Thread: Purgatory: Bareback Mountain Board: Limbo / Ship of Fools.
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Posted by Sine Nomine (# 66) on
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Ok. So I waited and waited and nobody started a Heavenly thread about going to see Brokeback Mountain. Pages about Narnia. Pages about King Kong. But not a word about the movie that's getting rave critical reviews and bunches of awards. That has really surprised me on the ship, it being so liberal and all.
So what's the deal? It's an extremely good movie. Everybody knows it's an extremely good movie. Are only gay people going to see it? Have any straight people on the ship seen it? Or are you kinda curious but maybe a little afraid to be seen standing in line to get tickets? Or despite that fact that some of your best friends are gay don't want to maybe see something, you know, icky, on the big screen. Just wait and maybe watch on DVD?
Or is it the cowboy thing? Will and Grace is fine and funny because it reinforces stereotypes in a humorous way. But cowboys screwing. There are limits you know.
Really, what's the deal? If you don't have a 'problem' with homosexuality and you generally like to catch the new, good flicks, are you going to go? If not, why not?
Lord knows I've gone to enough movies that had men and women kissing on each other.
[took pity on Sine]
[ 06. April 2006, 09:11: Message edited by: Duo Seraphim ]
Posted by Sophie Bell (# 8822) on
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Honestly, I pick what movies I want to see in the theater by how viewing them in the theater will differ from viewing them on my T.V. Action-packed, special effects laden stuff will look better on the big screen than my 21 inch. So we spend the $10 on the "blockbusters" and wait to see the sensitive, emotional, well acted dramas on video.
Probably not the best choice in a "voting with my money" sort of way, but it works for us. So I want to see Brokeback Mountian, but I'll see it later, when it's out on video. (Probably much later, seeing as how we still haven't seen Crash or Million Dollar Baby yet either.)
Posted by Sine Nomine (# 66) on
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Maybe I need to go see it again to get the title right in the OP.
(The thread title of course was deliberate.)
Posted by RuthW (# 13) on
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I just haven't gotten around to it yet. I've been busy--there was this little thing called "Christmas" to deal with. I find watching anyone kissing in the movies totally hot unless they're really, really ugly.
As to your disappointment about there not being a thread on the movie yet, there hasn't been a thread on "Good Night and Good Luck," "Match Point," "Munich," or "Syriana." What prejudices do you suppose we all have based on the non-existence of those threads?
Posted by ToujoursDan (# 10578) on
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I am gay and I still haven't seen it.
Maybe when it comes out on DVD.
Posted by fionn (# 8534) on
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It is on my 'to see' list but I doubt that it will play within my driving radius.
I definitely want to see what is causing Rev Robertson etal so much heartburn.
It it were not for Rev Robertson, I would not go because I have little if any positive use for the film critics. They tend to like pretentious poorly-scripted plotless pooferies that are politically correct, anti-semitic garbage.
I tend to like movies like Narnia, Casanova, LotR, etc.
Posted by Sine Nomine (# 66) on
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I meant this more Purgatorially than my OP sounds. I was wondering why nobody had started a Heaven Thread and then saw this article today in our local paper.
(And no, I don't live in Miami, but it wasn't online in our paper. Had to do a little work to find it.)
Posted by Sine Nomine (# 66) on
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quote:
Originally posted by RuthW:
What prejudices do you suppose we all have based on the non-existence of those threads?
There has been a huge amount of publicity about it, unlike the other films you listed. Those kinds of "things in the news" normally get a lot of play on the ship in my opinion. So I thought it odd.
Then I read the article I just linked to and wondered if there was a connection and what people thought. Purgatory seems to be the place to ask what people think.
Posted by nicolemrw (# 28) on
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Hey, I've read the short story it was based on... how many other people here can say that, hmmmm? (It's a gorgeous, but sad, story. Don't know how faithful the movie is to it.)
The next movie on my "must see" list is Good Night and Good Luck. Brokeback Mountain is number two.
Posted by Beautiful_Dreamer (# 10880) on
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I personally would love to go see it but I dont know where it is playing. I don't think it will come to my conservative little town, and my friends don't want to go to Atlanta (nearest major city) to see it. So I will have to wait until DVD. Sad, because both men are hot.
Posted by The Bede's American Successor (# 5042) on
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quote:
Originally posted by Sine Nomine:
Maybe I need to go see it again to get the title right in the OP.
(The thread title of course was deliberate.)
Honey, every gay man I know has called it that.
I made the mistake at the company Christmas party.
Posted by fionn (# 8534) on
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I'm having difficulty understanding the 'ick' factor in two men kissing. I attended a very conservative pentacostal church as a young child were it was customary for the younger members to kiss the elders on the check and now it doesn't seem to bother me to see two men kissing in a passionate manner. It must be a cultural thingee.
I am amused by those who seem to think that cowboys didn't engage in similar behavior. Women were few and far between and the men could be away from anything feminine for more than a year at a time. But then again, most people have never really paid attention to reality.
Posted by Sine Nomine (# 66) on
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quote:
Originally posted by ToujoursDan:
I am gay and I still haven't seen it.
Maybe when it comes out on DVD.
Any particular reason?
I'm finding I'm really curious about this. I originally wasn't going to go see it because you know, every queer in town was going to go and I just didn't want to be one of the lemmings. But then I decided (for me personally) I was just being contrary (my usual state) so went ahead and went. But mind you I went to the early show on a weeknight.
(And actually the mountain scenery is quite spectacular on the big screen.)
Posted by nicolemrw (# 28) on
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Ok, I'll come out of the closet a bit here and say I find the idea of two men kissing really sexy.
But then, I read slash fiction avidly too.
Posted by Gort (# 6855) on
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I just have difficulty being entertained by any movie that focuses on emotion as its primary subject. If I'm to experience a vicarious thrill through a story, it has to be outlandish, impossible fantasy stuff with lots of eye-popping visual effects.
Sad, I know, but for me, emotion needs to be experienced up-close, live and personal... much like music. It just doesn't work as escapist fare on the big-screen.
Posted by The Bede's American Successor (# 5042) on
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quote:
Originally posted by Sine Nomine:
quote:
Originally posted by RuthW:
What prejudices do you suppose we all have based on the non-existence of those threads?
There has been a huge amount of publicity about it, unlike the other films you listed. Those kinds of "things in the news" normally get a lot of play on the ship in my opinion. So I thought it odd.
Then I read the article I just linked to and wondered if there was a connection and what people thought. Purgatory seems to be the place to ask what people think.
It took me to last Sunday evening to see it. I was kinda wanting to wait for DVD, which is how I see most movies these days. For example, the last movie I saw in a theater involved hobbits. My partner had other ideas, and it really wasn't all that hard to get me to change my mind.
If nothing else, there is curiosity factor: how convincing was it?
(I do not watch Will and Grace because there is something wrong with Will having a deeper relationship with Grace than any man on the show. I know this is, unfortunately, the case for many gay men, but I don't find it interesting. Just sad.)
When all was said and done, it was a good "pre-Stonewall" look at relationships. I'm sure some would have done it differently, empahsizing other themes.
I particularly found it interesting in how the movie showed the relationship between the two men to never deepen to any extent. This makes a lot of sense for the type of relationship they had, and was a bit of welcome realism. It added to the tragedy.
As a sidenote, I found it interesting that they filmed it in Alberta. (I kept thinking those mountains looked like the Canadian Rockies and not the Rockies in Wyoming.) Of all the Canadian provinces, it is the last one I would have guessed. British Columbia would have been more expected on my part. (And BC does have cowboys. Trust me.)
Posted by Sine Nomine (# 66) on
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quote:
Originally posted by Gort:
Sad, I know, but for me, emotion needs to be experienced up-close, live and personal... much like music.
So are you saying you don't have CDs but only go to live concerts?
Posted by RuthW (# 13) on
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quote:
Originally posted by Sine Nomine:
I meant this more Purgatorially than my OP sounds. I was wondering why nobody had started a Heaven Thread and then saw this article today in our local paper.
We only know what you mean if that's what you type.
I read the original NY Times article and thought it stank. It was juvenile and stupid and the guy who wrote it needs to grow the hell up.
Posted by Sine Nomine (# 66) on
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quote:
Originally posted by RuthW:
We only know what you mean if that's what you type.
Yes. That's why I typed some more.
What did you think was juvenile and stupid about it?
Posted by ToujoursDan (# 10578) on
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quote:
Originally posted by Sine Nomine:
quote:
Originally posted by ToujoursDan:
I am gay and I still haven't seen it.
Maybe when it comes out on DVD.
Any particular reason?
I'm finding I'm really curious about this. I originally wasn't going to go see it because you know, every queer in town was going to go and I just didn't want to be one of the lemmings. But then I decided (for me personally) I was just being contrary (my usual state) so went ahead and went. But mind you I went to the early show on a weeknight.
(And actually the mountain scenery is quite spectacular on the big screen.)
I am definitely one of the few who haven't gone. Almost everyone I know has gone.
I also have that contrarian streak :-)
I guess that I have been disappointed with the quality of many gay-themed films I have seen.
What did you think about the story, acting and dialogue? Do you think, on the merits of the film itself, it warrants all the notariety and nominations it has received?
Posted by Gort (# 6855) on
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quote:
Originally posted by Sine Nomine:
So are you saying you don't have CDs but only go to live concerts?
I own about 10 CDs and used to be an avid concert attendee. Much like my emotional life, live music has been on hold recently. Sign of age, I suppose.
I think I'll get off my duff and go see Breakback.
Posted by Sine Nomine (# 66) on
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quote:
Originally posted by ToujoursDan:
What did you think about the story, acting and dialogue? Do you think, on the merits of the film itself, it warrants all the notariety and nominations it has received?
I don't know if that requires a separate Heaven thread but it's all quite good. Excellent in fact.
And to me the 'gay thing' was pretty much just a hook for the freedom and romance we want but don't find in the dull routine of our daily lives. For the bad choices we make, straight or gay.
And the contrast between the freedom in the mountains and the crushing dreariness of everyday life in the bleak plains was also compelling.
Frankly, I think if the guys had been able to get together they would have probably hated each other's guts inside of five years. It's easy to be romantic a couple of times a year when you're off on vacation.
But then I'm a cynic.
Posted by RuthW (# 13) on
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quote:
Originally posted by Sine Nomine:
What did you think was juvenile and stupid about it?
Unfortunately, it was published over a week ago so is no longer available online. The guy in the Herald characterizes it briefly. It was very nudge-nudge-wink-wink, all about how much the guy really wanted to see this movie but was afraid it would be so powerful, this movie about icons of maleness being gay, that he, this wussy guy in loafers and a tie who has to have his latte every morning, would turn gay if he saw the movie. It was tongue in cheek, so the reader was supposed to think, "Of course he doesn't really mean this," but the unintended irony was of course that he did mean it.
Generally it's women who go to see movies about relationships. Make a movie about a relationship between gay guys and the gay guys will show up. I went to see "Rumor Has It" (a friend wanted to see it, not my choice) last weekend, and the audience was, predictably, full of women. If there were gay guys there, they were travelling below my gaydar. So the presumption that straight men are staying away because of the "ick" factor seems faulty to me. Most straight guys don't want to go to any slow-moving film about a tragic relationship. They only went to "Titanic" for the disaster aspect and special effects.
Posted by Sine Nomine (# 66) on
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That makes sense to me. Thanks. I hadn't thought of it that way. Too boring, not too icky.
Posted by da_musicman (# 1018) on
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I'd composed a long post all about why I haven't seen it yet and realised I was going on the defensive. Really just haven't had the chance yet. I think it's been released at a bad time of year for getting huge swarms of people going at once. People are still recovering from Christmas and New Year. I'm still only halfway through visiting folks.
I thought that article was juvenile due to the fact the writer was concerned watching this film about Gay Cowboys may turn him gay.
One review of the film did say how it reminded them of a South Park episode which had a film in all about gay cowbiys sitting around eating pudding. Any pudding in it?
quote:
Lord knows I've gone to enough movies that had men and women kissing on each other.
I assume this is tongue in cheek but just as some people feel uncomfortablee watching gay love scenes because of the protaganists involved rather than the actions, do people ever feel uneasy watching straight love scenes for the same reason?
Posted by IngoB (# 8700) on
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I'm heterosexual, and as far I can remember always have been. But I used to watch "Queer as Folk" on SBS fairly regularly. Actually, it's the only soap I ever followed for some time other than "The Storm Rages Twice" (how's that for weird taste?
). So I doubt that I can be shocked by any homosexual scenes Brokeback Mountain may contain...
Yes, the cowboy represents a cultural male archetype who happens to be heterosexual (although this is not a signal feature, the cowboy is not a cowboy because he bonks women all the time). The cowboy of cultural myth is also more or less a white Caucasian (possibly somewhat Indian, possibly somewhat Spanish, ...). That's also factually incorrect, since for example many real cowboys were blacks.
So, well, what about a movie which challenges this archetype? Personally, it doesn't make me feel "icky", it mostly makes me yawn. OK, yeah, there are gay cowboys. OK, yeah, they suffer from prejudice. Thanks, now that you mention it, it's fairly obvious that this is the case. Are you collecting money for Gay Cowboy Affirmative Action, or something? No? You just want to overload my easy entertainment with yet another repeat of a well-known (and yes, worthy) cultural agenda? Well, sorry, I will get my cheap thrills somewhere else. Make a good TV documentary, I will probably end up watching that.
Next I will discover that Matthew Kane is actually a repressed Strogg-sexual...
P.S.: It never fails to amaze me when somebody (like the Miami Herald dude) goes on about how weird it is that heterosexual men view lesbian sex so differently to male homosexual action. In heterosexual male fantasy land, two lesbians getting all steamy mean that I'm about to get two instead of one willing female partners and I don't need to bother about foreplay anymore than I feel like. But two homosexual guys, well, are just two guys doing intimate things I don't want to do. What sort of heterosexual fantasy am I supposed to base on that? Well, perhaps they just discovered their gayness and leave behind two highly frustrated wives who are getting it on next door. I better go and check. See ya.
Posted by GoodCatholicLad (# 9231) on
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I thought it was a fantastic movie, the acting great, especially Heath Ledger, and the cinematography (sp?) superb. I liked Capote better, Phillip Seymor Hoffman is my favorite actor.
Posted by RuthW (# 13) on
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quote:
Originally posted by IngoB:
Yes, the cowboy represents a cultural male archetype who happens to be heterosexual (although this is not a signal feature, the cowboy is not a cowboy because he bonks women all the time).
Yes, this aspect of the discussions in the newspapers has puzzled me. How being gay makes a cowboy any less a cowboy or any less masculine I don't understand at all. Especially since while masculinity may be defined in terms of desiring women, it is far more often defined against femininity. A cowboy, already by definition a man's man, who only wants to have sex with men doesn't seem to me to be the least bit feminized by that.
quote:
P.S.: It never fails to amaze me when somebody (like the Miami Herald dude) goes on about how weird it is that heterosexual men view lesbian sex so differently to male homosexual action. In heterosexual male fantasy land, two lesbians getting all steamy mean that I'm about to get two instead of one willing female partners and I don't need to bother about foreplay anymore than I feel like. But two homosexual guys, well, are just two guys doing intimate things I don't want to do. What sort of heterosexual fantasy am I supposed to base on that? Well, perhaps they just discovered their gayness and leave behind two highly frustrated wives who are getting it on next door. I better go and check. See ya.
Two gay guys are just two guys doing things you don't want to do, so you're not interested. But two lesbians are just two women doing things I don't want to do, but I still think it's sexy to watch. As I said, any reasonably attractive people kissing in the movies is fine by me.
Posted by Laura (# 10) on
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quote:
Originally posted by RuthW:
Generally it's women who go to see movies about relationships. Make a movie about a relationship between gay guys and the gay guys will show up. I went to see "Rumor Has It" (a friend wanted to see it, not my choice) last weekend, and the audience was, predictably, full of women. If there were gay guys there, they were travelling below my gaydar. So the presumption that straight men are staying away because of the "ick" factor seems faulty to me. Most straight guys don't want to go to any slow-moving film about a tragic relationship. They only went to "Titanic" for the disaster aspect and special effects.
I don't like slow-moving films about tragic relationships. Remains of the Day is my idea of Hell. I can do about an hour of unfillable yearning and then I want everyone to get together. So that's why I'm not going to see it. I expect it will depress me, because I will want them to be together and happy forever.
Posted by Gort (# 6855) on
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quote:
Originally posted by IngoB:
[...] But two homosexual guys, well, are just two guys doing intimate things I don't want to do. What sort of heterosexual fantasy am I supposed to base on that?...
I didn't realize breakback was a porno-movie. Evidence suggests it's an emotional drama.
Oh, that's right. "Gay" is all about sex. I forgot.
Posted by GoodCatholicLad (# 9231) on
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Well RuthW at least we agree on Brokeback Mountain
Again i thought it was a great movie and Ang Lee is a versatile and great director.
Posted by RuthW (# 13) on
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quote:
Originally posted by Laura:
I don't like slow-moving films about tragic relationships. Remains of the Day is my idea of Hell. I can do about an hour of unfillable yearning and then I want everyone to get together. So that's why I'm not going to see it. I expect it will depress me, because I will want them to be together and happy forever.
My theory of the moment is that this is because you're happily married. I have found that romantic comedy no longer entertains me, because everyone gets to be together and happy forever but me. Whereas tragic/unrequited/unfulfilled love--I'm all over it. I loved "Remains of the Day," both the book and the movie.
Posted by Timothy the Obscure (# 292) on
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It hasn't opened in Idaho yet, though they're selling advance tickets. And apparently the theater chain in Salt Lake that was going to open it got cold feet. I'm going to go and see how many of the audience are wearing cowboy boots...
Posted by Erin (# 2) on
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I don't know about that, Ruth. I'm not happily married or partnered at the moment, and I really can't think of a more hellish two hours than to spend it watching two people moon over each other, regardless of their respective genders. I'd rather pound tent stakes into my eye sockets, really. My current Netflix queue consists of Profit, Family Guy, National Treasure, X-Men, Run Lola Run and Star Wars, because I missed Episodes II and III in the theaters and I want to be well-informed when I slag them off. I struggle daily with keeping Episode II in the queue because one of my (heterosexual) male friends said it was basically a two-hour douche commercial. Fabulous.
Plus I don't go to movies very often -- the last one I sat through was Prisoner of Azkaban, which was what? almost two years ago? Sitting still in the theater for two hours where I can't pause the DVD to take a whiz or get popcorn that doesn't cost $37 an ounce PLUS I am subjected to other people's yakking doesn't really strike me as being worth $10.
It is nice to know my crappy attention span, cheapness and utter loathing for relationship films is easily explained away as some sort of latent homophobia, though. And Sine, if you've been "waiting and waiting" for someone to start a Heaven thread, why didn't you do it? Clearly your "new thread" button isn't broken because, well, here we are. So what is your excuse?
[ 11. January 2006, 04:03: Message edited by: Erin ]
Posted by RuthW (# 13) on
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quote:
Originally posted by Erin:
I don't know about that, Ruth. I'm not happily married or partnered at the moment, and I really can't think of a more hellish two hours than to spend it watching two people moon over each other, regardless of their respective genders. I'd rather pound tent stakes into my eye sockets, really.
I did say it was my "theory of the moment." Clearly that moment has now passed.
Posted by Erin (# 2) on
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Hee! I find it interesting, though, that the movies Sine cited as his evidence are movies where things actually happen. Particularly special effects. In all my years here I don't ever remember seeing threads discussing romantic movies of any sort. There my very well have been some, I don't know, but I can't remember them.
Posted by RuthW (# 13) on
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The various incarnations of "Pride and Prejudice" have been discussed pretty thoroughly. But generally you're right, relationship movies haven't been discussed much on the Ship. Discussion of blockbuster movies takes off because so many people see those movies. Movies aimed at smaller audiences are harder to discuss effectively here. "Pride and Prejudice" is the exception, perhaps because Austen-lovers are over-represented on the Ship. And interest in the movies of "Pride and Prejudice" stems mostly from love for the book, which is not at all about people mooning over each other.
[Edit: Originally I said P&P is not about people mooning each other. Just thought I'd share that with everyone who missed it.]
[ 11. January 2006, 04:22: Message edited by: RuthW ]
Posted by ReginaShoe (# 4076) on
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Haven't seen it myself, but I only see maybe a couple of movies a year in the theaters, so give me time to get around to it after the DVD comes out. I'll want to see it then, but my husband probably won't just because he doesn't go for emotional dramas. Plus, he is a big "South Park" fan and would probably get the giggles waiting for the pudding to show up.
However, I mostly had to post on this thread to ask - did anyone catch the "Boondocks" comic strip on the week of Dec. 5th? It's the one where Grandad wants to go off to see a movie, and picks "Brokeback Mountain" because a movie about cowboys has to be manly, right? It was hilarious. Sadly, it is no longer readily available on the "ucomics" web site that features the "Boondocks" strip (you have to register to see farther back than two weeks ago), but one of the strips and some lines can be seen here.
(Shouting in the theater: "GET OFF HIM!")
[ 11. January 2006, 04:45: Message edited by: ReginaShoe ]
Posted by The Bede's American Successor (# 5042) on
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quote:
Originally posted by Gort:
quote:
Originally posted by IngoB:
[...] But two homosexual guys, well, are just two guys doing intimate things I don't want to do. What sort of heterosexual fantasy am I supposed to base on that?...
I didn't realize breakback was a porno-movie. Evidence suggests it's an emotional drama.
Oh, that's right. "Gay" is all about sex. I forgot.
There are straight and gay sexual acts protrayed. I didn't throw up for any of them.
And one more thing. When my partner came home tonight from work, he handed me the short story in a book saying, "I guess you don't know how much that movie affected me."
"I do now."
"That movie has made me very thankful that we are living now..."
I wonder if the young queans out there that are waiting for the DVD so they can do a stop action on the jumping-off-the-cliff scene are having the same reaction?
Posted by The Bede's American Successor (# 5042) on
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quote:
Originally posted by Timothy the Obscure:
It hasn't opened in Idaho yet, though they're selling advance tickets. And apparently the theater chain in Salt Lake that was going to open it got cold feet. I'm going to go and see how many of the audience are wearing cowboy boots...
I did wear a pair of cowboy boots and a western-style coat that looked similar to many of the ones worn in the movie.
I decided to be polite and not wear a cowboy hat to a movie theater. Someone might be sitting behind me.
The first time I was ever in Wyoming was in 1963. I was 8.5 years old. That little fact kept running through my mind over and over.
All this while thinking that it really didn't look like Wyoming, but Canada. Us detail-oriented types that once lived only 10 miles from the Wyoming border and frequently visited the then-rector of the parish from which Matthew Shepherd was buried from can be easily distracted.
There. I did it. I brought up Matthew Shepherd. I feel better now.
