Thread: Doctor Who: The Eleventh Incarnation Board: Limbo / Ship of Fools.
To visit this thread, use this URL:
http://forum.ship-of-fools.com/cgi-bin/ultimatebb.cgi?ubb=get_topic;f=11;t=001169
Posted by Adeodatus (# 4992) on
:
As all other Who threads seem to have dropped off the bottom of the board, I thought I'd take the initiative ...
I need hardly tell fellow fans that in about four days, seven hours and fifty-three minutes, Matt Smith will make his (proper) debut as the Doctor in a story called The Eleventh Hour. There are snippets and previews of the coming series on the Dr Who BBC site, and on the Radio Times site, the TARDIS's makeover has been revealed.
(I think it looks stunning!)
[ 17. June 2016, 14:39: Message edited by: Belisarius ]
Posted by Yonatan (# 11091) on
:
I agree, it seems to link the style from the classic series with the current show. I'm really looking forward to it. My gut feeling is that he will be excellent in the role.
Posted by Carys (# 78) on
:
But why did they have to clash it with our Easter Vigil? (Actually it's on before the Vigil, but we'll have to get to church during it!)
Obviously a reason to press for a dawn Vigil next year!
Carys
Posted by Adeodatus (# 4992) on
:
O no! I was checking about a BBC3 repeat for you, Carys, and it turns out I've got it all wrong! I thought it was 7pm on Saturday, but it's 6.20pm Saturday on BBC1, repeated at 7pm Sunday on BBC3.
And the opening episode is 65 minutes long!
Posted by Ariel (# 58) on
:
quote:
Originally posted by Adeodatus:
and on the Radio Times site, the TARDIS's makeover has been revealed.
Oh dear. The new Doctor's going to be travelling through time and space in some kind of intergalactic cocktail bar.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by Adeodatus:
O no! I was checking about a BBC3 repeat for you, Carys, and it turns out I've got it all wrong! I thought it was 7pm on Saturday, but it's 6.20pm Saturday on BBC1, repeated at 7pm Sunday on BBC3.
And the opening episode is 65 minutes long!
Still clashes with my need to be in church by 7.15 on Holy Saturday to rehearse for the Vigil - will the vicar notice if one of his curates is 15 minutes late?
Looking forward to seeing how Matt and (the gorgeous) Amy take on the Tardis. Big sneakers to fill, Matt!
Posted by Carys (# 78) on
:
quote:
Originally posted by Rev per Minute:
Still clashes with my need to be in church by 7.15 on Holy Saturday to rehearse for the Vigil - will the vicar notice if one of his curates is 15 minutes late?
Probably! Your vigil is later than ours. Despite the fact that it was still light last year we've stuck with the 7:30pm start time.
And the BBC 3 repeat is no use if I'm going to go to London that evening. But it'll be on I-player on the red button and my parents have Virgin+ so they'll record it. So maybe I will stay there on Saturday night and we can watch it after the Vigil and party!
Carys
Posted by The Great Gumby (# 10989) on
:
quote:
Originally posted by Ariel:
quote:
Originally posted by Adeodatus:
and on the Radio Times site, the TARDIS's makeover has been revealed.
Oh dear. The new Doctor's going to be travelling through time and space in some kind of intergalactic cocktail bar.
I see what you mean, but it looks a bit too messy to be a cocktail bar. It looks a bit like the old one, with more glowing. I can't get any sense of scale from that either - it looks like everything's far too big, and the floor seems horribly uneven.
Maybe it'll look better in action.
Posted by hereweare (# 15567) on
:
BBC iplayer is your friend!
Posted by +Chad (# 5645) on
:
So is Sky+ HD!
Recording set!!
Posted by Zappa (# 8433) on
:
quote:
Originally posted by hereweare:
BBC iplayer is your friend!
Welcome, hereweare!
Posted by basso (# 4228) on
:
quote:
Originally posted by Adeodatus:
it's 6.20pm Saturday on BBC1, repeated at 7pm Sunday on BBC3.
Over here it doesn't appear until the 17th.
May we have a spoiler gap (or at least a warning in the title) at least until the new season gets started?
Posted by Gill H (# 68) on
:
Not sure about the colour scheme. Looks like a giant ladybird (maybe one of those South African ones who've been plaguing our lives in the UK recently?)
Is this new design permanent, I wonder? There was a Blue Peter competition to redesign the Tardis, but it implied the winning design would only be used in one episode. Maybe he plays about with various designs, like you do when you get a new computer.
I always feel that a new Doctor is a bit like a new vicar. Your first reaction is to harrumph because he isn't like the old one, and he isn't half as good. Then you start getting used to him and appreciating his own take on things.
Although 'my Doctor' will always be Tom Baker, I've found something to like about all of them (even Colin Baker, who's been allowed to develop the character properly in the audio stories).
I'm really looking forward to the new guy, and I suspect the youthful appearance will bring a very different dynamic. (Just imagine what would happen if he met a fully recovered Donna. 'Oi, Timeboy! You're grounded!'
Can't wait for Saturday night. Mr Smith, I need you...
Posted by Robert Armin (# 182) on
:
Very unsure about the new companion. I heard her interviewed and she came over as giggly and whiney, which is a big come down after the glory days of Martha Jones (surely the best new companion to date). On the other hand there is some interesting timey-wimey stuff coming up. The Radio Times season summary says of one episode: "It is now five years since Amy (new companion) first met the Doctor," which does sound intriguing.
Posted by Unda Maris (# 4983) on
:
I hear the next doctor will be Bruce Forsyth?
Posted by wilson (# 37) on
:
quote:
Originally posted by Robert Armin:
The Radio Times season summary says of one episode: "It is now five years since Amy (new companion) first met the Doctor," which does sound intriguing.
Have you seen the clips they're showing on the Freeview Red Button? I think they and a little extrapolation answer what's happening there. If I'm right we'll know within the first 5 mins of the episode.
I must admit I am quite excited about the new series. I hope I'm not falling prey to hype. I do thing Moffat was the most consistently good writer of the new-Whos (though as ever Paul Cornell gets my vote for Human Nature/Family of Blood as outright best) and Matt Smith seems intriguing in the clips I've seen.
