intro with guitar the other week was boss.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Penny S:
I've seen a complaint about the women, and blaming the military inadequacies on them.
At least Rebecca Front's Colonel Walsh could shoot straight enough to hit a church door at ten paces, which is more than you can say for most of the UNIT boys down the years.
And yes, Rosa Winkel, that was "Amazing Grace". I think Capaldi looks very much at home with a guitar slung round his neck. But there's a limit to what my delicate little ears can take.
Posted by Rosa Winkel (# 11424) on
:
We need much more guitar to redress the balance of all the keyboard monstrosities we've been hearing for decades
Posted by LeRoc (# 3216) on
:
I found Amazing Grace a bit of an odd choice too.
quote:
Hedgehog: I liked the spin on Osgood and her "sister," including her refusal to state whether she is the original human Osgood or her Zygon counterpart. I said back at the time of "The Day of the Doctor" that, of all the UNIT personnel, I thought Osgood really understood the Doctor's approach to problems. She is the peace--refusing to acknowledge that there is a difference between her and her sister.
I liked this too.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by LeRoc:
I found Amazing Grace a bit of an odd choice too.
It might be a Scottish thing. (Warning: extreme bagpipe content.) Believe it or not, this was actually a No.1 hit in the UK in the 70s (or was it the 80s...?).
Posted by LeRoc (# 3216) on
:
I see what you did there!
Posted by balaam (# 4543) on
:
quote:
Originally posted by Penny S:
Last week there were complaints about the non-white faces in the Tyburn crowd.
The week before that there were electric eels (from the Amazon) with Vikings. I think the anachronisms are deliberate and all will be explained through the medium of technobabble in the final episodes.
Posted by LeRoc (# 3216) on
:
NuWho has always anachronistically included non-white people in epochs where you wouldn't expect them. They gave a non-explanation for that in the episode where Martha met Shakespeare.
Posted by LeRoc (# 3216) on
:
Seriously, I don't understand why you get so hung up about anachronisms. Dr Who has been full of them, from the beginning. Some deliberate, some by accident. It's a tv show, not a history dissertation. Heck, the very first season had Marco Polo going to Peking.
There have been myriads of anachronisms in NuWho already. The Statue of Liberty had a golden torch in 1930. Cleopatra died in the first century AD. The Globe had 14 sides. The Big Ben was lit during the blitz. Commoners wore purple in Pompeii.
These things happen when you make a TV show.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
Cleopatra died in the first century AD.
I think that's actually pointed out by one of the Romans in that episode.
Posted by LeRoc (# 3216) on
:
quote:
Dafyd: I think that's actually pointed out by one of the Romans in that episode.
I need to watch the episode again, but the way I remember it, he spoke about her was as if she'd just died, while in fact she'd been dead for 100 years already.
But my point is: shows like this will always have inaccuracies. Discovering them is part of the fun.
Posted by Penny S (# 14768) on
:
Oswin, Oswald, Osgood, Ashildr
Are they telling us something about the Chancellor?
Posted by Robert Armin (# 182) on
:
Despite being someone who has seen a steady decline since Moff took over, I couldn't fault this week's episode. Capaldi playing his guitar - again - was self indulgent (just as Smith playing football was) but that would be the only thing I can pick on. And yet... I found it cold and dull. Nothing gripped me, and I find it hard to care how it will be resolved in a week's time. The life is ebbing away from the programme - IMNSVHO of course.
Penny S: quote:
One thing I am sure about - Moffat doesn't do things for no reason, and he isn't careless.
I wish I had your faith.
Dafyd: quote:
If you compare what we've had so far with Tennant's second season, with Martha, I can't see any reason to think there's been a decline.
For me, the Martha season was one of the high points of nu-Who, second only to Eccleston's.
Posted by LeRoc (# 3216) on
:
quote:
Robert Armin: Capaldi playing his guitar - again - was self indulgent
Yeah, a bit.
quote:
Robert Armin: And yet... I found it cold and dull. Nothing gripped me, and I find it hard to care how it will be resolved in a week's time.
I felt a bit of the same in this episode. The running around in New Mexico and Turmezistan didn't do much for me. I am looking forward to how the cliffhanger will be resolved though, and what will become of the treaty with the Zygons.
quote:
Robert Armin: For me, the Martha season was one of the high points of nu-Who
For me too. The Shakespeare Code, Gridlock, 42, The Impossible Planet / The Satan Pit ... All good episodes. And of course, Blink is one of the best episodes ever.
Posted by LeRoc (# 3216) on
:
Oops wrong two-parter, it should have been Human Nature / The Family of Blood. Very good.
Posted by Rosa Winkel (# 11424) on
:
Somewhere earlier it was speculated as to why viewing figures are down. I am very much enjoying the new series myself and don't see any down-turn in quality. Over the past few years I have met a few British girls who are Doctor Who fans. One, a redhead from Scotland, stopped watching when Amy and Rory were no more. She had wanted them to stay.
Another stopped when Tennant left. I get the impression that for some, an attachment to the programme is like people who are fans of Christiano Ronaldo and switch from the mancs to Madrid when he got transferred.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
For me too. The Shakespeare Code, Gridlock, 42, The Impossible Planet / The Satan Pit ... All good episodes. And of course, Blink is one of the best episodes ever.
We're at episode seven of this season, and Human Nature/ Family of Blood / Blink were episodes eight to ten of that season.
Gridlock was a flawed classic; I think The Girl Who Died is pretty much going to be thought of as a classic too.
Otherwise: Evolution of the Daleks was a really messy dalek two-parter; I like it more than some, but there's no doubt that The Magician's Apprentice two-parter was much better.
Lazarus Experiment and 42 were silly monster runarounds; I have a soft spot for 42, but Lazarus Experiment was rubbish so on average the Under the Lake two-parter was better overall.
I didn't much care for the Shakespeare Code. The Woman Who Lived was brilliant in parts and I don't think the rubbish bits were any worse than the equivalent bits of the Shakespeare Code.
That leaves us with Smith and Jones, which was awful - rubbish science set on the moon, but crucially rubbish boring science set on the moon - vs The Zygon Invasion, which looks like being another classic if part two lives up to part one.
I rest my case.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Rosa Winkel:
Somewhere earlier it was speculated as to why viewing figures are down.
One explanation: it doesn't start until after Strictly Come Dancing, so children can't watch it until they turn on iplayer on Sunday morning. (Also, more people using iplayer in general. I watch it on iplayer.)
Posted by LeRoc (# 3216) on
:
What I see, by both our counts, is a season with three or four good episodes and two or three outstanding ones.
I guess it's a glass half full kind of thing, but I don't see this season as a low point other seasons need to be measured to.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Rosa Winkel:
Somewhere earlier it was speculated as to why viewing figures are down.
One explanation: it doesn't start until after Strictly Come Dancing, so children can't watch it until they turn on iplayer on Sunday morning. (Also, more people using iplayer in general. I watch it on iplayer.)
I may have mentioned this elsewhere, but Doctor Who gets one of the biggest "catch-up" audiences of any show in the UK. For instance (it's the first one I came across) The Witch's Familiar got a "live" audience of only 3.7 million - but about another 2.4 million watched it from other sources within 28 days.
Posted by Penny S (# 14768) on
:
quote:
Originally posted by Robert Armin:
Penny S: quote:
One thing I am sure about - Moffat doesn't do things for no reason, and he isn't careless.
I wish I had your faith.
Not that careless. Microphone kit hanging down from New Model Soldiers buff coat maybe. Stacks of stuff, I don't believe.
And I suspect we are going to see more of the States - they couldn't afford to go for such a small section, I would have thought.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Robert Armin:
Despite being someone who has seen a steady decline since Moff took over, I couldn't fault this week's episode.
Steady decline? As I remember it, you've pretty much declared every episode of the Moffat era a disaster from The Beast Below onwards.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: And I suspect we are going to see more of the States - they couldn't afford to go for such a small section, I would have thought.
Hey yes, that's very much possible.
Posted by Robert Armin (# 182) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Robert Armin:
Despite being someone who has seen a steady decline since Moff took over, I couldn't fault this week's episode.
Steady decline? As I remember it, you've pretty much declared every episode of the Moffat era a disaster from The Beast Below onwards.
Not entirely unfair. However, I was very much looking forward to Moff taking over as I felt RTD had grown stale, wonderful though his best stuff had been. Tennant's overblown, lachrymose farewell was one of the low points of nu-Who. And Moff was responsible for two of the finest episodes of Who ever - Van Gogh, and The Doctor's Wife. So I would like to think I am not blindly prejudiced against him, merely disappointed in a lot of his work.
Posted by LeRoc (# 3216) on
:
quote:
Robert Armin: Tennant's overblown, lachrymose farewell was one of the low points of nu-Who.
I wasn't too keen on that either. NuWho has always had story archs from season to season; from season 3 to 7 they seem to have gotten bigger and bigger. I liked some of them, but it is also refreshing to see a return to 'smaller' stories again with Capaldi. Sure, there is talk about a hybrid in this season, but it isn't as heavy foreshadowing as in the previous seasons.
Posted by Penny S (# 14768) on
:
Tennant's overblown farewell.
Youtube
If you can make out any of the words!
Posted by Penny S (# 14768) on
:
Dreams.
Posted by Penny S (# 14768) on
:
And Clara acting outside herself in the pod as Oswin acted outside the Dalek.
Posted by LeRoc (# 3216) on
:
I was reminded of the same thing.
Posted by Penny S (# 14768) on
:
And next week an isolated station with things breaking in - again.
And interruption of the sleep cycle - Hmm.
That was a brilliant speech from Capaldi. On the eve of Remembrance Sunday, and just before the Albert Hall do.
Posted by Ann (# 94) on
:
"Five rounds, rapid!"
Posted by Robert Armin (# 182) on
:
Let me confound Dafyd by saying I thought that was a really good episode. Even before all the stuff about forgiveness - which I thought was brilliant - I'd loved the struggle Clara had for control. And, as a lifelong asthmatic, the final scene was excellent.
(However, to confirm my reputation as an old miseryguts, I was expecting a new adventure to start tonight. Last week made so little impression on me that I'd forgotten it, and thought this was the first after the dull immortal Viking.)
Posted by Penny S (# 14768) on
:
And I was also reminded - and probably none of you will be - of a play produced by a Dover sec mod school as an entry in a competition for schools producing TV plays, way way back. It was in an anteroom of the afterlife, with the central character an ex-President of (probably) the USA, who had probably pressed the button. (It was in those days, when we expected someone to do it.) The boy playing the part had to deliver a speech justifying himself. There was a prosecutor and a defender.
There were two doors. For some reason, though it looked very much as if it were going the other way, the one he went through did not go to Hell.
Wish I could remember the words as well as the images and the intensity - which were what the way Dr Who presented it reminded me of.
I shall watch it again tomorrow.
[ 07. November 2015, 19:56: Message edited by: Penny S ]
Posted by Stumbling Pilgrim (# 7637) on
:
"I'm old enough to be your Messiah"
Posted by Penny S (# 14768) on
:
One thing I didn't like - only two parachutes.
Posted by Sipech (# 16870) on
:
That anti war speech was possibly the main reason they didn't delay airing the episode as the image of a plane being shot down could be seen to rather offensive, given the current affairs in the Sinai desert.
Posted by Schroedinger's cat (# 64) on
:
I thought it was an excellent episode, and very relevant to this weekend. The anti-war message was strong and well done.
Next week looks interesting.
Posted by The Rogue (# 2275) on
:
Did I see Tardis shaped litter bins and a flash of William Hartnell?
Posted by Penny S (# 14768) on
:
There was the use of a character self naming "Me" again.
Posted by Robert Armin (# 182) on
:
quote:
Originally posted by The Rogue:
Did I see Tardis shaped litter bins and a flash of William Hartnell?
Where? Missed those.
Posted by The Rogue (# 2275) on
:
The litter bins were around where the Doctor and Osgood were walking at some point and a picture of William Hartnell was on a door that opened when Bonney (Bonny? Bonnie? Bonni?) was in the UNIT Building, just after there was a reflection of Clara in a mirror and just before Bonney came back to look at that. Possibly.
Posted by St Everild (# 3626) on
:
Basil?
Posted by Hedgehog (# 14125) on
:
Okay, that was great.
I know I said before that Capaldi really seemed to be more comfortable in the role this season, but now he really has nailed the part. The speech was The Doctor, the quintessential distilled essence of The Doctor.
Posted by Penny S (# 14768) on
:
I saw the Hartnell picture last week in that building, so yes. And I noticed the colour, but not the shape of the litter bins - I thought they'd lined it up badly with the action!
Posted by Dafyd (# 5549) on
:
That was good.
I was thinking about the Doctor's speech during the Remembrance Sunday service.
Posted by beatmenace (# 16955) on
:
quote:
Originally posted by Penny S:
One thing I didn't like - only two parachutes.
I spotted that too. Bad news for the pilot, the Zygon and at least one UNIT guard (seen in the background at the end of part one).
The Doctor doesn't save everyone this time.
Posted by Penny S (# 14768) on
:
According to a website interview with Peter Capaldi, the day they filmed the speech was the day they had a visit from the American ambassador and his retinue. And they applauded.
We are going to another isolated base, in space, next week, with found footage from its wreck. where they have been experimenting with sleeplessness. Which can lead, I think, to waking dreams.
We've had people being contained - Clara in a Dalek and a pod, Ashildr in a helmet, the Dr in Davros' chair and the Fisherking's coffin.
We are heading towards episodes using Heaven and hell in the titles, which suggests an afterlife again, as in the last series. And the week between next and the end two has a Raven, which hangs around death. (Also Ashildr and a variant of Diagon Alley.)
I wonder just how far back we are supposed to go to find when the split from Who reality occurred.
Doesn't Basil mean king?
[ 08. November 2015, 18:58: Message edited by: Penny S ]
Posted by Eigon (# 4917) on
:
Basil is King, or Emperor, I think.
And, damn, that was good! The Doctor's speech in particular, but also the Zygon in the shop, and Kate Stewart's "Five rounds rapid."
Posted by Rosa Winkel (# 11424) on
:
I thought of Fawlty straight away.
I just looked up the Fisher King and learned that his roar was provided by Corey Taylor of Slipknot.
Posted by orfeo (# 13878) on
:
I watched the two Zygon episodes today.
Very, very good. The whole thing held together very well. Doctor Who is at its best when it uses a particular alien for a reason, not just as a stock monster because we need to have one. The climactic speech was electrifying.
Posted by BroJames (# 9636) on
:
quote:
Originally posted by beatmenace:
quote:
Originally posted by Penny S:
One thing I didn't like - only two parachutes.
I spotted that too. Bad news for the pilot, the Zygon and at least one UNIT guard (seen in the background at the end of part one).
The Doctor doesn't save everyone this time.
Well yes, and several piles of incinerated electric hair around the place.
Posted by BroJames (# 9636) on
:
quote:
Originally posted by Adeodatus:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Rosa Winkel:
Somewhere earlier it was speculated as to why viewing figures are down.
One explanation: it doesn't start until after Strictly Come Dancing, so children can't watch it until they turn on iplayer on Sunday morning. (Also, more people using iplayer in general. I watch it on iplayer.)