Posted by IngoB (# 8700) on
:
quote:
Originally posted by Gort:
I didn't realize breakback was a porno-movie. Evidence suggests it's an emotional drama.
Oh, that's right. "Gay" is all about sex. I forgot.
OK, so Sine asks in the OP whether heteros are not going to the movie because gay sex is "icky". Then Sine links to an article in the Miami Herald which elaborates on the point. Then I write quite a bit about how I don't mind seeing gay sex, but that I watch Westerns for easy entertainment and tragic gay cowboy love just ain't. And then I add a P.S. ridiculing the Miami Herald guy's take on men enjoying lesbian sex while mildly mocking my own fantasies.
Then you selectively cite from that P.S. and claim that I have thereby reduced "gay" to sex. Is that fair?
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by IngoB:
quote:
Originally posted by Gort:
I didn't realize breakback was a porno-movie. Evidence suggests it's an emotional drama.
Oh, that's right. "Gay" is all about sex. I forgot.
OK, so Sine asks in the OP whether heteros are not going to the movie because gay sex is "icky". Then Sine links to an article in the Miami Herald which elaborates on the point. Then I write quite a bit about how I don't mind seeing gay sex, but that I watch Westerns for easy entertainment and tragic gay cowboy love just ain't. And then I add a P.S. ridiculing the Miami Herald guy's take on men enjoying lesbian sex while mildly mocking my own fantasies.
Then you selectively cite from that P.S. and claim that I have thereby reduced "gay" to sex. Is that fair?
(Note to Gort: Be careful with the flippant lines. This is Purgatory. They tend to be more serious here.)
Posted by Grits (# 4169) on
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"Walk the Line" is getting rave reviews, too. Do you think all Southerners (or at least, country music fans) should see that? I don't think subject matter necessarily gets people out to the theatres. I think it's just that some folks are movie-goers, and some are not.
I don't go to R-rated movies, period, so that's my main reason. Also, somewhat like Gort, I don't generally go to the gut-wrenching type films. I use movies for entertainment only, so I generally go for comedies or adventures.
I haven't seen Narnia nor King Kong yet, and most movies I do just wait to rent, unless they're "big screen epics".
Posted by Gort (# 6855) on
:
quote:
Originally posted by IngoB:
Then you selectively cite from that P.S. and claim that I have thereby reduced "gay" to sex. Is that fair?
OK, let me narrow it down a bit:
quote:
From Ingo's relevent post:
But two homosexual guys, well, are just two guys doing intimate things I don't want to do.
Pardon me, but I think there may be more to this movie than just two guys doing intimate things you don't want to do.
[note to Bede: I wasn't being flip]
Posted by cometchaser (# 10353) on
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my answer is easy. I hate movie theatres. I find THEM icky.
last week I went and saw narnia in the theatre, and it was my first true mass-theatre movie since... since... um...
never mind. can't remember.
I do go to a dinner theatre in Anchorage occationally, where they play essentially DVD releases but on a big screen. but it's in a very nice, clean place, and they serve Guinness.
'nuff said.
I plan to see Brokeback Mountain there, a few co-workers and myself are planning on a carpooling lets-go-drink-stout-eat-nachos-and-watch-a-flick trip. last one we did was Hitchhikers.
I dont normally like great DRAMA movies either, but I frankly want to see this one because of the plain old BALLS it took to produce it.
I'm enjoying the few reactions to the movie I've read so far, thank you. as a strait chick, I do want to hear reactions from gay men and lesbians as well. is this movie a stereotyping "nice try" or is it right on, or halfway there, or...?
Comet
Posted by IngoB (# 8700) on
:
quote:
Originally posted by Gort:
Pardon me, but I think there may be more to this movie than just two guys doing intimate things you don't want to do.
[note to Bede: I wasn't being flip]
Try reading paragraph two and three of my original post, rather than going on about its P.S., which was actually not talking about the movie.
Posted by The Wanderer (# 182) on
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You lot have convinced me that it might be worth catching this film. I wasn't going to bother because it's a cowboy film, and I find all of them intensely dull. (With the excaption of Blazing Saddles of course.)
Posted by Gort (# 6855) on
:
quote:
Originally posted by IngoB:
Try reading paragraph two and three of my original post, rather than going on about its P.S., which was actually not talking about the movie.
quote:
[...] So, well, what about a movie which challenges this archetype? Personally, it doesn't make me feel "icky", it mostly makes me yawn. OK, yeah, there are gay cowboys. OK, yeah, they suffer from prejudice. Thanks, now that you mention it, it's fairly obvious that this is the case. Are you collecting money for Gay Cowboy Affirmative Action, or something? No? You just want to overload my easy entertainment with yet another repeat of a well-known (and yes, worthy) cultural agenda? Well, sorry, I will get my cheap thrills somewhere else...
Good to see you're displaying an interest in worthy cultural agendas here. Not sure how it will qualify as a cheap thrill, however.
Posted by Qlib (# 43) on
:
I'm not happily married - but I'm with Laura: slow-moving films about tragic relationships are a complete no-no. I want my love stories to end happily, dammit! I sat through Message in a Bottle recently, enjoyed it thoroughly but felt cheated at the end.
If you tell me that Bareback Mountain is a truly great piece of cinema, then I'll probably go and watch it when it arrives at the local arty-worthy cinema which will probably take at least another 6 months, but I'll have to brace myself first.
Posted by IngoB (# 8700) on
:
quote:
Originally posted by Gort:
Good to see you're displaying an interest in worthy cultural agendas here. Not sure how it will qualify as a cheap thrill, however.
Well, it is an interesting coincidence that this is hitting the blogsphere right now. But Dreadnought isn't a cowboy, Safran isn't making movies, I didn't pay for watching them, and could you kindly either lay off or take it you know where? Thanks.
Posted by Wood (# 7) on
:
All cowboy movies are actually about gay men, aren't they?
No, this isn't me yanking any chains - I'm at least 65% serious.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Erin:
And Sine, if you've been "waiting and waiting" for someone to start a Heaven thread, why didn't you do it? Clearly your "new thread" button isn't broken because, well, here we are. So what is your excuse?
Because, like Sherlock Holmes, I thought it was more significant that the dog didn't bark, which seemed Purgatorial.
And also I thought there were issues around it more than just the movie itself.
That's why.
(However if I see 'The Producers' this weekend, I'll put that in Heaven. And watch it wither and die.)
Posted by Nightlamp (# 266) on
:
The first Romantic film discssion on the ship is in purgatory. Strange.
Posted by Sine Nomine (# 66) on
:
See that's just the thing. I didn't find it 'romantic'. I saw it as soul-destroying. Everybody lost.
I felt a lot sorrier for their wives than I did for them. A lot sorrier.
Posted by Grits (# 4169) on
:
Another reason I wouldn't see it. Most of what I've read about it talks about how devastating it is, and frankly, I don't want to be devastated by a movie. Life can do that just fine on its own, usually. I might read the story, however. Hadn't really thought about that.
Posted by dj_ordinaire (# 4643) on
:
I've not been to see it, but then I almost never go to the cinema - two hours of frenetic 11-year olds continuously texting one another over a distance of about three yards ain't my idea of fun.
Interestingly, a couple of gay commentators in the UK have written columns in broadsheets (Independent and Times, neither content available, I don't think) suggesting that Brokeback is less of a great leap forward than some have portrayed it. Both independently argued that it conforms to the stereotype of the 'tragic gays' - either gay guys in movies are mincing celibate best friends who work in fashion design or something, or they are tragic, manly figures cursed to misery by their orientation.
Both also argued that when we see a mainstream movie in which the guy gets the guy and disappears off into Happily Ever After, then we'll actually have some progress.
Personally, I think this is a little bit churlish, though I see their point. Still, you've gotta start somewhere...
Posted by Grits (# 4169) on
:
quote:
Originally posted by dj_ordinaire:
I've not been to see it, but then I almost never go to the cinema - two hours of frenetic 11-year olds continuously texting one another over a distance of about three yards ain't my idea of fun.
If I were to see anyone taking an 11 year old into "Brokeback Mountain", it would be really hard for me not to say something.
quote:
Both also argued that when we see a mainstream movie in which the guy gets the guy and disappears off into Happily Ever After, then we'll actually have some progress.
Didn't we have that years ago in "The Birdcage"? I guess the reviewers meant two macho or mainstreamy type guys.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by dj_ordinaire:
Both independently argued that it conforms to the stereotype of the 'tragic gays' - either gay guys in movies are mincing celibate best friends who work in fashion design or something, or they are tragic, manly figures cursed to misery by their orientation.
Of course it starts in 1963 I believe. Wouldn't have the same impact if it were set in 2006. Although I know plenty of people in similar situations even today. But they tend to finally wake up and smell the roses, as it were.
Posted by Erin (# 2) on
:
quote:
Originally posted by Sine Nomine:
quote:
Originally posted by Erin:
And Sine, if you've been "waiting and waiting" for someone to start a Heaven thread, why didn't you do it? Clearly your "new thread" button isn't broken because, well, here we are. So what is your excuse?
Because, like Sherlock Holmes, I thought it was more significant that the dog didn't bark, which seemed Purgatorial.
And also I thought there were issues around it more than just the movie itself.
Why? Why did you automatically assume the worst?
Posted by Twilight (# 2832) on
:
Like Sophie, we'll go to the "big" movies so husband can see King Kong while I yawn in boredom; then six months from now I'll rent Brokeback Mountain at the video store and probably like it very much. Remains of the Day is one of my favorite movies, but I don't think of it as two people mooning over each other so much as a character study, (which is why I agree about Philip Seymour Roth -- his portrayal of the compulsive gambler was awesome).
Another favorite movie of mine is Far From Heaven. Mr T. and I both thought Dennis Quaid's scene kissing another man was very moving and not at all icky. I think this is another movie where the wife was focused on as the more tragic character.
What would you say about E.M. Forster's Maurice? Not a movie, but PBS did a Masterpiece Theatre series of it (probably originally a BBC drama.) The ending was sort of "happily ever after", in that the two main characters went off to live together, but then the book implies that by doing so, they have set themselves beyond the pale of polite society. That was set in the 1930's!
Posted by IconiumBound (# 754) on
:
Brokeback Mountain is NOT a gay cowboy movie. As I found out watcvhing Gene Sheppard's review on the Today Show (He didn't particularly like it) the clips that were shon reveal that these two men are shepherds not cow punchers. And we all know what shepherds do for sex.
Posted by ChastMastr (# 716) on
:
quote:
Originally posted by Laura:
don't like slow-moving films about tragic relationships.
My own reason for not seeing it summed up beautifully.
If the movie was about hot studly cowboys living happily ever after, I'd be much more keen on it. But I'm the kind of person for whom King Kong is too tragic to watch even though I would love to see Kong vs. dinos for hours.
David
Posted by ChastMastr (# 716) on
:
quote:
Originally posted by Sine Nomine:
(However if I see 'The Producers' this weekend, I'll put that in Heaven. And watch it wither and die.)
Join (Infinite Crisis) the (Infinite Crisis) club! (Infinite Crisis)
David
(Infinite Crisis)
Posted by Grits (# 4169) on
:
quote:
Originally posted by ChastMastr:
But I'm the kind of person for whom King Kong is too tragic to watch...
My older son (who is sensitive to what he watches, like me) went to see "King Kong". When I asked him how it was, he said, "Great, but I didn't know Kong died in the end." And I know that probably bothered him. I sometimes think he's even more naive than me, if that's possible.
Posted by Dafyd (# 5549) on
:
I went to see it a couple of days ago.
I would say that it is very good, very sad, not a Western (if by Western we mean Stagecoach, or The Good, the Bad, and the Ugly) and I think calling it a gay film is slightly misleading. That is, the word 'gay' implies certain cultural expectations and part of the point of the film is that one of the two leads (Ellis) never reconciles his love of the other with the variety of possible cultural roles available.
From a 'they've made cowboys gay!' perspective, Ellis is the more threatening character. Jack Twist is more willing to live up to the cultural role of 'a gay man passing for straight'. Ellis' emotional focus seems to be much more based on the cultural fascination of the man alone in the wilderness.
Anyway, it has a lot to think about in relation to sexual identity and desire and other relationships (as they say, both the wives are treated poorly in different ways), as well as being a high-class weepy.
(I don't mind slow-moving emotional films as such. The problem is that a lot of slow-moving sad emotional films is that the emotion is false. All those people dying of terminal diseases who still have beautiful hair and skin.)
Dafyd
Posted by nicolemrw (# 28) on
:
Now, like I said, I haven't yet seen the movie, but I have read the story it's based on. And if the movie is at all faithful to the story, then I'm with whoever it was who said this isn't a romance, it's a tragedy. (Sine, was that you?) Personally, I have nothing against tragedy, when the tragic ending is whats called for, which is one reason I want to see the movie. The story itself is more of a condemnation of the constraints of society that made the sad ending more-or-less inevitable.
Posted by RuthW (# 13) on
:
quote:
Originally posted by Nightlamp:
The first Romantic film discssion on the ship is in purgatory. Strange.
Nope, the recent version of "Pride and Prejudice" and the one with Colin Firth getting wet plus the older BBC one have all been discussed in Heaven. I know, I was there!
Posted by ChastMastr (# 716) on
:
I would also say that one of the actors going on about how difficult it was to do the romantic scenes with another guy gets kind of old after a while. Shades of Hal "I'm not gay, I just play a character who is" Sparks!
No one ever feels the need to make sure everyone knows they're not really the role they're playing the rest of the time.
Posted by Laura (# 10) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by Nightlamp:
The first Romantic film discssion on the ship is in purgatory. Strange.
Nope, the recent version of "Pride and Prejudice" and the one with Colin Firth getting wet plus the older BBC one have all been discussed in Heaven. I know, I was there!
Mmmmmm. Me too.
But as for your theory that it's because I'm happily married, you're sadly off regarding me, anyway. I've always hated long drawn out unfulfillable longing movies. And it isn't short attention span like Erin. I always feel like they've made my favorite movies too short. P&P the BBC version was just about the right length for that book adaptation, and even then they f*ed up the last few chapters (stop ending the film with the wedding and use some of the great post-marital dialogue and story, please!).
But just to show how filmhandicapped I am, I also can't/won't go see movies containing any of the following themes, no matter how acclaimed they are:
- busloads of children dying
- kidnapping
- bizarre sexual abuse
- films in which the primary character is wrongly prosecuted/persecuted for a horrible crime he didn't commit (i.e., the entire "Fugitive" genre)
- truly creepy bloody horror (as opposed to B movie horror which I adore)
- the Holocaust
- four hours of tragic love and unfulfilled yearning
- anything with more explosions than syllables uttered
- war movies that are very realistic
- grainy depressing "brilliant and provocative" eastern European or French movies about any subject
- most comedies in which the main character is a plucky talking animal (I liked Babe, though. But I'd argue that's a drama)
[ 11. January 2006, 15:01: Message edited by: Laura ]
Posted by Laura (# 10) on
:
quote:
Originally posted by nicolemrw:
Personally, I have nothing against tragedy, when the tragic ending is whats called for, which is one reason I want to see the movie. The story itself is more of a condemnation of the constraints of society that made the sad ending more-or-less inevitable.
They always screw up endings when they adapt books. In The Natural, for example, the Doctorow book has [spoiler alert] the ironic ending -- he swings for real, meaning to try (not to throw the game) but misses and is thought then to have deliberately thrown the game. Ironic! Complex! Like real life!
The movie, of course, has him swinging and hitting it out of the park, natch. We don't like that "shades of grey" stuff do we?
Posted by radcliffe hall (# 4560) on
:
quote:
Originally posted by Twilight:
What would you say about E.M. Forster's Maurice? Not a movie, but PBS did a Masterpiece Theatre series of it (probably originally a BBC drama.) The ending was sort of "happily ever after", in that the two main characters went off to live together, but then the book implies that by doing so, they have set themselves beyond the pale of polite society. That was set in the 1930's!
Just to be pedantic there is a film based on the Forster’s book Maurice. (With Hugh Grant of all people!) The book is set in the UK in about 1912 not 1930s but was not published until 1970 after Forster had died. Forster thought the book was rather unsatisfactory but wanted to write a gay love story that didn’t end with suicide or prison. He wanted what could pass for a ‘happy ending’ within the constraints of Edwardian English society. Unlike Brokeback Montain, the two heroes think the world well lost for love.
Saw Brokeback Mountain last night with spouse, didn’t find the gay sex threatening or icky, however did find the whole film unbearably bleak. Was there any joy in this relationship or just unmitigated misery with a bit of great sex twice a year? Or perhaps spouse and I are just too romantically minded. Spouse being an American thought it did reflect the narrowness of that time and place pretty well but agreed if it had been him he would have got on the first bus to San Francisco.
As for Ennis. He is what? 40 at the end of the film. I guess I must have engaged with him more that I realised as the idea of the lonely future stretched out before him really affected me, as certainly more appreciative of the slumbering spouse beside me last night
Posted by Laura (# 10) on
:
Oh, I forgot to add to my list of films genres I won't see:
- "family" comedies like Cheaper By the Dozen
- tearjerking cancer movies
And a good friend just told me that she was depressed for three days after seeing Brokeback mountain because it was so bleak. So based on what Sine wrote of it, what she said, and what I've read here, I'd rather eat ground glass than go see it. Thanks, trusty film reviewers!
[ 11. January 2006, 16:09: Message edited by: Laura ]
Posted by The Coot (# 220) on
:
quote:
Originally posted by Wood:
All cowboy movies are actually about gay men, aren't they?
No, this isn't me yanking any chains - I'm at least 65% serious.
Actually, I was going to post exactly the same - except revise the percentage to about 85% serious. (See someone does read and respond to your posts Wood)
Like hello, cowboys are gay as. John Wayne, anyone? Cowboy movies are like WWF wrestling. A huge strutting, rutting, posturing, homoerotic pageant.
Posted by Nightlamp (# 266) on
:
quote:
Originally posted by Sine Nomine:
See that's just the thing. I didn't find it 'romantic'. I saw it as soul-destroying. Everybody lost.
A tragic romantic; Ah the kind of film I would move mountains not to watch.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by Sine Nomine:
See that's just the thing. I didn't find it 'romantic'. I saw it as soul-destroying. Everybody lost.
I felt a lot sorrier for their wives than I did for them. A lot sorrier.
Yes.
Well, maybe not a lot sorrier for the wives.
It is striking to me, a person that has been in a gay relationship longer than many people are married these days, how the gay relationship did not mature over time. That stagnation would have been the natural result of the type of relationship the two men had: long distance, a few weekends a year. Everything they did was up on that mountain, not in their day-to-day lives.
The only person that probably didn't lose too much was the daughter that announced her marriage to daddy at the end of the movie. Yes, she lost having two parents in marriage, but she retained a relationship with both. She also had a daddy that asked the most important question, "but does he love you?" Daddy did care for both his daughters.
(And, the license plate number on that Firebird the daughter was driving at the end of the movie should have began with a "1" for Natrona County, assuming that is where she would have been living to meet her roustabout. Interestingly enough, Natrona County is where you find Texans working those oil wells, complete with the drawl—so was the daughter following in dad's footsteps? Those of us who have lived in a Great Plains state are used to figuring out where someone is from in the state by looking at the plates on their car. Sorry. I guess there is still a part of me out living with the cowboys that probably never will go away.)
Posted by ORGANMEISTER (# 6621) on
:
I'll probably see the movie eventually. I have a friend who was involved in the production of the film---no one famous. For those of you who have seen the film, just how graphic are the sex scenes and how much nudity are we talking about? I'd like to be forewarned.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by ORGANMEISTER:
I'll probably see the movie eventually. I have a friend who was involved in the production of the film---no one famous. For those of you who have seen the film, just how graphic are the sex scenes and how much nudity are we talking about? I'd like to be forewarned.
Graphic enough to not leave doubts as to what is happening.
Careful enough not to show actual penetration in either the same-gender or opposite-gender scenes.
There are bare breasts on the opposite-gender scenes.
The actual full-frontal nudity on men is suprisingly limited, considering the topic. It is there, but could have legitimately been much more without being voyeuristic. We have two men tending sheep on a mountain by themselves at the beginning of the movie. For example, there are scenes of them doing "normal ablutions," which were done realistically but sensitively.
There is a scene where the two men jump off a cliff while skinny dipping. It will take stop-action on a DVD player to really see anything "of interest." (See my comment about 18 year old queans, above.)
You did not see this type of realism in John Wayne movies. You'd think his characters never urinated. At the same time, the realism was not voyeuristically done.
PS to Grits: While I understand your concerns about 11 or 12 year olds seeing this movie, I think there are some (limited number) out there that could see it. There are some 12-year-old-going-on-25 types that have probably already researched "the topic" on the Internet, and are already having fantasies about it. But, I agree with your caution in most cases. For teenagers that express an intrest and have the maturity, it could open many avenues of discussion about what love really is between two people and how important that is. This movie does have a message that love is based on more than mere physical acts, and should mature over time. "But does he really love you." (The father really does love his daughter in an appropriate way.)
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by IconiumBound:
Brokeback Mountain is NOT a gay cowboy movie. As I found out watcvhing Gene Sheppard's review on the Today Show (He didn't particularly like it) the clips that were shon reveal that these two men are shepherds not cow punchers. And we all know what shepherds do for sex.
Funny. That topic never was "discussed" in this movie. At all. It wasn't even hinted at.
Considering that I heard on more than one occasion while living in South Dakota, "Wyoming: where men are men and sheep run scared," you would have thought there might have been a hint at this. I was expecting it.
There wasn't even a hint.
This might be the most unrealistic part of the whole movie.
Don't think there is implied sexual relations only between the herders and sheep in the West. One of the bartenders at the gay bar in Everett likes to tell a story about when he owned a bar in Omak, Washington, home of the Omak Stampede. (In many ways Omak is much closer to Calgary than Seattle, in spite of what the map says.)
This bartender still looks like the tall, skinny cowboy type. At the time he wore earrings.
A rich rancher in the area brought his hands in one morning after the bartender took over the bar. They were all sitting at a table, ordering drinks and food. The rancher asked, "You have earrings. Do you fuck boys?"
His response was, "You have a cowboy hat. Do you fuck animals?"
Everyone at the table laughed, except one person. The rancher made some comment to that person along the lines of "Oh, don't tell me you've never done it."
I'll repeat, Brokeback Mountain was not done in a voyeuristic manner.
Posted by Lamburnite (# 9516) on
:
I thought the movie was really wonderful. And to a certain extent it wasn't really a "gay" movie (i.e. it had nothing to do with "gay culture" but was rather about two people). It is probably one of the best movies I've seen in years.
Ang Lee showed remarkable restraint. A couple of you have mentioned that the sex/nutidy is almost too tasteful. And the tragic elements of the plot are not underlined in the usual heavyhanded Hollywood way -- I actually found it much more devastating in retrospect than while I was watching it. I also want to go back and see it again.