After the disappointment that was the specials of last year I'm hoping for the best.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Unda Maris:
I hear the next doctor will be Bruce Forsyth?
Surely not.
(Could be fun though. "Ooh look, a new planet - nice to see it, to see it, nice!")
Best new companion so far - Wilf. He was brilliant.
Posted by wilson (# 37) on
:
quote:
Originally posted by wilson:
quote:
Originally posted by Robert Armin:
The Radio Times season summary says of one episode: "It is now five years since Amy (new companion) first met the Doctor," which does sound intriguing.
Have you seen the clips they're showing on the Freeview Red Button? I think they and a little extrapolation answer what's happening there. If I'm right we'll know within the first 5 mins of the episode.
Just realised that you said one episode rather than episode one - what I said probably doesn't apply then.
Posted by Adeodatus (# 4992) on
:
Re: Amy and the Doctor. Steven Moffat has always been the most interesting writer when it comes to the timey-wimey stuff (Blink, Girl in the Fireplace) so I hope we're going to be getting lots more in the new series.
Moffat is a superb writer generally. His dialogue glitters. I just hope he's got enough of it in him now that he's Lord High Writer of Scripts, or whatever his title is. He recently enthused about the new Doctor being "mad", which sounds fun.
Shall we, for basso et al., try to pursue our previous custom of having
Spoiler alert
at the heading of relevant posts, followed by - what? - 4 or 5 blank (or ".") lines? Or perhaps, in allusion to Moffat -
"Sshh! Spoilers!"
Posted by Gill H (# 68) on
:
quote:
Originally posted by Robert Armin:
Very unsure about the new companion. I heard her interviewed and she came over as giggly and whiney (snip)
So did Catherine Tate on several programmes I've seen her on (Buzzcocks for a start). She came across as a complete airhead, which she obviously isn't, and neither was Donna.
Posted by Kyzyl (# 374) on
:
Blink
In all my years Doctor watching, that episode is the only one to give me nightmares. I will never look at statues the same way.
I'll have to wait for Netflix to catch up. I'm not adding $25 to my cable bill just to get BBC America. Even for the Doctor.
Posted by Esmeralda (# 582) on
:
quote:
Originally posted by Unda Maris:
I hear the next doctor will be Bruce Forsyth?
No, the doctors are getting younger at such a rate that the next one will be in utero.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by Esmeralda:
quote:
Originally posted by Unda Maris:
I hear the next doctor will be Bruce Forsyth?
No, the doctors are getting younger at such a rate that the next one will be in utero.
That raises the question - where would he fit the Tardis? Or could he control it through the placenta and his mother? Pre-natal Time Lord behaviour: a Gallifreyan PhD thesis, perhaps that's how he came to be a Doctor?
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Esmeralda:
quote:
Originally posted by Unda Maris:
I hear the next doctor will be Bruce Forsyth?
No, the doctors are getting younger at such a rate that the next one will be in utero.
[engage nerd mode]
There's been a gradual trend to getting younger, but it's not a linear trend. Ages at which the actor has first appeared on tv as the Doctor (for most, that means the regeneration scene from their predecessor) are:
55, 46, 50, 40, 29, 41, 44, 36, 41, 34, 27.
[disengage nerd mode]
I think some people imagine William Hartnell was a lot older than he actually was when he first took on the role. Folklore has it that there was a lot of disgruntled mumbling among some fans when "young" Tom Baker took over the role, and again when Peter Davison took over.
Regardless of their actual age, some of the actors have been able to communicate by their manner that the Doctor is centuries old - Tom Baker and, to a lesser extent, Sylvester McCoy spring to my mind. Who knows what Matt Smith will manage to do?
Posted by Ariel (# 58) on
:
quote:
Originally posted by Adeodatus:
Folklore has it that there was a lot of disgruntled mumbling among some fans when "young" Tom Baker took over the role, and again when Peter Davison took over.
I was certainly disgruntled when Tom Baker took over, but Peter Davison was delightful. Even if he did get lumbered with the appalling Peri and Adric and some dodgy plotlines.
Posted by The Revolutionist (# 4578) on
:
I'm really looking forward to seeing what Steven Moffat does with the show. I really enjoyed Russell T Davies' stint on the show, but I felt that it became a bit self-indulgent and repeated the same ideas to somewhat diminishing returns in the last couple of years.
I'm particularly excited by comments from Moffat and Matt Smith in interviews that the new series is intricately plotted, in a way that rewards careful attention and viewing. RTD's strength were big moments of drama and emotion, with plot and logic sometimes lagging a long way behind - his stories are exciting at the time, but sometimes fall apart on further scrutiny. Whereas Moffat's scripts are still dramatic, funny, scary and so on, but also with a lot more logic and cleverness to them.
I'm also intrigued by the notion that they're shifting the tone more in the direction of "dark fairytale". Doctor Who has always been quite fairytale, but I think it will make a nice change on the bright and brash, urban and contemporary style of the RTD years to play up the fairytale aspects of the show.
Posted by Pheonix (# 2782) on
:
Well... He's certainly different from Tennant.... Has potential. She seems not too bad, although I hope it doesn't go down the Rose route. Nice twist at the end.
Posted by Ariel (# 58) on
:
It's not often that I sit there feeling bored by an episode of Doctor Who but that was a silly, unimpressive start to the new series. An over-long episode that either limped or went at a frenetic pace. I hope it improves, because it's verging on the unwatchable.
Matt Smith was better than I expected, and may do justice to the role once he settles into it, but I found Amy/Amelia hard to like.
Posted by Badger Lady (# 13453) on
:
Well I liked:
- the inserts of the old Doctors.
- the new interior of the TARDIS. Loved the typewriter!
- the dialogue (but see below)
I didn't like:
- the theme tune and titles. What happened to the oooo-eeeee-ooooo?
- Matt Smith. I kept thinking that DT would have delivered the lines much better. Particularly the comic ones. Some of the dialogue was great (e.g. the 'aunt' line) but Matt Smith didn't seem to have the comic timing to carry them off.
- There seemed rather too much innuendo (kissogram; chap looking at dodgy internet sites; Amy seeing the Doctor strip) for a children's show.
Overall, I hope it gets better!