I may have mentioned this elsewhere, but Doctor Who gets one of the biggest "catch-up" audiences of any show in the UK. For instance (it's the first one I came across) The Witch's Familiar got a "live" audience of only 3.7 million - but about another 2.4 million watched it from other sources within 28 days.
We usually watch it on catch up en famille on Sunday afternoon, as Who excitement just before the youngest is due to go to bed doesn't make for a great evening!
Posted by LeRoc (# 3216) on
:
I thought it was brilliant. The speech of course, but there was so much to like. They way last week's cliff hanger was resolved. Not a cop-out this time. The conversation of Bonnie with Clara. So much going on there. Brilliant acting by Coleman, to be able to play her evil twin without the help of visual aids.
quote:
Stumbling Pilgrim: "I'm old enough to be your Messiah"
A killer, that line.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by BroJames:
quote:
Originally posted by beatmenace:
quote:
Originally posted by Penny S:
One thing I didn't like - only two parachutes.
I spotted that too. Bad news for the pilot, the Zygon and at least one UNIT guard (seen in the background at the end of part one).
The Doctor doesn't save everyone this time.
Well yes, and several piles of incinerated electric hair around the place.
For me, all of that added resonance to the Doctor's forgiveness. Both Humans and Zygons died as a result of Bonnie's uprising. The Doctor could not save everybody, but nevertheless: "I forgive you."
And, yes, Coleman's dual performance was wonderful. When Clara and Bonnie are having their conversation, it was very, very easy to forget that there was just a single actress doing it all. It is no wonder they gave her the week off for "The Woman Who Lived"--she needed the break!
Posted by Dafyd (# 5549) on
:
Arising out of a conversation I had in the pub...
Classic Doctor Who serials to recommend.
The following twelve is a moderately personal ordering:
The War Games
Carnival of Monsters
Horror of Fang Rock
The Ribos Operation
City of Death
Warriors Gate
Kinda
Enlightenment
Caves of Androzani
Remembrance of the Daleks
Curse of Fenric
Ghost Light
and for a baker's dozen, Power of the Daleks, which you can only watch as reconstructions on youtube, which is a pity because even as reconstructions on youtube it is really good.
(Classic Doctor Who fans will note that I am a fan of Sylvester McCoy, and also of Doctor Who stories where it is not obvious immediately, or indeed ever, what is going on.)
Posted by Erik (# 11406) on
:
I enjoyed that episode and thought the Doctor's speech was fantastic.
But did anyone else notice that one of the helmets from the Viking episode was very prominantly visable right behind the Doctor for the whole of that speech? It might not mean anything but it seems a bit odd. After all, someone must have decided to put it there. Maybe I'm seeing significance where there is none.
Posted by Penny S (# 14768) on
:
I didn't notice, but was alerted to it by another site - in a very special position, and I'm trying to recall what was in that space when we first saw the Black Archive. With no luck.
Next week, I notice in the trailer, someone gets shut in a box again. And the word nightmare is used.
It's rather as if I, when teaching, had given a class a set of items to fit into a story, and I then had a set of utterly different pieces of work, but all including those things, but not necessarily in the same way or in any other way connected.
Posted by LeRoc (# 3216) on
:
quote:
Erik: But did anyone else notice that one of the helmets from the Viking episode was very prominantly visable right behind the Doctor for the whole of that speech? It might not mean anything but it seems a bit odd. After all, someone must have decided to put it there. Maybe I'm seeing significance where there is none.
The Black Vault is where UNIT stores all the alien stuff they discovered. They found this helmet somewhere in Scandinavia.
Posted by Erik (# 11406) on
:
Yeah, I agree the black archive is a natural place for it to end up. It was just it felt very prominantly placed. If it had been something from old-Who, like the picture of William Hartnell, I would have just thought it was a nice node to the past. But with being something from the current series it felt much more intentional.
As I said before, it's quite likely I am just reading too much into it and am too easily distracted
Posted by LeRoc (# 3216) on
:
To me, it felt a bit like an inside joke. To us, this is from last month's episode. To UNIT, it is 1100 years old.
I have to say that I'm a bit less suspicious (or more gullible?) than some other people on this thread. A lot of things that have been mentioned ("Another base under siege?" "Some things are not historically accurate!") to me have to do with how action series work, and I'm not seeing a lot behind this.
What I see as significant in this season, as far as story arcs leading up to the last episode go, is the talk about hybrids, and of course the fact that Clara is going to leave.
But I may be wrong.
[ 11. November 2015, 12:11: Message edited by: LeRoc ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
To me, it felt a bit like an inside joke. To us, this is from last month's episode. To UNIT, it is 1100 years old.
Especially as it's not entirely clear what the rules of time travel are in Doctor Who. (*) It's quite possible that it wasn't there when we saw UNIT in The Magician's Apprentice, and has always been there since The Girl Who Died.
(*) This is a lie. It has been established beyond doubt that the rules of time travel are whatever they need to be for the plot of the current episode.
Posted by Hedgehog (# 14125) on
:
I think I am with you, LeRoc. I am not seeing any grand plan going on this season, apart from the hybrid thing. Hybrid comments seem forced onto the scripts rather like, years ago, they went out of their way to make sure "Bad Wolf" showed up frequently.
And there have been a few ironic comments about Clara never leaving, which is never a good sign for a character sticking around. You knew Donna was on her way out the moment she started saying "I'm never leaving."
I am not convinced that the multiple bases under siege means anything, other than that you can save a bundle on hiring extras. Although they also save money on extras in the Truth Or Consequences, NM scenes--apparently nobody else lives there apart from the Zygon sheriff (or whatever).
I am a bit surprised that we have heard nothing further about the Confession Dial after all the fuss they made about it back in episode one.
Posted by LeRoc (# 3216) on
:
quote:
Hedgehog: I am a bit surprised that we have heard nothing further about the Confession Dial after all the fuss they made about it back in episode one.
I'd almost forgotten about it! And I was sure it would show up again. I was looking forward to that.
Posted by Penny S (# 14768) on
:
It looks as though what was being kept in that case was a Vortex Manipulator, and I think it was used in "The Day of the Doctor".
Vortex Manipulator
Why the Mire helmet is accorded the same level of security isn't clear to me. Though it may well be used later on in the series.
And Clara first falls into a dream state in the episode in which Danny was killed, when she thought she was blackmailing the Doctor by throwing keys into a volcano, showing the character developed by the Zygon, and being forgiven by the Doctor.
If we're going back that far, I would be very surprised.
[ 11. November 2015, 17:24: Message edited by: Penny S ]
Posted by Robert Armin (# 182) on
:
quote:
It has been established beyond doubt that the rules of time travel are whatever they need to be for the plot of the current episode.
Very true. That could almost be a quote from Austen: "It is a truth universally acknowledged that...."
Posted by Penny S (# 14768) on
:
Well, that wasn't too impressive. Plus Clara in a box. Her optics affected like Amy with the Angels. And "It doesn't make sense."
Next week appears to use the Diagon Alley set. I didn't predict that - though referenced the idea.
[ 14. November 2015, 20:02: Message edited by: Penny S ]
Posted by Jack o' the Green (# 11091) on
:
About as scary as a mouse fart. I turned off half way through. Far too chaotic camera work which while obviously intended, detached me from the action. Nothing in the characters to make me care if they lived or died. Utter rubbish.
Posted by Penny S (# 14768) on
:
I've been scouting round elsewhere, and spotted a view of the scenery in Heaven Sent - like somewhere he'd never been before, apparently. Or, alternatively, Arizona. (Or similar. Australia, maybe. Not, I think, Mars.) And come to think of it, Skaro looked a bit red desertish. Did it all in one lot to cut expenses.
Today's was dire.
Posted by Penny S (# 14768) on
:
Found this.
quote:
Rachel Talalay, director of the final two episodes, told DWM: “[Steven Moffat has] layered in all these things from earlier in the series, which you never even thought were important. You have no clue what the series arc is, or how Clara leaves, until … well, until you do! It makes this finale so exciting – all these mysteries, numerous questions, some questions you hadn’t even realised were questions! It’s mind-blowing how well Steven has constructed this. At the end of this series, you’ll want to go back and watch it all again, ‘Now I see!’”
I spotted the twists in "The sixth sense" and in "Beautiful Mind". It would be nice to have spotted these things that are not spottable.
Others are starting to suggest what I have suggested.
Rassmussen is trying, like Davros, to perfect a race. And his box's hoses reach for Clara like snakes, like Colony Sarf's snakes reach for the Dr in the guise of hoses.
Posted by M. (# 3291) on
:
I found last night's gripping, although the monster of the week was beyond stupid and the twist was easy to see.
So why? I do like the occasional 'found footage' thing - I like the way that you see less than the characters see, rather than more - so perhaps it was that.
M.
Edited to add: re the previous post, Clara is held inside things a lot, too, like the first time we met her as a Dalek.
[ 15. November 2015, 05:55: Message edited by: M. ]
Posted by Athrawes (# 9594) on
:
Well, that was different. I find I don't like the recent Mark Gattis offerings. He tries too hard to make it horror, and doesn't quite carry it off.
I didn't mind the camera movements as a vehicle, but it would have been interesting to have had Choppra being the one to survive. The monsters didn't do much for me.
Posted by Schroedinger's cat (# 64) on
:
I thought that was pretty good. I liked the "Found Footage" style (once in a while - not regularly). I liked the challenge to the idea that sleep is a waste of time.
And I am not sure that we have heard the last of this. I am not sure that we are completely out of this yet.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Athrawes:
I find I don't like the recent Mark Gattis offerings. He tries too hard to make it horror, and doesn't quite carry it off.
I agree that I have not liked his recent offerings, but in this most recent one I'd say that it is not that he was trying too hard, but that he wasn't trying hard enough. He had a fairly simplistic concept for a story twist and then did some potboiling writing to fill it out. I got no sense that he really thought out the story. As the Doctor kept shouting, it made no sense. Even after the ending, it makes no sense.
Okay, okay. It is Doctor Who. I am used to the occasional story making no sense. No big deal.
But, as Schroedinger's cat observes, maybe we have not heard the last of this. After all, everything else this season has been done in two parts, so maybe next week's offering will provide a better wrap up on this one. Maybe.
Posted by Gill H (# 68) on
:
A monster made of sleep? What next, the Earwax Monster?
Or the Bogey Man?
Posted by M. (# 3291) on
:
Oh, Gill H, that made me
M.
Posted by Penny S (# 14768) on
:
Not being the sort of person who watches things frame by frame to analyse what might happen next, I have missed a couple of things. (Probably far more, of course.) These two were done by someone who does that sort of thing.
In the episode in which Ashildr turns up on a photo from outside the school, she is dressed as Clara's mother from some episode in the far past.
In this episode, in a list of stuff projected at the beginning, Clara's name appears. Rather like, and this is me, the Dr put it in a list of victims in the lake one.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by Penny S:
Rassmussen is trying, like Davros, to perfect a race. And his box's hoses reach for Clara like snakes, like Colony Sarf's snakes reach for the Dr in the guise of hoses.
Rasmussen was dressed in the classic black uniform associated with the Nazis and the Kaled Scientific Corps - he looked like a new version of Snyder (sp?) from 'Genesis of the Daleks'. Whoever mentioned the Angels and Amy reminds me that the grit in Amy's eyes became Angel-dust. Perhaps Rasmussen is creating the Angels, who develop their time-manipulating abilities through a trade-off with the Doctor?
And what is the Great Catastrophe that had hit Earth in the 38th century? Is the Doctor responsible for that catastrophe, and what is the role of the sand monsters in that (assuming a timey-wimey solution)?
All the question marks suggest that I was a good deal more confused after that episode that in any of the other 'Part Ones' in this series. Too many corridors as in old Who (somewhere in the third part of six, I think) and no real reason for anything. Why was humanity based on Triton? Why would anyone under 50 even know what a dustman was?
Posted by Penny S (# 14768) on
:
That's interesting, as some other people have been comparing his uniform with those from Babylon 5, and finding references to that and Star Trek all through this series.
I have discovered the Tardis Data Core. Apparently, in the comics, there have been sand monsters before. Real desert sand, though.
I refuse to acknowledge as canon anything outside TV, including Sarah Jane. Life is too short.
However, Clara's mother died in unexplained circumstances, and her name was Eleanor Alison Ravenwood, which is vaguely interesting.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Penny S:
However, Clara's mother died in unexplained circumstances, and her name was Eleanor Alison Ravenwood, which is vaguely interesting.
So her initials were E.A.R.? My God, Gill H. was right! It is going to be the Earwax Monster!!
Posted by Penny S (# 14768) on
:
Didn't notice that! It was the Raven I thought vaguely interesting.
I suspect Moffat is so engrossed in pleasing the frame watchers who blow things up huge to read them that he has forgotten about what Pratchett called "narrativium", the element which makes stories work. And which, in my opinion, works best with the broad sweep of the story, not the little French knots of embroidery in the hearts of the flowers on the edge of the tapestry.
Posted by Sipech (# 16870) on
:
I was sat there thinking it was a rehash of Journey to the Centre of the TARDIS. The dust monsters picking off the rescue crew looked awfully like the burnt people that were picking off the salvage crew.
Far from a fine episode, but as others have mentioned, I think there are allusions here that will only become clear later on.
Posted by Penny S (# 14768) on
:
quote:
Originally posted by Penny S:
One thing I didn't like - only two parachutes.
Curiously, in defending the showing of the episode with the crashed plane, it was said that no-one died in the explosion by whoever was doing the defending. Not thought about it, I suppose.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Penny S:
quote:
Originally posted by Penny S:
One thing I didn't like - only two parachutes.
Curiously, in defending the showing of the episode with the crashed plane, it was said that no-one died in the explosion by whoever was doing the defending. Not thought about it, I suppose.
Depending on where you look, it is remarkable what utter rubbish you can find from commentators. I made the mistake of watching a YouTube video allegedly revealing 5 "Easter eggs" from that episode--and when it was done I was satisfied only that (a) the poster had no idea what the phrase "Easter egg" means and (b) the poster didn't pay particularly close attention to the episode (getting plots wrong, quotes wrong, incidents wrong...).
Posted by leo (# 1458) on
:
I've followed this thread with interest but my abiding feeling is that the present series is second-rate and I think they should drop the whole 'project' for another ten years or so.
Posted by Robert Armin (# 182) on
:
At the risk of fulfilling all dafyd's judgements about me, I was never going to like this week's offering. Who or not, film or TV, I can't stand: - Dimly lit episodes where I can't be sure what's happening
- A Narrator telling us what is going on, rather then us seeing it for ourselves
- A Narrator telling us what characters are like ("He was the joker") instead of it being acted out. Lazy story telling.
Apart from that, I agree with the rest of you.
Posted by Penny S (# 14768) on
:
quote:
Originally posted by Hedgehog:
quote:
Originally posted by Penny S:
quote:
Originally posted by Penny S:
One thing I didn't like - only two parachutes.
Curiously, in defending the showing of the episode with the crashed plane, it was said that no-one died in the explosion by whoever was doing the defending. Not thought about it, I suppose.
Depending on where you look, it is remarkable what utter rubbish you can find from commentators. I made the mistake of watching a YouTube video allegedly revealing 5 "Easter eggs" from that episode--and when it was done I was satisfied only that (a) the poster had no idea what the phrase "Easter egg" means and (b) the poster didn't pay particularly close attention to the episode (getting plots wrong, quotes wrong, incidents wrong...).