The theater where we saw it was packed, with as far as I could tell a majority straight crowd.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Erin:
Why did you automatically assume the worst?
Probably for the same reason I think people are staring at me in the check-out line at the grocery store and that I've got lung cancer every time I cough.
Paranoia.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Lamburnite:
Ang Lee showed remarkable restraint. A couple of you have mentioned that the sex/nutidy is almost too tasteful. And the tragic elements of the plot are not underlined in the usual heavyhanded Hollywood way -- I actually found it much more devastating in retrospect than while I was watching it. I also want to go back and see it again.
Ang Lee is marvelous, and definitely the reason I want to see this film.
Check out his Ice Storm, Wedding Banquet, and Eat/Drink, Man/Woman for more brilliance.
[ 12. January 2006, 00:02: Message edited by: Kelly Alves ]
Posted by Laura (# 10) on
:
I think Ang Lee is great, too. Loved Wedding Banquet.
Posted by leo (# 1458) on
:
Saw it on Tuesday and was deeply moved. Long, lingering camera shots over the mountain etc. made it almost a meditation.
I have read some of the comments on International Movie Database - a common statement is to the effect that people were haunted by the film for several days/weeks.
It is playing to huge, largely 'straight' audiences in the UK if my multiplex is anything to go by.
Conservative church people ought to see it to consider the effects of repression that encourage gay men to get married in the hope of a cure.
Posted by Talmudnik (# 9339) on
:
Saw the film twice with different friends. The first thought that it was too slow moving, the other sobbed most of the way through it. The crowd in the cinemas on both occasions were totally mixed: men, women, young, old, straight, gay, you name it.
People seem to be hung up on the sex in the flick. If that's what you want to see, check out the back room of the local video store, 'cause you aren't going to get your fill with this incredible movie.
And if you're not into violence, be prepared for a couple of horrific violent scenes in the movie.
The acting is some of the finest that I've seen come out of H'wood - Michelle Williams should definitely get best supporting actress. Soundtrack is brilliant, even Willie Nelson sounded better against the backdrop of this film. And the scenary made me reminisce of a trip through the Alberta/BC Rockies; incredible shots of the mountains and the Bow River.
A review in the print edition of the NY Times (16/17.12.05?) spoke of the film being about the last remaining icon of masculinity in American culture, the cowboy, being realistically portrayed through 2 guys that love each other and societal pulls that keep them from happiness. Perhaps, that's where some people's issue with the film arises. In the same vein, it bears a striking resemblance to Yossi and Jagger - an Israeli film (www.yossieandjagger.com) about 2 IDF soldiers that fall in love and struggle to keep their relationship secret (based on a true story). Like Brokeback, the one who wants the two to be together dies, leaving the hold-out to mourn.
You'll probably want to go home and bawl your eyes out after seeing the film (very WASP'ish to hold it in), but it'll be one of the best films you'll ever see.
Posted by The Bede's American Successor (# 5042) on
:
May I post my one (to date) rant against this movie?
Brokeback Mountain gives the idea that anal sex is the way for gay men to have sexual relations, without exception. This promotes a stereotype that just simply isn't true.
quote:
Anal sex for many seems like a taboo activity, and much of society still shuns it. But statistics show that roughly 35% of heterosexuals and 50% of the gay community practice anal sex at least occasionally. —"Anal Sex" from Sexual Health InfoCenter
quote:
Some people presume that sex between men will involve anal penetration. In a national study carried out in Britain in the 1990s however, it was discovered that between a quarter and a third of homosexual men have never had anal sex as either the penetrative or receptive partner. In recent years, since it has become clear that penetrative sex is a particularly risky activity with regard to HIV, quite a lot of men who previously had penetrative sex have altered their behaviour. —"What do gay men and lesbian women do?" on AVERT.ORG
Even if gay, you don't have to do anal sex if you don't want to. Full stop.
I have a friend that probably has less than a year to live due to a reoccurrence of anal cancer that has said more than once in the past year "I wish someone had told me when I was young that I didn't have to do it." I think there is evidence out there that anal sex is not the sine qua non for gay men.
Also, first sexual relations between our two heros in this movie qualifies as "rough trade." It doesn't have to be that way.
I am not saying that there isn't anal sex out there, or some relations between men aren't rough. Some do enjoy it.
I am saying that I wish Lee had avoided those stereotypes. This movie has enough on its plate already.
Or, did Lee follow these stereotypes to make the movie believable to a straight audience? (Brother Sine: Here is a good Purgatorial discussion about this movie.)
Posted by likeness (# 2773) on
:
quote:
Originally posted by Kelly Alves:
Ang Lee is marvelous, and definitely the reason I want to see this film.
Check out his Ice Storm, Wedding Banquet, and Eat/Drink, Man/Woman for more brilliance.
Couldn't agree more about Ang - also recommend Sense & Sensibility, Ride With The Devil, the wonderful Crouching Tiger, Hidden Dragon and (although it's flawed) Hulk. One of the great Studio directors currently working in Hollywood IMHO.
However Brokeback Mountain is for me one of his weakest. Great first half hour (all the stuff up the mountain, which incidentally looks terrific on the big screen and will lose much impact on smaller screen DVD), but some of the later scenes lay it on with a trowel. There's also an unintentionally hilarious scene where one character's wife sees her husband and his male companion having a grope outside the house.
I've nothing against the gay subject matter - the same director's less ambitious, earlier effort The Wedding Banquet is far more impressive - but I couldn't help feeling BM pushes all the right buttonms to get liberal critics gushing rapturous responses while not actually being a particularly competently made film from a director who normally creates masterpieces as a matter of course.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by likeness:
I've nothing against the gay subject matter - the same director's less ambitious, earlier effort The Wedding Banquet is far more impressive - but I couldn't help feeling BM pushes all the right buttonms to get liberal critics gushing rapturous responses while not actually being a particularly competently made film from a director who normally creates masterpieces as a matter of course.
I hear you-- and wil keep this in mind when i see the film.
As an example of what you are talking about--a little film called Go Fish,directed by Rose Troche. A little black-and-white number dealing with the lives of a sort of commune of lesbians. Directing? Wonderful. Cinematography? Beautiful (and black and white!
)Love scenes? Exciting. Script was witty and insightful, casting not bad-- except the acting was like a tenth grade production of Our Town. You could totally tell that the director just got a bunch of her friends together that fit the general type she was trying to portray, and didn't care much about their acting ability. Their line delivery was not worthy of bad porn.
But it is still hailed as a paragon of gay cinema.
Allison Anders better get her butt moving. Gay Cinema needs her.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by likeness:
There's also an unintentionally hilarious scene where one character's wife sees her husband and his male companion having a grope outside the house.
What did you think was unintentionally hilarious about it?
Posted by duchess (# 2764) on
:
I grew up in the Bay Area and already know plenty of gay men that look "straight" and are "cowboys". They had Country Night at Hamburger Mary's every Wed. for years, you could see them lined around the block in San Jose.
Don't need no movie to enlightened this conservative bible-banger on that. I already know men who are straight that dress like women and gay men who have helped me figure out what was wrong with my car, grease monkey. Stereotypes suck of any type. Besides, they are boring.
Besides not needing enlightment, [insert Laura's list here
]. Thanks.
duchess looks next to her to see if her mother looks over her shoulder to read what she is writing...probably but here it goes...
I am already suffering, I mean, watching "Country Boys". Mother Duchess neglected to tell me that it is six cotton-picking hours long! Help me Jesus. If I make it through...I might start a thread on it.
[eta: I hate Heath Ledger too for no apparent reason. He just bores me silly. Even sticking Simon Le Bon singing in that movie as a gay cowboy would not get me to watch it. Well, maybe 2 mintues to see what he was wearing.]
[ 16. January 2006, 01:14: Message edited by: duchess ]
Posted by RuthW (# 13) on
:
OK, seen it now ...
quote:
Originally posted by Sine Nomine:
quote:
Originally posted by likeness:
There's also an unintentionally hilarious scene where one character's wife sees her husband and his male companion having a grope outside the house.
What did you think was unintentionally hilarious about it?
I didn't find this scene at all funny, and I am floored that someone did. I thought the look on the young wife's face was heartbreaking.
quote:
Originally posted by likeness:
I couldn't help feeling BM pushes all the right buttonms to get liberal critics gushing rapturous responses while not actually being a particularly competently made film from a director who normally creates masterpieces as a matter of course.
What buttons did you think the movie pushed?
quote:
Originally posted by Bede's American Successor:
Brokeback Mountain gives the idea that anal sex is the way for gay men to have sexual relations, without exception. This promotes a stereotype that just simply isn't true.
I don't think the movie gives this idea at all. It doesn't portray this relationship as standing for all or most or even many gay relationships. It's very clearly one relationship between two specific people under specific circumstances. There's no reason to think that what these gay guys do is what all gay guys do.
Also, I find it a bit patronizing that you feel the need to inform us that lots of gay men don't have anal sex.
Posted by jlg (# 98) on
:
Still haven't seen the movie (it finally showed up in my region a few days ago, but not at any convenient location).
Ruth, with all due respect, I think Bede has a point. The average person (especially the older ones) in my rather conservative small-town, insulated middle/lower-class environs probably does imagine that male gay sex is pretty much all vigorous anal humping with no affection or love.
Posted by RuthW (# 13) on
:
quote:
Originally posted by jlg:
Ruth, with all due respect, I think Bede has a point. The average person (especially the older ones) in my rather conservative small-town, insulated middle/lower-class environs probably does imagine that male gay sex is pretty much all vigorous anal humping with no affection or love.
Sure, but he's not talking to them. He's talking to folks on the Ship, and more specifically he's talking to people interested enough in this movie to click on a thread about it. I'd bet that's a very different demographic.
Posted by Sine Nomine (# 66) on
:
You know, Bede, I'm not sure a dark, fuzzy scene of them sixty-nining each other in the tent would have worked quite as well. At least the way they did it got the point across without being too graphic. If you knew what they were doing, you knew what they were doing, if that makes any sense.
(I'm reminded of the first time I saw Gone with the Wind as a kid and had no idea why Rhett carried Scarlett up the stairs, or why she was smiling and humming the next morning in bed. Not that the tent scene in Brokeback wasn't a lot more graphic, but still it wasn't porn or anything like that.)
Posted by Laura (# 10) on
:
quote:
Originally posted by Sine Nomine:
(I'm reminded of the first time I saw Gone with the Wind as a kid and had no idea why Rhett carried Scarlett up the stairs, or why she was smiling and humming the next morning in bed.
I remember that, too. I thought she'd maybe had a pillow fight and had decided she liked him (I saw it too young to get very much about it the first time).
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by jlg:
Ruth, with all due respect, I think Bede has a point. The average person (especially the older ones) in my rather conservative small-town, insulated middle/lower-class environs probably does imagine that male gay sex is pretty much all vigorous anal humping with no affection or love.
Sure, but he's not talking to them. He's talking to folks on the Ship, and more specifically he's talking to people interested enough in this movie to click on a thread about it. I'd bet that's a very different demographic.
Ruth, I sugget you put the hankie down and listen to jlg for a moment. Why would everyone reading and writing about Brokeback Mountain on SoF be a liberal "peace-first" hankie squeezer?
Actually, Ruth, I am surprised that you think that the only people that would read this thread are those who know better. I seem to remember a bit of a disturbance in the force when we had a certain Mardi Gras discussion last spring. People that weren't interested in The Rites of Fall in Gay Australia did express their opinion about it.
Instead, I would expect there are a fair number of people, lurkers and posters, that thins like this article from Christianity Today:
quote:
The film has already earned seven nominations for the Golden Globes, and multiple Oscar nominations are all but certain to follow. Ledger and Williams—who both earned Globes noms—especially stand out, both conveying reams of emotion with dialogue that probably only covers a few pages. But as much as Brokeback Mountain is being touted as a groundbreaking movie for its depictions of homosexuality, it is populated with people with conventional attitudes about homosexuality. And though it's presented as a story of thwarted love—of ache and longing and regrets—it's also ultimately a story about the relationships that shape us … for better and for worse. (emphasis added)
There has also been some controvery over the use of the word "sexual predator" to describe Jack Twist. Gene Shalit clarifies what he meant. (I happen to think there is more than a bit of truth in Gene Shalit's original review, although I appreciate his clarification.)
Another point to remember that there are people that show up on SoF that are questioning. I don't want some 18 year old that is wondering what his orientation is to think that the Great Example of 2005™ is the Only Example of 2005™. This movie only gives one example—one that did exist then and still exists today. Still, no one's fate requires them to follow it.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by Sine Nomine:
You know, Bede, I'm not sure a dark, fuzzy scene of them sixty-nining each other in the tent would have worked quite as well. At least the way they did it got the point across without being too graphic. If you knew what they were doing, you knew what they were doing, if that makes any sense.
I am not saying that, given the circumstances, the type of affair had by two men in that situation would not have been like their relationship. And, it was done well in the movie to keep it from becoming pornographic.
My concern is that there will be those that think that this is the only way it happens. Art carries the ability to become reality.
How many of us conflate Shakespeare's Julius Caesar with what we (should have) read in World History class? How many people think that a Scarlet Letter was really used as a punishment in colonial New England?
Of course, maybe I am making a mountain out of a molehill. Most people don't know or care what Miss Kitty's occupation was.
Posted by RuthW (# 13) on
:
quote:
Originally posted by The Bede's American Successor:
quote:
Originally posted by RuthW:
quote:
Originally posted by jlg:
Ruth, with all due respect, I think Bede has a point. The average person (especially the older ones) in my rather conservative small-town, insulated middle/lower-class environs probably does imagine that male gay sex is pretty much all vigorous anal humping with no affection or love.
Sure, but he's not talking to them. He's talking to folks on the Ship, and more specifically he's talking to people interested enough in this movie to click on a thread about it. I'd bet that's a very different demographic.
Ruth, I sugget you put the hankie down
I suggest you stop being rude.
quote:
Why would everyone reading and writing about Brokeback Mountain on SoF be a liberal "peace-first" hankie squeezer?
Only liberals know anything about gay sex?
quote:
Actually, Ruth, I am surprised that you think that the only people that would read this thread are those who know better.
But I didn't say this. I said the demographic of the Ship is not the same as that of jlg's small town. There may very well be people who don't know better. But has anyone here demonstrated such ignorance? Not that I can see.
quote:
I seem to remember a bit of a disturbance in the force when we had a certain Mardi Gras discussion last spring. People that weren't interested in The Rites of Fall in Gay Australia did express their opinion about it.
Most people don't bother to express opinions about things they're not interested in. Many of them don't even bother to form opinions about things they're not interested in. The postings that no doubt made you rather unhappy were not from people who weren't interested.
And you make a big mistake if you assume that everyone who does not approve of homosexuality and gay sex knows nothing of what gay guys actually do.
quote:
Instead, I would expect there are a fair number of people, lurkers and posters, that thins like this article from Christianity Today:
quote:
The film has already earned seven nominations for the Golden Globes, and multiple Oscar nominations are all but certain to follow. Ledger and Williams—who both earned Globes noms—especially stand out, both conveying reams of emotion with dialogue that probably only covers a few pages. But as much as Brokeback Mountain is being touted as a groundbreaking movie for its depictions of homosexuality, it is populated with people with conventional attitudes about homosexuality. And though it's presented as a story of thwarted love—of ache and longing and regrets—it's also ultimately a story about the relationships that shape us … for better and for worse. (emphasis added)
There has also been some controvery over the use of the word "sexual predator" to describe Jack Twist. Gene Shalit clarifies what he meant. (I happen to think there is more than a bit of truth in Gene Shalit's original review, although I appreciate his clarification.)
Yes, conventional attitudes about homosexuality. Not just about homosexual sex. You of all people ought to know these are not the same thing. You're trying to make this movie out to be all about sex, and it's not. "Christianity Today" talks about conventional attitudes toward homosexuality, and you take that as justification for your concern that people will think all gay guys have anal sex? That's a huge and unwarranted leap.
Furthermore, I find it entirely plausible that men in rural Wyoming in the 60s would have absorbed conventional attitudes about homosexuality. It was one of the many tragedies of pre-Stonewall America that so many gays and lesbians were thoroughly inculcated with anti-homosexual attitudes that colored their attitudes toward themselves and their sexuality.
I disagree with you about Shalit's remark. Calling Jack a sexual predator is ridiculous. The movie depicts the desire as entirely mutual.
quote:
Another point to remember that there are people that show up on SoF that are questioning. I don't want some 18 year old that is wondering what his orientation is to think that the Great Example of 2005™ is the Only Example of 2005™. This movie only gives one example—one that did exist then and still exists today. Still, no one's fate requires them to follow it.
You've tagged this movie as "The Great Example," but I don't know anyone who's looking at it that way. The movie only gives one example because it's only about one relationship. Why should it give more than one? Lots of movies about straight people's relationships focus on just one relationship. It's not exemplary in those cases, and it's not exemplary in this one.
quote:
My concern is that there will be those that think that this is the only way it happens.
Why would anyone jump to this conclusion based on one depiction of one act in one relationship in one movie? The first R-rated movie I saw in the theater was "Excalibur" when I was 18, and while I was a bit appalled, I didn't assume that the sex depicted was the only way straight people have sex.
Posted by IngoB (# 8700) on
:
quote:
Originally posted by RuthW:
But I didn't say this. I said the demographic of the Ship is not the same as that of jlg's small town. There may very well be people who don't know better. But has anyone here demonstrated such ignorance? Not that I can see.
I don't want to interrupt a perfectly fine rant, but may I raise my hand at this point? I'm still reading this thread with some interest and "anal sex stats" (hetero- or homosexual ones) weren't part of my prior knowledge. And truth to be told, if someone had asked me to speculate quickly, I would probably have guessed that most homosexual men want anal sex with their partner (not that they always get their wish) at some stage. That would have been in a naive, unthinking - oh well, stupid - analogy to heterosexual men, who in general want vaginal sex with their partner (not that they always get their wish) at some stage. I note in passing that I don't think that the type of homosexual activity is terribly important with regards to approval.
Of course, this thread is not necessarily devoted to curing my individual ignorance about homosexual (or indeed heterosexual) practice. So whether TBAS' contribution was appropriate here is still open to discussion. But the argument against it from universal knowledge fails.
Posted by RuthW (# 13) on
:
quote:
Originally posted by IngoB:
But the argument against it from universal knowledge fails.
Good thing I made no such argument, then.
Posted by IngoB (# 8700) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by IngoB:
But the argument against it from universal knowledge fails.
Good thing I made no such argument, then.
... universal knowledge of all Shipmates participating in this thread is what I meant.
Posted by Renay (# 8463) on
:
My mother and I saw the movie last month in Houston. There was a fairly large crowd. We thought the movie was wonderful and very sad. The acting was superb. We both gained respect for Heath Ledger's acting abilities.
Posted by badman (# 9634) on
:
We saw it on Friday. I thought it was a fantastic film, one of the best I will ever see.
It looks beautiful: those open landscapes, the sheep streaming like liquid over it (somehow reminding me of the imagery of the Song of Solomon) - those who have said they will wait to see it on DVD will be missing out if they don't see it on the big screen.
The screenplay is powerfully understated and the acting too.
I didn't think it was a gay film so much as a film about relationships and about wanting the impossible - it works in the same way as "Brief Encounter" did and I think for the same reason - because it is set at a time when the relationship can't be entirely fulfilled. It's not that something that should have happened did not happen - it's that the protagonists can't be happy, their desires don't fit their world. But that's a staple of much romantic literature from Romeo and Juliet onwards, it's not a smug put down of gay people. That's why it plays to non gay audiences, surely.
It's definitely not about sex. It's a 15 certificate in the UK and there is nothing graphic in it.
The central character has to be Ennis, and surely the point about him is
**SPOILER WARNING - SCROLL DOWN ONLY IF YOU'VE SEEN THE FILM***
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the loss of ALL his relationships: with his dead parents, his siblings “lost” on their marriages, his fractured relationship with Jack Twist, his broken marriage, his unfulfilled relationship with the waitress and, finally, the “loss” of his daughter on her marriage, after his bereavement of Jack.
Posted by da_musicman (# 1018) on
:
Possible Spoiler
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I didn't see his daughter getting married as being another loss. The way in which he handled it in giving his blessing but checking the man loved her said the me that he was going to try and rescue that one relationship while he still had a chance as he had lost all his other relationships. Just my tuppence worth. (Loved the film and didnt think it was at all graphic.)
Posted by The Riv (# 3553) on
:
Tom Selleck and Jackie Chan have all but ruined Western-themed (set) movies for me.
And, I'm with Erin on the whole theatre experience in general. Buying a DVD isn't really any more expensive than going to a feature film at an adult hour, anyway -- particularly if you're paying for two.
Longing and unrequited love are perfectly palatable themes with me. For example, I really enjoyed The Notebook. Yes, a hetero flick. Maybe I'd like the Mountainman movie. Of course, I didn't like Thelma & Louise, and for all intent and purposes, that was a homosexual-western-sadly ending-movie...
[ 16. January 2006, 17:16: Message edited by: The Riv ]
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by The Bede's American Successor:
[QUOTE]Ruth, I sugget you put the hankie down
I suggest you stop being rude.
If you really think that comment was rude, why don't you call me to Hell over it? The discussion won't sidetrack this thread.
quote:
quote:
Why would everyone reading and writing about Brokeback Mountain on SoF be a liberal "peace-first" hankie squeezer?
Only liberals know anything about gay sex?
I think there has already been a response from another shipmate to answer that one adequately.
Please go back and re-read what I wrote. I didn't say all on SoF would jump to this conclusion. I didn't say you would jump to this conclusion. I did say I have a concern about what what might happen with some people. If you understood the meaning of my words to be anything else, I am sorry I didn't make myself clear. That is what I meant to say.
(If you want futher discussion on whether Ennis was a willing partner from the very start, I'll be happy to quote from the moview script and short story. I have no doubt that Ennis was shown to be a willing partner after getting over an initial rejection. The story and script are available in a single book, along with enlightening comments from Annie Proulx, Larry McMurtry, and Diana Ossana.)
I would also suggest you go to the movie's website and look at the "Share Your Story" section. This movie is affecting people greatly.
Posted by ORGANMEISTER (# 6621) on
:
Thelma & Louise was a homosexual movie??????????????????????????????????????
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by ORGANMEISTER:
Thelma & Louise was a homosexual movie??????????????????????????????????????
There were those that thought Thelma and Louise had Lesbian overtones. Then again, there are those that think that Ruth and Naomi had something going besides friendship (link to someone's retelling of the story to make their point).
I don't have an opinion on either story being more than a story of friendship, although I see where someone could draw the Lesbian conclusion.
Posted by The Riv (# 3553) on
:
Duh-uh!
Posted by Og: Thread Killer (# 3200) on
:
quote:
Originally posted by Sine Nomine:
And to me the 'gay thing' was pretty much just a hook for the freedom and romance we want but don't find in the dull routine of our daily lives. For the bad choices we make, straight or gay.