Posted by Psychman (# 10806) on
:
well I thoroughly enjoyed that and feel that Doctor who is safe hands with Stephen Moffat at the Helm.
First episodes are always tricky when the doctor has just regenerated but I loved the zooming camera giving an insight into the doctor's mind and the way he takes in and processes information. The telling off of the eye cops was also awesome, referencing past villains and incarnations.
Looking forward to where we'll be going over the next season!
Posted by Sparrow (# 2458) on
:
Well I loved it, I think Matt Smith is going to be brilliant as the Doctor. It took about two minutes for me to realise, yes, he IS the Doctor! Just perfect. He's got the same immediate confidence that David Tennant had.
Liked the opening - poor old Big Ben nearly gets it again!
Pretty alien spaceships, and I loved the ending - the Doctor more or less telling off the aliens like naughty kids.
Nice new interior for the Tardis.
Good to see Annette Crosbie as Amy's grandma. And Patrick Moore getting a cameo, great!
I did think though that the Doctor's first meeting with Amy and subsequent meetings, was a little bit similar to Girl in the Fireplace?
Posted by phil2357 (# 15431) on
:
SPOILER ALERT
.
.
.
.
.
.
.
.
.
.
I have been awaiting the 2010 series of Doctor Who with eagerness. It was one of my favourite programs as a child, and I very quickly became a fan of the revamped series. I have mixed feelings about Russell T Davies. It is wonderful that he put the Doctor back on the telly, and as a writer he was superb at developing character and emotion. I hope this is his legacy to the show. However, I found that his approach to science fiction sometimes grated with me. He seemed to have a love for the spectacular that did not always fit well with the show. For me, some of the appeal of Doctor Who lies in its quirkiness, and some of RTD's episodes were a bit too much like space opera for my taste. Don't get me wrong - I think Star Wars is great fun, but it doesn't fit well in a Doctor Who universe. (Having bashed RTD's writing, I should point out that one of his stories - "Midnight" - is one of my favourites of the new Doctor Who.)
One writer who seemed to grasp what made the old series tick was Steven Moffat. He was one of the most consistently good writers for the new series. His science fiction ideas seem refeshingly original. Also, to me he "explores a story" rather than trying to dazzle you. I appreciate that. So I was optimistic about the future of Doctor Who under his stewardship.
I have also been optimistic about the choice of Matt Smith for the role of the Doctor. I get the impression that Smith really understands the Doctor's character. According to Smith, the Doctor doesn't see himself as a swashbuckling adventurer. Rather he sees himself as a really clever bloke on his way to a museum or a concert, off to somewhere where he can show off. He just keeps on getting distracted by monsters. I think this nails the Doctor's character on the head.
But now the first episode has been aired, has my optimism been rewarded? I think, on the whole, yes. Moffat has written a solid first episode, that does an excellent job of starting the relationship between the new Doctor and the new companion. The eccentricity of the Doctor is wonderfully portrayed. I almost want to try fish fingers and custard now. But what I loved was the way Amy's character was developed. Imagine being given the chance, as an adult, to live in your childhood fantasies. Who wouldn't take it? I also enjoyed the way their relationship rogressed. Rather than use an easy human-meets-alien-danger, Doctor-defeats-alien then impressed-human-decides-to-travel-with-Doctor plot, Moffat tells a tale of promises not kept and resentment created. It was this tension that really drove the episode for me.
The villain/monster was fairly standard Doctor Who fare. There were shades of RTD with the world-in-peril plot (and boy, does the Doctor know how to hack his way into every corner of the internet). However, I found this no problem. This episode is really about introducing the Doctor and his new companion to each other. Anything other than a standard Doctor Who monster would probably have been a distraction from this. So the need for the first episode to set the key relationship up does mean that some orginality had to be sacrificed. Also, it does mean that the episode only works as a set-up for the new season.
How about the acting? Both Matt Smith and Karen Gillan did well, I thought. Smith brought charisma to the role, and was able to make the most of some of the Doctor's eccentricities. I look forward to seing how he develops the character.
All in all, I like this episode because it promises that this new season will be worth watching. Moffat has learned well from RTD. He has retained the exploration of emotions that RTD introduced. If he adds some of his science-fiction magic to the rest of the series, I will be one happy viewer. Moffat has said that he sees Doctor Who as a dark fairytale, and so far the results look promising. Moffat's tale of a bumbling wizard who inadvertantly broke a child's heart has made me want to hear more. I will tune in again next week.
Score: 7/10. By its very nature it's a humble tale, but Moffat does as well as anyone could with it. A solid start to the new season.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Badger Lady:
I didn't like:
- the theme tune and titles. What happened to the oooo-eeeee-ooooo?
Yes, that was an integral part of it. IMO.
I dunno, the whole thing didn't really feel like Doctor Who, more like a sort of not particularly successful alternative version of it. Still, nice to see the stone angels will be back - I wonder if someone moved them!
Posted by Tubbs (# 440) on
:
I really, really loved it!
Tubbs
Posted by Roseofsharon (# 9657) on
:
I thought it was very promising, and had no pangs of regret for the loss of DT. Matt Smith reminded me of the earliest Who incarnations, and makes a credible Doctor.
Amy seems a lively sort of girl, and I have no problems with her as the companion - as long as she doesn't start mooning over The Doctor.
I did wince a bit at the start, when I realised that Amelia was praying to Santa.
Posted by dj_ordinaire (# 4643) on
:
Meh, I'm not *quite* sure about some things. It went a bit 'monster of the day' towards the end, with yet another batch of spaceships hovering over London or Cardiff and the Doctor playing God in a manner more suited to Gandalf than, Jon Pertwee.
Sidekick not bad and I liked seeing herself from Peep Show up to know good. Oh, yes, and hooray for Sir Patrick and Mrs Meldrew.
Do I like the Mr Smith? No, not immediately, I don't. But early days - let's see him bed in...
Posted by Louise (# 30) on
:
I can't help thinking he looks a bit like Damian Thompson - it's a bit disturbing!
Posted by markey (# 14847) on
:
I agree with Badger Lady and I don't like the new music. Why they feel the need to mess about with the theme every season is beyond me.