I couldn't be sure who had made the statement, but it was someone involved at the BBC end, not a commentator. Backpedalling madly, I suspect.
Posted by balaam (# 4543) on
:
Just watched it, and as found footage style thing go this was far scarier than the Blair Witch Project.
So scarier than a very tame unscary film.
I think the idea of doing something different was good, but could have been done better. There is only room for one 'base under siege' episode per series, and we had hat in Under the Lake.
Posted by Dafyd (# 5549) on
:
I thought it had interesting if undeveloped ideas, some reasonable scares, and a few perfunctory sketches of other emotions.
As a base under siege it was preferable to the Under the Lake two-parter, if only because of the meta-critique of the base under siege genre, namely that even a malevolent pile of sentient eyegunk can write a decent base under siege.
Posted by ArachnidinElmet (# 17346) on
:
I like the Alien films as much as the next person, but I could quite happily go years before I need to see another Doctor Who episode where the whole of the plot is 'named characters pursued down darkened corridor by shadowy monster'.
Posted by LeRoc (# 3216) on
:
I've finally been able to watch this. I do think that this is a two-parter like the others, and to me it depends on how this is resolved.
Posted by Penny S (# 14768) on
:
I've discovered a "Dr Who Forum" where some of the things I've spotted have been spotted, too. But also a theme about Tarot, all the way through, apparently. I am totally blank on that. Though there was an obvious nearly Hanged Man.
Posted by LeRoc (# 3216) on
:
There must be dozens of Dr Who forums
I just discovered that this isn't meant to be a two parter. But maybe we will see this resolved at the end of this series?
I have the feeling that they tried something different here: let's do a found footage episode with a twist in the end, but it didn't really work.
Posted by Hedgehog (# 14125) on
:
More and more I am convinced that it was just a mis-fire.
Reportedly, it scored the lowest Audience Appreciation Index since "Love and Monsters" in 2006--another story I had completely forgotten about until I looked it up.
Posted by Penny S (# 14768) on
:
Here's the one with the ideas: The Doctor Who Forum
According to Mark Gatiss, he pitched this story for the last season, and had to add to it to fit into this one (after reducing it to one episode because of the found footage concept being added) Clara being more independent. I suspect he added more than that.
Meanwhile, I have woken with theory version 2. The hints about stories within stories suggests that this may not be someone's dreams, but someone's stories that the Dr and Clara are trapped in, made up from fragments of older stories and half remembered bits of other real world stuff. Hence the Mire helmet in the Black Archive. And the street next week being Diagon Alley. The obvious someone would be Ashildr, except that elements of the season are earlier than her, and her episode is full of half remembered stuff before she is put into the helmet. Less obvious would be that Ashildr is Missy. Or Clara in the Dalek.
Clara, in the first episode in which she was herself, and not a timeline echo, was partially absorbed into a computer, wasn't she? Thus gaining her computer skills when rescued. And, apparently (can't remember this), the Spoonhead who trapped her was disguised as the character Kate from the book Summer Falls, (which wasn't that good.)
Posted by Penny S (# 14768) on
:
This version would allow the next season to be a complete reboot.
A brief shot of the environment in Heaven Sent looks like the place where Missy received the dead in the last season. (Not the bit that looked like New Mexico, obviously.)
Posted by LeRoc (# 3216) on
:
quote:
Hedgehog: More and more I am convinced that it was just a mis-fire.
Yeah, I have the same feeling. I like that they're prepared to take risks, and I guess I can forgive them if one of them doesn't work out. But don't let it happen again this season
quote:
Penny S: Here's the one with the ideas: The Doctor Who Forum
They look like a pleasant bunch of people, and I'm sure it can be fun to look for patterns in this season (snakes! tarot!), and conjure theories based on those (Clara's already dead, they're caught up in a story …)
However, I'm still not convinced that there's more going on than the hybrid thing. I love to be proven wrong though, and I'd be the first to shake your hand if you turn out to be right in a month's time.
Posted by Penny S (# 14768) on
:
I have a nasty feeling that SM is reading all the web sites and sniggering as he plays with his models. (See the unofficial 50th episode made with Davidson et al.)
I was thinking this morning that the puzzles he sets are a bit like crossword puzzles - but that only works if it is solvable. I have no patience with the ones that depend too much on cricketing terms and 1930s university slang. (And that's the quick ones, not the cryptics.)
[ 18. November 2015, 15:50: Message edited by: Penny S ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Penny S:
I was thinking this morning that the puzzles he sets are a bit like crossword puzzles - but that only works if it is solvable.
I don't really think so. Usually when Moffat sets a puzzle the answer is obvious, or at least one of the obvious answers. As soon as you saw someone come up with the idea that Missy was the Master it was obviously true. When the Doctor got shot, there were three or four easy solutions in play by the time we got to the end of the series.
Moffat's not really interested in puzzles. He throws some things out, because the fan forums need something to talk about, but he is actually really interested in the emotional payoff. The Beast Below is rotten considered as a puzzle, but marvellous if you think about it as the Doctor and Amy learning how to trust each other.
Posted by LeRoc (# 3216) on
:
I do think that Moffat throws puzzles at us from time to time, but when he does he's rather obvious about it.
A clear example is when Amy turned out to be a Flesh creature. We knew that there was a mystery about her; that was rather in-your-face. The recurring question whether she was pregnant or not, the strange woman looking at her from time to time … We didn't know yet what the answer to the mystery was, but it was very obvious that there was a mystery.
I am not seeing Moffat posing this kind of mystery in this season, apart from the hybrid. What the people see as clues on this forum "Clara was pulled into the pod by snake-like chords, and in the first episode there was a villain with a snake-face!", they are much too far-fetched to be Moffat's style. If he wanted there to be a mystery about snakes, he would have made that obvious.
Of course it can be great fun to make an inventory of all things this season vaguely related to snakes. That's the kind of thing fans do, and I can see the fun in that. But I'm not convinced that these kind of things are mysteries Moffat put into this season.
Posted by Penny S (# 14768) on
:
Can anyone remember the details of Ashildr's origins? I sort of have a vague memory that she might have been adopted into the village and brought up since a baby by the man she treats as her father. Hence her feeling a bit out of it - not really at home among the girls, and not accepted among the boys though wanting to take part in what they did. I do remember that being said.
Now I thought, yes, I know about that. Normal for some. (Given a choice between "101 things a girl can do" and the same for boys, I'd go for the boys every time. Make your own coal gas in a syrup tin beats making barbola mirror frames hollow.)
But some might think it was to do with gender confusion. Like being a highwayman. Despite the babies.
This tangent comes courtesy of thinking round the Ashildr is the female Master again idea too much.
The snake thing wasn't so much Colony Sarf, as the snakes disguised as cables round Davros' chair seizing the Dr, while the cables behaving like snakes seized Clara.
It's a bit like music, where a theme repeats in a slightly different way through a piece. Like the eyes - and have you ever come across an Eye of Hades? Horus, yes. Hades, no.
[ 18. November 2015, 19:18: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
I don't think Ashildr is the Master and if she is, I'll be very disappointed. The whole point of The Girl who Died / The Woman who Lived is: what happens if you give immortality to a normal human being? This would be rather taken away if she turns out to be (semi-)immortal from the beginning.
Posted by Penny S (# 14768) on
:
That is the weakness of that thought, I admit. But I've still got that nag about her origin.
Posted by LeRoc (# 3216) on
:
I don't think there was anything in The Girl who Died about Einarr ("Chuckles") not being her real father.
(Talking about 'gender confusion': kudos for casting Bethany Black as 474/Grunt.)
Posted by Penny S (# 14768) on
:
I'm going to have to find a copy and re-watch it, aren't I? I usually delete things when watched because otherwise I run out of space. It was near the beginning of the episode, and didn't seem very significant. All I recall is a quick run through of abandoned baby stories in my mind, and its unlikeliness in the geographical context. And it was only a hint. Was it about the village having welcomed her?
I do not dream about Dr Who, so I couldn't have added anything that way. And I wasn't worrying at it back then, either. That is very recent. Chiefly because I now want to fast forward and get the whole lot, including Christmas, out of the way.
And that's it. Out of the way. I'm not so much a fan as I used to be, more of an anti-fan. At this point, in a book, if I had started feeling as I am now, I'd be reading the last page to see if a) I was right, and b) No-one I cared for was being bumped off; before taking it back to the library, or donating it to Oxfam if I wasn't satisfied with what the author had done. But I do want to know. No loose ends. The amount of mental rewriting that is hinted may be necessary is likely to cheese me off.
I like to finish a story with an appreciative sigh, that the end was the right one for the characters, and for the narrative - even if it were unexpected. Not the feeling that I'd been taken for a ride.
And if there is going to be an apotheosis of Clara to become some sort of wonderful entity on whom the whole universe depends, I shall not be pleased. Wesley Crusher, Cordelia, and I think there was another female one in another of the Star Treks are extremely irritating. The Dr himself gets a bit irritating when he is too much of a deus ex machina. But it is supposed to be about him, not the companions. Both Rose and Donna got a bit too apotheosised at times, but at least they got back to some semblance of normal (and a great pity it was for Donna.)
Posted by LeRoc (# 3216) on
:
quote:
Penny S: And if there is going to be an apotheosis of Clara to become some sort of wonderful entity on whom the whole universe depends, I shall not be pleased.
I'm afraid that this is a rather realistic possibility for the end of this season.
quote:
Penny S: Wesley Crusher, Cordelia, and I think there was another female one in another of the Star Treks are extremely irritating.
I tried to look for the Cordelia you were talking about but couldn't find her. I'm also interested in who the other female is.
Posted by Hedgehog (# 14125) on
:
Personally, I am still banking on my theory that Clara is going to be in the spin-off series set at Coal Hill School. Possibly her and what's-his-name, P.E. (Seriously, I can't remember his name--I can only recall the Doctor always calling him P.E.) Of course, that means we have to get him back from the dead, but the last two series having Heaven and Hell in the titles gives me hopes.
I doubt Ashildr is the Master because, well, we have a dandy one right now and the last we saw she was going to hatch a wonderful scheme with the Daleks. You want to talk about dangling plot threads, there is one right out in the open.
And, of course, those first episodes were also the ones where the whole hybrid thing got started. What was it again? A legend of a hybrid of "two great warrior species" which Davros decided was the Daleks and Time Lords. But having Ashildr referred to by the Doctor as being a hybrid suggests the possibility that she is of two warrior species: humans and Time Lord.
Oh. Oh. Oh. Surely the Moff is not going to bring back that line from the TV Movie that the Doctor is "half human" and then make him the hybrid of legend?? And then have that be the reason he fled Gallifrey, which he disclosed in the Confession Dial? Oh, I will spit if that is it. That line is better left untouched and assumed to be just an unaccountable joke by the 8th Doctor.
Oh, LeRoc, Cordelia was on "Angel" the spin-off show from "Buffy the Vampire Slayer." Aha!! There is a theme of spin-offs throughout this!!!!
Posted by LeRoc (# 3216) on
:
quote:
Hedgehog: Oh, LeRoc, Cordelia was on "Angel" the spin-off show from "Buffy the Vampire Slayer."
Ah, I thought this was still about Star Trek.
quote:
Hedgehog: Aha!! There is a theme of spin-offs throughout this!!!!
Star Trek: The Next Generation had a strong theme about malfunctioning holodecks. I think it is a comment on the futility of the narrative frameworks we construct around our own lives (I'm just fooling around a bit here, I do think that discerning themes in TV series can be interesting.)
(Psst the name is Danny Pink.)
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by LeRoc:
(Psst the name is Danny Pink.)
Oh, right! I knew "Rosebud" was wrong!
Posted by Schroedinger's cat (# 64) on
:
Personally, I think Hybrids is just someone trying to tell the Doctor that he needs a more environmentally friendly Tardis.
Posted by Erik (# 11406) on
:
And of course there is still the whole Orson Pink thing left over from last series. It could be that they are hoping everyone has forgotten about him (I did until recently). I would have thought that if Clara was already pregnant (which some people were suggesting before this series got started) someone would have noticed by now.
Posted by Penny S (# 14768) on
:
My friend and I used to dread holodeck episodes. Malfunctioning or not.
I think the female I was thinking about was Neelix's beloved.
By way of comparison, to explain what I look for in a story, I have just been watching an old episode of the detective series "Dalziel and Pascoe", based, I don't know how closely, on work by Reginald Hill.
It was full of false leads, red herrings and so on. It had in it three stories about little girls, one who had disappeared 15 years before, unsolved, one who disappeared in the opening, and the younger detective's daughter, whose attack of and recovery from meningitis, and whose favourite book, were woven critically into the main story.
I couldn't work out what had been happening. It was so difficult to watch in some places I had to break up the two hours into several segments. Of the generation involved in the old case, only the mother of the lost girl was innocent of anything, and there was no happy resolution at the end, only that the bodies were finally found.
But the resolution was, none the less, satisfying, the correct one for the narrative, and I did not feel cheated that I had not been able to work it out, nor that everyone could not go off happily into the Pennine sunset.
The contrived echoes of the "real" story in the children's book and the surviving girl's imaginary friend worked like a motif in music or in a poem. Not like puzzle solving.
[ 19. November 2015, 12:11: Message edited by: Penny S ]
Posted by Penny S (# 14768) on
:
Picking up on another couple of points above - Missy's last remark with the Daleks reminds me of Michael Caine's other famous quote from the Italian job. Not the door one, but the last words of the film. "Hang on Lads, I've got a great idea."
And pink isn't just a word for a soppy colour. It was, I have been told, originally a verb to do with cutting. Hence "pinking shears" for cutting fabric in a zigzag pattern that doesn't fray, and "pinks" for flowers with petals that look as if they have been cut. Also the remark of duellists with swords on drawing blood, that they have "pinked" their opponent. (And presumably, that irritating habit of the upper crust insisting that their bright red coats are pink. Like their white horses are grey.) The word has a messy background. I found, possibly interestingly, that the alternative name for pinks (dianthuses) of carnation, also refers to the colour being flesh like and was originally "incarnation" which seems right up Moffat's street.
Pink can also be used of the best of something - like the pink of condition. Like the flower of something.
It always seemed an odd choice of name. (Echoing Rose, as well?)
[ 19. November 2015, 12:25: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
quote:
Penny S: I think the female I was thinking about was Neelix's beloved.
I try to block Neelix out of my mind, but her name was Kes.
Posted by Schroedinger's cat (# 64) on
:
quote:
Originally posted by LeRoc:
quote:
Penny S: I think the female I was thinking about was Neelix's beloved.
I try to block Neelix out of my mind, but her name was Kes.
I liked Neelix. And Kes.
Posted by ArachnidinElmet (# 17346) on
:
Likely not a surprise to most on this thread, but I greatly enjoyed 'Time Warrior', first outing of Sarah Jane (also the Sontarans), including a turn by a youngish June Brown (more famous as Eastender's Dot Cotton).
Posted by Robert Armin (# 182) on
:
Agreed AE. There were problems with classic Who, of course, but I think the main characters worked well - in the early years especially there was more consistency. Don't like the Doctor and companion behaving in arbitrary ways because of plot demands.