And the contrast between the freedom in the mountains and the crushing dreariness of everyday life in the bleak plains was also compelling.
Frankly, I think if the guys had been able to get together they would have probably hated each other's guts inside of five years. It's easy to be romantic a couple of times a year when you're off on vacation.
But then I'm a cynic.
This is what I've heard about the film too. A film about a relationship carried on over time, but as much about the place and its affect on the two people as about the relationship itself.
Kind of like that late 70's film with Allan Alda in it, "See You Next Year" , IIRC, but without the overt cultural references.
Posted by RuthW (# 13) on
:
quote:
Originally posted by The Bede's American Successor:
If you really think that comment was rude, why don't you call me to Hell over it? The discussion won't sidetrack this thread.
Because I don't have the time or the interest to pursue the matter.
quote:
Please go back and re-read what I wrote. I didn't say all on SoF would jump to this conclusion. I didn't say you would jump to this conclusion. I did say I have a concern about what what might happen with some people. If you understood the meaning of my words to be anything else, I am sorry I didn't make myself clear. That is what I meant to say.
On what is this concern based? Because I can't see why anyone would draw broad conclusions about gay people based on seeing one movie.
quote:
(If you want futher discussion on whether Ennis was a willing partner from the very start, I'll be happy to quote from the moview script and short story. I have no doubt that Ennis was shown to be a willing partner after getting over an initial rejection. The story and script are available in a single book, along with enlightening comments from Annie Proulx, Larry McMurtry, and Diana Ossana.)
Go for it. But keep in mind that the script, the story, and the movie are three different things. Just because something is there in the story and the script doesn't mean it's there in the movie.
quote:
I would also suggest you go to the movie's website and look at the "Share Your Story" section. This movie is affecting people greatly.
I'm willing to take your word for it that this movie is greatly affecting some people.
Posted by likeness (# 2773) on
:
quote:
Originally posted by Sine Nomine:
quote:
Originally posted by likeness:
There's also an unintentionally hilarious scene where one character's wife sees her husband and his male companion having a grope outside the house.
What did you think was unintentionally hilarious about it?
Humour, as has been noted elsewhere, is a funny thing. What makes one shipmate laugh will have no effect whatever on another's funny bone.
When I saw the film, the thing that made me laugh was the timing...the fact that the wife just happened to come out at the moment she did...obviously this could occur within the dramatic context, but I found it way too contrived...and it was that absurdist element of contrivance that I found funny.
It wasn't just me either - about a third of the audience reacted the same way. Maybe it has somethig to do with the audience that evening. You can see the same film on two occasions and the respective audiences can make the two experiences very, very different. (It doesn't sound like anyone else was in an audience which had had this experience of this scene.)
Pity, because the film had me completely in its spell up to that point.
Posted by likeness (# 2773) on
:
quote:
Originally posted by RuthW:
OK, seen it now ...
quote:
Originally posted by likeness:
I couldn't help feeling BM pushes all the right buttonms to get liberal critics gushing rapturous responses while not actually being a particularly competently made film from a director who normally creates masterpieces as a matter of course.
What buttons did you think the movie pushed?
Two people engage in a gay relationship. In a world which disapproves of such relationships. So they have a hard time.
There's something about this subject matter which means that people will make allowances for dramatic gaffs (i.e. not notice them) because they feel so strongly in synch with the issues articulated by the film.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by The Bede's American Successor:
If you really think that comment was rude, why don't you call me to Hell over it? The discussion won't sidetrack this thread.
Because I don't have the time or the interest to pursue the matter.
quote:
Please go back and re-read what I wrote. I didn't say all on SoF would jump to this conclusion. I didn't say you would jump to this conclusion. I did say I have a concern about what what might happen with some people. If you understood the meaning of my words to be anything else, I am sorry I didn't make myself clear. That is what I meant to say.
On what is this concern based? Because I can't see why anyone would draw broad conclusions about gay people based on seeing one movie.
quote:
(If you want futher discussion on whether Ennis was a willing partner from the very start, I'll be happy to quote from the moview script and short story. I have no doubt that Ennis was shown to be a willing partner after getting over an initial rejection. The story and script are available in a single book, along with enlightening comments from Annie Proulx, Larry McMurtry, and Diana Ossana.)
Go for it. But keep in mind that the script, the story, and the movie are three different things. Just because something is there in the story and the script doesn't mean it's there in the movie.
quote:
I would also suggest you go to the movie's website and look at the "Share Your Story" section. This movie is affecting people greatly.
I'm willing to take your word for it that this movie is greatly affecting some people.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by likeness:
When I saw the film, the thing that made me laugh was the timing...the fact that the wife just happened to come out at the moment she did...obviously this could occur within the dramatic context, but I found it way too contrived...and it was that absurdist element of contrivance that I found funny.
Actually I don't remember specifically since it's been a while since I saw it, but I assume she came out to greet a guest, which would seem natural to me. Or not? But like RuthW, I was too attuned to the wife's shock to notice any possible humor in the situation.
I do remember being dismayed that the guys would let their, uh, passion get the better of them outside like that.
Posted by RuthW (# 13) on
:
quote:
Originally posted by likeness:
quote:
Originally posted by RuthW:
quote:
Originally posted by likeness:
I couldn't help feeling BM pushes all the right buttonms to get liberal critics gushing rapturous responses while not actually being a particularly competently made film from a director who normally creates masterpieces as a matter of course.
What buttons did you think the movie pushed?
Two people engage in a gay relationship. In a world which disapproves of such relationships. So they have a hard time.
There's something about this subject matter which means that people will make allowances for dramatic gaffs (i.e. not notice them) because they feel so strongly in synch with the issues articulated by the film.
All you said on the previous page of this thread is that "some of the later scenes lay it on with a trowel." Lay what on? What do you see as "dramatic gaffs" in this movie?
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by The Bede's American Successor:
If you really think that comment was rude, why don't you call me to Hell over it? The discussion won't sidetrack this thread.
Because I don't have the time or the interest to pursue the matter.
Then why did you bring it up publically? A PM would have resolved this.
quote:
quote:
Please go back and re-read what I wrote. I didn't say all on SoF would jump to this conclusion. I didn't say you would jump to this conclusion. I did say I have a concern about what what might happen with some people. If you understood the meaning of my words to be anything else, I am sorry I didn't make myself clear. That is what I meant to say.
On what is this concern based? Because I can't see why anyone would draw broad conclusions about gay people based on seeing one movie.
Your opinion. My opinion. (I'm the one who gets to wear the label.)
Sometimes people draw inferences when they watch a movie, even a work of fiction. For example, my partner didn't know CS Lewis had two stepsons instead of one (based upon seeing Shadowlands).
quote:
quote:
(If you want futher discussion on whether Ennis was a willing partner from the very start, I'll be happy to quote from the moview script and short story. I have no doubt that Ennis was shown to be a willing partner after getting over an initial rejection. The story and script are available in a single book, along with enlightening comments from Annie Proulx, Larry McMurtry, and Diana Ossana.)
Go for it. But keep in mind that the script, the story, and the movie are three different things. Just because something is there in the story and the script doesn't mean it's there in the movie.
When I saw the movie, I understood that Ennis' initial reaction was repulsion when he realized that Jack had placed his hand on his groin. I feel I they carried out the script and short story, where Ennis is described as "jerk[ing] it away as if he's touched fire" (script and short story).
Posted by RainbowKate (# 9331) on
:
I haven't seen it, and don't really plan to. Westerns remind me of the years I lived in Kansas, and I'd just rather not go there. I really only like tragic love stories when set to music anyway.
Oddly enough, the only people I know in IRL that have seen it are my brother and my boss, both of whom are straight men.
Posted by LutheranChik (# 9826) on
:
I have my doubts that Brokeback Mountain will ever reach our local theater, although maybe some weekend I can get out of town long enough to catch a matinee over in the nearest university town.
Being unpartnered and sometimes rather morose about that, I'm not always in the mood to watch films themed around doomed/unrequited love...although it can be a little cathartic to really wallow in that for an evening. In which case I'll have to wait for the DVD, since my Wallowing In Self-Pity evenings require my PJs, afghan, fuzzy slippers and a pint of Ben & Jerry's, and they tend to frown on bringing such accoutrements into the Gem Theatre.
Posted by KenWritez (# 3238) on
:
I will be seeing it this week, I hope in the company of my very conservative cowboy father-in-law.
Posted by badman (# 9634) on
:
quote:
Originally posted by KenWritez:
I will be seeing it this week, I hope in the company of my very conservative cowboy father-in-law.
Wow.
Do report back.
Posted by ORGANMEISTER (# 6621) on
:
I know this is a tangent but..........
Riv, please explain why Thelma & Louise is a lesbian movie. I recently watched it and I would describe it as a classic American road movie and/or buddy film with women instead on men. It certainly has feminist overtones but do you equate feminism with lesbianism?
Consider Louise's reaction to her hotel room romp with young Brad Pitt when she experiences her first orgasm.......hardly something one would expect of a lesbian!
Posted by iGeek. (# 777) on
:
I saw it this past weekend with my partner.
Necessary background: I grew up in Iowa. My first "love" was a farm kid who did rodeo and 4H. My partner and I have both been formerly married to women and divorced and came out relatively late in life. We're both somewhat acquainted with the pain involved in mixed-orientation opposite-gender marriages. I'd read the short-story and have followed the development of the film in the gay cultural press (traditional media and online). I knew what to expect but approached seeing the film with a certain amount of trepidation. But we both really wanted to see this film.
Ennis' outlook and response to his feelings for Jack were clearly formed early on with the event that he recalled late in the film about the two guys who ranched together that were gay-bashed to death. He was pretty sure that his own father was involved and viewing the bashed, dead body of one of the guys made a very deep impression. One can imagine what that must have done to his emotional health during adolescence when he realised his attraction to men. An adolescence during the late 50's when being queer was very much not on.
I thought a bit about why Ennis took Jack the way he did after Jack made the first move. In my experience, the first clumsy fumblings are usually more oral. To me, it's indicative of Jack's violent relationship with his orientation. They only way he initially knows how to respond to it is by violence, hence the anal sex. Ennis is one uptight character, but he has his tender moments. There's the lovely flashback scene toward the end depicting Ennis with his arm around Jack's shoulder, nuzzling and saying sweet things.
Jack is less constrained in what he's willing to entertain as possibilities, even in the fairly conservative times and locales the story is set in. Jack has traveled more. Ennis knows very little outside of the small geographic area he has confined himself to.
The scene where Jack first comes back and meets Ennis and they hug was masterful. I could sense the almost overpowering hunger in Ennis. I've experienced that ... years of denial and then the opportunity to finally let someone know how you feel. To have that followed by Alma seeing them was like a punch in the stomach, to me. I also felt for her character -- the shock, the astonishment, the sense of developing dread that she'd never be able to be Ennis's all-in-all because he had Jack. She was also a church go-er in a conservative town. The man she slept with every night and the father of her children was a sodomite; the very worst kind of reprobate sinner. How was she supposed to deal with this?
Lureen was much more practical about her relationship with Jack. The circles she operated in were probably more sophisticated in outlook. She didn't seem all that upset relating to Ennis what had happened to Jack. But to be fair, the film didn't depict much there for us; all we have to go on is Jack's comment about being able to phone-in their relationship, or words to that effect.
Dan Savage wrote in his column in the most recent issue of Advocate about closeted, middle-aged married men (in the context of talking about James West, the outed mayor of Spokane) and is unnecessarily harsh and brutal. I think this film illuminates, at least a little, the fundamental quandry and tragedy that people in mixed-orientation, opposite gender marriagesexperience. It isn't simple ... especially in the Christian context where marriage vows are taken quite seriously and the path to reconciling faith and sexuality isn't all that clear.
I was profoundly moved by the film and am still processing it.
Posted by badman (# 9634) on
:
quote:
Originally posted by iGeek.:
Ennis' outlook and response to his feelings for Jack were clearly formed early on with the event that he recalled late in the film about the two guys who ranched together that were gay-bashed to death. He was pretty sure that his own father was involved and viewing the bashed, dead body of one of the guys made a very deep impression. One can imagine what that must have done to his emotional health during adolescence when he realised his attraction to men.
iGeek, perhaps you are particularly well qualified to answer this question for me: do you think Ennis is gay? or bisexual? or is it even a possible reading of the film that, while Jack is gay (and in a pretty much sexless marriage according to his "could do it on the telephone" description), Ennis is essentially a straight man who falls in love with Jack and has his only gay feelings for him? It's just that Ennis didn't seem to have any feelings for any other men, and seemed genuinely to desire his wife. Also, in the final conversation on Brokeback Ennis makes it clear that he expects total same-sex fidelity from Jack (which Jack says is unrealistic) which suggests that Jack is the only man for Ennis. Ennis says at the beginning "I ain't queer". Of course, he could be in denial. But is it possible that he is telling the truth?
One of the reasons I found the film so profound and thought provoking was because of complexities and ambiguities like this.
Posted by Lamburnite (# 9516) on
:
There is a great interview with Heath Ledger here. Among other things, he describes Ennis as "a homophobic male in love with another man." Based on this, I'd read Ennis as someone wired to be attracted to men, but repressed enough not to pursue that except with his one grand passion (and even there wanting to circumscribe that relationship to a few times a year, in the safety of the wilderness).
Posted by leo (# 1458) on
:
quote:
Originally posted by The Bede's American Successor:I would also suggest you go to the movie's website and look at the "Share Your Story" section. This movie is affecting people greatly. [/QB]
The International Movie Datebase has some 67 pages of comments - probably a record - including some really sad comments from closetted gay men.
Posted by da_musicman (# 1018) on
:
Badman, That was how I read the film but no idea if I'm right or not.
Posted by athroes (# 9594) on
:
I've just discovered this thread, and have found the posts fascinating, especially the breadth of discussion. Having said that ( and getting back to the op), I won't be seeing it as a)it's a cowboy movie,
b) it's 'soul distroying' in that no one wins - I watch movies for entertainment
c) I don't tend to like 'critically aclaimed' anything, books or movies - the ones I've read/seen have been pretentious nonsense. Maybe this is different? I *loathed* Dead Poet's Society, and a lot of people said that was worth seeing...
d) the "I won't watch these movies" list definitely applies.
I might read the book, though, as it sounds like the relationships are realistically and sensitively done.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by badman:
Ennis says at the beginning "I ain't queer". Of course, he could be in denial. But is it possible that he is telling the truth?
It depends on how you define 'queer'. If you define it as anything that doesn't fit into the model of men are sexually attracted to women and vice versa then Ellis is definitely queer. I don't think Ellis is straight. But then I don't think he is gay either.
To quote Jo Ind in her book Memories of Bliss:
'Some people are turned on by intelligence and integrity. Some people are turned on by six-inch stilettos. Some are visually stimulated. Others are word-sensitive. Some people are blonde-oriented. Others are bum-oriented...
Why place people on a heterosexual/homosexual scale rather than an SM/soft-and-fluffy or a visualsexual/auralsexual one? By thinking of people as either heterosexual, homosexual or somewhere in between there is no room for the type of arousal I described at the top of the chapter, where it is not another person who is the source of the turn-on.'
If you have to choose between gay and straight, Ellis is probably on the gay side of bisexual. But I don't think that's quite the right way to characterise him.
Dafyd
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by athroes:
I won't be seeing it as...it's a cowboy movie
I wonder if they'll push it as a 'sheep-herders movie' when it opens in New Zealand.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by badman:
quote:
Originally posted by iGeek.:
Ennis' outlook and response to his feelings for Jack were clearly formed early on with the event that he recalled late in the film about the two guys who ranched together that were gay-bashed to death. He was pretty sure that his own father was involved and viewing the bashed, dead body of one of the guys made a very deep impression. One can imagine what that must have done to his emotional health during adolescence when he realised his attraction to men.
iGeek, perhaps you are particularly well qualified to answer this question for me: do you think Ennis is gay? or bisexual? or is it even a possible reading of the film that, while Jack is gay (and in a pretty much sexless marriage according to his "could do it on the telephone" description), Ennis is essentially a straight man who falls in love with Jack and has his only gay feelings for him? It's just that Ennis didn't seem to have any feelings for any other men, and seemed genuinely to desire his wife. Also, in the final conversation on Brokeback Ennis makes it clear that he expects total same-sex fidelity from Jack (which Jack says is unrealistic) which suggests that Jack is the only man for Ennis. Ennis says at the beginning "I ain't queer". Of course, he could be in denial. But is it possible that he is telling the truth?
One of the reasons I found the film so profound and thought provoking was because of complexities and ambiguities like this.
Very few people peg the needle at a Kinsey 1 or a Kinsey 6. That is, very few people are absolutely het or gay. (Disclaimer: Yes, I know that Kinsey is not considered Truth and Light on sexuality issues. Yet he still gives us a few good concepts.)
This story is good at playing up this ambiguity in (most) all of us.
One of the ideas behind this story according to Proulx is that this was supposed to be a case of "situational homosexuality" gone awry (she did not use those words). That is, it is not uncommon for men to have sex with men when in situations when there are no women present (military, prisons are two examples). Outside of those situations, these men who have had sex with men would never consider it in a million years.
It was reasonable for Ennis to have been aware of that part of life. After all, my high school freshmen when I was teaching in South Dakota were aware of it. (Joke told by students: Why do cowboys have their name tooled in the back of their belts? So they know who they are doing.) That is why I believe it was possible for Ennis to have had a reaction of "touching fire" one second, and then unbuckling his belt the next second.
It also explains the "I ain't queer" statements from both men when coming down from the mountain. In most cases, that would have been the facts of the case.
The twist in this story (no pun intended) is that Ennis ends up loving Jack. Not just having sex with Jack, but loving him.
Ennis did not love his wife in the same way. Not even close. She was the mother of his children, whom he did love, but that was about it. What did it take to get Ennis to move into town? As time went on, Ennis was close to phoning in his marriage, too.
Posted by likeness (# 2773) on
:
quote:
Originally posted by Sine Nomine:
quote:
Originally posted by likeness:
When I saw the film, the thing that made me laugh was the timing...the fact that the wife just happened to come out at the moment she did...obviously this could occur within the dramatic context, but I found it way too contrived...and it was that absurdist element of contrivance that I found funny.
Actually I don't remember specifically since it's been a while since I saw it, but I assume she came out to greet a guest, which would seem natural to me. Or not? But like RuthW, I was too attuned to the wife's shock to notice any possible humor in the situation.
I do remember being dismayed that the guys would let their, uh, passion get the better of them outside like that.
Ah, but we're not talking real life here, were talking movies, artifice. So the thing has to convince me. And it didn't, at all.
What I'm talking about here is not the situation depicted per se, but the staging of it. The elements I mention really didn't work for me.
Incidentally, while everyone's feeling sorry for the poor wife, I thought the main characters (the ones who, in Hollywood parlance, we're supposed to root for) were the cowboys. (I think the film is structured like this regardless of whether you're a male or a female viewer.) A movie about the plight of the wife might well be compelling - but that isn't the current movie.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by likeness:
Incidentally, while everyone's feeling sorry for the poor wife, I thought the main characters (the ones who, in Hollywood parlance, we're supposed to root for) were the cowboys. (I think the film is structured like this regardless of whether you're a male or a female viewer.) A movie about the plight of the wife might well be compelling - but that isn't the current movie.
It was the current movie I saw. While the guys were definitely the main characters it was made clear, to me at least, that everybody suffered and lost. And I felt for all of them.
Posted by ChastMastr (# 716) on
:
quote:
Originally posted by RainbowKate:
I haven't seen it, and don't really plan to. Westerns remind me of the years I lived in Kansas, and I'd just rather not go there.
Must -- resist -- can't --- stop --- self -- send --- help --
But --
But --
(All together now!)
"I don't think we're in Kansas anymore!"
David
just had to, you understand
Posted by Rossweisse (# 2349) on
:
quote:
Originally posted by nicolemrw:
Hey, I've read the short story it was based on... how many other people here can say that, hmmmm? (It's a gorgeous, but sad, story. Don't know how faithful the movie is to it.)
I can. I concur that it's a well-written story; I found the movie quite faithful to it.
The film was beautiful and moving, but I didn't get around to it until after New Year's Day.
(I was wondering if the thread title was a Freudian slip....)
Posted by iGeek. (# 777) on
:
quote:
Originally posted by badman:
do you think Ennis is gay? or bisexual? [Is] Ennis is essentially a straight man who falls in love with Jack and has his only gay feelings for him? It's just that Ennis didn't seem to have any feelings for any other men, and seemed genuinely to desire his wife. Ennis says at the beginning "I ain't queer". Of course, he could be in denial.
Last bit first: for me "queer" is a cultural label in this context. To Ennis, a "queer" is likely viewed as weak, effeminate, mincing and he knows he's none of that. I don't know about your experience, but in the context of my adolescence, to levy the charge of being "queer" or "gay" at someone was almost the worst thing that could be said and it carries a very real threat of physical harm with it. Real men aren't "queer" and if you're to find social acceptance, you'd better not even hint at it by behavior or identity.
gay, bi and straight are imperfect labels for characterising sexuality. Better systems of characterisation exist (for example: the Klein Grid) but suffice to say our sexualities are complex.
Ennis (and it is "Ennis". I checked Proulx's short story -- listen to the podcasts at QueerVisions -- and the film follows suit; it's "Ennis Del Mar") first does Jack then falls for him. He already was committed to marry Alma and the story (and the film) don't really tell us anything about his motivations on that score. Perhaps he really cared for her. Just because he loved Jack doesn't mean he can't love a woman -- they're not mutually exclusive. It's even possible to have a mutually satisfying physically intimate relationship with someone of the opposite gender and still identify as primarily or almost exclusively same-sex attracted. Or perhaps Ennis was simply fulfilling what he thought was socially expected of him. He was tightly wound and cared very much about how he was perceived by others as evidenced by his lifelong refusal to even consider the possibilities that Jack proposed -- ultimately he was trapped in a cage of expectations that he built for himself.
For this story (and for many peoples' stories) I don't think it's helpful to think in terms of gay and straight. As a label the word "Gay", especially in today's cultural context, carries a lot of political baggage that simply doesn't apply in Ennis case. We use the word as shorthand to describe someone's dominant sexuality but it's not very useful when getting into the complexities.
[code mess up. preview psot is my friend]
[ 18. January 2006, 13:19: Message edited by: iGeek. ]
Posted by Alices' Protégé (# 9041) on
:
I went to see Brokeback last week and boy did I cry, although I was not the only one who did
it really is a fantastic fim (only came out here in uk on the 6th)
Posted by RuthW (# 13) on
:
quote:
Originally posted by The Bede's American Successor:
When I saw the movie, I understood that Ennis' initial reaction was repulsion when he realized that Jack had placed his hand on his groin. I feel I they carried out the script and short story, where Ennis is described as "jerk[ing] it away as if he's touched fire" (script and short story).