However, the new Doctor seems fairly personable. He does look very young, but then 'my' Doctor was Patrick Troughton, so a lot of things are starting to look very young!!
Posted by Robert Armin (# 182) on
:
Well I enjoyed it, apart from the new theme tune. Clearly things are being set up for the finale already - the monster taunting the Doctor with not knowing what was causing the cracks was effective. And I can only presume that the references to "the Silence" means that the universe is in danger of being overrun by Cistercian monks.
Posted by Adeodatus (# 4992) on
:
Sshh! Spoilers
.
.
.
.
I liked pretty much everything except the actual story! And the new theme tune. For me there were too many references to other stories going on for it to be really engaging. The stand-off between the Doctor and Prisoner Zero in the hospital was too much like Smith and Jones, and the Doctor scaring the alien away just because he's the Doctor was (a) too much like Forest of the Dead and (b) a very bad idea anyway. I really, really hope we don't see it again.
However, Matt Smith was fantastic, and so was Karen Gillan. Some of the one-liners were very good indeed ("You're Scottish - fry something." "I'm the Doctor, I'm worse than everybody's aunt." "Who da man?! ... Hm. Not going to say that again.").
Nice to see it set in a charming Gloucestershire village (filmed in Llandaff, horribly mispronounced by the narrator on Confidential - more phlegm, dear, more phlegm) instead of London or Cardiff.
All in all, good fun. Doctors' first stories are rarely among my favourites (not since Spearhead from Space anyway!), and this was okay story-wise and a chance for the new cast, crew (and TARDIS) to glitter a bit before really getting down to business.
Posted by Dormouse (# 5954) on
:
I don't know if you'd say this contains spoilers, but I'm saying
SPOILERS
*
*
*
*
*
*
*
*
*
*
just in case!
I liked it very much apart from the new theme tune. I don't particularly find Amy a sympathetic character yet but with the plot one can understand why she's prickly. And as Mr D said, Donna was very unpleasant to begin with and I got to like her very much.
I really felt Matt Smith fitted the Doctor's shoes well and I think he will do me very nicely. (As a Doctor. For anything else my heart still belongs to DT!! )
All in all I thought it was most acceptable - and it had a definite Moffat-esqueness with the fearing what you see "from the corner of your eye".
Posted by Wet Kipper (# 1654) on
:
quote:
Originally posted by dj_ordinaire:
Do I like the Mr Smith? No, not immediately, I don't. But early days - let's see him bed in...
for a minute there, I though you had put the last 2 words the other way round
Posted by Rock Pig (# 14503) on
:
"not filmed in Cardiff, filmed in Llandaff"?
Last time I was there Llandaff was IN Cardiff.
Posted by Jahlove (# 10290) on
:
Enjoyed it. Watching again right now. However, atm, Matt Smith is delivering the lines EXACTLY as David Tennant would - hope he develops his own style as it goes on.
The episode trailer for the new series looks GREAT!
At least the theme tune is still recognizably *Diddly-Dum, Diddly-Dum, Whoooooo-Whooooooo*
Posted by fluff (# 12871) on
:
I did enjoy it.
The thing was so beautifully done. I Love the way the garden was filmed at the very beginning of the episode: all those dark shades; it's little touches like this that make the revived series so watchable I find. The visual flashback from the point of view of the Dr. And Matt Smith was excellent in the part. I hope it will be a great success.
Posted by ken (# 2460) on
:
quote:
Originally posted by Jahlove:
The episode trailer for the new series looks GREAT!
Except it had Daleks and Cybermen in it. They really need to give them a rest - Daleks for a year or two and Cybermen (along with the Master) for a lot longer than that. Lets have some new enemies for a change.
And the Awful Warnings ar e far too similar to the last few series. I hope they turn out to be empty threats, Macguffins at most, and the real plot turns out not to be about some Dark Magic from the Beginning of Time threatening the Existence of the Universe As We Know It. RTD did enough of those.
Though it was quite fun
Posted by Balaam (# 4543) on
:
The best episodes, like the stone angels and Midnight, tend to be outside the story arc.
Posted by Dafyd (# 5549) on
:
You know what was missing? Nobody got killed that we know of. There were a couple of times when the monster snarled threateningly at people, but it didn't actually ever do anything except change shape. And if the Doctor is yelling 'don't go in the room, don't look straight at the monster', it's a bit of a let down if all the monster then does is hiss a bit and then let the human run back out of the room.
It may have killed the doctor (small 'd') when it came out of the air vent, but it would seem more likely that it just put her into a coma.
If the monster had tried to pull a sympathy ploy when confronted instead of going all evil villain and twirling its metaphorical moustache I think we'd have been persuaded. Putting people in comas is bad, but not compared to blowing up an entire planet.
Otherwise, as said, Doctor promising, assistant not quite a proper character just yet, theme tune thumbs down.
Posted by El Greco (# 9313) on
:
I think the new doctor will be a success. While I didn't like his face, his acting was very Doctor-like. I loved the new companion. Think the story with her upcoming marriage might unfold nicely. Didn't notice the theme song changed. Enjoyed the fact the episode was long. It had some moments that could have been made really scary, but I guess they chose not to make it too dark. Did enjoy though the mystery around "Prisoner Zero" at the first half. The scenes from the upcoming episodes look interesting.
Posted by Divine Outlaw Dwarf (# 2252) on
:
I liked it a lot, although I'm with Ken on daleks, cybermen and Big Warnings (also, I think we've had the assistant-gets-whisked-away-from-wedding scenario a bit too recently for a revival).
Posted by The Revolutionist (# 4578) on
:
quote:
Originally posted by Dafyd:
You know what was missing? Nobody got killed that we know of. There were a couple of times when the monster snarled threateningly at people, but it didn't actually ever do anything except change shape. And if the Doctor is yelling 'don't go in the room, don't look straight at the monster', it's a bit of a let down if all the monster then does is hiss a bit and then let the human run back out of the room.
That's par for the course for a Steven Moffat script - despite his reputation for scariness, he hasn't actually killed anyone in Doctor Who on-screen, except for of old age (Blink), or without then bringing them back to life in a virtual reality (Silence in the Library).