Posted by Penny S (# 14768) on
:
I was in W H Smiths (newsagent and stationer, source of the monarch of the Queen's Navy in HMS Pinafore, which is totally irrelevant) perusing the magazine shelves for things I am interested in. Like why do they file British Archaeology out of sight, with the metal detecting and war gaming male hobbies instead of with the history.
Disappointingly, they do not, any more, stock "Astronomy" and "Sky and Telescope" in which I like articles on archaeoastronomy, not covered by the two British magazines they do stock.
Two shelves below the sparsely populated sciencey stuff (for which one has to be as tall as Jonah Lomo) at easy grab height was an array of Dr Who related magazines, six or seven of them. (So little science, so much Dr Who.) Picking up the one with a cover image of Clara as a diner waitress in that diner which is supposed to be in Arizona (but is actually in Cardiff) in the season finale, I had a glance through. It contains a lot of graphic novel stuff as well as articles, drawn by someone who can't, quite, get a likeness. This is closely related to the stuff in the ones which proclaim themselves to be comics. No use unless one has already read all the preceding stories.
From this I gain that Clara is apparently going to betray the Capaldi Dr, who is going to go off and get very, very old, and will need sorting out by the Tennant and Smith Drs. as well as his younger self. Hard to tell, though, because of the way the art work wanders over the pages, and the time line swoops about as well. There were other companions in the mix. The cover blurb suggests that Clara's emulating the Dr is part of the TV story line.
If it isn't on TV, I don't regard it as canon. And the business is clearly going to try and rake in as much money from the fans as possible. I did not spend the £5 on the thin amount of text, in which Gatiss and others congratulate themselves on the way season 9 is working out.
I did acquire one quite interesting nugget of information, though. The Diagon Alley space is called, by the Dr, a trap street, and it turns out that trap streets are real things. On paper. Cartographers will insert unreal streets on maps to trap plagiarists who intend to republish without attribution or paying Ordnance Survey for their work.
This may explain the two blinged up women a friend met wanting, at night, directions to an address in South London which he knew to be a grubby alley of a street backing on to the railway, between locked up industrial units. Got the address from the wrong map. My friend is still curious about this event, years later, and the subject will probably come up this weekend. (I'm sure the women would have been OK - the alley is just opposite the bus garage, in case of problems.)
Posted by LeRoc (# 3216) on
:
The rumours I've read about this season's end confirm what you're saying here. You're also right about trap streets.
Posted by Jengie jon (# 273) on
:
I live on a trap street, or rather on an "anti-trap" street i.e detail missed out deliberately. In the A-Z of Sheffield the road I live on looks as if it a through road. It is a cul-de-sac with a narrow piece of ground with bushes and a telephone connection box separating it from the next road down.
When I moved in some twenty years ago, criminals still relied on street maps for planning get a ways. The result was that every six months or so there would be a police chase with the criminals car ending in the bushes at the end of the street. We got fed up of this and installed a concrete bollard at the end of the road. This means the criminals stopped the car before driving into the bushes in an attempt to get to the next street. So there was less mess to clear up.
Jengie
Posted by Penny S (# 14768) on
:
Sounds like a very useful trap!
Posted by Garasu (# 17152) on
:
Can't help feeling that this undermines the purpose of maps...
Surely there's a Kantian critique here somewhere?
(Isn't it also a significant plot device in John Green's Paper towns?
Posted by Hedgehog (# 14125) on
:
[tangent]I think I ran into (metaphorically) a Garmin trap-street scenario a week or so back. My Garmin was happily advising me to turn left--despite the fact that there were not only prominent signs saying "No Left Turn" but also a sizeable concrete traffic island that physically prevented a left turn (unless you really didn't care about the bottom of your car).
It is a little annoying to have the Garmin state its usual snippy "recalculating" when, in fact, the fault was solely the Garmin's.[/tangent]
Posted by Penny S (# 14768) on
:
Capaldi's face! He is so brilliant.
Posted by Marvin the Martian (# 4360) on
:
Please tell me Clara isn't really dead........
Posted by Penny S (# 14768) on
:
Whopping great big plot hole, right at the onset of the conspiracy. How on earth could be arranged that Riggsy, last known of in Bristol, could pass by Diagon Alley at a moment convenient for whoever has it in mind to kidnap the Dr, and how was it known that he could call on the Dr?
And Ashildr is stupid, having already been taken for a ride by one lunatic alien, to be suckered again. (Only not suckered, since they aren't Zygons.) And how have aliens found her over the years, too?
Since there appears to be manifestation of Clara in a diner in the season finale, she aten't ded. There must be avatars of her all over the place, anyway.
[ 21. November 2015, 20:09: Message edited by: Penny S ]
Posted by balaam (# 4543) on
:
quote:
Originally posted by Marvin the Martian:
Please tell me Clara isn't really dead........
OK.
Clara isn't really dead. Happy?
--
After I disappointing episode (Though DW at its worst is still watchable) this was better. I guessed it was a set up for the final parts about 10 minutes in but this did not detract from the tension in the episode. This is up to the standard of the Zygon episodes, so I'm happy.
Posted by balaam (# 4543) on
:
The threads of the story arc are returning. Clara, who was teaching the class about Jane Austen when the planes froze in the sky in episode one, mentioned having fun with Austen in this episode. The confession dial is also back.
I still can't work out what the arc is though.
Posted by Adeodatus (# 4992) on
:
It's episodes like that that make me glad I avoid spoilers. That was brilliant!
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by Penny S:
Whopping great big plot hole, right at the onset of the conspiracy. How on earth could be arranged that Riggsy, last known of in Bristol, could pass by Diagon Alley at a moment convenient for whoever has it in mind to kidnap the Dr, and how was it known that he could call on the Dr?
He had a phone message at 6:00 (though what it was that made him just leave without a note ...).
That still leaves them to chose him as a victim, and to make sure he contacts the Dr.
Though if they knew he had Clara's details, I guess they can be fairly confident of things being predictable (and if not I'm sure there are ways to drop hints).
Posted by LeRoc (# 3216) on
:
Whoa.
Posted by The Rogue (# 2275) on
:
The BBC website seems to be in full obituary mode. But this is Dr Who so that doesn't prove anything.
Posted by Schroedinger's cat (# 64) on
:
Warning - spoilers.
OK, so why didn't Ashildr take the tattoo from Clara, which would have saved her? No idea what effect that would have had on her immortality, but she may have actually survived. Yes, it would have been a big sacrifice, but given that The Dr will probably exact revenge anyhow, it might not have been a bad choice.
Posted by LeRoc (# 3216) on
:
Hmm that's a good one. I was thinking about Clara giving the tattoo to the Doctor (but I can imagine her not wanting to do that), but giving it to Ashildr would make some sense. She feels guilty about Clara dying, and she isn't exactly thrilled about immortality.
Maybe there is something about "you can't cheat the raven" in here?
Posted by Jack o' the Green (# 11091) on
:
Part of me hopes Clara has died. Not because I didn't like her - I thought her and the Doctor's relationship was the best companion/Doctor relationship for a long time - but because it was so well done and genuinely moving. There is a nice contrast between a stupid miscalculation and its result - especially with regard to the 'impossible girl'. The ramifications could be significant.
Posted by LeRoc (# 3216) on
:
To be honest, I've always had difficulties to connect to Clara as a companion, as compared to Rose or Amy. I don't know why.
Posted by Penny S (# 14768) on
:
quote:
Originally posted by Jay-Emm:
quote:
Originally posted by Penny S:
Whopping great big plot hole, right at the onset of the conspiracy. How on earth could be arranged that Riggsy, last known of in Bristol, could pass by Diagon Alley at a moment convenient for whoever has it in mind to kidnap the Dr, and how was it known that he could call on the Dr?
He had a phone message at 6:00 (though what it was that made him just leave without a note ...).
That still leaves them to chose him as a victim, and to make sure he contacts the Dr.
Though if they knew he had Clara's details, I guess they can be fairly confident of things being predictable (and if not I'm sure there are ways to drop hints).
Thank you - I had forgotten that. Shows how far my fandom actually goes, doesn't it? But it does underline that Ashildr knows too much. Like about the confession dial. They still have to know all about Riggsy, his move, his phone number, and that he has the Tardis number. (But they don't?) Gallifrey has been mentioned. Or, I suppose, someone with an advance delivery of the season box set, and the walls lined with all the past series, and glued to replays on Horror. (If they can break the fourth wall, so can I.)
Did anyone spot any eyes? (I suppose the Janus people could count.) Or snakes? (The black guy with glasses had a reptilian head.) Does the stasis thing count as a box? There was another gender thing, though, wasn't there? I smell red herrings.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: But it does underline that Ashildr knows too much.
Perhaps. I guess a lot of it can be explained by the fact that she is following the Doctor rather closely, as has been established at the end of The Woman who Lived. Also, it is clear that she is in league with some alien force, possibly Missy, who may have told her a thing or two.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Jack o' the Green:
Part of me hopes Clara has died. Not because I didn't like her - I thought her and the Doctor's relationship was the best companion/Doctor relationship for a long time - but because it was so well done and genuinely moving. There is a nice contrast between a stupid miscalculation and its result - especially with regard to the 'impossible girl'. The ramifications could be significant.
I am kind of torn over this too. Like you say, it would cheapen the death scene to have her restored to life. On the other hand, I am also getting a little tired with the concept that every time a companion leaves there must be tragedy. Rose: trapped in an alternate universe. Donna: Mind-wiped. Amy & Rory: trapped in the past. Martha is the only nuWho companion who voluntarily chooses to leave--and even she did it amidst her family's suffering. It would actually be a nice change of pace to have a happy parting of the ways. I guess that is why I keep clinging to the hope that Danny Pink will be restored to life and Clara chooses to live life with him rather than the Doctor.
Posted by LeRoc (# 3216) on
:
quote:
Hedgehog: I am also getting a little tired with the concept that every time a companion leaves there must be tragedy.
I get what you mean. I can see that they want the companions to leave on an emotional note, and the easiest way to do this is to make it tragic.
Having said that, most companions you mentioned didn't end up that bad. Rose was with her family and with her version of the Doctor. Amy and Rory led fulfilling lives. And at least, they made an effort to make the tragedy different each time.
I have the feeling we're going to see Clara again two episodes from now, but I'm not entirely sure of it.
Posted by The Rogue (# 2275) on
:
When Adric died there was a bit of a stink about it. Up till then Companions just left, often of their own accord. I gather that many people didn't particularly like him but they didn't like the manner of his departure. That was the result of a misjudgement as well.
Posted by Penny S (# 14768) on
:
quote:
Originally posted by LeRoc:
quote:
Hedgehog: I am also getting a little tired with the concept that every time a companion leaves there must be tragedy.
I get what you mean. I can see that they want the companions to leave on an emotional note, and the easiest way to do this is to make it tragic.
Having said that, most companions you mentioned didn't end up that bad. Rose was with her family and with her version of the Doctor. Amy and Rory led fulfilling lives. And at least, they made an effort to make the tragedy different each time.
I have the feeling we're going to see Clara again two episodes from now, but I'm not entirely sure of it.
Should you fancy a spoiler, Imdb has a cast list for "Hell Bent", which has only two names on it, neither of which is Michelle Gomez, and neither of which is someone we don't know. You have to come at it by searching for the whole series first, as there's another page with no cast on it at all. (Not even the very extensive backstage lot.)
Posted by balaam (# 4543) on
:
quote:
Originally posted by Penny S:
[QUOTE]Should you fancy a spoiler, Imdb has a cast list for "Hell Bent", which has only two names on it, neither of which is Michelle Gomez, and neither of which is someone we don't know. You have to come at it by searching for the whole series first, as there's another page with no cast on it at all. (Not even the very extensive backstage lot.)
Imdb has updated the cast list. It is not the same now as when you posted.
Posted by LeRoc (# 3216) on
:
This is a big spoiler, but from what I understand, the cast list for next week could turn out to be *very* interesting.
Posted by balaam (# 4543) on
:
That is not really a spoiler, LeRoc. At least for those who read what Moff has leaked.
[I missed an obvious typo, Duh!]
[ 23. November 2015, 11:52: Message edited by: balaam ]
Posted by LeRoc (# 3216) on
:
(Ok. I'm still unsure how careful I should be on this thread.)
Posted by orfeo (# 13878) on
:
Hmm.
I'd got behind again, so I've just watched 2 episodes in a row.
"Sleep No More" was odd, and initially interesting, but in the end it just seemed awkward. There was a sense of ideas just being thrown at you for the sake of it - which arguably FITS the big reveal, but doesn't make for a great viewing experience.
"Face the Raven" was... also odd, in a very different way. Intriguing. A bit strangely paced, and I felt as if there weren't enough ideas, but then come to think of it did say "To Be Continued" so judging it on its own is questionable.
The writing in the big scene was excellent, though. Very Clara. I haven't felt that Clara has been all that well used for much of this season (certainly compared to last season), but this did feel like it fit her character.
Posted by Penny S (# 14768) on
:
Imdb: Very interesting - especially as the Trivia page still includes you-know-who, plus a Moffat piece.
I'm not sure how happy I am that Moffat implies that with Clara gone, the Dr has nothing left to care for. What about babies? For instance.
[ 23. November 2015, 12:27: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
quote:
Penny S: I'm not sure how happy I am that Moffat implies that with Clara gone, the Dr has nothing left to care for. What about babies? For instance.
Out of curiosity, did Moffat say that, or did you deduce this from the show?
quote:
orfeo: "Sleep No More" was odd, and initially interesting, but in the end it just seemed awkward.
I'm with you here. It seems to me that they had what looked like a good idea on paper, but it didn't work out really.
[ 23. November 2015, 12:29: Message edited by: LeRoc ]
Posted by Rosa Winkel (# 11424) on
:
Wouldn't it be novel for a Doctor Who companion to actually stay dead? It happened to Rory a few times and Clara once or maybe even twice now. If this continues the next companion might as well be called Lazarus.
Posted by orfeo (# 13878) on
:
Philip Sandifer's review of "Face the Raven" encapsulated perfectly a little nugget of what was so right about the big speech...
quote:
And it is a scene that revolves around who Clara is: a deeply flawed bossy control freak capable of acting with indescribable grace. She lied and manipulated her way to death, like she inevitably would eventually, just as the Doctor inevitably does every couple of seasons. “Why can’t I be like you,” she asks, and there is no good answer. Indeed, she is. She gets a death scene, just like he always does...
Full text here.
There's more in the same vein in that review and another one I read, that this is the culmination of one characteristic of Clara that has been emphasised for the last couple of years: her desire to be the Doctor. And here is the great moment of tragedy as she tries to solve things with the kind of crazy move that the Doctor is always pulling. And finds out that it doesn't work.
That, I think, is why it feels so fitting.
Posted by Rosa Winkel (# 11424) on
:
In fact, they could bring Adric back, as well as providing a TARDIS for someone to go back to my eight year old self in order to comfort him, crying his eyes out that I was.
Posted by Rosa Winkel (# 11424) on
:
orfeo: I thought that Philip Sandifer had stopped his blog, finishing with a massive article. I see he didn't, like. Had I misunderstood?
Posted by orfeo (# 13878) on
:
quote:
Originally posted by Rosa Winkel:
orfeo: I thought that Philip Sandifer had stopped his blog, finishing with a massive article. I see he didn't, like. Had I misunderstood?