But this doesn't necessarily indicate repulsion. I've jerked away from approaches made by men I was very attracted to because they were so unexpected. The story's metaphor of touching fire indicates pain and fright, but not repulsion.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by RuthW:
But this doesn't necessarily indicate repulsion. I've jerked away from approaches made by men I was very attracted to because they were so unexpected.
..or because you're so attracted to them that you over-react and all neurons fire off at once, scaring the hell out of you? Been there. I can see how it would read as repulsion, though.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by The Bede's American Successor:
When I saw the movie, I understood that Ennis' initial reaction was repulsion when he realized that Jack had placed his hand on his groin. I feel I they carried out the script and short story, where Ennis is described as "jerk[ing] it away as if he's touched fire" (script and short story).
But this doesn't necessarily indicate repulsion. I've jerked away from approaches made by men I was very attracted to because they were so unexpected. The story's metaphor of touching fire indicates pain and fright, but not repulsion.
This underplays what Ennis later says is his reaction to seeing the gay person dragged to death when he was a child.
A change in the movie from the original story probably underlies Ennis' confused reactions better. That is, there is no context given in the movie to Ennis throwing up after the first summer on the mountain. The original story is quicker to attribute this physical reaction to sorrow over letting Jack get away. The more ambiguous nature of the scene in the movie allows for Ennis being repulsed over what he had done, as well.
The homophobia in Brokeback Mountain is not limited to Jack's father-in-law, or Ennis' father. Ennis is dealing with his own internal repulsion. Some of us have had to deal with this in our own lives.
Posted by Macrina (# 8807) on
:
I have been dying to see this film for weeks...finally made it today. Boy was it brilliant!!
I am not the crying type but I was crying inside for them - it's just such a beautiful story and I am so glad someone had the guts to promote it.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Gort:
quote:
Originally posted by IngoB:
[...] But two homosexual guys, well, are just two guys doing intimate things I don't want to do. What sort of heterosexual fantasy am I supposed to base on that?...
I didn't realize breakback was a porno-movie. Evidence suggests it's an emotional drama.
Oh, that's right. "Gay" is all about sex. I forgot.
Well I've seen it several times. It is the mostly (personally) moving film I've ever seen. But the things I keep wondering about is this "ick" factor with straight men . Boy there must be more latent homosexual feelings out there than I'd ever imagined.. For instance my partner 7 I have a straight friend, fairly liberal and urban who went to see it. Just couldn't come to grips with having to watch 2 men going at it - in the admittedly delicate way it was filmed. Made him very nervous.
I on the other hand don't mind at all when the rest of the straight world "flaunts" their sexuality.
Just a homo who believes we are equally human.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by athroes:
I've just discovered this thread, and have found the posts fascinating, especially the breadth of discussion. Having said that ( and getting back to the op), I won't be seeing it as a)it's a cowboy movie,
b) it's 'soul distroying' in that no one wins - I watch movies for entertainment
c) I don't tend to like 'critically aclaimed' anything, books or movies - the ones I've read/seen have been pretentious nonsense. Maybe this is different? I *loathed* Dead Poet's Society, and a lot of people said that was worth seeing...
d) the "I won't watch these movies" list definitely applies.
I might read the book, though, as it sounds like the relationships are realistically and sensitively done.
Read Annie Proulx's excellent short story. It is beautiful and good.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Comper's Child:
But the things I keep wondering about is this "ick" factor with straight men . Boy there must be more latent homosexual feelings out there than I'd ever imagined.. For instance my partner 7 I have a straight friend, fairly liberal and urban who went to see it. Just couldn't come to grips with having to watch 2 men going at it - in the admittedly delicate way it was filmed. Made him very nervous.
I on the other hand don't mind at all when the rest of the straight world "flaunts" their sexuality.
Just a homo who believes we are equally human.
I thought the going theory was that the Ick factor was pretty much conditioned-- that if you don't loudly proclaim "ick" about such matters you are allowing for that horrrible chance that somebody might have doubts about your sexuality.
Around here, I notice that most guys are a little looser about gay PDA, real or cinematic-- instead of displaying the full-on aversion dumbshow, they will shrug and avert their eyes if they don't want to watch--too much wierd stuff going on with people of all orientations to get worked up about this stuff. Particularly younger guys, who (God bless 'em) seem to have decided that it's hip to be tolerant. (You still run into the aversion display, but it is usually greeted with looks of puzzlement, and therefore is not as easily reinforced.)
Weird aspect of San Fran Straight Guy behavior is the tendancy to indulge in flamboyant faux-flirting with their straight buddies during emotionally vulnerable moments.It's kind of sweet, but I wonder about the dynamic, and whether it is related somehow to the aversion display.Anybody else living in a gay mecca notice this?
Posted by badman (# 9634) on
:
quote:
Originally posted by Kelly Alves:
quote:
Originally posted by Comper's Child:
But the things I keep wondering about is this "ick" factor with straight men . Boy there must be more latent homosexual feelings out there than I'd ever imagined.. For instance my partner 7 I have a straight friend, fairly liberal and urban who went to see it. Just couldn't come to grips with having to watch 2 men going at it - in the admittedly delicate way it was filmed. Made him very nervous.
I on the other hand don't mind at all when the rest of the straight world "flaunts" their sexuality.
Just a homo who believes we are equally human.
I thought the going theory was that the Ick factor was pretty much conditioned-- that if you don't loudly proclaim "ick" about such matters you are allowing for that horrrible chance that somebody might have doubts about your sexuality.
Around here, I notice that most guys are a little looser about gay PDA, real or cinematic-- instead of displaying the full-on aversion dumbshow, they will shrug and avert their eyes if they don't want to watch--too much wierd stuff going on with people of all orientations to get worked up about this stuff.
I think the "ick" factor just depends on unfamiliarity. For kids, there's an "ick" factor about any sexual displays before they get personally interested. Most people see less gay kissing etc than the straight version and it takes a while to get used to it - doesn't have to be because of homophobia, or latent homosexuality. Most people see lots of straight kissing etc and so it doesn't bother them - whether they're straight or gay.
This is another reason why people should be able to be open about their sexuality. Then other people would get used to it and stop worrying about it so much. That's why Brokeback Mountain threatens homophobes. It makes it all look, well, rather beautiful and human and real and moving and not icky at all.
The way to cultivate hatred of homosexuals is to force them into the shadows. That's why the Anglican Church of Nigeria is this week actively supporting a proposed law banning associations of gay men and lesbians and any form of protesting for recognition of rights on their part.
[ 21. January 2006, 18:30: Message edited by: badman ]
Posted by Comper's Child (# 10580) on
:
Yes, I've pretty much decided that my partner & I can just be ourselves wherever we wish - and society be damned. I've always felt it was 'appropriate" to appreciate the delicate feelings of people who were uncomfortable with overtly gay expressions of affection. What I now feel is that it is appropriate for us to be who we are wherever and whenever.
Yes, our clergy friends, even those who are more evangelically minded, have always been polite, but what I'm talking about is being who I am - a human child of a loving God.
That's something I learned from this film.
Posted by RuthW (# 13) on
:
quote:
Originally posted by Kelly Alves:
Weird aspect of San Fran Straight Guy behavior is the tendancy to indulge in flamboyant faux-flirting with their straight buddies during emotionally vulnerable moments.It's kind of sweet, but I wonder about the dynamic, and whether it is related somehow to the aversion display.Anybody else living in a gay mecca notice this?
Yeah, I see that occasionally here in Long Beach. I'm sure they'd deny it if it were pointed out, though.
How comfortable the straight men and boys I know are with homosexual PDA varies hugely. Age and background affect this, of course, but across all such divisions just being comfortable in their own skin also makes a big difference.
Bede, I don't disagree with any of your latter posts about Ennis and his difficulties with his sexuality. None of it makes Jack a sexual predator, though, which was the original assertion you (and Gene Shalit) made.
As for who gets to wear the label, how is that relevant? Getting to wear the label doesn't make your argument any stronger. If anyone draws broad conclusions about sexual behavior on the basis of a few scenes in one movie, they've got bigger problems than you can solve with a few posts on the internet.
The movie isn't really about sex, and it doesn't promote the idea that all gay sex is anal; the vast majority of the time Ennis and Jack are depicted together they aren't in the sack together, and there are more intimate scenes without anal sex than with.
quote:
Originally posted by Sine Nomine:
While the guys were definitely the main characters it was made clear, to me at least, that everybody suffered and lost. And I felt for all of them.
I couldn't agree more. These two characters were not allowed to be who they were, and as a result they and everyone connected to them suffered enormously.
Question: Bede makes reference to Ennis throwing up after that first summer with Jack -- I only remember him crying and yelling at the one passerby. What do others remember about this scene?
Posted by RainbowKate (# 9331) on
:
I saw it this afternoon, Ruth, and he was crying and yelling, not vomiting.
I went to see it this afternoon since all the straight people in my world keep asking me what I thought of it.
It was a beautiful film, but oh so fucking depressing.
Posted by Sine Nomine (# 66) on
:
Perhaps not the best movie to go see after a break-up.
Oddly I found it sad rather than depressing but I don't exactly know how to explain the difference in my mind.
Posted by RuthW (# 13) on
:
Thanks, Rainbow Kate.
quote:
Originally posted by Sine Nomine:
Oddly I found it sad rather than depressing but I don't exactly know how to explain the difference in my mind.
Yes, there's a difference between sorrow and depression. Hard to express, but very real to me. Taking a stab at it, sorrow is a response to something specific while depression is more generalized. Sorrow may be accompanied by or give way to depression, but not always.
Posted by Kelly Alves (# 2522) on
:
Sad is the experience of sorrow, depression is the avoidance of the experience of sorrow by reducing feeling.
Posted by RainbowKate (# 9331) on
:
quote:
Originally posted by Sine Nomine:
Perhaps not the best movie to go see after a break-up.
Maybe not, but it was comforting in a way. I'm not thrilled about being single again, but my life is not nearly as depressing as Jack and Ennis'. It's the romantic comedies that I can't stand right now. The general depressing misery of life and love at least makes me feel normal and secure in my cynicism.
Though, mostly I went to see it so I could have an opinion on it since it seems like everyone is talking about it.
[ 22. January 2006, 01:53: Message edited by: RainbowKate ]
Posted by Gracious rebel (# 3523) on
:
I thought he was throwing up as well. Maybe it was filmed in a way to be deliberately ambiguous, so for those who don't like to see a guy crying, they can imagine he was being sick.
Great film anyway. (And the scenery was fantastic.) I think I'm glad I'd read many of the comments here (including those marked 'spoiler') before I actually saw it on Friday, as it helped me to be prepared for the overall sadness, and thus appreciate the film for what it was. My friend who accompanied me, had not had the benefit of reading much about it before, and maybe this was why she was much more affected by the plight of these men, especially as it resonated so much with her own life in many ways.
Posted by phoenix_811 (# 4662) on
:
According to the short story the movie is based on:
quote:
Within a mile Ennis felt like someone was pulling his guts out hand over hand a yard at a time. He stopped at the side of the road and, in the whirling new snow, tried to puke but nothing came up. He felt about as bad as he ever had and it took a long time for the feeling to wear off.
Posted by Kelly Alves (# 2522) on
:
There you go, he was dry-heaving.
Posted by RuthW (# 13) on
:
In the story he was dry heaving. In the movie he was crying.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by RuthW:
In the story he was dry heaving. In the movie he was crying.
RuthW, I heard dry heaving...and tears.
Some of them were mine.
Posted by Kelly Alves (# 2522) on
:
Jeez, hasn't anyone here ever cried themselves sick? Extreme emotion does things to your stomach.Doesn't have to signify revulsion.
Actually I have noticed a trend in recent cinema to have actors sob until they drool, to indicate how really worked up they are. (Kill Bill vol.II,for instance.) Was that going on?
[ 22. January 2006, 18:25: Message edited by: Kelly Alves ]
Posted by welsh dragon (# 3249) on
:
Re the OP, I suspect this may not be a film we see till perhaps it comes to telly. (assuming that we will get a telly one day).
When I was a teenager I used to go see "art" films, films in Japanese, stuff that the critics in Time Out liked, that sort of thing.
Then I got interested in mainstream Hollywood stuff - as art.
Then, when I was working gruesome hours, or Casualty shifts, I really didn't have the emotional energy to watch the heavy stuff. So I deliberately saw comedies, light stuff, etc.
At the moment, we mainly seem to be watching kids' movies (we don't have kids). So the last film we saw was Narnia, before that it was Wallace and Gromit. And we would have seen Corpse Bride if only it had been on for another week.
The only "adult" movies we have seen in the past year or so are, IIRC, the Merchant of Venice and Pride and Prejudice (I don't think Hitch-hiker's Guide to the Galaxy really counts). So we tend to go see humorous stuff, comedies with happy endings. This isn't avoidant of alternative sexual orientation themes, necessarily - M of V had a very homoerotic Antonio-Bassanio relationship. And it was a strong exploration of ethnic prejudice.
As with some of the other posters, maybe you should be criticising us not for avoiding the gay issue but, in pretty much all the films we see, avoiding films with sad endings (assuming we see M of V as a comedy, broadly speaking.)
Posted by Mamacita (# 3659) on
:
I hope to get to the film in the upcoming week. In the meantime I've appreciated the discussion on this thread.
Anyone else catch this in this morning's Sunday comics?
Posted by Kelly Alves (# 2522) on
:
Yeesh, already? Movie's only been out a week!
Posted by RuthW (# 13) on
:
Depends on where you live. It opened December 9 around here.
Posted by Kelly Alves (# 2522) on
:
Jeez, where have I been, came out Christmas around here.
Ok, I take it back, then-- as always, Boondocks is right on top of cutural trends.
Comedians and political cartoonists secretly rule the world,I'm convinced.
[ 23. January 2006, 04:13: Message edited by: Kelly Alves ]
Posted by Caz... (# 3026) on
:
I saw it last night, didn't know loads about it beforehand though I had a very minimal knowledge of the themes.
I felt vaguely sad for them, for what could have been.
I felt vaguely sad for their wives.
I felt vaguely angry at the culture they lived in.
But overall I really struggled to feel much, to be honest. And I'm usually such a crier at movies. The strongest thought I had all the way through was "Blimey, that's a lot of sheep"! which surprised me. Doomed romance, injustice and homophobia are all my "red rag" issues usually.
So on balance I think maybe it was just too slow moving for me. Which probably says a lot about me, given that life IS slow moving and the whole point was that this was a "death by degrees" tragedy, played out over their whole lifetimes. Perhaps I've become too dependent on high octane drama to connect with emotions, dunno...
Perhaps it just wasn't for me.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by Wood:
All cowboy movies are actually about gay men, aren't they?
No, this isn't me yanking any chains - I'm at least 65% serious.
Howdy, pardner! Love stories about manly men go way back
Posted by Kelly Alves (# 2522) on
:
Bede, that was pure gold.
(Off to add "The Virginian" to my Netflix queue.)
Posted by Luke (# 306) on
:
Brian Godawa's movie blog provides an interesting analysis of Brokeback Mountain. Its also an interesting coincidence that Imagine me & you is coming out at roughly the same time. There must be a cultural shift occurring.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Luke:
There must be a cultural shift occurring.
Must be.
If the culture is so easily manipulated by movies, you'd think the repeated showings of The Ten Commandments on television would have had greater effect by now.
Posted by leo (# 1458) on
:
quote:
Originally posted by Luke:
Brian Godawa's movie blog provides an interesting analysis of Brokeback Mountain. Its also an interesting coincidence that Imagine me & you is coming out at roughly the same time. There must be a cultural shift occurring.
Godawa's article shows him to be a right-wing, homophobic person who equates being gay with child molestation.
Posted by Sine Nomine (# 66) on
:
You picked up on that too? It was so subtle I thought I might be imagining it.
(I didn't much care for being referred to as a 'homosexualist'. Sounds too much like being an ornithologist.)
Posted by Ags (# 204) on
:
quote:
Originally posted by Luke:
Brian Godawa's movie blog provides an interesting analysis of Brokeback Mountain.
Well, thank you for that link, Luke. As for "interesting analysis" it was just another load of hate-filled crap from the local glue factory.
I went to see Brokeback on Tuesday evening with a girlfriend and am still haunted by the film's beauty and profound sadness. I was glad I'd read this thread beforehand, particularly iGeek's post on page 3. I thought there was nothing gratuitous about any of the sex or the violence. It was all there to tell us more about Jack and Ennis and their worlds. (Yeah, right. Of course I don't fancy Jake Gyllenhaal!
) I felt there were some similarities between it and The Shipping News, also based on a story by Annie Proulx. In the latter film, Kevin Spacey's character, Quoyle, is a pathetic loser, who finally finds redemption and hope in the wilds of Newfoundland. This is another story where the environment is a key factor. There's hope at the end, as there is at the end of Brokeback when Ennis agrees to be at his daughter's wedding.
Will be buying the DVD as soon as it's on sale, but in the meantime am going to see it again next week with Mr Ags.
[ 28. January 2006, 14:09: Message edited by: Ags ]
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Luke:
Its also an interesting coincidence that Imagine me & you is coming out at roughly the same time. There must be a cultural shift occurring.
I really want to see this one but haven't yet-- what's the connection?
Posted by Callan (# 525) on
:
Originally posted by Sine Nomine:
quote:
You picked up on that too? It was so subtle I thought I might be imagining it.
(I didn't much care for being referred to as a 'homosexualist'. Sounds too much like being an ornithologist.)
The rest of the site is, er, interesting if you like that sort of thing.
[ 28. January 2006, 16:56: Message edited by: Callan ]
Posted by Gracious rebel (# 3523) on
:
Interesting?!
quote:
I coin the word, "homosexualism" because "gay" is a manipulative political agenda and "Homosexuality" a mythological term that tries to make it a sexual preference or a natural part of a person's sexuality. In truth, homosexualism is in fact, an "ism," an ideology and religion whose goal is to overthrow the Christian paradigm of morality and impose a status of homosexual normality on society.
Posted by et unam sanctam (# 10800) on
:
My favourite bit is the last line:
quote:
It's all just too much preachiness and propaganda.
Yes Brian, it is
Posted by Louise (# 30) on
:
Has anyone else noticed that Luke's looney-tune movie blogger appears to be personally endorsed by Saruman? I think we should be told.
L.
[ 28. January 2006, 23:53: Message edited by: Louise ]
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by Louise:
Has anyone else noticed that Luke's looney-tune movie blogger appears to be personally endorsed by Saruman? I think we should be told.
L.
Oh, Gandalf? Where are you?
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Ags:
[QUOTE]Originally posted by Luke:
[qb] Brian Godawa's movie blog provides an interesting analysis of Brokeback Mountain.
I went to see Brokeback on Tuesday evening with a girlfriend and am still haunted by the film's beauty and profound sadness. I was glad I'd read this thread beforehand, particularly iGeek's post on page 3. I thought there was nothing gratuitous about any of the sex or the violence.
I've seen the film and embarassing number of times, and can't think what sex anyone's talking about. My God, the only genitals I saw were Anne Hathaway's breasts and only briefly. By the way the religious right talks it's like a gay porno flick. Nowadays Hollywood assaults us, even on the TV with more graphic sex than was shown in this gentle film.
Posted by Comper's Child (# 10580) on
:
Sorry Ags, I meant to quote you! back to e-school for me!
Posted by Ags (# 204) on
:
No problem!
And, yes, totally agree with your comments.
Posted by La Sal (# 4195) on
:
My partner and I saw it on Thursday and I agree completely with iGeek on page3.
I believe Ennis was dry heaving because of the loss of his love and not out of any self revulsion. I'm almost sure he was dry heaving; I kept turning away from the scene not wanting to see vomit.
We cried alot and during the credits I felt eerily apart from the obvious straight, mostly elderly couples who were filing out. I felt as though the truth of the film was all too familiar and real for us but maybe not really understood by the straight crowd. Not their fault, of course, but none the less a weird feeling.
Brian Godawa is an idiot and his opinions are typical of people with blinders on who can comfortably dismiss us with his 'homosexual agenda' BS. Would he change his thinking if he had a son who came out to him, I wonder.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by La Sal:
My partner and I saw it on Thursday and I agree completely with iGeek on page3.
We cried alot and during the credits I felt eerily apart from the obvious straight, mostly elderly couples who were filing out. I felt as though the truth of the film was all too familiar and real for us but maybe not really understood by the straight crowd. Not their fault, of course, but none the less a weird feeling.
Yes, but after seeing the film many will begin that thinking process which will let them in on what other people feel - that they can actually feel - the same emotions. And in God's time, humanity will come to see all other human beings as children of God.
Posted by Ian Climacus (# 944) on
:
I saw it last night.
Ye gods: what an emotional rollercoaster. And what a bloody fantastic film.
Apart from some morons who giggled like schoolgirls during the sex scenes and when Ennis and Jack were kissing and his wife discovered them
, the cinema generally seemed to be in the same mood as me: amazed at how a movie could be so damn good at depicting their love, the loss of it, and the effect it had on those around them.
I think I'll be seeing it again soon.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Kelly Alves:
quote:
Originally posted by Luke:
Its also an interesting coincidence that Imagine me & you is coming out at roughly the same time. There must be a cultural shift occurring.
I really want to see this one but haven't yet-- what's the connection?
Sorry, wrong film-- I was thinking of "You and Me and Everyone We Know."
(I figured out the connection.)
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Ian Climacus:
I saw it last night.
Ye gods: what an emotional rollercoaster. And what a bloody fantastic film.
I think I'll be seeing it again soon.
Only once? Some of us are up to 5, 6, 7 ,8 times and counting...
Posted by Hooker's Trick (# 89) on
:
quote:
Originally posted by La Sal:
I felt as though the truth of the film was all too familiar and real for us but maybe not really understood by the straight crowd.
So is the truth of Romeo and Juliet all too real for straight people but not really understood by the gay crowd?
Posted by La Sal (# 4195) on
:
Posted by Hooker's Trick:
quote:
Originally posted by La Sal:
I felt as though the truth of the film was all too familiar and real for us but maybe not really understood by the straight crowd.
--------------------------------------------------------------------------------
So is the truth of Romeo and Juliet all too real for straight people but not really understood by the gay crowd?
No, not at all. Love is universal. What I didn't explain very well is the fact that gays sometimes hide who we really are which is a shame and very difficult. (Shame ... a pun) But hiding IS based on shame. I don't think it's an experience that can be understood by some straights.
That is why 'COMING OUT' is such a big deal. You know what I mean?
Posted by Comper's Child (# 10580) on
:
"You bet", I know what you mean.
Posted by mr_ricarno (# 6064) on
:
quote:
Originally posted by Ian Climacus:
Apart from some morons who giggled like schoolgirls during the sex scenes and when Ennis and Jack were kissing and his wife discovered them
Oops. That'd be me and my friends, then. Sorry!