Russell T Davies, on the other hand, killed off supporting characters left, right and centre in many of his stories!
Posted by Carys (# 78) on
:
quote:
Originally posted by Rock Pig:
"not filmed in Cardiff, filmed in Llandaff"?
Last time I was there Llandaff was IN Cardiff.
Depends on your definition of Cardiff -- it's in the City and County of Cardiff, but it is a separate city; think London v Westminster!
Carys
Posted by Taliesin (# 14017) on
:
We enjoyed it. Not too scary for the 10 year old (we still regret letting him watch 'blink' (?stone angels) on a recent re-run) but I personally thought
not a spoiler?
..the opening sequence (before the credits) was daft .
And there were a lot of Douglas Adams' ideas in there - he was a script writer long ago, so maybe doesn't need acknowledging, but even so... and I didn't like the 'robot eye' thing where the doc seems to have aquired a terminator style brain. But i'm being picky now.
[ 06. April 2010, 10:46: Message edited by: Taliesin ]
Posted by Gill H (# 68) on
:
quote:
Originally posted by Taliesin:
And there were a lot of Douglas Adams' ideas in there - he was a script writer long ago, so maybe doesn't need acknowledging, but even so...
You mean, more so than Tennant's first episode, where the Doctor saved the world by drinking tea while wearing a dressing gown?
Posted by Rock Pig (# 14503) on
:
Fair point Carys, but it practical terms I'd not hold Westminster up as a separate place to London. When I lived in Cardiff, Llandaff was in it. Two guys who worked for me lived there, the buses were orange and didn't give change (like the rest of town), and there were other bits of Cardiff all around it.
By the way, anyone else recognise the green being used from the episode where the young boy ends up an old soldier at a remembrance ceremony?
Posted by Unda Maris (# 4983) on
:
Why is the Doctor's costume and hair modelled so strongly on Keith Floyd?
I rest my case!
Posted by hereweare (# 15567) on
:
Like RofS, I was a bit put off with the praying to Santa - what was SM trying to say? God can't be mentioned these days? Praying and believing in God is like believing in Santa? Or should I get out more????
Thanks for the welcome Z
Posted by The Rogue (# 2275) on
:
We enjoyed it.
I thought the new music was a bit more "Woo-ooo-ooo"-ey than the previous but I don't know why they changed it.
Matt Smith does, in my opinion, already make a good Doctor. I thought David Tennant was great but I find I am not missing him.
The relationship forming between the Doctor and young Amelia was superb, being based on him understanding some of the frustrations of being a child. I almost hope that the little girl appears again because I thought the actress was very good in her subtle mannerisms. I am also looking forward to how he and Amy get on and how she forgives him for abandoning her twice. If she does.
We were a bit confused about the time: if the Tardis landed in Amelia's garden 12 years ago why did it fly past the Millenium Dome and the Wheel on the way?
I also didn't think much of the wedding dress and the warning at the end. It has been done before.
Posted by wilson (# 37) on
:
Re: Praying to Santa. I don't know if it addresses it exactly but I like this quote from C.S. Lewis
quote:
"There is a stage in a child's life when it cannot separate the religious from the merely festal aspect of Christmas or Easter. I have been told of a very small and very devout boy who was heard murmuring to himself on Easter morning a poem of his own composition which began ‘Chocolate eggs and Jesus risen.’ This seems to me, for his age, both admirable poetry and admirable piety. But of course the time will soon come when such a child can no longer effortlessly and spontaneously enjoy that unity. He will become able to distinguish the spiritual from the ritual and festal aspect of Easter; chocolate eggs will no longer seem sacramental. And once he has distinguished he must put one or the other first. If he puts the spiritual first he can still taste something of Easter in the chocolate eggs; if he puts the eggs first they will soon be no more than any other sweetmeat. They will have taken on an independent, and therefore a soon withering, life."
C.S Lewis "Reflections on the Psalms."
I'm sure it's not a co-incidence that the friend-of-a-friend's blog I found this on is Dr Who fan.
Posted by The Revolutionist (# 4578) on
:
I enjoyed it, but I didn't love it as much as I perhaps hoped to based on how much I enjoyed Moffat's previous scripts.
Of the two main plot threads, the relationship between the Doctor and Amy was by far the strongest. The search for Prisoner Zero was a bit generic, though it had some nice moments along the way. And I didn't feel the two threads really meshed well together - Amy played only an incidental role in helping save the day. She did seem to simply be in the right place at the right time (or wrong place, wrong time, depending how you look at it!)
But Matt Smith and Karen Gillan were promising, and I'll probably get used to the new theme music and titles. The trailer for the rest of the series looks exciting!
quote:
Originally posted by The Rogue:
We were a bit confused about the time: if the Tardis landed in Amelia's garden 12 years ago why did it fly past the Millenium Dome and the Wheel on the way?
Now if only the Tardis could travel in time, that'd explain it
Posted by The Rogue (# 2275) on
:
I think most of the "new companion" stories are about someone happening to be in the right place at the right time. They don't have much impact on the plot because they have no clue at all about who the Doctor is and what he can do. They then tag along at the end of the episode and start to get more involved from then on, often making Noob mistakes in the first few stories.
If anything there was a connection between the Doctor and young Amelia right from when they first met and he actually came looking for her to take her away with him this time which was a bit different. I don't know if Prisoner Zero had realised this which is why he took her form.
The Tardis does travel through Time erratically only when it is actually travelling through it whereas the new Doctor's plummet to Earth seemed to be in Space only which is why I raised this point. A very minor issue which provoked an interesting discussion with the Roguelings so I am not complaining.
Posted by The Rogue (# 2275) on
:
Double post to say that I hope he managed to sort out his library from the invasion of the swimming pool. The thought of all those books ruined makes me cringe inwardly.
Posted by Michael Astley (# 5638) on
:
quote:
Originally posted by The Rogue:
We were a bit confused about the time: if the Tardis landed in Amelia's garden 12 years ago why did it fly past the Millenium Dome and the Wheel on the way?
The dome was completed and ready to go by the middle of 1999 so, while I don't remember exactly, it doesn't seem beyond the realm of possibility that the recognisable external shell may have been in place at some point in 1998.
As for the wheel, this didn't go up until 1999.