Yeah, it's a bit strange. I think it kind of moved sideways. If you try to follow links to the "old" site it doesn't work properly. And yet if you do the right kind of search it's all still there.
And very much continuing to generate new content. It's just not separated out into different topics the way it used to be, so the Doctor Who stuff is jumbled with lots of other things.
Posted by Tubbs (# 440) on
:
quote:
Originally posted by orfeo:
Philip Sandifer's review of "Face the Raven" encapsulated perfectly a little nugget of what was so right about the big speech...
quote:
And it is a scene that revolves around who Clara is: a deeply flawed bossy control freak capable of acting with indescribable grace. She lied and manipulated her way to death, like she inevitably would eventually, just as the Doctor inevitably does every couple of seasons. “Why can’t I be like you,” she asks, and there is no good answer. Indeed, she is. She gets a death scene, just like he always does...
Full text here.
There's more in the same vein in that review and another one I read, that this is the culmination of one characteristic of Clara that has been emphasised for the last couple of years: her desire to be the Doctor. And here is the great moment of tragedy as she tries to solve things with the kind of crazy move that the Doctor is always pulling. And finds out that it doesn't work.
That, I think, is why it feels so fitting.
But that desire, and her belief that it was possible (arrogance?!) was her undoing in the end. None of the other companions would have tried that as they knew they weren't the Doctor so the universe treated them differently. They might have tried it for other reasons though.
As Me shows, you can't be like the Doctor even if you share some of his abilities - like immortality. Your memory isn't long ehough for a start. If she'd remembered better, she'd have never agreed to scheme in the first place. She's have known it would end badly.
Tubbs
[ 23. November 2015, 13:14: Message edited by: Tubbs ]
Posted by LeRoc (# 3216) on
:
quote:
orfeo: this is the culmination of one characteristic of Clara that has been emphasised for the last couple of years: her desire to be the Doctor. And here is the great moment of tragedy as she tries to solve things with the kind of crazy move that the Doctor is always pulling. And finds out that it doesn't work.
That, I think, is why it feels so fitting.
Yes, very good how they did this. I just looked back on my earlier posts on this thread, and here I wrote that there are two themes around Clara: she's becoming just like the Doctor, and she needs to face death. I didn't put those together and realise that this could mean that she'd get in over her head and therefore cause her own death
Also, the title The Magician's Apprentice makes sense now. It is very good when a show is able to do that.
quote:
orfeo: Full text here.
A good review (I've read various). I especially agree with him about Maisie Williams. She's definitely a good actress (I don't watch GoT, I'm just judging what I see of her on Dr Who), but I have the feeling that they may be putting too much on her shoulders here.
I disagree with him on one point though: I don't think Sleep No More / Face the Raven is a two parter.
Posted by orfeo (# 13878) on
:
quote:
Originally posted by LeRoc:
I disagree with him on one point though: I don't think Sleep No More / Face the Raven is a two parter.
No-one agrees with him at all on that, and if you look in the comments he suggests it's his little joke.
Either there's a "to be continued" or there isn't. And it seems that Sleep No More was a stand-alone (not even having normal intros and credits) so that we could have a 3-part finisher...
Posted by LeRoc (# 3216) on
:
quote:
orfeo: No-one agrees with him at all on that, and if you look in the comments he suggests it's his little joke.
Ah, I hadn't read the comments.
quote:
orfeo: And it seems that Sleep No More was a stand-alone (not even having normal intros and credits) so that we could have a 3-part finisher...
That's what it looks like for me too.
Posted by Schroedinger's cat (# 64) on
:
quote:
Originally posted by LeRoc:
(Ok. I'm still unsure how careful I should be on this thread.)
As nothing more than a reader of the thread (not a host or anything else), I think that anything that is a spoiler for future shows is probably best linked with a spoiler alert (i.e. not posted on the thread directly).
Out of season, pretty much anything is acceptable.
Anything that is not directly impinging on future shows, or is general, public knowledge, is probably OK.
Posted by Penny S (# 14768) on
:
quote:
Originally posted by LeRoc:
quote:
Penny S: I'm not sure how happy I am that Moffat implies that with Clara gone, the Dr has nothing left to care for. What about babies? For instance.
Out of curiosity, did Moffat say that, or did you deduce this from the show?
He was quoted on the Imdb trivia page on "Hell Bent."
[ 23. November 2015, 18:08: Message edited by: Penny S ]
Posted by Schroedinger's cat (# 64) on
:
I should say, I loved the Logans Run reference. One of the brilliant insider jokes that it doesn't matter if you miss.
Posted by Robert Armin (# 182) on
:
Well, that wasn't bad. Liked the mystery street, liked the tats, liked return of not-Danny. However, I didn't find it deeply moving, not least because Clara's death was so drawn out. When the other chap faced the Raven, there was about a minute between the bird leaving the cage and his death. With Clara there were lots of long speeches, before she went out and bravely embraced the avian. (Mind you, it still wasn't as protracted and maudlin as Tennant's departure.) And why didn't the Doctor even try anything? To simply stand back and admit defeat is not in the character of any Doctor we've seen.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: He was quoted on the Imdb trivia page on "Hell Bent."
Thank you, I found it. The quote is "If the Doctor has lost his moral compass, if he's being selfish, if you really, really hacked him off, if you really got him angry and gave him nothing to fight for.. what would you end up with?"
Going all exegetical for a moment, it's not exactly clear what he meant with "[if you] gave him nothing to fight for". I'm not sure if we should interpret this as "he has nothing to care for now that Clara is gone".
Posted by Penny S (# 14768) on
:
Both the old man and Clara sacrificed themselves for others, even though the old man ran. And I'm sure that the old man and his wife's story reminded me of something I read, or heard, somewhere else. Isaac Bashevis Singer, maybe?
What would have been different if the old man had stood his ground, I wonder.
[ 23. November 2015, 19:24: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
quote:
Penny S: And I'm sure that the old man and his wife's story reminded me of something I read, or heard, somewhere else. Isaac Bashevis Singer, maybe?
Interesting. I don't think I've read anything by Singer.
quote:
Penny S: What would have been different if the old man had stood his ground, I wonder.
I'm sure that the old man was put there in the story to make the contrast with Clara who didn't run. What's interesting is that the old man was really a Cyberman. I don't think that part of the episode was well thought-out.
Posted by ArachnidinElmet (# 17346) on
:
I found the otherwise well-played death scene undercut by the music. I don't need sweeping violins to tell me when to be sad.
Posted by Penny S (# 14768) on
:
The outcome was, apparently, the same, though. Both dead. Both with the black smoke going off.
Ah ha, I'm rewatching for a particular detail. One of the two greeters is called Rump, which name occurs in the list for the finale.
I'm not absolutely convinced the old man was a Cyberman. It was discussed elsewhere, and someone suggested that the punishment generally had to be fierce enough to make a Cyberman fear it. He didn't behave in any way like a Cyberman. Besides which, from what the other greeter said, referring to them always running, the whole thing seems as effective as school canings in the days when the punishment book showed the same names over and over again. Ashildr keeps killing. People keep breaking the rules.
And she obviously doesn't read her diary enough, since she has not remembered that deals done with aliens may not be what one expects. She has made the same mistake again.
[ 23. November 2015, 20:27: Message edited by: Penny S ]
Posted by Penny S (# 14768) on
:
If not Singer, someone else Jewish. It felt like a story from the camps. Not any refugee one. Perhaps about taking bread? Which makes Ashildr what?
Posted by LeRoc (# 3216) on
:
quote:
Penny S: The outcome was, apparently, the same, though. Both dead. Both with the black smoke going off.
True, but this season makes a big deal of the question: how do we face death? For example, this was rather obvious in the highwayman who was convicted to the gallows and who started to make dirty jokes.
quote:
Penny S: I'm not absolutely convinced the old man was a Cyberman.
I don't trust my memory 100%, but I recall Ashildr literally saying that he was a Cyberman.
quote:
Penny S: Besides which, from what the other greeter said, referring to them always running, the whole thing seems as effective as school canings in the days when the punishment book showed the same names over and over again. Ashildr keeps killing. People keep breaking the rules.
I'm not really sure what you mean here.
quote:
Penny S: And she obviously doesn't read her diary enough, since she has not remembered that deals done with aliens may not be what one expects. She has made the same mistake again.
You're right. And I feel that the episode glosses over this a bit too easily.
Posted by Penny S (# 14768) on
:
What Ashildr said (and I've just rewatched, to find out) was "Would a Cyberman be afraid of a merciful death?" Which rather leaves it open. But a Cyberman would not be able to move as the old man did, even if he looked like an old man.
The bit about the punishment book was that her method simply doesn't work. She has to keep on executing people. If it worked, she wouldn't need to. It doesn't deter. And the one with the glasses knows it, and doesn't like it.
Posted by LeRoc (# 3216) on
:
quote:
Penny S: What Ashildr said (and I've just rewatched, to find out) was "Would a Cyberman be afraid of a merciful death?" Which rather leaves it open. But a Cyberman would not be able to move as the old man did, even if he looked like an old man.
Okay, on both things. I'm not sure if there is any significance to this. (What I do find significant personally is that the Doctor is angrier about Clara's death than about the old man's. The episode doesn't pay much attention to this.)
quote:
Penny S: The bit about the punishment book was that her method simply doesn't work. She has to keep on executing people. If it worked, she wouldn't need to. It doesn't deter. And the one with the glasses knows it, and doesn't like it.
Agreed. This is clearly a comment on zero-tolerance laws and giving up some of our rights for security, but the episode doesn't delve very deeply into that. We never really meet the inhabitants of trap street besides a few plot-related lines, which is a bit of a shame. But I imagine that the episode had a lot to do.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Robert Armin:
And why didn't the Doctor even try anything? To simply stand back and admit defeat is not in the character of any Doctor we've seen.
Hmmmmm. Interesting. I am reaching here, but I wonder if we are all being led down the garden path. Early in the episode, when Clara mentions "trap streets" the Doctor does react--almost like it suddenly occurred to him that this whole thing was a trap. And he went into it knowingly. And he saw Riggsy's tattoo so he knew what he was up against. So did he make plans for emergency situations if they needed to avoid the Shadow? And remember that the place was filled with perception filters so nothing that we saw necessarily was what actually was. Surely the Doctor could hack that system in no time. And the Doctor and Clara hugged before the end, which gave him time to whisper to her what to do (like play dead)--a favorite tactic of recent Doctors. I wonder if, two episodes from now, we are going to have another bait-and-switch like in the "Impossible Astronaut" season and nothing we saw was real.
Just speculating.
Posted by LeRoc (# 3216) on
:
@Hedgehog: that's definitely a possibility. There was also something jarring about "he has a countdown tattoo, let's look for a trap street".
If you don't mind, I hope you're wrong.
Posted by Erik (# 11406) on
:
quote:
Originally posted by LeRoc:
[QUOTE]Penny S:[qb] What I do find significant personally is that the Doctor is angrier about Clara's death than about the old man's. The episode doesn't pay much attention to this.
I agree that this is noteworthy. It reminded me of the 'Under the Lake' episode where the Doctor only really kicked into action when Clara was in danger. At the time I felt a bit uncomfortable at the implication that the other people's lives didn't really matter in the Doctor's eyes. Especially the comment that the Doctor put Clara's name on the list his ghost was reciting in order to make him act.
Posted by LeRoc (# 3216) on
:
quote:
Erik: I agree that this is noteworthy. It reminded me of the 'Under the Lake' episode where the Doctor only really kicked into action when Clara was in danger. At the time I felt a bit uncomfortable at the implication that the other people's lives didn't really matter in the Doctor's eyes. Especially the comment that the Doctor put Clara's name on the list his ghost was reciting in order to make him act.
Yes, it reminded me of the same thing. I was thinking, if the show wants an emotional arc for the Doctor in the next season(s), this might be an interesting one to consider.
Posted by Penny S (# 14768) on
:
That's interesting. As if, following the regeneration upgrade, when he had spent ages caring for others, he had realised he was losing something vital to himself, and Clara was the only way he had of holding on to it. She was the one who was concerned about Riggsy. Not him.
Or that SM can only bother about Clara. I think the diversity of Nuwho is good, but the Dr has to be the core.
Posted by Penny S (# 14768) on
:
Today, I received the Radio Times for the week after next, as they get ahead of the Christmas special rush. Anyone want any spoilers? It has an article by Moffat, in which he mentions the necessities attendant on writing for characters of superior intelligence, such as Sherlock and the Doctor, when one does not, oneself, necessarily match them.
Meanwhile, as I was wandering round Waitrose, and contemplating the magazine rack, it occurred to me that Who has been written as if the Doctor cannot function alone, as if he has to have a shakti, or an external anima to advise him.
At which point, the bit of my brain which likes to fish around for musical accompaniments to my thoughts started singing "As he has no anima to give him advice" and started a mud laden ear worm. Which has now produced this.
Not sure about the last line yet.
The place where the Dr is is no Paradise
Despite what the title may say
And now with no anima to give him advice
It seems that's where he'll have to stay
With the Veil getting closer, a threatening shade
Hiding who knows what under his hood
We hope, with no spoiler, it's not mere pot-boiler
The finale had better be good
Dud, dud, we don't want a dud
A plot falling down with a resounding thud
A plot that's so hollow, that we'll never swallow
We just want to wallow in narrative flood.
Posted by LeRoc (# 3216) on
:
Hehe, that's creative. Looking forward to this evening's episode. I don't have a TV licence, so I can only watch it in catch-up.
Posted by tessaB (# 8533) on
:
Genuinely creepy.
Posted by Penny S (# 14768) on
:
And next week's cast list is wrong, as this one's was.
I'm still mulling.
Posted by balaam (# 4543) on
:
Let me see if I got this right.
The Doctor is on Gallifrey, which is in a pocket universe in the tower in the Doctor's confession dial, which is in the Doctor's pocket, who is on Gallifrey which is in a pocket universe, hich is ...
I love a good paradox.
Posted by LeRoc (# 3216) on
:
Very good. There was a moment that really made me jump.
Posted by M. (# 3291) on
:
I found it a mixture between boring and extremely irritating.
It's no good, much as I want to, I don't like Doctor Who much at the moment.
M.
Posted by Gill H (# 68) on
:
Please tell me he lied about the hybrid...
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Gill H:
Please tell me he lied about the hybrid...
Are you worried that this is the half-human on his mother's side thing? The internet mass guess is that it's got nothing to do with that; the Doctor may not have actually said that he was the hybrid?
Posted by LeRoc (# 3216) on
:
Wow, the next day I'm still thinking about this episode. So many good things in here. Easily one of the best episodes of NuWho.
Posted by Penny S (# 14768) on
:
It was stunning.
And proved he was utterly correct in fearing Gallifrey. Billions upon billions of Groundhog Days.
And reminded me how much I hated not understanding the end of 2001.
He said "The hybrid...is me."
Which has another interpretation. If you capitalise the "me".
Posted by LeRoc (# 3216) on
:
quote:
Penny S: He said "The hybrid...is me."
Which has another interpretation. If you capitalise the "me".
Yes.
Posted by orfeo (# 13878) on
:
quote:
Originally posted by LeRoc:
quote:
Penny S: He said "The hybrid...is me."
Which has another interpretation. If you capitalise the "me".
Yes.
Oh golly, good point.