I think that laughing, for me, was a way of dealing with the total alien-ness of it. I'm not gay, I don't have any gay friends (as far as I know), I've never seen a gay couple kiss...it was all totally outside my frame of reference.
A good film, though. I think it's one of the films that works better if you've seen it twice and let it grow on you.
Posted by GoodCatholicLad (# 9231) on
:
quote:
Originally posted by Luke:
Brian Godawa's movie blog provides an interesting analysis of Brokeback Mountain. Its also an interesting coincidence that Imagine me & you is coming out at roughly the same time. There must be a cultural shift occurring.
His opinion on Brokeback Mountain was he doesn't take kindly to gay people period. I didn't need to read it all.
Posted by Mike (MovIefreaKE) (# 10974) on
:
I saw it an expected to love it, but was sort of at a loss for whether I did or not.
From a storytelling standpoint, I think they downplayed the tragic part of the ending...the part that I can't mention without it being a spoiler. The understatement could be considered a good thing but I wanted a little bit more. It just seemed to come from nowhere.
My main problem with it, though, was that I never really got the sense, especially in the middle half, that these were two men who actually loved each other. They treated the whole thing like such a terrible chore -- which it undoubtedly must have been, but I wish more had focused on the two of them actually feeling so deeply for each other.
However, the film does so many things beautifully right that I'd recommend it to anyone. The cinematography is amazing, the first forty-five minutes are wonderful, and Heath Ledger is a revelation...you could feel his pain so exquisitely through almost no facial expressions. It was a great film in many ways, but I can't bring myself to call it a classic. I'll really have to see it again.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Mike (MovIefreaKE):
My main problem with it, though, was that I never really got the sense, especially in the middle half, that these were two men who actually loved each other.
I actually had a bit of problem with that too. I just had to accept in the abstract that they did. But it certainly wasn't Greta Garbo and John Gilbert by a long shot. Of course, who is these days?
Posted by Adeodatus (# 4992) on
:
I saw the film last evening, and was stunned by how beautiful it was in all sorts of ways - the scenery, obviously, but also the way that the men's emotions and tenderness came through despite their inability to articulate in language much of what they were feeling. I was wondering what the story reminded me of, and then badman's comment on p.3 of this thread made a light-bulb go on in my head - it's Brief Encounter, intensified, modernised, and made real and gritty. I loved it.
I don't have much time for the whingey gay commentators who complain about the film being tragic - tragic love stories are the only really interesting ones, artistically speaking. Sophocles would not be feted as the greatest dramatist ever if, in a last-minute twist, Jocasta had turned out not to be Oedipus's mum, and they'd lived happily ever after. (Apologies for the spoiler there, for all who haven't seen King Oedipus
)
And, on a side-note, I quite like the term "homosexualist". It makes it sound like I have a qualification in it.
Posted by Ags (# 204) on
:
quote:
Originally posted by Mike (MovIefreaKE):
My main problem with it, though, was that I never really got the sense, especially in the middle half, that these were two men who actually loved each other. They treated the whole thing like such a terrible chore -- which it undoubtedly must have been, but I wish more had focused on the two of them actually feeling so deeply for each other.
Hmmm. I got the sense that at times it was more obsession than love. And that Ennis was too afraid of himself, the world and the consequences if he actually let himself love Jack. He seemed too frightened to really accept his feelings (hence all the anger) and to let the relationship develop as it might have done. Although, Sine, did you say something to the effect that it probably wouldn't have worked out for them anyway, even if they had felt able to leave their respective partners and live together? Need to read back through the thread to see who said what.
Anyway, going to see it for the second time tonight, so more comments later maybe.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Ags:
Sine, did you say something to the effect that it probably wouldn't have worked out for them anyway, even if they had felt able to leave their respective partners and live together?
Yes. It's not to hard to be romantic and passionate a couple of times a year - and out of town, at that. It's the daily grind that wears you down.
(As Colette said "Bad table manners break up more marriages than infidelity.")
Posted by leo (# 1458) on
:
quote:
Originally posted by mr_ricarno:
quote:
Originally posted by Ian Climacus:
Apart from some morons who giggled like schoolgirls during the sex scenes and when Ennis and Jack were kissing and his wife discovered them
Oops. That'd be me and my friends, then. Sorry!
I think that laughing, for me, was a way of dealing with the total alien-ness of it. I'm not gay, I don't have any gay friends (as far as I know), I've never seen a gay couple kiss...it was all totally outside my frame of reference.
A good film, though. I think it's one of the films that works better if you've seen it twice and let it grow on you.
Here was I thinking that the largely 'straight' audience did not laugh at all where I saw it and that this would have been different ten years ago.
Posted by Comper's Child (# 10580) on
:
I found it odd that what appeared to be the straight bunch in our cinema laughing at the "reunion" kiss scene. It is a powerful moment, but rather than tittering I'd have expected that gang to be gasping in horror. From my gay perspective, that scene was both touching in that these fellows had reunited and deeply troubling in that Ennis' wife had found out this deep secret which would so affect her.
Posted by TrudyTrudy (I say unto you) (# 5647) on
:
There was tittering throughout in the theatre when I saw it, which I found incredibly annoying, since the same parts would not have evoked a titter in a movie about a straight couple.
I found it really interesting ... visually beautiful, of course, and so many intriguing levels to the two characters and their relationshp other than just, "Look! Look! It's a movie about two men who love each other!"
I totally agree with Sine's comment that this was a relationship that was about escapism, not about being together for the long haul. I thought the visual differences between the city and home scenes of their married lives, and the idyllic nature scenes of their getaways together, made the contrast very obvious. Maybe it's not that they couldn't have had a real, long-term relationship, but that they never had the opportunity to find out whether it was "real love" that could survive the grind of everyday living or not. And I guess that's where the "tragic gay love story" element comes in -- because of the taboo in their society on homosexuality, they never had the chance to find out. But if you threw in any other element that made divorce and remarriage impossible, you could have had basically the same story about a man and woman nurturing an obsession for each other for 20 years and meeting up occasionally.
I thought the two characters were interesting. Jack seemed like the sort of person who, if he had lived in a society where a gay couple was acceptable, would have probably been able to settle down and have a happy relationship with some man (in fact, he was even willing to try it with Ennis despite societal disapproval). Ennis, on the other hand, didn't seem to me like someone who could have had a real relationship with anyone, at least not without some life-changing experience and/or a whole lot of therapy, because he was so closed-off to his own emotions. Are we to assume it was the stress of hiding his sexuality that made him that way, or other factors?
Ennis's daddy must have been a piece of work. I wondered when seeing that flashback scene if he had suspected or feared at such a young age that Ennis might "turn out gay" and had deliberately shown him the scene of what happened to the gay rancher as a warning?
I went to see it idly curious about whether it would sexy for me, as a straight woman, to see two gorgeous men get it on -- after all, there's this whole huge thing about how sexy straight men find it to watch lesbians, but no corresponding female interest in gay men having sex. Is it because we're not wired that way or because we just don't have the opportunities to see that? But while Heath and Jake were both just as pretty as could be, the way the love scenes were filmed did not (for me) encourage that kind of voyeurism. (Short version = not enough skin).
I thought it was well-acted, well-written, and thought-provoking. I still think Crash should get the Best Picture award over Brokeback, but I'd be very happy to see Heath Ledge get Best Actor. His performance was amazing.
Posted by mr_ricarno (# 6064) on
:
Hmm. When I saw it (I take back my previous comment that 'I have no gay friends', I wasn't thinking at the time - it's not true) I was with a bunch of bisexual friends, one of whom is an avid reader and writer of slash (q.v. - Googling it probably isn't worksafe). She got the giggles because she thought of it as soft porn.
Maybe if I'd gone with some friends who weren't so giggly about man-on-man action, the reunion scene wouldn't have been spoiled for me...
Posted by chemincreux (# 10635) on
:
I saw the film last week, and had to sit still for some time afterwards in case I caught somebody's (anybody's) eyes and burst into tears.
I read the story (the last one in Annie Proulx's
"Close Range") some considerable time ago and recommend anyone who hasn't seen the film yet to read the book first. I agree with Ags's point that Ennis seems frightened of his obsessive feelings. That doesn't come across in the book - I think there were things the book said that the film makers could never have got away with - the overridiing sense of innocence at the start of their affair, for a start.
But something more chilling. If you read the book, you'll be aware, when watching the film, that something bad's going to happen - and you get several false alarms. It's brilliant direction, and I suspect the film does get away with more than its cautious backers anticipated.
I want to read the original and watch the film again.
Posted by Ags (# 204) on
:
I recommend watching the film more than once. Have just returned home from seeing it the second time and I feel I learned more about the protagonists.
I cried (again), but this time not until the shirt came out of the closet. This was a relationship that was never going to make it in the real world. Not just because of the attitude of the times but because of the men involved and maybe cos it was too much linked to place and couldn't work away from the mountains. Very escapist stuff. The reality was grim.
As for whether it will beat Crash (fantastic movie!) for best picture at the Oscars, I'm not too sure. I don't know that Crash had more to say than Brokeback but it certainly said it louder. I don't envy the judges making their choice this year!
(There was a bit of sniggering tonight when Alma sees Jack & Ennis kissing. I guess it was embarrassment - tho' the audience was silent during the scenes in the tent.)
Ags (about to buy the book from Amazon.)
Posted by mrmister (# 10850) on
:
Can I just point out that dubbing the film "bareback mountain" is offensive and homophobic.
Posted by Gracious rebel (# 3523) on
:
Well seeing who started this thread, and chose the title for it, I hardly think you have a leg to stand on!
Posted by mrmister (# 10850) on
:
Actually, I DO have a leg to stand on.
Homophobia is not just the preserve of supposedly straight people.
It's about internalised societal assumptions.
Calling a film which seeks to address serious issues "bareback mountain", especially in this day and age following the eighties nightmare of AIDS (yes, I remember it only too well), is homophobic.
It is immaterial whether or not the OP is considered to be beyond reproach
Posted by Gracious rebel (# 3523) on
:
I didn't mean to imply he was beyond reproach (sorry Sine!
), simply that it seems to me his reputation on the Ship consists almost entirely of:-
1) having exceedingly good manners
2) the fact that he is homosexual
Bearing these in mind, I hardly thought that you could accuse him of homophobia, in any usual sense of the word.
Posted by mrmister (# 10850) on
:
Read what I wrote more carefully.
It is immaterial whether the OP is considered to be beyond reproach, whether because of reputation or sexuality.
Mocking the name of the film in a homophobic way is not on. I don't give a hoot whether Sine is gay or not; calling the film "Bareback mountain" is childish and offensive.
Barebacking is having unprotected anal sex.
Posted by mr_ricarno (# 6064) on
:
How very kind of you to take offense on behalf of the many gay people on the Ship. Let's see how many gay Shipmates will agree with you...
...
...
***waits for days***
Nope, seems like they don't mind. Offense is in the ear of the listener. That's why comedians get away with so much.
Good to see you back on the Ship, mrmister! Have you seen the film?
Posted by mrmister (# 10850) on
:
Yes, it was very good.
Reinforced my view as a deconstructed gay that white picket fences and homosexuality don't mix, though.
Posted by Cosmo (# 117) on
:
quote:
Originally posted by mrmister:
Barebacking is having unprotected anal sex.
And is such a practice the sole preserve of the homosexual?
I think not.
And in any case, the term 'bareback' refers to any sexual act carried out without a condom and by straight or gay protaganists alike.
BTW, I watched Bareback Mountain on Friday and, apart from the first 40 minutes (which I spent enjoying the scenery and wondering if Heath Ledger had had his lips sewn together at some Wyoming fat camp), I didn't really rate it much. There were too many obvious pointers at what was going to happen. Some parts of it reminded of those Second World War films where a young RAF man will say 'It's my last OP tonight, Skipper, and then I'm off to marry the best girl in the world!'. And we all know what's going to happen.
Cosmo
[ 05. February 2006, 14:57: Message edited by: Cosmo ]
Posted by mrmister (# 10850) on
:
Don't be so PC, I never claimed it was.
I personally find the use of the term "bareback mountain" offensive. Just as women might find sexist humour offensive.
Whether or not the OP is gay, and whether or not straight people bareback, are utterly irrelevant.
Posted by Cosmo (# 117) on
:
quote:
Originally posted by mrmister:
I personally find the use of the term "bareback mountain" offensive.
And we should give a shit why?
Cosmo
Posted by Ags (# 204) on
:
mrmister, my gay male friends at work refer to the movie as Bareback Mountain. It's a pun, a play on words. Live with it.
Glad you enjoyed the film, but what on earth is a 'deconstructed gay?'
Posted by mrmister (# 10850) on
:
If you do not give a shit about others, then why should others give a shit about you?
So why does it matter about a gay film?
Why does it matter about civil rights and the ability to be who you are without oppression from either other people or from internalised assumptions?
After all, you're the only one that matters in your universe, aren't you?
Am I causing you offense? So what
Posted by mrmister (# 10850) on
:
I do not accept that just because of same-sex attraction I have to accept a caricatured and obnoxious mindset commonplace in the mainstream.
I do not accept that just because the film concerns gay people, that it simultaneously is laughable.
It would not be laughable were it a moving love story between man and woman.
It would not be laughable were it a moving tragedy between man and woman.
So why, just because it concerns two men, should it be OK to laugh at it?
Oh, and just because some men at work choose to laugh along with it, that makes it OK doesn't it
Don't even.
Posted by Cosmo (# 117) on
:
quote:
Originally posted by mrmister:
If you do not give a shit about others, then why should others give a shit about you?
I'm a Church of England parson so they don't.
Cosmo
Posted by Ham'n'Eggs (# 629) on
:
quote:
Originally posted by mrmister:
Can I just point out that dubbing the film "bareback mountain" is offensive and homophobic.
Of course you can.
Just so long as you are prepared to be told exactly how fuckwitted it is to point this out on this thread.
HTH, H&E Esq.
Posted by Evo1 (# 10249) on
:
quote:
Originally posted by mrmister:
It would not be laughable were it a moving love story between man and woman.
It would not be laughable were it a moving tragedy between man and woman.
You sound pretty easy to please. Good to see you back, why not cool the hot-headedness a bit though.
Posted by mrmister (# 10850) on
:
You wouldn't have it any other way.
Posted by Evo1 (# 10249) on
:
Posted by Comper's Child (# 10580) on
:
It's okay mrmister - you're not the only one offended by the thread title. But there it is.
I'm just trying to keep a sense of humor about it, which is hard to do as, like so many, I have a certain reverence for this beautiful work of art.
Posted by Ags (# 204) on
:
My sincere apologies to anyone I offended by being amused at the thread title. I, too, consider Brokeback Mountain to be a very beautiful work of art and would be most happy if we could get back to discussing the film itself.
Posted by fionn (# 8534) on
:
I don't understand the hoopla surrounding The Kiss. In one of the episodes of 'Stargate: Atlantis', David Hewlett plants a much shorter but more passionate kiss on the lips of Paul McGillion. The kiss in 'Brokeback Mountain' looked more like a fumbling wrestling match.
My primary response to the movie was a sudden desire to go dancing and to plan a trip to Wyoming during the week of summer.
There was no tittering or snickering in the theater at any time.
Posted by RuthW (# 13) on
:
Where I live there was no hoopla surrounding a kiss, but there was some surrounding the fuck.
Posted by fionn (# 8534) on
:
This morning my pastor mentioned it as a movie to be spurned. I sent him an e-mail suggesting that the movie with some slight editting would be useful in the home missionary effort.
Ennis and Jack both had a huge gaping hole in their lives and a 'dash of Jesus' would have done them wonders. To see someone (even cinematically) with such a longing for love touched me deeply. Especially knowing that Jesus could possibly fill that gaping longing and allowed them to eventually come to grips with their situation. Ennis might have found the strength to admit his love and agree to live with Jack. Jack might have been able to keep his pants zipped except around Ennis.
Posted by Adeodatus (# 4992) on
:
quote:
Ennis and Jack both had a huge gaping hole in their lives and a 'dash of Jesus' would have done them wonders.
To someone who has suffered a lot at the hands of the Church, fionn, that sounds more than a little hollow. There have been times when a 'dash of Jesus' have cost some of us friends, lovers, and very nearly our lives.
Posted by Comper's Child (# 10580) on
:
I don't think fionn was talking about a "dash" of Jesus so much as finding some hope in Jesus Christ. Something that is denied many gay people when they are driven away from the church. There are many ways in which the film could be instructive to churchfolk.
Posted by CDLauffer (# 10983) on
:
Just wondering...why would anyone wish to see a movie that praises adultery?
CDL
Posted by Gill H (# 68) on
:
You could ask the folks at hollywoodjesusif you like.
Posted by CDLauffer (# 10983) on
:
I didn't see any comment on adultery. Could you direct me to one that does?
CDL
Posted by Comper's Child (# 10580) on
:
Praises adultery!!!???
The whole thing is a tragedy and not a simple catechism lesson in black and white.
Posted by Caz... (# 3026) on
:
quote:
Originally posted by CDLauffer:
Just wondering...why would anyone wish to see a movie that praises adultery?
CDL
Have you seen it? It does absolutely nothing of the sort. It shows the devastation and pain that denial causes, no matter how justified the reasons for that denial might have been...
Posted by Caz... (# 3026) on
:
quote:
Originally posted by CDLauffer:
Just wondering...why would anyone wish to see a movie that praises adultery?
Sorry for double post but I'm still thinking about this. Even if it DID "praise" adultery (whatever that means) why would that mean I shouldn't see it? Should I only see films where nothing ever happens that I disagree with or find negative? Should I therefore never watch a film where a person is killed, where people cause one another suffering, where someone overeats or tells a lie?
What a bland, bland world that would be.
Posted by RainbowKate (# 9331) on
:
It certainly doesn't praise adultery; if anything it does the very opposite. It shows the pain and devestation wrought upon families when people try to pretend to be something they are not.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Comper's Child:
I don't think fionn was talking about a "dash" of Jesus so much as finding some hope in Jesus Christ. Something that is denied many gay people when they are driven away from the church. There are many ways in which the film could be instructive to churchfolk.
Indeed there are. Sorry, fionn, if I misinterpreted - I'm having an oversensitive day.
I'll also join in the chorus of those who are saying this film doesn't "priase" adultery. Since seeing it, I've been thinking a lot about what a classical-style tragedy it really is. So, citing my favourite classical tragedy again, I'd say this film praises adultery about as much as King Oedipus praises incest!
Posted by CDLauffer (# 10983) on
:
quote:
Originally posted by RainbowKate:
It certainly doesn't praise adultery; if anything it does the very opposite. It shows the pain and devestation wrought upon families when people try to pretend to be something they are not.
Were the men married and did they have children? If the answer is yes and they followed their passions which resulted in the splitting of loyalties they committed adultery. I really don't care what people think about the blandness of my choices. My goal is holiness. If that isn't your choice that's your business. It's pretty clear to anyone that the point of the movie is to show that vows are secondary to passions. That is certainly not my choice for a way to live. If it's yours be proud of it. Don't pretend it's something other than it is.
I will not ever watch the movie. I don't believe adultery is a good thing.
CDL
Posted by CDLauffer (# 10983) on
:
quote:
Originally posted by RainbowKate:
It certainly doesn't praise adultery; if anything it does the very opposite. It shows the pain and devestation wrought upon families when people try to pretend to be something they are not.
What these men were is called married. They had taken a vow that that is their vocation. That is what they were. Every other relationship is secondary. It really doesn't matter how else you might justify their behavior. It is still adultery.
CDL
Posted by Comper's Child (# 10580) on
:
Clearly you haven't seen the film, so why even comment on it? I'm very offended by violence in filmmaking especially these days. But some films have themes beyond the violence. How about greed? I can't imagine only seeing films with orthodox Anglo-Catholic themes . It would make my life considerably poorer, I think.
Posted by badman (# 9634) on
:
quote:
Originally posted by CDLauffer:
It is still adultery.
CDL
I think there is a misunderstanding here. Nobody has denied that for a married man to have a sexual relationship outside marriage, whether with a man or woman, is adultery. You are being challenged to say how the film *praises* adultery. Since you haven't seen the film, I suppose you can't say.
Posted by Manda (# 6028) on
:
CDL.
Just cos a film shows something happening, eg adultery, it doesn't mean it's praising it.
And this may sound presumptious, but how can you tell what you think of the film, or analyse the spin it puts on their actions without seeing it?
I think in a way its similar to Munich, both were moving and powerful films that make you feel sad about the state of humanity and the way we treat each other.
[ 06. February 2006, 17:24: Message edited by: Manda ]
Posted by RuthW (# 13) on
:
quote:
Originally posted by CDLauffer:
What these men were is called married. They had taken a vow that that is their vocation. That is what they were. Every other relationship is secondary. It really doesn't matter how else you might justify their behavior. It is still adultery.
No one's saying they weren't committing adultery. But just because adultery is depicted doesn't mean it's praised. As Rainbow Kate said, this film shows the pain and devastation that results when people are not allowed to be themselves. Had the two main characters been allowed to be themselves, they wouldn't have gotten married, at least not to women.
ETA: cross-post, obviously!
[ 06. February 2006, 17:26: Message edited by: RuthW ]
Posted by CDLauffer (# 10983) on
:
quote:
Originally posted by badman:
quote:
Originally posted by CDLauffer:
It is still adultery.
CDL
I think there is a misunderstanding here. Nobody has denied that for a married man to have a sexual relationship outside marriage, whether with a man or woman, is adultery. You are being challenged to say how the film *praises* adultery. Since you haven't seen the film, I suppose you can't say.
The attempt to be "who you really are" as a defense of adultery is a defense of adultery. No one has to see the movie to read the synopsis and the defense of the theme that has been posted here. Who these men really were were married.
CDL
Posted by Manda (# 6028) on
:
Part of the point CDL is that if they had been allowed to be who they were they wouldn't have got married in the first place. If they'd been allowed by the society to be together, this would have avoided much of the heartache and suffering that ensues on all sides.
Posted by CDLauffer (# 10983) on
:
quote:
Originally posted by Manda:
Part of the point CDL is that if they had been allowed to be who they were they wouldn't have got married in the first place. If they'd been allowed by the society to be together, this would have avoided much of the heartache and suffering that ensues on all sides.
My point is that society has never barred anyone from being together with anyone else. The only limitation has been they can't, or shouldn't, call it marriage. It's a lie. But then I suppose in the Alice in Wonderland world in which Western Society finds itself insulting Christians is a way of life. So people call whatever they want to whatever they wish. There is no avoidance of heartache when the best definition of ourselves is following ones lusts. But if that's the best a person can do no one is really stopping them.
CDL
Posted by phoenix_811 (# 4662) on
:
quote:
Originally posted by CDLauffer:
Were the men married and did they have children? If the answer is yes and they followed their passions which resulted in the splitting of loyalties they committed adultery. I really don't care what people think about the blandness of my choices. My goal is holiness.