In any case, we're talking about a discrepancy of a few months at the most, which is only noticeable to us now in 2010. In future repeats of the series, I doubt the thought would even cross anybody's mind.
Posted by Rev per Minute (# 69) on
:
If I may lower the tone for a moment...
A clerical colleague of mine made some very un-clerical comments about Karen Gillan (let's just say he may now be in trouble for 'coveting'). As for me, I will say only one thing - very nice legs! (My wife spotted the fact Amy couldn't really be a police officer because her skirt was too short - I had noticed how short, but brain hadn't really passed that point)
Needless to say, I may have failed the coveting test as well
Posted by Carys (# 78) on
:
quote:
Originally posted by Rev per Minute:
(My wife spotted the fact Amy couldn't really be a police officer because her skirt was too short - I had noticed how short, but brain hadn't really passed that point)
That point was spotted and commented on in our house!
Carys
Posted by Emma Louise (# 3571) on
:
I noticed the fishnet tights!!! I assumed she wasn't really a police officer until she "called for back up" at which point I did wonder !
Posted by El Greco (# 9313) on
:
Exactly. I bought it; calling for back up made it so realistic...
Posted by FreeJack (# 10612) on
:
quote:
Originally posted by Rev per Minute:
If I may lower the tone for a moment...
A clerical colleague of mine made some very un-clerical comments about Karen Gillan (let's just say he may now be in trouble for 'coveting'). As for me, I will say only one thing - very nice legs! (My wife spotted the fact Amy couldn't really be a police officer because her skirt was too short - I had noticed how short, but brain hadn't really passed that point)
Needless to say, I may have failed the coveting test as well
And if she had been in the nun outfit instead?
Posted by The Revolutionist (# 4578) on
:
quote:
Except it had Daleks and Cybermen in it. They really need to give them a rest - Daleks for a year or two and Cybermen (along with the Master) for a lot longer than that. Lets have some new enemies for a change.
Well, I'm excited that they're back, and like it or not, Daleks and Cybermen are part of the show - returning characters, as it were. They're iconic and popular, especially with children, so it makes sense to have them turn up regularly.
I don't think the problem has been with the amount the Daleks and Cybermen have been used, so much as the way they've been used. The problem is that they've tended to use them the same way each time - to have millions of them descending on the Earth in the finale only to be defeated by an unlikely reset button.
If they did something different with them each time, as with the single Dalek episode in Christopher Eccleston's series, or with the Daleks in 1930s New York with the Tenth Doctor and Martha, then that would be fine. There's nothing wrong with bringing them back - the writers just need to do something interesting with them.
The upcoming Dalek episode, Victory of the Daleks, already seems intriguing - from the trailer and previews, it seems that Churchill trying to use the Daleks to win World War 2, which is a great concept, full of irony. And the title suggests that this time, the Daleks might actually score a partial win against the Doctor, which would make a nice change.
Posted by Gill H (# 68) on
:
I too figured out she wasn't a real police officer due to the short skirt and obligingly extreme-close-upped stockings. Funny how it seems to be mostly women who spotted this...
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by The Rogue:
We were a bit confused about the time: if the Tardis landed in Amelia's garden 12 years ago why did it fly past the Millenium Dome and the Wheel on the way?
Can't remember the details because I've only watched it the once, but was there anything to indicate that the "now" as opposed to "12 years ago", was in fact 2010 rather than, say, 2011 or 2012?
Posted by Hugal (# 2734) on
:
I didn't see anything to indicate that 12 years later was now, so it could have been. The opening could have now and the main story 12 years from now, though I suspect technology would have moved on and Patrick Moore would have gone to the big observertory in the sky (at night?). Anyway good first episode. I to took to to Mr Smith almost imediatly. Lets see what happens.
Posted by The Revolutionist (# 4578) on
:
I don't see why there's such an argument about the dating when the Doctor can time travel!
The Tenth Doctor took off in the TARDIS at New Year's Day 2005 after seeing Rose, but Amy is clearly supposed to come from our present day, rather than 12 years in the future.
We hear the TARDIS materialisation sound when it crashes into her garden shed as a child. By far and away the most sensible explanation is that the crashing TARDIS also travelled back to 1996 or so. It's a time machine, it does that kind of thing.
[ 08. April 2010, 13:08: Message edited by: The Revolutionist ]
Posted by Dafyd (# 5549) on
:
That was great.
'How did you know how it would react?' was the best bit.
If someone'd told me two seasons ago that the best bit in a Doctor Who script would be a heartwarming moment between the Doctor and companion I don't think I'd have believed them.
[ 10. April 2010, 18:09: Message edited by: Dafyd ]
Posted by Dafyd (# 5549) on
:
By the way, it's probably too late to check, but during the upcoming series at the end of the first episode, did anyone else think they saw Alex Kingston? There was a stonehenge scene and at least one other I thought.
Just checked her entry on wikipedia. I did, I did, I did see Alex Kingston.
Another thought: the silence is about to escape.
[ 10. April 2010, 18:12: Message edited by: Dafyd ]
Posted by kankucho (# 14318) on
:
Yes, I saw her. It seems young Matty is the future incarnation of the Doctor that her character originally fell for. You could see it coming surely? I mean, how long were they going to keep her on a retainer until they got round to revealing what they set up in that 'library' story?
Posted by Off Centre View (# 4254) on
:
Wonderful, really wonderful stuff - I'm understanding what Moffat means about it being a dark fairy tale, and the ending was really heartwarming stuff. This new era feels like a big thematic reboot of the show, which is just one thing that is great about the whole concept behind the show.
I like the new Doctor, and the sense of wonder, eccentricity and kindness comes across very strongly. Amy is a bright (and very cute) companion and I like their friendship, cleverly set as between a child and her imaginery friend grown up.
Posted by Ariel (# 58) on
:
This reminded me very much of an Ursula Le Guin short story - "The Ones Who Walk Away from Omelas" - where the city is happy and prosperous, but that suffering depends on a child locked in a squalid basement being made to suffer. Citizens are told about this on coming of age and have the choice to stay and accept it as it is, and make their lives all the richer and more joyous, or leave. They don't refer to it if they stay, and no visitor to the city would guess it.