I enjoyed it, but I wouldn't say it was one of the greatest episodes. What I would say, though, is the last part, once you know what's going on, is amazing and horrifying and heartbreaking and powerful.
Posted by orfeo (# 13878) on
:
Addendum: And Me totally is a hybrid. She's human, but then she has that other thing in her that's been keeping her alive forever.
Posted by Boogie (# 13538) on
:
quote:
Originally posted by M.:
I found it a mixture between boring and extremely irritating.
I thought it was like a Shakespeare play. Lots of long, convoluted speeches, very dramatic acting and no action!
Like Shakespeare I think it will grow on me, so I shall watch it again.
Posted by Adeodatus (# 4992) on
:
Heaven Sent was Doctor Who meets Camus meets 18th century gothic meets 1980s computer adventures meets Kafka meets M.R.James meets nightmare meets parable.
And I absolutely loved it!
Posted by Schroedinger's cat (# 64) on
:
I loved it. Reminded me of Iain Banks. With GoT and Black Mirror thrown in for good measure.
I like this style of story - paradox, surrealism, a confused doctor, and (for me) a gripping storyline.
Posted by Ceannaideach (# 12007) on
:
Liked it and had spotted the cyclical nature very early one.
Also seemed to have echoes of Scherzo, for any other Big Finish fans
Posted by Penny S (# 14768) on
:
It was obviously necessary for the Dr not to have the confession dial when he put on the transporter bracelet or there would have been a horrible paradox.
And I wonder if the reason it fell off was because he had, like Kay in "The Box of Delights" gone small. (Though delightful this obviously wasn't.)
So why had he sent the dial to Missy in the first place?
And what did he mean by saying, presumably to the Gallifreyan lot, "I know what you've done"?
I haven't given up on the whole season being a dream, or a story, or the equivalent of a holodeck episode* with someone who doesn't really know the details of Earth history cobbling it together. Only it would have to be the Time Lords. The whole sequence could be inside the gadget.
As in "thanks very much for stopping us being destroyed - now we're going to give you hell, little by little by little".
Did you notice the flies, like the planes in the first episode?
I thought Ashildr looked more like herself in the trailer - no fancy hairdo, more relaxed.
*After all, they've now done the transporter trick idea.
[ 29. November 2015, 15:35: Message edited by: Penny S ]
Posted by Penny S (# 14768) on
:
Forgot to mention, somewhat irrelevantly, that the first comment under the Daily Telegraph review is always by someone (not the same someone) complaining that it is too politically correct. too many females (the director in this case) or a black face in the Tyburn crowd. The rest are mixed fan stuff. Odd.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by Schroedinger's cat:
I loved it. Reminded me of Iain Banks. With GoT and Black Mirror thrown in for good measure.
Got a strong taste of 'Feersum Endjinn' once I saw the building move, plus it shouted 'confession dial' at the same time. But while I loved it, I did get frustrated throughout the episode until I underwood what was going on. I must be getting shallow in my old age... Capaldi was great, though.
We believe many of the interior scenes were filmed in Warwick Castle (the hall was the most recognisable)
Posted by Penny S (# 14768) on
:
I thought some of the decorated stuff later in the programme looked like Cardiff, or Castell Coch.
Posted by Penny S (# 14768) on
:
Revised it was all a dream idea...
The first episode, in which we saw the dial, was the set up. He had never had it, it wasn't his creation at all. Missy may not even have been Missy. (Though she's listed in Hell Bent on Imdb.) He had been in hiding in the Middle Ages - and it may be no accident that the same actor played Bors and the Veil, and that the exits from both Ep 1 and the Raven were made in the same way, without the Tardis. Some form of Clara was needed to find him and hand him the dial. (Not sure about that bit. Echo? Zygon?) (Second thought here - Bors was already there, so may be more complicated than that.)
Thereafter, it's been revisiting things and living through them, regardless of inconsistencies until he makes it out onto Gallifrey, separated from the Tardis, which, as we know, is sentient and could have influenced things to his advantage.
Basically a holodeck series.
Clara isn't in the cast list. Claire Bloom, who played a woman who might be the Dr's mother isn't playing The Woman, and the actress who is hasn't a photo.
[ 30. November 2015, 15:03: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
I think the guy who played the Veil played Snake Guy in the first two parter? I need to check again.
I think you're right about the castle. These scenes seem to have been filmed in Cardiff and Caerphili castles.
Posted by Penny S (# 14768) on
:
You're right, Colony Sarf. Makes the hypothesis better, slightly. But something made me think Bors was repeated - wonder what. Not checking though.
Posted by LeRoc (# 3216) on
:
I liked Bors. I wouldn't mind him coming back one day.
Posted by Dafyd (# 5549) on
:
I thought the story was brilliant.
Posted by LeRoc (# 3216) on
:
Just a question: did anyone get the part about the octagonal(?) sand pit with the chalk arrows?
Posted by Penny S (# 14768) on
:
Not yet. I haven't rewatched yet.
Posted by Robert Armin (# 182) on
:
Friends on Facebook are saying it is either a) brilliant or b) cockwomble. On the whole I'm going with b). When I watched it on iPlayer I got a phone call shortly before the end and had to pause it. When I realised there was still 10 minutes to go I had to force myself to turn it back on - I was so bored with all the repetition.
Posted by Penny S (# 14768) on
:
Trailer for next week - the shack with the destruct device in it was visible in the distance.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by LeRoc:
Just a question: did anyone get the part about the octagonal(?) sand pit with the chalk arrows?
No, but it looked as if the Veil could use it to teleport to the 'grave'.
Posted by ArachnidinElmet (# 17346) on
:
quote:
Originally posted by Robert Armin:
Friends on Facebook are saying it is either a) brilliant or b) cockwomble. On the whole I'm going with b). When I watched it on iPlayer I got a phone call shortly before the end and had to pause it. When I realised there was still 10 minutes to go I had to force myself to turn it back on - I was so bored with all the repetition.
I'm solidly between the two positions. It was a good idea, but it was a tiny bit overlong and overstretched. You couldn't have anything too zany so soon after Clara's death so serious is fine, but 10 minutes too long is about right.
RA, may I compliment your use of Cockwomble. I'm thinking of slipping it into conversation tomorrow.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Robert Armin:
Friends on Facebook are saying it is either a) brilliant or b) cockwomble. On the whole I'm going with b). When I watched it on iPlayer I got a phone call shortly before the end and had to pause it. When I realised there was still 10 minutes to go I had to force myself to turn it back on - I was so bored with all the repetition.
It was a Marmite episode. You got bored with the repetition, I loved the slow, lyrical pace. I've actually just watched it for the fourth time, and I can't get enough of it. Writing, acting and directing are all perfectly judged - if you can accept that the outcome is something utterly different from almost every other Doctor Who story. Every time I watch it I see new details. Last time, for instance, there's the moment when the Doctor says "...and you won't be there" to imaginary Clara. And the heavy, despondent way he sits down - I thought, I have seen exactly that when someone has been told of the death of a friend.
This was a beautifully crafted piece of tv drama. But no, it won't have been to everyone's taste.
Posted by Hedgehog (# 14125) on
:
I am still not sure how I feel about this episode. I think it felt long because it was largely a solo act. But I agree with Adeodatus that the Doctor's comments to and about Clara were wonderfully heartbreaking.
But I am having trouble making the bits fit. So the transporter ring sent him into the Confession Dial? But the Doctor doesn't seem to have recognized it as such--at least, not right away. His constant looking at the stars implied he considered them "real" stars. The whole time lapse thing assumes that they are real stars. But were they fake if it all occurred inside the Dial?
And where was the Dial this whole time? Did it teleport to Gallifrey or was it placed there so that, when the Doctor emerged, he would be on the planet? If it teleports to Gallifrey, then does that mean that the Doctor was carrying a Confession Dial that is sort of like his last will & testament without knowing that it provided access to his home planet? Or did he know all along that it would? Was that his confession--that he knew where to find Gallifrey all this time? Is that why, when he thought he was going to die, he sent the Dial to Missy--so that the other surviving Time Lord might find it? But...but...but...
Of course, still one more episode left. Plenty of time for explanations.
Posted by LeRoc (# 3216) on
:
quote:
Hedgehog: But I am having trouble making the bits fit.
It depends a bit on how many logical leaps you're willing to make to get caught up in the story, but what works for me is that the confession dial isn't a physical thing or a physical space within our universe. I think that this can deal with some of your questions.
quote:
Hedgehog: Is that why, when he thought he was going to die, he sent the Dial to Missy--so that the other surviving Time Lord might find it? But...but...but...
Yes. I need to check again but the last time we saw the confession dial was in episode 2 where it ended up with Missy, right? In this case, it would need some explaining why the Doctor had it at the beginning of Face the Raven.
quote:
Hedgehog: Of course, still one more episode left. Plenty of time for explanations.
Agreed. I'll be in Africa, so I'm unsure when I'll be able to watch it.
Posted by Penny S (# 14768) on
:
The trailer had him saying "she's my friend" - the tone was ever so slightly like the tones of children in the playground during a discussion of who's friend she was, as they cannot contemplate someone being more than one person's friend. Not entirely believing?
And Gomez is in the cast list. Clara isn't, despite the diner.
Posted by Hedgehog (# 14125) on
:
And yet, on the trailer, there is a brief scene showing the Doctor holding the hand of a young woman dressed just like Clara was dressed in the Raven episode. (I phrase it that way because the heads are out of shot--but if it isn't Jenna, it is a body double for her.)
But maybe that is just like "Clara" showed up in "Heaven Sent"--a memory of her rather than her.
LeRoc, if my memory is working correctly, the Doctor repossessed the Dial from Missy when she tracked him down and confronted him about it. He then had it with him when he was taken by the Daleks, because Davros then took it from him and held it for a time. I think the Doctor then took it back from him (about the same time as he repossessed his sunglasses from Davros). That's the last I recall of it until it showed up in the Raven episode.
But, as we know, my memory is not exactly perfect.
Posted by LeRoc (# 3216) on
:
Okay, that makes sense.
Posted by Penny S (# 14768) on
:
Here is a reference to a bit of fun. Guardian piece
And here is the link to what it refers to. Peter Jackson
Posted by LeRoc (# 3216) on
:
Nice!
Posted by Robert Armin (# 182) on
:
quote:
Originally posted by ArachnidinElmet:
RA, may I compliment your use of Cockwomble. I'm thinking of slipping it into conversation tomorrow.
Very kind, but I can't really claim any credit. A friend posted it on Facebook, when discussing last week's Who. While not exactly sure what she meant, I think I got the general drift.....
Posted by Penny S (# 14768) on
:
I have a subscription to the Radio Times, and in the run up to Christmas, they are arriving in an accelerated way, as if via tha Tardis. Yesterday was the one for the week after next, and had a letter in which someone told how she had wept over Clara's death, with the editorial comment that tears would flow again after the finale.
[ 04. December 2015, 14:17: Message edited by: Penny S ]
Posted by balaam (# 4543) on
:
quote:
Originally posted by Penny S:
Here is a reference to a bit of fun. Guardian piece
And here is the link to what it refers to. Peter Jackson
But Ido not wish my Who episodes to be in 3 parts lasting 3 hours each.
Posted by Robert Armin (# 182) on
:
Serious question - with the finale less than 24 hrs away, can anyone explain what is going on at the moment? Some of you must understand it.
Posted by Hedgehog (# 14125) on
:
Several of us have theories, but I doubt anybody has the courage to say that we understand it.
Assuming that it isn't all a dream (which I think is Penny S's theory and, frankly, makes it easier to explain away the stuff that doesn't make sense), it appears that the Doctor has returned to Gallifrey. How? Good question. I think he got there somehow through the device known as the Doctor's Confession Dial. What is a Confession Dial? Allegedly it is sort of the Time Lord equivalent to a Last Will & Testament. Why would a Last Will & Testament transport one to Gallifrey? Good question. Apparently, it just does.
If you accept that he is on Gallifrey (regardless of how he got there) he is very angry because on Gallifrey is (apparently) the person or people who set the trap for him back on Earth, which trap apparently transported him into the Confession Dial, which is sort of a torture device that extracts truth (a confession).
Wait, wait, you say. Didn't I just tell you that it was the Doctor's Last Will & Testament? Well spotted. Yes I did. Apparently his Will is a torture device. Or something. And why would anybody trap the Doctor by putting him in his own Will? Good question. Don't know. They just did.
In any event, that trap for the Doctor resulted in the death of Clara (apparently). Which royally ticks off the Doctor (apparently). So, since the person/people who did it are on Gallifrey (apparently) and he is on Gallifrey (apparently) he is going off to get some justice. Or revenge. Maybe.
Do you see why the dream scenario is so much easier to work with?
Posted by Penny S (# 14768) on
:
quote:
Originally posted by balaam:
[QUOTE]Originally posted by Penny S:
Here is a reference to a bit of fun. Guardian piece
And here is the link to what it refers to. Peter Jackson
But Ido not wish my Who episodes to be in 3 parts lasting 3 hours each. [/QUOTE
Whereas we get 12 parts lasting 45 minutes each plus a bit extra at the end plus the Christmas special. Not very different.
Posted by Penny S (# 14768) on
:
I wouldn't exactly say dream - but an imposed dream from outside. Something along the lines of what (I think) Tolkien said that elves could do. Which is why I have more recently mentioned the holodeck on Star Trek. Travelling in through layer 1, in which Moffatt has been doing this to the Doctor, we get to layer 2, in which someone in the Whoniverse has been doing it to him. Missy, the Time Lords, a group including Ashildr, I haven't the slightest idea any more. But I think it has been going on for at least most of this season, and possibly back further. He may have been in the dial far longer than the last episode, and only thinking he had it in his pocketses all that time.
I wish they would pronounce Ashildr's name properly. It wouldn't be Ash-ildr, it would be As-hildr. It's another thing that doesn't make sense.
One of the techies in the production cast list in Imdb is surnamed Oswald!
Posted by Hedgehog (# 14125) on
:
Oh, and I forgot to summarize the whole "hybrid" thing. So there is (apparently) an ancient Time Lord legend of a hybrid made of the two greatest warrior species in the universe (or something like that), and (apparently) the hybrid was destined to stand in the runs of Gallifrey (or something like that). Davros thought it would be a blend of Dalek and Time Lord but, as the Doctor pointed out in "Heaven Sent," the Daleks would never blend their DNA with anybody. As Ace observed back in classic Who, you can tell the Daleks are all about racial purity. So the Doctor finally stated that the hybrid was "me." Which could either refer to himself or to Ashildr, who tends to call herself "Me." (And kudos to Penny S for pointing that out.) And Ashildr is a human who has been made immortal because the Doctor gave her a Time Lord healing disk.
But, you ask, if the Time Lords have a healing disk that can make you immortal, then why do any Time Lords ever die? Good question. Don't know. Maybe the disk doesn't work as well with Time Lord physiology and it is only less complicated life forms, like humans, that the disk can make immortal.
There. You are ready for the finale, with everything made crystal clear except for, you know, the plot.
Posted by Pine Marten (# 11068) on
:
I am so glad I have you lot here, to explain what nobody understands anyway.... I love this thread
Posted by Jack o' the Green (# 11091) on
:
quote:
Originally posted by Hedgehog:
So the Doctor finally stated that the hybrid was "me." Which could either refer to himself or to Ashildr, who tends to call herself "Me." (And kudos to Penny S for pointing that out.) And Ashildr is a human who has been made immortal because the Doctor gave her a Time Lord healing disk.