First, according to this definition, they did not committ adultery. They followed their passions, but the following did not result in the splitting of loyalties. As is very clear in the written story, especially, the splitting of loyalties was prior to the following of passions.
I too have a goal of holiness. I think I would define that quite differently than you seem to be, however. Holiness is not an ethical category. Righteousness is an ethical category.
quote:
The attempt to be "who you really are" as a defense of adultery is a defense of adultery. No one has to see the movie to read the synopsis and the defense of the theme that has been posted here. Who these men really were were married.
CDL
No one is using the the attempt to be "who you really are" as a defense of adultery. No one is excusing them for committing adultery. Certainly, who Jack and Ennis really are caused them to sin (not homosexuality an sich but in committing adultery). Just as certainly, the adultery, at least as expounded biblically (committing adultery in the heart is the same as committing adultery physically), happened before any physical act took place between the two men.
What needs to be kept in mind is that the identity of the two men conflicted with their state of social being. This does not excuse what they did. But it should prompt forgiveness.
Posted by RuthW (# 13) on
:
quote:
Originally posted by CDLauffer:
My point is that society has never barred anyone from being together with anyone else.
So all those anti-sodomy laws never had any effect?
Posted by CDLauffer (# 10983) on
:
quote:
Originally posted by RuthW:
quote:
Originally posted by CDLauffer:
My point is that society has never barred anyone from being together with anyone else.
So all those anti-sodomy laws never had any effect?
Are you suggesting that there are never consequences for our actions or that there can be a society that can eliminate them? That is laughable. If a person wishes to do whatever they wish they are free to do it. Nothing can stop them.
CDL
Posted by RuthW (# 13) on
:
quote:
Originally posted by CDLauffer:
quote:
Originally posted by RuthW:
quote:
Originally posted by CDLauffer:
My point is that society has never barred anyone from being together with anyone else.
So all those anti-sodomy laws never had any effect?
Are you suggesting that there are never consequences for our actions or that there can be a society that can eliminate them? That is laughable. If a person wishes to do whatever they wish they are free to do it. Nothing can stop them.
CDL
How on earth did you get a suggestion of there being no consequences for our actions out of what I said. Of course there are consequences.
But the notion that gay people have always been free to do whatever they wanted is laughable. And stupid.
Posted by badman (# 9634) on
:
CDLaufer, you're new here - and welcome.
Since you haven't seen this film, maybe your thoughts on homosexuality, sex outside marriage, gay marriage and blurred boundaries, etc, should be on other threads. You'll find quite a few of them on "Dead Horses".
Brokeback Mountain is a film about love, not lust. And you need to be careful before you assume that people's ability to love, as opposed to lust, depends on their sexual orientation.
Posted by Manda (# 6028) on
:
Well it would be a spoiler to point out the particular consequences that ensues from them being gay, but they are certainly serious CDL, and can hardly be described as society allowing them to be themselves.
Posted by CDLauffer (# 10983) on
:
quote:
Originally posted by Manda:
Well it would be a spoiler to point out the particular consequences that ensues from them being gay, but they are certainly serious CDL, and can hardly be described as society allowing them to be themselves.
Manda,
I think we agree, though I'm not sure.
Ruth,
I thought there were consequences for ad hominems such as you have thrown at me the last few posts.
Re: Consequences. If one chooses to not abide by natural law and the Church teaching one will have the consequences of such behavior. Until recently there were also societal consequences. So what? There are always consequences to actions. Again, it is not possible not to have consequences for actions. The film portrays two men who decide to abandon their families to whom they had made committments. Little else matters.
CDL
Posted by RainbowKate (# 9331) on
:
quote:
Originally posted by CDLauffer:
quote:
Originally posted by RainbowKate:
It certainly doesn't praise adultery; if anything it does the very opposite. It shows the pain and devestation wrought upon families when people try to pretend to be something they are not.
Were the men married and did they have children? If the answer is yes and they followed their passions which resulted in the splitting of loyalties they committed adultery. I really don't care what people think about the blandness of my choices. My goal is holiness. If that isn't your choice that's your business. It's pretty clear to anyone that the point of the movie is to show that vows are secondary to passions. That is certainly not my choice for a way to live. If it's yours be proud of it. Don't pretend it's something other than it is.
I will not ever watch the movie. I don't believe adultery is a good thing.
CDL
I never said adultery was a good thing; I certainly don't believe that it is. It always leads to heartbreak and brokeness. Were Ennis and Jack wrong in cheating on their wives? Yes, of course they were.
The point the film makes is that if society were different they would have remained a couple at the end of that first summer before either had become married. Jack wants them to lead a life together; Ennis has seen first hand what happens to men who "set up ranch together". It is, if anything, a film on what happens when we don't live our lives honestly. It in no way glorifies adultery. It shows the pain and anguish their wives endure, and the pain the men feel in their own dishonesty. That's why its such a beautiful film; it's about the frailty of humanity and where our mistakes get us.
If society were different there is no question that the two would not have married women, but remained together.
If you've actually lived with the consequences of being gay you're all too aware that this movie takes place in the same state where Matthew Shepherd, a young gay college student, was brutaly murdered only a few years ago. When you feel (as Ennis did) that your choice is being honest or being dead it's not so easy a choice.
Of course, you'd actually have to have seen the film to know any of this. Which you clearly have no interest in doing. So why are you here? I respect your right not to see, respect that the rest of us see the world in more than two colors.
Posted by Ham'n'Eggs (# 629) on
:
quote:
Originally posted by CDLauffer:
I thought there were consequences for ad hominems such as you have thrown at me the last few posts.
Ruth is perfectly aware of the rules here, as she was an Admin for several years.
But you appear to be unaware of what "ad hominem" means.
Posted by CDLauffer (# 10983) on
:
I guess if I call you stupid that's not ad hominem. I guess if you assume I witless regarding the rules and say so that's not ad hominem.
Whatever the case may be, my point is fairly straightforward. No one needs to see the movie to understand what it's about. Neither natural law, nor the Church, nor conscience supports homosexual actions nor the abandonment of commitments no matter what the reason. I agree. Many do not. So what?
At least I have refused to stoop to the level of calling people names. Before I'm tempted to do that I will simply stop posting.
CDL
Posted by OliviaG (# 9881) on
:
quote:
Originally posted by CDLauffer:
No one needs to see the movie to understand what it's about.
How do you know? You haven't seen the movie.
Ad hominem
OliviaG
ETA: Ad hom link
[ 06. February 2006, 20:37: Message edited by: OliviaG ]
Posted by RuthW (# 13) on
:
quote:
Originally posted by CDLauffer:
Ruth,
I thought there were consequences for ad hominems such as you have thrown at me the last few posts.
I didn't call you stupid. I called a particular notion stupid. Lots of smart people have mounted arguments for stupid ideas, me among them. But this time it was you.
quote:
The film portrays two men who decide to abandon their families to whom they had made committments. Little else matters.
Bullshit. It matters that they wouldn't have had those families in the first place if society hadn't so violently disapproved of their relationship.
[ 06. February 2006, 20:44: Message edited by: RuthW ]
Posted by Ham'n'Eggs (# 629) on
:
CDLauffer - please would you do a little research and find out exactly what "ad hominem" means, and then reconsider the accusations that you have made in the light of this knowledge.
Back to the subject - imagine someone told you that it was unnecessary to read the Bible because someone else had told them that it praised genocide. Why should this not be a valid argument against reading the Bible?
Posted by TrudyTrudy (I say unto you) (# 5647) on
:
quote:
Originally posted by RainbowKate:
If society were different there is no question that the two would not have married women, but remained together.
Well, I think that might be overstating the case a little, though I certainly do agree with the main point you're making, RainbowKate. As I said upthread, I don't think there's a clear indication there that Jack and Ennis would necessarily have been a happy long-term couple, even in a society where gay relationships were accepted. Maybe they would have lived together for awhile and found they couldn't stand each other. Maybe they would both have ended up with other guys (or, as I think more likely, Jack would have ended up happy with another guy and Ennis still would have been alone and lonely). But you're right in that most likely they would NOT have felt pressured to marry women, start families, and then betray those wives and families through adultery.
To suggest this is a "happily ever after" love story gone wrong is, I think, to over-romanticize their relationship in a way the movie avoids doing. Because of the society they lived in and its attitudes towards gay men, Jack and Ennis' relationship never had a chance to grow and mature beyond a youthful summer romance. It might have grown into a great love; it might very well not have. The tragedy is in not having the chance to find out.
Posted by John Holding (# 158) on
:
quote:
Originally posted by CDLauffer:
My point is that society has never barred anyone from being together with anyone else. The only limitation has been they can't, or shouldn't, call it marriage. It's a lie.
CDL
Just to put the matter straight, in some countries same sex couples can marry. It's not a matter of "calling" it a marriage, it IS a marriage. Or so at least the courts and Parliament of Canada, and Spain at least have decided. The language has moved on.
John
Posted by RainbowKate (# 9331) on
:
quote:
Originally posted by TrudyTrudy (I say unto you):
quote:
Originally posted by RainbowKate:
If society were different there is no question that the two would not have married women, but remained together.
Well, I think that might be overstating the case a little, though I certainly do agree with the main point you're making, RainbowKate. As I said upthread, I don't think there's a clear indication there that Jack and Ennis would necessarily have been a happy long-term couple, even in a society where gay relationships were accepted. Maybe they would have lived together for awhile and found they couldn't stand each other. Maybe they would both have ended up with other guys (or, as I think more likely, Jack would have ended up happy with another guy and Ennis still would have been alone and lonely). But you're right in that most likely they would NOT have felt pressured to marry women, start families, and then betray those wives and families through adultery.
To suggest this is a "happily ever after" love story gone wrong is, I think, to over-romanticize their relationship in a way the movie avoids doing. Because of the society they lived in and its attitudes towards gay men, Jack and Ennis' relationship never had a chance to grow and mature beyond a youthful summer romance. It might have grown into a great love; it might very well not have. The tragedy is in not having the chance to find out.
Agreed, I was overstating, and you clairfy what I was getting at beautifully. I think that Ennis would have broken off the engagment and tried to build a life with Jack, if that had been long term or not I can't say.
Posted by Manda (# 6028) on
:
quote:
Originally posted by CDLauffer:
quote:
Originally posted by Manda:
Well it would be a spoiler to point out the particular consequences that ensues from them being gay, but they are certainly serious CDL, and can hardly be described as society allowing them to be themselves.
Manda,
I think we agree, though I'm not sure.
Well what I was getting at is that its not that they had the choice to live together but instead decided to get married to other people. They're feeling was that if they tried to do that, as Rainbow Kate pointed out, they'd be killed. The consequences are imposed by society.
quote:
The film portrays two men who decide to abandon their families to whom they had made committments. Little else matters.
CDL
I'm not sure how you can say that. Maybe if you watch the film, you'll see that that's not really what happens, at least on one side. The film is about their struggle to decide between what they want in their hearts and their other loyalties, and societies demands. What they want to do is not necessarily what they do.
Hope none of that was too spoilerish
Posted by Hooker's Trick (# 89) on
:
quote:
Originally posted by CDLauffer:
Just wondering...why would anyone wish to see a movie that praises adultery?
CDL
By this logic should we also refuse to read Madame Bovary? Or is the adultery therein less disgusting because it takes place between people of different genders?
quote:
No one needs to see the movie to understand what it's about. Neither natural law, nor the Church, nor conscience supports homosexual actions
If you happen to fall in love with someone of the same gender, does that make you "homosexual"?
One of the provocative parts of the film, it seems to me, is confronting what it means to be gay, and whether it is a question of who you love, who you have sex with, or both, or neither.
Posted by Gort (# 6855) on
:
quote:
Originally posted by CDLauffer:
Whatever the case may be, my point is fairly straightforward. No one needs to see the movie to understand what it's about. Neither natural law, nor the Church, nor conscience supports homosexual actions nor the abandonment of commitments no matter what the reason. I agree. Many do not. So what?
In light of your short posting experience on these boards, I respectfully request that you move your discussion regarding natural law, Church, conscience and "homosexual actions" to here or here . None of your comments are related to this OP and I personally find your comments extremely distracting while reading this thread.
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Hooker's Trick:
quote:
Originally posted by CDLauffer:
Just wondering...why would anyone wish to see a movie that praises adultery?
CDL
By this logic should we also refuse to read Madame Bovary?
That of course is what's so satisfying about Anna Karenina. Nothing quite like throwing yourself under a train to show that adultery doesn't pay.
Of course adultery didn't really seem to pay in Brokeback Mountain either, as best I recall from SEEING THE MOVIE.
...And mrmister, you made my day by being offended by the thread title. Thanks.
Posted by Gort (# 6855) on
:
I'll have to wait for DVD now. You've all ruined it for me as far as the big screen. It's enough that I hate bummer endings but bawling in public is just too much for this macho 'droid.
Posted by cometchaser (# 10353) on
:
quote:
Originally posted by Ags:
Glad you enjoyed the film, but what on earth is a 'deconstructed gay?'
no one answered this... I'm almost afraid to ask...?
it sounds like they've dismantled you somehow.
Comet
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by CDLauffer:
quote:
My point is that society has never barred anyone from being together with anyone else. CDL
This beggars my imagination. Gee, certain societies execute homosexuals. Ours just treats them as shameful and, well, just the occasional murder or savage beating - but no we don't bar anyone from being together.
No the film tells what it is really like for many people in this world. there is sadly not a Hollywood ending.
Posted by Honeybones (# 10603) on
:
Late to this thread too.
I might want to see Brokeback Mountain. Heath Ledger kissing anyone makes for fine entertainment. But really, Im in the camp that doesnt like relationship flicks. Unless you are gonna come babysit for me, Im waiting for the dvd release.
On the other hand, Im determined to see Underworld 2 before it leaves the big screen. I have seen NO thread for Underworld 2. *tsk*
Posted by LatePaul (# 37) on
:
quote:
Originally posted by Honeybones:
On the other hand, Im determined to see Underworld 2 before it leaves the big screen. I have seen NO thread for Underworld 2. *tsk*
Are you sure? Have you checked for a thread called something like 'Kate Beckinsale's bum in leather' ?
Posted by teddybear (# 7842) on
:
I just came across a very good review of the movie that I wanted to share:
http://www.nybooks.com/articles/18712
Posted by badman (# 9634) on
:
quote:
Originally posted by teddybear:
I just came across a very good review of the movie that I wanted to share:
http://www.nybooks.com/articles/18712
Thanks for this. It's unbelievably biphobic isn't it? Or bi-miopic anyway. In that, I think it does the film an injustice. The film is more interesting than you would guess from the review.
[ 08. February 2006, 15:42: Message edited by: badman ]
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by CDLauffer:
...No one needs to see the movie to understand what it's about. Neither natural law, nor the Church, nor conscience supports...abandonment of commitments no matter what the reason....
Maybe you should at least read the book so you know what you are writing about. Ennis does not abandon his commitment to the person he was going to marry and did marry.
Ennis was engaged when going up on Brokeback Mountain. He kept his commitment to his bride-to-be and married her in spite of his feelings after coming down off the mountain. Later, Ennis didn't want a divorce to be with Jack. Ennis stayed involved in the raising of his children after the divorce (even over a visit from Jack after the divorce). He was committed to his employers.
It is very possible that Ennis could never be a success in any relationship because he keeps to himself too much. But it would never have been from a lack of commitment.
The only time he fell back on a commitment was at the end of the movie: when his daughter was going to be married at the same time he was supposed to be on a roundup. In this case he had two commitments, and chose family over work.
Interestingly enough, Jack was trying to make a committment to Ennis. This offer was never returned by Ennis. We can speculate on whether or not a commitment could or would have been kept by Jack if they had gone to take care of the ranch owned by Jack's father, but Jack did not give up on Ennis for a long time.
The story is not about abandoned committments.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by mrmister:
Can I just point out that dubbing the film "bareback mountain" is offensive and homophobic.
How come every gay man I know has called it that at least once?
Sometimes intentionally (the naming of this thread).
Sometimes accidently (me at the company Christmas party).
Posted by Frater_Frag (# 2184) on
:
quote:
Originally posted by badman:
quote:
Originally posted by teddybear:
I just came across a very good review of the movie that I wanted to share:
http://www.nybooks.com/articles/18712
Thanks for this. It's unbelievably biphobic isn't it? Or bi-miopic anyway. In that, I think it does the film an injustice. The film is more interesting than you would guess from the review.
And isn´t that date somewhat wrong...? 1963?
Posted by Gort (# 6855) on
:
quote:
Originally posted by The Bede's American Successor: How come every gay man I know has called it that at least once?
Because it's such a great play on words? It still cracks me up whenever I see it. My admiration for the gay community (whatever that is) continues to grow. Any person who has suffered persecution for being gay and can still satirize a popular movie that evokes sympathy for the exact subject that brings the persecution, deserves my respect and chuckles.
Posted by Mousethief (# 953) on
:
I'm thinking that there needs to be a theme song, to the tune of "Wolverton Mountain."
Along these lines:
They said don't go
See Brokeback Mountain
With your girlfriend
Or your wife....
Posted by ReginaShoe (# 4076) on
:
quote:
Originally posted by badman:
quote:
Originally posted by teddybear:
I just came across a very good review of the movie that I wanted to share:
http://www.nybooks.com/articles/18712
Thanks for this. It's unbelievably biphobic isn't it? Or bi-miopic anyway. In that, I think it does the film an injustice. The film is more interesting than you would guess from the review.
A couple of other things I would point out about that review: first, spoilers galore, so be warned those who haven't bothered to look it up yet.
Second, he states that what makes this film fundamentally different from any other "forbidden love" story is that the heroes hate themselves for what they feel, not just the external constraints that keep them away from their beloved. I'm not so sure that's unique to this story. No doubt there are straight people who fell deeply in love with someone else when they were already married who felt pretty darn crummy about themselves at the time! (However it may have turned out.)
Posted by A Feminine Force (# 7812) on
:
Hi,
I just don't see what all the fuss is about.
Ang Lee likes to direct doomed love stories.
This is a doomed love story.
Personally, I found this one tedious. Ennis had all of three words to say in the first 45 minutes. I was just not feeling the "connection" between them. In between all the panoramic sheep shots, there was something happening there I just must have missed.
From there, the rest of the story was just kind of dull.
I must be the only person on the continent who felt like dozing off. I felt like, minus the humping, it could have been aired on Lifetime.
Sorry. Crouching Tiger and House of Flying Daggers were so much better stories, cinematography, and the fight scenes were prettier too.
FF
Posted by iGeek. (# 777) on
:
For me, Mendelsohn pegged it in his review.
But then, I operate in a social circle of primarily formerly-married gay men so I'm well acquainted with the tragedies depicted in the film and the story.
I appreciate the review for highlighting the angles about the closets involved.
One niggle, the reviewer talked about the *one* time when we saw them happy. There was one other scene, later in the film (a flashback) where Ennis was standing behind Jack, tenderly draping his arm over Jack's sholder. It stood out because tenderness between the two was so rare. But it was also silent.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by iGeek.:
For me, Mendelsohn pegged it in his review.
One niggle, the reviewer talked about the *one* time when we saw them happy. There was one other scene, later in the film (a flashback) where Ennis was standing behind Jack, tenderly draping his arm over Jack's sholder. It stood out because tenderness between the two was so rare. But it was also silent.
The scene is called the "Dozy Embrace". Though these moments were rare in the film, it has only 2 hours to describe 20 years. It is very touching and from my perspective, true.
Posted by Comper's Child (# 10580) on
:
Wondering if those who've seen the film have come away with any understanding of the importance of evangelical religion in the background of the main characters. Did religion have an impact on them?
Posted by teddybear (# 7842) on
:
Brokeback Mountain Shopping List
WEEK ONE
Beans
Bacon
Coffee
Whiskey
WEEK TWO
Beans
Ham
Coffee
Whiskey
WEEK THREE
Beans
Bacon
Coffee
Whiskey
K-Y
WEEK FOUR
Beans
Pancetta
Coffee (espresso grind)
Whiskey
2 tubes K-Y
WEEK FIVE
Fresh Fava beans
Jasmine rice
Prosciutto, approx. 8 ounces, thinly sliced
Medallions of veal
Porcini mushrooms
1/2 pint of heavy whipping cream
1 Cub Scout uniform, size 42 long
5-6 bottles good Chardonnay
1 large bottle Astro-glide
WEEK SIX
Yukon Gold potatoes
Heavy whipping cream
Asparagus (very thin)
Eggs
Lemons
Gruyere cheese (well aged)
Walnuts
Arugula
Butter
Olive oil
Balsamic vinegar
6 yards white silk organdy
6 yards pale ivory taffeta
Case of Chardonnay
Large tin Crisco
(I'm sorry, I just couldn't resist posting this.)
Posted by Comper's Child (# 10580) on
:
Yeah, but my question involved religion.....
Posted by teddybear (# 7842) on
:
Comper's Child, that post wasn't directed to you in particular. However, in response to your question. I do believe that mention of religion was made at the beginning of the film. Didn't one of the characters talk about his mom's Pentecostal religion while they were sitting around the fire drinking?
[ 10. February 2006, 18:06: Message edited by: teddybear ]
Posted by Ags (# 204) on
:
In the book, Jack 'favoured a sad hymn, "Water-Walking Jesus," learned from his mother who believed in the Pentecost.'
There's no other mention of religion in the book and I don't seem to remember them making much more of it in the film. People's disapproval of the relationship is probably as much due to the norms of the society as religious belief.
[ 10. February 2006, 22:45: Message edited by: Ags ]
Posted by phoenix_811 (# 4662) on
:
quote:
Originally posted by Ags:
People's disapproval of the relationship is probably as much due to the norms of the society as religious belief.
How exactly does one separate the norms of society from religious belief?
Posted by Ags (# 204) on
:
Good question!
Perhaps I should have said 'specific religious belief.' Comper's Child referred to evangelical religion. More specifically about the impact this might have made on the characters.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Ags:
Good question!
Perhaps I should have said 'specific religious belief.' Comper's Child referred to evangelical religion. More specifically about the impact this might have made on the characters.
For one thing, the Ennis character had been raised a Methodist, though in typical teenage fashion had no understanding of it. The Jack character's mother was, one assumes, Pentecostal. There's a brief moment on the mountain when Ennis looks up to heaven to give thanks for their being together, but then in macho fashion makes light of it, but it is clearly a spiritual moment for the character. The cultural or societal norms of the Rocky Mountains would seem to be based on a generalised evangelical protestant experience combined with a very hard life.
Posted by The Bede's American Successor (# 5042) on
:
quote:
Originally posted by Comper's Child:
Wondering if those who've seen the film have come away with any understanding of the importance of evangelical religion in the background of the main characters. Did religion have an impact on them?
Precious little, if any.