So perhaps that was why this didn't work particularly well for me: there seemed to be a lot of echoes of that in it.
Matt Smith seems to be shaping up nicely in the role so far and looking quite plausible. I'm less convinced about Karen Gillan - she seems pretty generic so far.
Posted by The Revolutionist (# 4578) on
:
I really enjoyed that - nicely strange and offbeat, reminiscent of The End of the World and Gridlock, but with plenty of echoes of classic Who as well. Cracking stuff.
Posted by phil2357 (# 15431) on
:
I thought tonight's episode was good, solid Who. That being said, if it is one of better episodes of the series then I will probably be disappointed with the series as a whole. If (as I hope) it is par for the course for the new series, then I will be one happy camper.
I liked the way the mystery developed. Also, the choice each voter was given was a great idea, and well-explored.
One complaint: the solution was a tad too mawkish for my taste, but maybe that's just me.
Overall 6.5/10
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Ariel:
This reminded me very much of an Ursula Le Guin short story - "The Ones Who Walk Away from Omelas"
The Ones who Walk away from Omelas has echoes of The Karamazov Brothers in it. (Le Guin says its Henry James, because she doesn't like Dostoyevsky.) Really, if you take away all the Doctor Who scripts which have echoes of other sf, you're not left with a lot of Doctor Who. If you take away all the sf with echoes of other sf, you're not left with a lot of sf. (Including some of the best sf: The Book of the New Sun draws heavily on The Dying Earth books.)
I thought Karen Gillan was pretty good. The companion role is a bit hard to stand out in. (Even at the height of the Russell Davies years, the program was never called Rose Tyler.) She didn't stand out much last week, but she's clearly got the measure of the Doctor by this point. ('So you're just an observer and you don't interfere, unless there are children crying.') That's refreshing after the last few companions treating him as a cross between Prince Charming and God. And she can pick a padlock with a hairclip, which I think is a useful skill in a companion.
Posted by Dormouse (# 5954) on
:
I really liked it.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Dafyd:
I thought Karen Gillan was pretty good. The companion role is a bit hard to stand out in.
True, although Leela, Sarah Jane, Peri, Adric, Donna and K9 managed to make an impact that has survived the test of time which I don't see Amy Pond doing.
It's true that almost all sci-fi writers build on each other's work to some extent and very little is truly original. And it is quite a challenge to write an entire series and keep both a pace going and be original and interesting. I quite enjoy seeing if I can spot possible origins that have sparked off the ideas for a particular episode; I just felt this one was a bit too close a parallel. It may be entirely coincidence, of course.
As for the series as a whole... I don't know. I know the series isn't intended at all for my demographic, but the magic that used to keep me watching just mostly isn't there any more. I probably still will watch it, but I no longer have great expectations of it.
Having said that, sometimes it can have some flashes of brilliance - "The Empty Child" and "Blink" were compelling. It's early days yet; let's see what else they come up with.
Posted by tessaB (# 8533) on
:
Daughter thinks that recurrent themes (the crack in the universe and zero) point to something to do with the void. Not sure about that but zero did come up in last night's episode, so maybe there is something in it.
Posted by wilson (# 37) on
:
I wanted to like it more than I did. There were some good things - the Smilers and the Winders (?), Liz10 with lines like "I'm your bloody queen mate!", Matt Smith continues to impress. I liked his "No-one human gets to talk to me" moment.
But its big weakness was that it lacked logic.
So a kid scores 0 in a test and refuses to take the stairs - you're going to feed him to "the beast below"? I mean if this is something Liz10 and her government reluctantly decided to do then surely you'd have to go a long way down the spacewhale-food list before you get to naughty school kids?
I'm also not sure about Amy warning herself to try to get the Doctor to leave. I assumed at the time that this was a message from the future, but it appears that what it was was a message she'd left after having seen the film but before pressing the forget button. Doesn't it rather defeat the object of having a forget button if there's a way of leaving messages?
Also she - correctly as it turns out - guesses that the spacewhale is "kind". But even if she was sure it was kind originally wasn't it a bit of a gamble to assume that after 250years of continuous torture it wouldn't harm them?
Plus how did Amy know what the "abdicate" button did? Maybe it released the whale by allowing the rest of the ship to float off into space? Maybe it killed Liz10 and replaced her with a compliant android?
When the Doctor makes what looks like a huge leap and guesses correctly you assume that's partly because he's fantastically more intelligent than we are and has far more background knowledge to draw on. But when Amy Pond - an ordinary human, even if a smart one - does the same, it looks like dumb luck and a dangerous propensity for risk-taking. Maybe we're meant to think that.
Still apart from that it was quite good - but just not as good as I'd hoped.
Posted by Lord Jestocost (# 12909) on
:
quote:
Originally posted by Ariel:
True, although Leela, Sarah Jane, Peri, Adric, Donna and K9 managed to make an impact that has survived the test of time which I don't see Amy Pond doing.
Specifically, Adric made the impact that killed the dinosaurs, arf.
Posted by Balaam (# 4543) on
:
The assistant does not leave the TARDIS until the Doctor beckons her out... What is happening to Who scripts? The doctor is supposed to tell the assistant to wait in the TARDIS, and the assistant then leaves anyway.
I haven't got used to the new look of the TARDIS yet, it still looks like an explosion in a junk shop.
Every series of Who needs an episode where the alien(s) is/are good and it is the humans which are the problem, and here it was, delivered in episode two, and now with episodes to introduce the Doctor (last week) and the assistant (this week) we can now start to find out what the new series is going to be like. I'm anticipating good things.
Every female assistant needs to be a mixture of screaming airhead and resourceful strong character, and Amy Pond has an intriguing mix of those qualities. In Episode 1 I liked Karen Gillan for the legs. In episode 2 for the acting (Liz X was hot though. Am I showing my age?)
Posted by Stoo (# 254) on
:
What does the whale eat now, now they are not feeding it people?
[*eat*, not *it*]
[ 11. April 2010, 17:12: Message edited by: Stoo ]
Posted by Carys (# 78) on
:
quote:
Originally posted by Stoo:
What does the whale eat now, now they are not feeding it people?