If I remember correctly, the Doctor didn't give Ashildr a Time Lord healing disk, but a piece of alien technology taken from the invading alien's (I forget their name) armour.
Posted by LeRoc (# 3216) on
:
quote:
Jack o' the Green: a piece of alien technology taken from the invading alien's (I forget their name) armour.
The Mire.
Posted by Jack o' the Green (# 11091) on
:
Cheers. I didn't want to get bogged down in the details!
Posted by Penny S (# 14768) on
:
I don't think I deserve that kudos - I may have got it somewhere else. Hard to say now.
And, curiously, at one point Osgood described herself as Me, explaining that the human/Zygon issue was irrelevant in her identity. No one else has mentioned that in places I have been.
Posted by Penny S (# 14768) on
:
Very quickly, I've been re-watching last week. Have any of the other Drs been so dependent on another that they have to talk to someone who isn't there any more?
Posted by Jack o' the Green (# 11091) on
:
Interesting episode. Presumably, because Clara is frozen in time, she can go round the long way indefinitely. Although the universe needs her to die, if she's frozen, she will never not have died, so never create a schism or fracture in the universe (or something like that).
Posted by Penny S (# 14768) on
:
Yeah, but, overall, I am afraid, thud.
Ashildr's done 4 billion years and remains sane? (Though the memory slipping might have helped.)
The Doctor being cleared of remembering Clara is probably the only way out. I was getting fed up of his learned helplessness.
We now have three lots of maverick timey people wandering around - Jenny, the two women, and the Doctor.
The Daily Telegraph will have splutterings about Clara and Ashildr, and the General being regenerated as a black woman. And being rude about male egos.
And all those infuriating wrongnesses throughout the season turning out to be incompetences and not plot features at all. And Rachel Talalay saying we would have to rewatch the lot to pick up all the clues. Nuts. Rubbish writing.
But the opening scenes were good. All the support of the common people and the soldiers deloping (I think that was the word for duellists shooting somewhere other than their opponent) and Rassilon losing his cool (but remembering to position himself back from the line of fire, unlike the German officer with the Italian firing squad in the film with Gregory Peck about nuns protecting Jewish children). The pacing was good, it was well written. But it got less gripping.
(I wasn't helped by having a phone call in the middle, but I wasn't particularly irritated by it, which tells you something.)(I could, and did, run it back, but that isn't the point.)
I am disappointed. More disappointed than I was when I read "The Box of Delights" the first time and found that "it was all a dream" when "The Midnight Folk" wasn't.
I think my version was better. (Hubris...)
[ 05. December 2015, 20:31: Message edited by: Penny S ]
Posted by Penny S (# 14768) on
:
Forgot.
Compare and contrast, children, the tunnels below the cities of the Daleks and of the Time Lords, and the surviving entities therein.
Posted by Dafyd (# 5549) on
:
I liked the ending. That was fun. And Donna finally gets her own back.
The rest had fun bits, but I think it was more a story about ending up in a place than about the journey.
Posted by Hedgehog (# 14125) on
:
Yes, well, that wasn't very tear-inducing. But at least they avoided actually confirming the "Doctor is half human" line, and that was my big worry. I found the last scene to be hopeful: the Doctor getting back to being the Doctor.
quote:
Originally posted by Penny S:
I think my version was better. (Hubris...)
I was going to warn you about getting too fond of your own theory. I did the same thing years ago. Back in series 5, the TARDIS blew up (the Pandorica thing). At the end of the series, the Doctor made some glib comment about figuring out why it blew up later. I then spent most of series 6 expecting it to explain the explosion. That was the Doctor-dies series. I figured the end result would be that the Doctor changing his own death would cause temporal feedback that would destroy the TARDIS--but that was a price he was willing to pay because he had already fixed it! I thought it was a great twist: to have the Doctor free to do the unthinkable because he had already dealt with the consequences before he even knew he'd have to cause it.
Except that that isn't how it turned out. Instead we got the lame "we lied: he never died" explanation. I was very disappointed--my theory was SO MUCH BETTER! And the whole TARDIS blowing up thing was not explained until Matt Smith's last episode, when it was just brushed off with a throw away line.
But life goes on. Unless you are Danny Pink. And possibly Orson Pink. Who, apparently, we should just forget.
Did I mention that it was time for the Moff to move on?
[ 06. December 2015, 02:40: Message edited by: Hedgehog ]
Posted by LeRoc (# 3216) on
:
I managed to watch it now, and I found it a bit underwhelming.
Still, I think that Season 9 was one of the best of NuWho. Last week's episode was a classic for me, and there were around three more that were very good. Also two or three duds, but overall I feel that it compares very well with other seasons.
It took me a while to warm up to Capaldi, but I feel he really moved into the role this season, so I'm excited to see more of him. I never got into Clara much, so I'm not sad to see her go. Looking forward to who the next companion will be (I don't think it will be Ashildr or Osgood). Oh, and I'm sure there will be one or two bases under siege. I have no problem with that.
If you haven't seen the "next time" trailer this may be a spoiler, but we'll have River Song over for Christmas. I'm a bit in two minds about this: I always liked her, perhaps more than the common denominator of internet did (but I liked Vash in Star Trek; I guess I have a thing for female Indiana Joneses). But there is always the danger of a let-down when a character who's arc seems to have ended is brought back. Let's hope for the best.
quote:
Penny S: And all those infuriating wrongnesses throughout the season turning out to be incompetences and not plot features at all. And Rachel Talalay saying we would have to rewatch the lot to pick up all the clues. Nuts. Rubbish writing.
To be honest, I still believe that most of the clues you have mentioned on this thread didn't exist, except on a discussion site that admits itself that it is about crazy theories. There was never a thing about pods, or snakes, or names starting with Os- in this season (though you were right about Me).
quote:
Hedgehog: And possibly Orson Pink. Who, apparently, we should just forget.
Yeah. I didn't have high hopes that this was going to be resolved; I guess this will stay a loose end.
Posted by Penny S (# 14768) on
:
I think there were things about repeating themes, though. Last night there were the things trapped in the cloisters by the cables of the Matrix, which was an echo of the snake cables which trapped the Doctor on Skaro, and the cables which pulled Clara into the Morpheus machine. And there has been a sequence of coffins of various sorts, and stuff about eyes. That these turned out to be literary devices rather than carrying plot meaning doesn't mean they weren't there. I suspect now that they were there not only for elegant and varied repetition, but also to mislead the fans.
However, what really gets my goat is the use of what now appear to be poorly researched historical assumptions. viz: horned helmets, electric eels, confusion of 17th and 18th centuries. (Were there others - can't recall off hand?) There was no need for that sort of careless writing and production values at all, and I regard it as treating the audience with contempt. Like the end of Blake's Seven. If done unknowingly, it's carelessness. If done with an attitude of "they'll complain, but who cares?" which some reports about the helmets suggested, it's rude.
When they can do stuff like last week's episode, with stunning writing and production, they have let themselves down.
Posted by orfeo (# 13878) on
:
Meh. I know I'm in a funny mood today anyway, but I felt very little.
Posted by orfeo (# 13878) on
:
I think the Zygon story was the standout this season. I also liked "The Girl Who Died/The Woman Who Lived" quite a lot.
The 3-part finale had its moments, but I really didn't feel emotionally involved as often as I should have. "Heaven Sent" was the best, and the last part of it was very powerful. "Face the Raven" had good moments but was perhaps a bit overwrought, and then "Hell Bent" was even more along those lines, trying to make me feel things rather than actually letting it happen.
I dunno. Maybe I'm just being a big grump. I intend to rewatch the finale to see if I get more out of it.
Posted by Penny S (# 14768) on
:
You should realise that someone has spotted that the musician going down into the dark places to rescue the woman in his life has a precursor. And having his memory wiped eliminates the possibility of looking back.
[ 06. December 2015, 13:23: Message edited by: Penny S ]
Posted by LeRoc (# 3216) on
:
My not so humble opinion:
The Magician's Apprentice The Witch's Familiar: the first part was a bit chaotic, with too many ideas being thrown at us. The confrontation with Davros was not brilliant, but it was OK. Good.
Under the Lake / Before the Flood: people who wanted behind-the-couch moments got them here. Cass was a good character. The resolution left a bit to be desired. Okay.
The Girl Who Died / The Woman Who Lived: the Dad's Army part was a bit daft, but it can be forgiven because the two parter told a good story about immortality. Good acting by Williams. Very good.
The Zygon Invasion / The Zygon Inversion: the running around in New Mexico and Turmezistan didn't do much for me, but it was more than made up for in the second part, with as highlight of course the Doctor's speech about war. Very good.
Sleep No More: an experiment that misfired. But I can forgive them for doing that every once in a while. Meh.
Face the Raven / Heaven Sent / Hell Bent: I wasn't that attached to Clara, but I admire that they faced her death in the eyes (the last episode didn't take that away for me). Heaven Sent was pure brilliance. Hell Bent didn't do much for me. So I have good, classic, okay for the three parts. It still gives a very good for me overall.
So, I have a meh, an okay, a good and three very goods. I don't think there are many seasons that can live up to that.
[ 06. December 2015, 13:52: Message edited by: LeRoc ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by orfeo:
The 3-part finale had its moments, but I really didn't feel emotionally involved as often as I should have. "Heaven Sent" was the best, and the last part of it was very powerful. "Face the Raven" had good moments but was perhaps a bit overwrought, and then "Hell Bent" was even more along those lines, trying to make me feel things rather than actually letting it happen.
I agree that Heaven Sent was the strongest and Hell Bent the weakest of the three, with Face the Raven in the middle. I feel I rate them both more strongly than you do - Heaven Sent feels like one of the highlights of the whole modern series, and Face the Raven isn't far behind. Hell Bent had a bit much mucking around with Gallifrey and also with the Doctor crossing ethical boundaries for my liking. But the idea of Me and Clara embarking on their own spin-off series (which sadly we'll never see(*)) in an American diner is just wonderful.
(*) Big Finish are no doubt drawing up contracts even as we speak.
Posted by LeRoc (# 3216) on
:
quote:
Hedgehog: I was going to warn you about getting too fond of your own theory. I did the same thing years ago. Back in series 5, the TARDIS blew up (the Pandorica thing). At the end of the series, the Doctor made some glib comment about figuring out why it blew up later. I then spent most of series 6 expecting it to explain the explosion. That was the Doctor-dies series. I figured the end result would be that the Doctor changing his own death would cause temporal feedback that would destroy the TARDIS--but that was a price he was willing to pay because he had already fixed it! I thought it was a great twist: to have the Doctor free to do the unthinkable because he had already dealt with the consequences before he even knew he'd have to cause it.
Nice one, I like it.
Posted by M. (# 3291) on
:
Meh. So boring again.
Why is it that no character is actually allowed to die these days? It takes all the power out of it.
M.
Posted by Boogie (# 13538) on
:
quote:
Originally posted by M.:
Meh. So boring again.
Why is it that no character is actually allowed to die these days? It takes all the power out of it.
Options open - in case they want to bring them back.
Posted by Schroedinger's cat (# 64) on
:
I really want to see a spin off Clara and Me where they wander the universe having the ultimate good time. No saving the world or anything, just one big universe-sized party.
Posted by balaam (# 4543) on
:
Clara and Me in the new CBBC Coal Hill School show perhaps?
I have nothing bad to say about the last episode. Nostalgia has got the better of me with the old TARDIS control room and a welcome return of reversing the polarity.
Posted by M. (# 3291) on
:
Well, yes, the best bits were the old Tardis console room, reversing the polarity and - hurrah! - a new sonic screwdriver.
M.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by M.:
Why is it that no character is actually allowed to die these days? It takes all the power out of it.
Firstly, because it's a family show and killing off brave young women isn't something we like to do on family shows.
Secondly, because killing off your characters has become cheap. Anyone can kill off character, add instant drama. Living is better than dying because dying is easy.
Posted by orfeo (# 13878) on
:
quote:
Originally posted by LeRoc:
My not so humble opinion:
The Magician's Apprentice The Witch's Familiar: the first part was a bit chaotic, with too many ideas being thrown at us. The confrontation with Davros was not brilliant, but it was OK. Good.
Under the Lake / Before the Flood: people who wanted behind-the-couch moments got them here. Cass was a good character. The resolution left a bit to be desired. Okay.
The Girl Who Died / The Woman Who Lived: the Dad's Army part was a bit daft, but it can be forgiven because the two parter told a good story about immortality. Good acting by Williams. Very good.
The Zygon Invasion / The Zygon Inversion: the running around in New Mexico and Turmezistan didn't do much for me, but it was more than made up for in the second part, with as highlight of course the Doctor's speech about war. Very good.
Sleep No More: an experiment that misfired. But I can forgive them for doing that every once in a while. Meh.
Face the Raven / Heaven Sent / Hell Bent: I wasn't that attached to Clara, but I admire that they faced her death in the eyes (the last episode didn't take that away for me). Heaven Sent was pure brilliance. Hell Bent didn't do much for me. So I have good, classic, okay for the three parts. It still gives a very good for me overall.
So, I have a meh, an okay, a good and three very goods. I don't think there are many seasons that can live up to that.
I find myself largely in agreement with your not so humble opinions.
I still think I prefer last year to this year, just a little. Last year's themes felt more coherent. After last year's finale, I found myself wanting to rewatch the season in a way that had never happened before.
Posted by Piglet (# 11803) on
:
I'm not a Whovian, but we happened to catch an episode of it tonight on the Space Channel, and were mightily amused at the Doctor describing Gallifrey as "like Glasgow, but in space".
Which possibly explains what are probably the coolest chairs in the known universe.
Posted by Penny S (# 14768) on
:
I thought Mackintosh - but didn't make the connection!
Posted by Piglet (# 11803) on
:
We reckoned the ones in the show were based on this one, but with "Glasgow roses" carved from the oval bit.
We have a very crude copy of the Swallow chair, made of shot-blasted Mexican pine which D. found in a scruffy furniture shop in Belfast and lovingly coated with lots of black paint to hide the shot-holes. When I came home from w*rk and saw it silhouetted against the dining-room window I was completely gobsmacked.
[ 07. December 2015, 13:10: Message edited by: Piglet ]
Posted by Penny S (# 14768) on
:
Now they can do stuff like that, and still think horned helmets, electric eels, codices and confused centuries are OK! Complete dissonance.
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Penny S:
And Gomez is in the cast list. Clara isn't, despite the diner.
One thing I have learned this series--pay no attention to the IMDB cast list for future episodes. Was Gomez in "Hell Bent" at all? Even in flashback? I know my attention was a little distracted, but I don't recall her. Jenna, of course, was there quite a lot. But I am sure she was kept out of the cast list to preserve the surprise.
LeRoc, I generally agree with your ratings. I think you like "Heaven Sent" more than I did, but that balances because I rate the Zygon story even higher than your "Very good" rating. Yes, all in all, this was not a bad series. The Dalek story, while it had more than its fair share of silliness, was entertaining. "Under the Lake/Before the Flood" kept my interest going. Ashildr's first story was a little overly silly, but her second appearance was wonderful. "Sleep No More" will soon be forgotten. The Raven episode was compelling and (thankfully) the following episodes did not destroy that.