Posted by leo (# 1458) on
:
Someone on the International Movie Database commented, re-religion generally: 'There is a lot of religious symbolism. For example, religion suffuses Jake's and Ennis's lives, but they are so uneducated. They don't even know what the Pentecost is. Ennis refuses to go to a church social. The use of a rose ("stem the rose") in the movie is interesting -- liturgical symbolism of penance and joy combined. Jacob's name means Twist -- the actor's first name is a literal translation of his character's last name. Even DelMar -- from the sea -- evokes drowning, perhaps the drowning of Jake in his own blood.'
Someone else: an awareness that love is a force of nature....The story illuminates the dark corners where the myths break down, where rugged individualism means keeping your mouth shut and staying out of the way, and where the wide open promise of the west means isolation, loneliness and limitations. And as the story unfolds, we see how this myth celebrates and simultaneously strangles our understanding of what it is to be a real man.'
Posted by angloid (# 159) on
:
quote:
Originally posted by leo:
Jacob's name means Twist -- the actor's first name is a literal translation of his character's last name.
How is this relevant? Annie Proulx when she wrote the story didn't even know it was going to be filmed, let alone who the actors would be.
[ 11. February 2006, 18:47: Message edited by: angloid ]
Posted by Comper's Child (# 10580) on
:
I think he meant Jack, not Jacob though I don't see how Jack becomes a nick name for Jacob ...I'm sure he can't have meant Jake Gyllenhaal...
Posted by John Holding (# 158) on
:
[tangent] Jake is short for Jacob. That's just a standard abbrevation.
But also, Jacob is a form of the name James. And in French at least, James/Jacob takes the form Jacques. Jack came into English from late medieval French, but became associated for some reason I don't know with John (for which it was the usual nickname for a couple of centuries), rather than with James.
[/tangent]
John
Posted by phoenix_811 (# 4662) on
:
quote:
Originally posted by The Bede's American Successor:
quote:
Originally posted by Comper's Child:
Wondering if those who've seen the film have come away with any understanding of the importance of evangelical religion in the background of the main characters. Did religion have an impact on them?
Precious little, if any.
Really? I wonder if the lack of any explicit religious dimension, albeit plenty of implicit connnotations, doesn't belie the real presence (pun intended) of an evangelical religious background. My point earlier about the inability to separate the norms of society from religious belief gets at this point. The societal norm, rooted in an evangelical religious understanding of sexuality, is what is constraining the characters from coming to understand their sexuality in a healthy and meaningful way. It is, in fact, the central tension of the film/story.
Posted by badman (# 9634) on
:
quote:
Originally posted by ReginaShoe:
quote:
Originally posted by badman:
quote:
Originally posted by teddybear:
I just came across a very good review of the movie that I wanted to share:
http://www.nybooks.com/articles/18712
Thanks for this. It's unbelievably biphobic isn't it? Or bi-miopic anyway. In that, I think it does the film an injustice. The film is more interesting than you would guess from the review.
A couple of other things I would point out about that review: first, spoilers galore, so be warned those who haven't bothered to look it up yet.
Second, he states that what makes this film fundamentally different from any other "forbidden love" story is that the heroes hate themselves for what they feel, not just the external constraints that keep them away from their beloved. I'm not so sure that's unique to this story. No doubt there are straight people who fell deeply in love with someone else when they were already married who felt pretty darn crummy about themselves at the time! (However it may have turned out.)
Absolutely. Not only is there a very strong straight modern parallel in Brief Encounter , which has been raised before on this thread, but yesterday it occurred to me that a paradigm case of the lover who is ashamed of his feelings would be Sir Lancelot, whose love for Guinevere is not only adulterous but treason as well.
Posted by Alogon (# 5513) on
:
quote:
Originally posted by CDLauffer:
My point is that society has never barred anyone from being together with anyone else.
What a lie. The hell it hasn't. This film takes place in Amerika, where what those two young men did up on the mountain was against the law, probably felonious, in every State in the Union until 1962, when Illinois repealed its prohibition of "sodomy." (Guess where I moved as soon as I was out of college?) It took at least that long in England, too. The laws in some States hung on until the Supreme Court knocked them over just a few years ago. Even now they nibble around the edges; e.g. while it may be o.k. to have gay sex, you can still get busted for talking as though you're looking for it.
Besides, if homosex is as strange and inconsequential and unnatural as the stuffed shirts depict it, it's marvelous how the same stuffed shirts imagine that it could possibly rise to the status of adultery.
[ 21. February 2006, 13:43: Message edited by: Alogon ]
Posted by *Forever_standing_strong* (# 11046) on
:
Originally posted by Sine Nomine quote:
Have any straight people on the ship seen it?
I’m straight and I’ve seen it but have also just joined the ship. It annoys me when people call it the gay cowboy movie (and I called it that myself before going to see it) when it is so much more than that, it’s a love story and so much more than just homosexual sex. It really was a beautiful film and tugs on your heartstrings a lot. It was a bit awkward during the "love" scene as I was with my dad but was very convincing seeing they are both straight and also close friends. In my opinion out of all the films I’ve seen (and my friends know that’s ALOT). This is one of the best and is also very brave. There I’m done with my rant now!!
Posted by Comper's Child (# 10580) on
:
Thanks Forever_standing_strong for "coming out" as a straight member of the ship's company. It is a great film and it seems you figured out how simple yet complex it is!
Comper's Child
Posted by *Forever_standing_strong* (# 11046) on
:
quote:
Originally posted by Comper's child:It is a great film and it seems you figured out how simple yet complex it is!
Indeed i have, im the biggest critic on films ever so you know where i am if you have a queery ive seen almost everything!
Posted by Alogon (# 5513) on
:
quote:
Originally posted by Luke:
Brian Godawa's movie blog provides an interesting analysis of [i]Brokeback Mountain
Eek! Interesting in the sense that a specimen scorpion can be interesting. And analysis in the sense of anal.
We do know, don't we, what a quote from Rushdoony standing at the head of a web page implies about the blogger's theological stance? He'd gladly see both of the protagonists executed as per Leviticus et al. Standing below that, his remarks on this film were so unsurprising as to be virtually redundant.
Posted by IngoB (# 8700) on
:
So, Brokeback Crashed at the Oscars after all. A surprise?
Posted by fionn (# 8534) on
:
Ingo:
Damn shame too. Brokeback was much the better movie. Better acting, better script.
Posted by phoenix_811 (# 4662) on
:
Not really surprised. Too controversial. The academy didn't want to get put at the center of the controversey.
Posted by A Feminine Force (# 7812) on
:
Oh Fionn,
I must disagree. Crash is 10 times the movie Brokeback was. I cheered when it won, it so deserved it. Crash made me feel the characters whoile lives and their hearts in 20 seconds or less, something Ang Lee couldn't do in the whole length of his film.
On top of that, Crash was and original screenplay, not a drawn out short story like Brokeback, which shold have remained a short story in my opinion. Classic case of the book being miles better than the movie.
I must be the only person on the continent who nodded off during Brokeback. I found it shallow and tedious.
Bravo Paul Haggis & Co.
FF
[ 06. March 2006, 13:07: Message edited by: A Feminine Force ]
Posted by fionn (# 8534) on
:
AFF:
I couldn't connect with the characters in 'CRASH'. The language set my teeth on edge and I a frequent urge to strangle, shoot, stab, or otherwise to violence to the characters.
I could at least connect to the characters in Brokeback. They seemed human. In CRASH the characters seemed to be walking stereotypical bigots . I grew up with racial bigots and have tendencies but even in my youth I didn't here such s**t.
But to everyone their own.
Posted by Alogon (# 5513) on
:
quote:
Originally posted by phoenix_811:
Not really surprised. Too controversial. The academy didn't want to get put at the center of the controversey.
I haven't seen either Brokeback Mountain or Crash. From everything I hear, they are both good movies. But far from being controversial, I would think Brokeback Mountain is mainly of historical interest and therefore marginal relevance.
Prior to Stonewall, it was customary for any novel or short story about gays to be a sob story like this. Lives full of heartache, unhappy ending... the poor homosexuals, we could feel sorry for them, but what good would it do. I read enough of them before I got out of college to last me a lifetime.
So why would I want to see a cinematic rehash? It's so-o-o 60s.
The pity is that, after books for and about adults started breaking the mold, the whole cycle replayed in young people's literature. Only recently can gay kids find stories that end happily or otherwise validate and celebrate their sexuality.
[ 06. March 2006, 19:41: Message edited by: Alogon ]
Posted by da_musicman (# 1018) on
:
quote:
Originally posted by A Feminine Force:
I must be the only person on the continent who nodded off during Brokeback. I found it shallow and tedious.
Not sure about your continent but my friend fell asleep in it and so found its power greatly diminished. She also fell asleep in Good Night, and Good Luck. I despair of her I really do.
Posted by Gordon Cheng (# 8895) on
:
Just bumping this to link to an opinion piece in the Sydney Morning Herald. Scroll down for the comments of one woman who faced a similar situation to the wife in the movie (which I haven't seen, so not sure of the details).
Posted by Louise (# 30) on
:
I'm fairly sure there are people posting on these boards, Gordon who have been through similar situations (married to someone who has subsequently come out as gay) and no-one would minimise it.
However the other premise which the item draws on (heartless gay crowd laughs at cheated wife in Brokeback) comes from an earlier column by the same controversial conservative op-ed columnist Miranda Devine (More of her columns here) She claims second-hand at the end of that piece " Chick flick with a hint of misogyny" that an unnamed 'gay friend' told her that a gay audience callously laughed at the wife at that point in the movie.
Isn't it funny how a controversial right-wing columnist who's paid to shock would have such a convenient source of gossip for a smear story like that?
When I saw Brokeback I went with a gay male friend and in front of us were a bunch of female teenagers who at the most moving part at the end were giggling and making facetious comments. I suppose I could start implying that women as a group are heartless homophobes and immediately write a newspaper op-ed column to that effect. That sort of thinking seems to work for Miranda Devine, so why not?
L.
Posted by Sine Nomine (# 66) on
:
I'd like Gordon to go see it and report back on his own reaction.
Posted by Comper's Child (# 10580) on
:
Not surprised, but disheartened. I've seen both, and while Crash has an excellent "handle" on the LA cops/American racism problem, I'd thought at least theoretically that the "Academy Awards" had something to do with the artistry of filmmaking. We all know it's become a question of the more obvious political points being made and indeed racism in the US won't go away.
Brokeback Mountain? by far the better film...
Then again, there are far fewer gay people to worry about.
Posted by Gordon Cheng (# 8895) on
:
quote:
Originally posted by Sine Nomine:
I'd like Gordon to go see it and report back on his own reaction.
I like Ang Lee stuff and I wouldn't mind doing that. But I'm told there is a portrayal of anal sex. I try to avoid watching movies that include depictions of either hetero- or homosexual intercourse.
Posted by Pyx_e (# 57) on
:
Why?
P
Posted by Gordon Cheng (# 8895) on
:
Sometimes I've found it personally unhelpful, other times distasteful. I don't like the idea of actors being asked to engage in implied or actual intercourse on my account, even if they do it willingly. I don't like people using me as an excuse to see movies that they otherwise wouldn't, and would cause them personal difficulties in regard to their fantasy life. All the usual stuff.
Posted by Gracious rebel (# 3523) on
:
quote:
Originally posted by Gordon Cheng:
Sometimes I've found it personally unhelpful, other times distasteful. I don't like the idea of actors being asked to engage in implied or actual intercourse on my account, even if they do it willingly. I don't like people using me as an excuse to see movies that they otherwise wouldn't, and would cause them personal difficulties in regard to their fantasy life. All the usual stuff.
But Gordon they are not doing it on your account, they would be doing it whether or not you watched the film yourself.
Anyway I'm glad to hear you don't make a distinction between heterosexual and homosexual sex scenes, and try to avoid them both - at least you are consistent
Mind you I would have thought this meant there were very few films available that you would allow yourself to see?
Posted by ezlxq (# 9265) on
:
quote:
Originally posted by Gordon Cheng:
..I don't like people using me as an excuse to see movies that they otherwise wouldn't ...
Could you expand on this, please?
Also, FWIW, I've seen the film in the UK. There were no inappropriate audience reactions in my cinema, with a very mixed age audience.
As explained in several places further up the thread, there is only one brief scene each of homo- and hetero- sex. The intercourse is "implied" only very lightly (UK Cert 15, Aus Cert M) and is hardly a "depiction". I don't know you, Gordon, apart from on board the Ship, but I find it difficult to understand how anyone might find these scenes "unhelpful" or "distasteful" in the context of the whole film.
e
Posted by Louise (# 30) on
:
quote:
Originally posted by Gordon Cheng:
Sometimes I've found it personally unhelpful, other times distasteful. I don't like the idea of actors being asked to engage in implied or actual intercourse on my account, even if they do it willingly. I don't like people using me as an excuse to see movies that they otherwise wouldn't, and would cause them personal difficulties in regard to their fantasy life. All the usual stuff.
So it's not OK to see even a few seconds of implied sex in a movie tackling violence and injustice, but it's fine to post to bulletin boards sensational articles based on second-hand reports and gossip which try to smear gay people as callous. Thanks for clearing that up, Gordon.
L.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Gordon Cheng:
I like Ang Lee stuff and I wouldn't mind doing that. But I'm told there is a portrayal of anal sex. I try to avoid watching movies that include depictions of either hetero- or homosexual intercourse.
If you've seen Ang Lee's stuff, then you've seen sex before. Or do you like him from afar? Or have you only seen "the Hulk"?
Kelly// another Ang Lee fan.
Posted by Gordon Cheng (# 8895) on
:
Actually I've seen Crouching Tiger Hidden Whatsit but I can't remember what else. The Hulk is on my list.
I'd be interested in a discussion of the ethics of what we watch on another thread, more as a general question rather than one about viewing sexual intercourse.
Posted by ezlxq (# 9265) on
:
quote:
Originally posted by Gordon Cheng:
I'd be interested in a discussion of the ethics of what we watch on another thread, more as a general question rather than one about viewing sexual intercourse.
Ok, although I still don't understand your second "I don't like", as I questioned above. However, on this thread, we're interested in your views on BBM.
You haven't seen the film. And despite Sine's invitation and your saying: quote:
I like Ang Lee stuff and I wouldn't mind doing that.
it seems that you're unlikely to see it. Ok, fair enough, that's your choice.
However, you chose join the thread and bump it up after four days' break to post a link to a highly tendentious columnist. So your point is ...?
e
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Gordon Cheng:
Actually I've seen Crouching Tiger Hidden Whatsit but I can't remember what else. The Hulk is on my list.
I'd be interested in a discussion of the ethics of what we watch on another thread, more as a general question rather than one about viewing sexual intercourse.
But sex is, when last I looked, very much part of the human experience, but if you find it distasteful okay. What passes for sex scenes in Brokeback Mtn is so mild and implied by today's standards that few would, IMO, take umbrage unless one feels same-sex dare not depict itself - which is another matter altogether.
Posted by Gordon Cheng (# 8895) on
:
quote:
Originally posted by ezlxq:
However, you chose join the thread and bump it up after four days' break to post a link to a highly tendentious columnist. So your point is ...?
e
I read the opinion piece. I read lots of opinion pieces by all sorts of tendentious people. I even read the Ship of Fools. But I was interested by the report of the woman regarding her gay husband's departure and the effect it had on her and her children. I suppose I'm assuming the account is true, and I posted it here for people to read as it has some relevance to the OP. I also assumed that after four days of thread dormancy, I wasn't interrupting anybody else's discussion.
Posted by Kelly Alves (# 2522) on
:
Sorry, but if the guy hasn't seen The Wedding Banquet and The Ice Storm, he really hasn't seen Ang Lee. To heck with the flashy Hollywood stuff.
Posted by Gordon Cheng (# 8895) on
:
quote:
Originally posted by Comper's Child:
But sex is, when last I looked, very much part of the human experience, but if you find it distasteful okay.
I can't remember where I said that I found sex distasteful. Did I?
Posted by Gordon Cheng (# 8895) on
:
Actually Kelly I did see The Wedding Banquet, quite some time ago on the telly. It was a hoot. And, a really good piece of film making, with attractive characters and a real warmth.
I can't remember whether it had implied sex in it or not, but obviously it was toned down for Oz TV, and TBH I'm not really watching it to keep count of whether it crosses a line or not.
Posted by ezlxq (# 9265) on
:
quote:
Originally posted by Gordon Cheng:
But I was interested by the report of the woman regarding her gay husband's departure and the effect it had on her and her children.
Ok, Gordon, here's a response to your initial contribution: this particular Shipmate doesn't need third-hand reports, 'cos I've been there myself, done the anguish, got the T-shirt, and I can agree - people do get hurt. The wife says that she:
quote:
..hopes the movie helps any young gay men who are too frightened to come out for fear of hurting a girlfriend or parents
And I, too, hope the movie helps young gay men who are too frightened to come out.
e
Posted by Gordon Cheng (# 8895) on
:
quote:
Originally posted by ezlxq:
And I, too, hope the movie helps young gay men who are too frightened to come out.
e
Yes, I think we can agree on that, at least at the level of being willing to acknowledge same-sex attraction, rather than denying it or pretending it isn't there.
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Gordon Cheng:
Actually Kelly I did see The Wedding Banquet, quite some time ago on the telly. It was a hoot. And, a really good piece of film making, with attractive characters and a real warmth.
I can't remember whether it had implied sex in it or not, but obviously it was toned down for Oz TV, and TBH I'm not really watching it to keep count of whether it crosses a line or not.
Ok, Grasshopper.
Next, see The Ice Storm --a dismal endictment of the "Me Era" indugences of the seventies suburban America. Also a good example of how Lee uses sex scenes-- not in a lush, candlelit way designed to tittilate, but in a way that informs us about the characters.
(Wedding Banquet had to have been edited. When I saw it there were some pretty hilarious sex scenes.)
Posted by ezlxq (# 9265) on
:
quote:
Originally posted by Gordon Cheng:
quote:
Originally posted by ezlxq:
And I, too, hope the movie helps young gay men who are too frightened to come out.
Yes, I think we can agree on that
Hey - thanks! So, can you try to get round to seeing this helpful film, please, pretty, please?
And observe some of the (acted) anguish first-, rather than third-hand?
e
Posted by Sine Nomine (# 66) on
:
quote:
Originally posted by Gordon Cheng:
quote:
Originally posted by ezlxq:
And I, too, hope the movie helps young gay men who are too frightened to come out.
e
Yes, I think we can agree on that, at least at the level of being willing to acknowledge same-sex attraction, rather than denying it or pretending it isn't there.
Uhm...and then what? Pray real hard?
(Actually I bet that is your answer.)
Posted by Joyfulsoul (# 4652) on
:
I truly sympathesize with GC's view here regarding watching gratuitous sex (regardless whether its hetero or not) and violence - I've stopped watching rated R movies in the theater simply because of this. I wait until they come out on video and simply fastforward a lot of it. I just feel really, really bad when I see violence done to human beings even if I know its "just a movie." Simularly, I also find it strange to watch two people have sex onscreen as well.
I've watched Kill Bill I & II and the Passion and they are probably one of the most violently shocking artistic movies come out that I've seen in the last two years. That's why I don't blanket "no R" movies - because sometimes the stuff can be done tastefully and inspiring even if it is full of sex and violence.
It does surprise me occasionally when some people get upset about the licenciousness (sp?) of a movie but are completely unmoved by like violent mutilation of God's children.
Posted by ezlxq (# 9265) on
:
quote:
Originally posted by Sine Nomine:
Pray real hard?
Doesn't work.
Or maybe X didn't try hard enough.
e
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Gordon Cheng:
quote:
Originally posted by Comper's Child:
But sex is, when last I looked, very much part of the human experience, but if you find it distasteful okay.
I can't remember where I said that I found sex distasteful. Did I?
Well, no, but films are works of art which reflect the human experience, so I wouldn't want to edit out anything so much at the heart of what it means to be human. It's okay if you do!
Posted by Ags (# 204) on
:
I'm not sure Gordon was suggesting that he was trying to avoid films containing gratuitous sex - I thought it was any depiction of sex at all which was the problem?
FWIW I thought that the sex (such as it was) in Brokeback was anything but gratuitous. I also admit that occasionally sex scenes in films make me squirm (and not in a nice way!) but generally I'd rather watch sex than graphic violence. Def a topic for another Purg thread.
[ 12. March 2006, 22:15: Message edited by: Ags ]
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Joyfulsoul:
I truly sympathesize with GC's view here regarding watching gratuitous sex (regardless whether its hetero or not) and violence
Yeah, but it comes down to what one's definition of gratuitous is. Gratuitous to me means it's put in there for titilating effect or just to keep one amused or interested. Here you're talking about a couple of very very short scenes which have everything to do with the four major characters and their relationships.
Posted by Ags (# 204) on
:
Cross-posted with ezlxq & Comper's Child, and missed the edit window!
Posted by Joyfulsoul (# 4652) on
:
Sorry, I wasn't clear. I didn't mean to imply that Bareback had gratuitous sex... (I was just speaking as a general rule...)
Posted by Ags (# 204) on
:
Sorry, Joyfulsoul - misunderstood!
Posted by Kelly Alves (# 2522) on
:
quote:
Originally posted by Comper's Child:
quote:
Originally posted by Joyfulsoul:
I truly sympathesize with GC's view here regarding watching gratuitous sex (regardless whether its hetero or not) and violence
Yeah, but it comes down to what one's definition of gratuitous is. Gratuitous to me means it's put in there for titilating effect or just to keep one amused or interested. Here you're talking about a couple of very very short scenes which have everything to do with the four major characters and their relationships.
Sounds like the movies I was talking about.
Gordon, just take a great big sip of your Coca Cola at that point.
Posted by ezlxq (# 9265) on
:
quote:
Originally posted by Kelly Alves:
Gordon, just take a great big sip of your Coca Cola at that point.
.. and then come back here and discuss the film with us from a position of knowledge, not hearsay.
Please.
Ok?
Posted by Gordon Cheng (# 8895) on
:
On balance, I think I probably won't, ezlxq. I assume it's a good movie, and I don't doubt that like all good movies, there's truth in it. On whether or not it will help me understand gay friends, I can find out plenty about the anguish or beauty of gay relationships by talking to these friends, and to those who know them.
On a blindingly trivial and off topic note, a friend of mine got to kiss Heath Ledger in a game of spin the bottle. She didn't like him though, so there's a magic moment gone begging.
Posted by Comper's Child (# 10580) on
:
quote:
Originally posted by Gordon Cheng:
On balance, I think I probably won't, ezlxq. I assume it's a good movie, and I don't doubt that like all good movies, there's truth in it. On whether or not it will help me understand gay friends, I can find out plenty about the anguish or beauty of gay relationships by talking to these friends, and to those who know them.
On a blindingly trivial and off topic note, a friend of mine got to kiss Heath Ledger in a game of spin the bottle. She didn't like him though, so there's a magic moment gone begging.
Do talk to them then, and ask them what they thought about Brokeback Mtn. And I am sorry to be edgy about your posts!
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