And it looks like the Christmas episode may be light-hearted, which will make a nice change from the last three episodes.
Posted by Robert Armin (# 182) on
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OK - Clara's continued survival threatens the space-time continuum (whatever) because she was meant to die in London 2015. Agreed? So how does forgetfulness get round that? Especially if it is the Doctor who forgets?
Are we now to expect to see a lot more of the Time Lords? Instead of being sealed away in an alternate dimension, they are at the end of time and space - which isn't a problem when any old Tardis can zip you away from there (as we saw).
Why was the President so angry with the Doctor that he (at first) tried to kill him? Isn't that a rubbish way of getting information out of any one? (Even when the topic is as boring as the Hybrid.)
Overall, I agree with Hedgehog - Raven was good, but the next two episodes fell apart. Just like the very first episode of this season, and all that followed. I'd say there were only two decent episodes in this entire run, but Christmas might cheer things up.....
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Robert Armin:
Why was the President so angry with the Doctor that he (at first) tried to kill him? Isn't that a rubbish way of getting information out of any one? (Even when the topic is as boring as the Hybrid.)
Theory: The President was no longer trying to get info at that point. Getting info about the hybrid was the justification for trapping the Doctor in the Dial (and the repeated lines that he could have gotten out any time he wanted if he had just told what he knew). But at the end of "Heaven Sent," after he has left the Dial, he picks it up and says something like "I'm sure you can still here me..." and then gives his line about "The hybrid is Me."
So, if the President was listening, he was just told that the dangerous hybrid was the Doctor and that is why he then tried to kill the Doctor.
[I have no answer for why Clara isn't still a danger to the Web of Time(tm), nor do I know whether we will be pestered with loads of Time Lords now. The banishment of the President suggests that he is being set up to be a new Big Bad--except that he seems to be just a pompous politician (yes, I know; redundant), which is hardly the makings for a good villain.]
Posted by Hedgehog (# 14125) on
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An interesting parallel: The very first companion of the Doctor to die during an adventure happened 50 years ago, on December 4, 1965.
Story HERE.
Posted by Penny S (# 14768) on
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Unless the Christmas special manages to sneak in a few answers to stuff that's dangling like unused bits of snakey cable from one of the sets, I'm probably giving up.
Like why the Dial turned up with Missy anyway. Why the Dr thought he was going to die - again.
It's not just me being wrong, I didn't invent stuff that wasn't there, I think I've been messed with. It's not fair dealing.
[ 07. December 2015, 22:49: Message edited by: Penny S ]
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Penny S:
Like why the Dial turned up with Missy anyway. Why the Dr thought he was going to die - again.
You won't like my answer but: The Doctor knew that Davros was searching for him and wanted to see him before Davros "died." Although it wasn't shown in "The Magician's Apprentice" a prequel bit showed that. That is why the Doctor was secluding himself (sort of) at the start. Going to Skaro to see Davros was a deadly proposition, so it caused the Doctor to think that he might die.
So he prepared the Confession Dial. And who else would he give it to? It had to be another Time Lord--nobody else would know what to do with it. And which Time Lord would he mostly likely seek out, but his best frenemy? (And if, at the time, he didn't know where Gallifrey was, there really wasn't any other choice.)
Posted by Penny S (# 14768) on
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Given what happened with it in the end, does that really make sense? Construct his own Purgatory?
I can see that your idea works in the the Moffattverse, apart from that. Oh, and that he should have thought that Missy was dead.
Posted by LeRoc (# 3216) on
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quote:
Robert Armin: OK - Clara's continued survival threatens the space-time continuum (whatever) because she was meant to die in London 2015. Agreed?
The way I understand, as long as she dies on that street eventually it will be OK. Even if she takes a long time in between.
quote:
Robert Armin: So how does forgetfulness get round that? Especially if it is the Doctor who forgets?
I don't think that forgetfulness is supposed to get around that. It is supposed to get around something else. It is supposed to get around the fact that the Doctor and Clara together are dangerous for the universe.
quote:
Hedgehog: because I rate the Zygon story even higher than your "Very good" rating.
I guess it's a personal thing. I have a confession to make: I'm not very keen on speeches.
In Star Trek: The Next Generation, some of the highlights of that show to many of the fans are some of Picard's speeches. His speech against Q, his speech about Data's right to decide for himself, his speech about drawing the line in First Contact … I appreciate the sentiments behind all of these moments, but I'm not a speech kind of guy.
The same here. I'm a near-pacifist, so I appreciate the anti-war sentiment of the Zygon two-parter. And I also liked the link with current events, like the refugees etc. And the speech was very well done. But it was still a speech, and I find it hard to get excited about that.
But that's just me; I guess it's a matter of personal taste here.
quote:
Penny S: Like why the Dial turned up with Missy anyway.
I feel I need to watch The Witch's Familiar again. I'm a bit hazy on what happened with the confession dial.
quote:
Penny S: Why the Dr thought he was going to die - again.
This was very well explained to me. I think Hedgehog explained it very well. The Doctor feels responsible for Davros, through the history they had together, and more explicitly through not saving the boy on the battle field. He felt that as Davros was dying, he needed to make amends. And the only way to do that, was to put everything on the line, so that it could result in his death.
quote:
Penny S: Given what happened with it in the end, does that really make sense? Construct his own Purgatory?
I think the Time Lords messed with his confession dial?
Posted by Dafyd (# 5549) on
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quote:
Originally posted by Robert Armin:
OK - Clara's continued survival threatens the space-time continuum (whatever) because she was meant to die in London 2015. Agreed? So how does forgetfulness get round that? Especially if it is the Doctor who forgets?
I think the Doctor thinks that the risk to the space-time continuum is overstated.
IIRC, there was a line in there somewhere about the Time Lords being able to track Clara by her memories of the Doctor and vice versa. (I personally think that's why the Doctor never tells anyone his name - he got rid of it so they couldn't find him that way. Likewise, the Master.)
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by LeRoc:
quote:
Penny S: Given what happened with it in the end, does that really make sense? Construct his own Purgatory?
I think the Time Lords messed with his confession dial?
The Doctor did have a line in Hell Bent where he says something like "the Dial was never meant to be a torture device" and that it was a device to store a Time Lord's consciousness until it could be transferred to the Matrix.
Of course, how it went from storing a consciousness to storing the actual physical body is a little vague. But there is precedent for that. In the classic series, when the Doctor first went into the Matrix (In "The Deadly Assassin"--to distinguish it from the non-deadly ones) his body stayed out in the real world, vulnerable to attack while his mind was inside the Matrix. But then, in the Trial season, he entered the Matrix physically. I didn't understand how that worked then, and I don't understand how the body gets into the Dial now, but at least it is consistent!
Posted by Dormouse (# 5954) on
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What were the thoughts on the Christmas special? As a non-Whovian (i.e. I enjoy it but don't follow it avidly) I enjoyed the Speccial very much. A romp which didn't require much over-thinking. But, of course, other opinions are available...
Posted by Dafyd (# 5549) on
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Yes. Basically it was aiming for silly and fun and succeeded admirably.
Posted by Sparrow (# 2458) on
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I agree. And thank goodness for the absence of Missy, Cybermen or Daleks.
Posted by cattyish (# 7829) on
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It was terribly romantic. I did enjoy it though.
Cattyish; the 16th doctor.
Posted by Schroedinger's cat (# 64) on
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The Christmas specials have become a time to relax, let a few more big names join the cast, and be rather less bothered about polluting the timeline.
I think this is a good thing. This years was fun, silly, and romantic.
Geekiness: The "Many Husbands" reminded me a little of a firefly episode. The plot was, IIRC, not dissimilar.
Posted by The Rogue (# 2275) on
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One of the issues facing Time Lords, I have always thought, is recognising each other after a regeneration. I remember in Tom Baker's Deadly Assassin people would see him and only realise who he was after a few moments, usually after he had given them a clue. But how does any non-Time Lord (eg River) have a chance?
An enjoyable episode for me and, as has been mentioned above, Christmas episodes do tend to be quite different - presumably because the viewing population will be more widespread in terms of Who experience. There were plenty of in-jokes (River pulling a fez out of her bag and loads of one-liners), a bit of pathos and some interesting turns from well-known stars. Are established comedians appearing a lot in Who these days?
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Dafyd:
Yes. Basically it was aiming for silly and fun and succeeded admirably.
Totally agree. It was what I had hoped for: just a fun, funny romp. It was good to see the Doctor laugh.
Posted by Sparrow (# 2458) on
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"Hello Sweetie"
Posted by Robert Armin (# 182) on
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Agree with all of you. Lots of fun, and who cares how it fits into the timelines!
Posted by balaam (# 4543) on
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quote:
Originally posted by Sparrow:
"Hello Sweetie"
And "Spoilers". Both are R Song phrases but delivered by the Doctor.
A nice touch in a nice episode. They should do nice more often.
Posted by Hedgehog (# 14125) on
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So, with the Christmas Episode behind us, it is time for speculation on the next companion(s).
Male or female? Female is the heavy favorite. While the Doctor has had male companions in the past, I can't recall any extended period when there was just the Doctor and a male companion without them immediately adding a female to the mix. The closest I can recall was "The Massacre of St. Bartholomew's Eve"--and even at the end of that the Doctor and Steven picked up Dodo.
Number of companions? The heavy favorite is one, although having two or three might take some of the burden of carrying the show off of Capaldi's shoulders.
Young or old? Oh, this is tricky. The audio adventures had the Sixth Doctor with an older companion (Evelyn Smythe), but it is virgin territory for the televised adventures. It might make for a nice change of pace for Capaldi to be paired with an older companion. In fact, a character like Evelyn would be interesting with him.
Human or alien? The odds favor human but an alien would afford story opportunities as we explore the alien race. But would the viewers tune in to see two non-humans exploring the Universe?
Past, present or future? One of the most popular companions from Classic Who (Jamie) came from the past. I find that there is something more intriguing about that than pairing with a human from the future. NuWho tends to get companions from the Present, and I don't really expect that to change. But it might--nuWho has shown a fondness for Victorian England and it wouldn't totally surprise me if they plucked a companion from there.
Any categories that I missed?
Posted by Dafyd (# 5549) on
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quote:
Originally posted by Hedgehog:
But it might--nuWho has shown a fondness for Victorian England and it wouldn't totally surprise me if they plucked a companion from there.
Allegedly Victorian Clara was going to be the original Clara, until Mark Gatiss complained that he couldn't work out how to explain the cold war to her.
So unless Gatiss has changed his mind, or they've decided they don't need Gatiss to write another script for them, we'll probably get another present day companion. Possibly a future companion, though that has its own problems.
The next companion will be almost certainly female, unless the Doctor's going to regenerate into a woman straightaway, since I can't see them having no female leads. I think two companions works well. If they did have two companions, and they stayed on for the regeneration (I think Capaldi's going to be around for one more year only), and the next Doctor is a woman (which I think they're setting up), then a pair of companions would mean we still had male and female leads.
Posted by cattyish (# 7829) on
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From the writers' point of view it must be useful to have a companion to whom the current audience might relate. I think Rose was a helpful companion for this reason. Most of us have worked in a job we were not particularly in love with; most of us have family we love but are infuriated by.
Peter Capaldi's doctor is probably quite good for the parents of those watching Dr Who for the first time to relate to in that he is concerned for the welfare of his companions and wants to see them enjoy themselves. Probably most of us who are responsible for children and teenagers can relate to that. For that reason his companion could usefully be a contrast.
An alien who puts people at risk might be interesting, but there would need to be a more vulnerable character to allow the tension between the doctor's protection and the alien's risk taking to build up over more than one episode I think.
Cattyish, hoping for some fun and nonsense.
Posted by Ariel (# 58) on
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I thought the scriptwriters overdid it with Rose. We got so much of her family life that the series turned into a kind of soap opera, and then there was the Lurve Story. The special worked because it was a one-off but if that had been carried into further episodes it would have been altogether too much (IMO).
I'd still like to see a male companion. I'm sure it will probably be a woman because there's been a longstanding perception that more males than females watch the show (which may not be so true these days), but I'd just like a change from the usual.
I'd actually quite like to see the Doctor pick up a companion from the past - maybe Shakespeare's time or something quite far back but as with these episodes, they have to hit the ground running, not spend a lot of time in wonder and having everything explained to them so I guess they'll be modern, female, and come from London.
Posted by Penny S (# 14768) on
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The having things explained can be easily worked round as modern stories have gaps in them where things have been happening which are just hinted at, or not explained at all - like the bit where clara was in the space suit doing the "Gravity" bit with the crawler. Just pick up whoever (Giordano Bruno, from the fire?) and have him/her knowing a lot in the next episode after a gap with reading, computer input, whatever, and just the odd comment on something particularly peculiar.
Posted by M. (# 3291) on
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There have been alien companions in the past, of course, Adric, Turlough and Nyssa spring to mind. Not sure if Kamelion counts (or Madame Vastra and Strax).
Have just re-watched the Christmas episode (did watch it on Christmas Day but kept dozing off!)
M.
Macarius has just reminded me about Romana as well - although she was not alien to the Doctor. Oh, and K9.
[ 27. December 2015, 14:47: Message edited by: M. ]
Posted by Ariel (# 58) on
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quote:
Originally posted by M.:
There have been alien companions in the past, of course, Adric, Turlough and Nyssa spring to mind.
True, but they looked very like Earth people. It would be interesting to have someone from a different species - though I'm not sure either whether Vastra and Strax count as actual companions or not. What would the criteria be? I'm thinking residence in the Tardis for more than a single episode.
K9 and Kamelion were both robots which was good but not really aliens.
[ 27. December 2015, 15:13: Message edited by: Ariel ]
Posted by Adeodatus (# 4992) on
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I finally got to see the Christmas episode last night, after a couple of days of spoiler-dodging.
I thought it was funny, charming, light. And then came the last scene at the restaurant, and it was beautiful. It left me all smiley and a little bit teary.
Posted by Adeodatus (# 4992) on
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By the way - The Face of Evil, which introduced the character Leela, is being shown tonight and tomorrow on BBC4, 7pm.
Posted by Hedgehog (# 14125) on
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quote:
Originally posted by Hedgehog:
Any categories that I missed?
Oh, for goodness sakes! I got so hung up on species (human/alien) that I completely overlooked race. Past companions have been heavily Caucasian, with Martha and Mickey the exceptions (if you count Mickey as a companion...but let's not get into that debate).
I think the odds are pretty good for a non-Caucasian companion this time around. After this past season made a point of adding lots of strong female characters, diversifying race in the show seems like a logical next step to me.
Posted by LeRoc (# 3216) on
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I just managed to watch the Christmas episode, and I agree with what most people have said about it. Light and pleasant.
Posted by Alwyn (# 4380) on
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I agree with people who are saying that the Christmas episode worked well because it was light, funny, romantic and didn't take itself seriously. I also liked the bits where the Doctor said things which River Song usually says (this reminded me of the time in Back to the Future when Marty McFly and Doc Brown use each other's catchphrases ('This is heavy'/'Great Scott!').
Posted by Lord Jestocost (# 12909) on
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Someone with far too much time on their hands has produced this edited/enhanced version of River's death scene from "Forest of the Dead" - and I can only say, wow, Moffat knows how to play the long game.
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