[*eat*, not *it*]
Well, I assume in the wild they didn't eat people.
Carys
Posted by El Greco (# 9313) on
:
One word: Brilliant!
Posted by Ariel (# 58) on
:
quote:
Originally posted by Stoo:
What does the whale eat now, now they are not feeding it people?
If it isn't eating spacekrill or spaceplankton, it's probably Soylent Green...
Coming soon to a cinema near you - "The People-Eating Whale From Outer Space"
Posted by Edward Green (# 46) on
:
Good episode.
Enjoying the series. The whole greek/my(psi)thic theme is strong with the link to pandoras(icas) box. This week we had a world on a turtle!
Agree lots of things didn't 'add up'. To be honest being a hard sci-fi buff I tend to suspend disbelief for Dr. Who.
'0' returns, not in sending a message but speaking of the evil of child sacrifice. Humanity seems unaware of what is dangerous and what is helpful, what is right or wrong. Perhaps to be explored further next week? Maybe this will be a theme in the series?
And yes the crack. Only saw it once this week, rather than the wall, and a couple of times in the tardis last week. Any more spottings?
No Psi spottings this week?
Posted by Nanny Ogg (# 1176) on
:
Did anyone see Dr Who Confidential?
Steven Moffat was talking about casting Karen Millan in the role and said "And I thought, well she's really good. It's just a shame she's so wee and dumpy."
Then said "When she was about to come through to the auditions I nipped out for a minute and I saw Karen walking on the corridor towards me and I realised she was 5'11, slim and gorgeous and I thought 'Oh, oh that'll probably work.'"
I'm sorry but I fail to understand what looks have to do with casting the role of either the Doctor or his assistant
It's put me right off the new series - though I'll still watch it as it IS Dr Who
Posted by ken (# 2460) on
:
quote:
Originally posted by Hugal:
... I suspect technology would have moved on and Patrick Moore would have gone to the big observertory in the sky (at night?)
If the Doctor can talk to Winston Churchill on the phone 1200 years after he died, he can talk to Patrick Moore.
Posted by Quinine (# 1668) on
:
quote:
Originally posted by Stoo:
What does the whale eat now, now they are not feeding it people?
Well, the stuff the Dr and Amy landed in seemed rather like pig-swill. It can't have lived on people alone. As the population seemed generally so compliant, I doubt there were enough dissidents on the ship to keep a whale alive. So if it can't find any space-crill (now its mouth is fully operational again) maybe it has to have beans on toast like the rest of Starship UK.
I don't know whether this still applies really but anyway,
Spoilers?
.
.
.
.
.
.
.
I loved that episode, but then how can you not like a story with a whale in space? A kind, lonely, persecuted whale? Blub.
As for Amy's decision, yes it was somewhat risky, but I think it was far more appropriate that it was a human who ended up taking the decision (which could have killed Amy herself as well, assuming she and the Dr couldn't have escaped, so she would have sacrificed herself to save the whale as well as the rest of the ship) rather than the Dr fixing things while the humans all sit shamefacedly around. She was entitled to vote, after all, so I don't query her right to do what she did, risky or not. Protest as part of the democratic process?
Posted by Sparrow (# 2458) on
:
Was anyone else reminded by the Star Whale, of the giant creature that was being kept for meat in an early Torchwood episode?
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Stoo:
What does the whale eat now, now they are not feeding it people?
I thought it got everybody's kitchen waste . Wasn't that what Amy & The Doctor were wading about in after they went down the tube? Whatever happened to adult humans who didn't conform, they didn't seem to be in the mix. Or not that I noticed.
Posted by Balaam (# 4543) on
:
quote:
Originally posted by Edward Green:
The whole greek/my(psi)thic theme is strong with the link to pandoras(icas) box. This week we had a world on a turtle!
But sadly no elephants on the turtle.
And wait till they find out that the space whale is really a ballistic missile that has been converted by the infinite improbability drive.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Ariel:
quote:
Originally posted by Dafyd:
I thought Karen Gillan was pretty good. The companion role is a bit hard to stand out in.
True, although Leela, Sarah Jane, Peri, Adric, Donna and K9 managed to make an impact that has survived the test of time which I don't see Amy Pond doing.
Given your list of companions, I'm not sure that 'standing out' is necessarily a good thing. Leela has the unfair advantage of being a savage in a leotard. I'm too young to remember Sarah Jane the first time round. Donna was good, though fourth season as a whole was iffy.
Ace was the best assistant obviously.
Posted by Wesley J (# 6075) on
:
quote:
Originally posted by Sparrow:
Was anyone else reminded by the Star Whale, of the giant creature that was being kept for meat in an early Torchwood episode?
'Fraid I was reminded of the Star Trek TNG pilot, 'Encounter at Farpoint', where there's also a creature trapped and being used for all sorts of tricks:
quote:
[...] Not only have the Bandi been holding the being against its will, but they have used its energy source, which converts energy into matter, to create the Farpoint station and its magical qualities. [...] (From: here)
Of course there are some differences to this Dr Who episode, but the 'spaceship aka giant alien creature' theme is a recurrent theme in Star Trek TNG.
Still, an interesting ep not without humour, but probably not the best ever. The 'Dalek's Army' next time round sounds and looked in the preview much more compelling.
Posted by ken (# 2460) on
:
quote:
Originally posted by Wesley J:
... the 'spaceship aka giant alien creature' theme is a recurrent theme in Star Trek TNG.
And in lots of SF from long before I think.
Posted by The Exegesis Fairy (# 9588) on
:
You know what disappointed me? Not the episode, which I kind of liked. Even if most of the twists were kind of predictable. And it didn't make a lot of sense. Liz 10 = funny. Not too scary.
Not the lack of deaths, because it's Steven Moffatt, who seems constitutionally incapable of killing anyone...except the odd adult, at some point, in the past, offscreen.
No, it was Doctor Who Confidential, of all things, that annoyed me. Normally I love them, but...five minutes in I was bored. BORED. Me. Doctor Who nerd. Amy is just not...very interesting to have a programme about. Or maybe it picked up after I switched off.
Posted by The Revolutionist (# 4578) on
:
I'm a big Doctor Who geek, but I only dip in and out of Doctor Who Confidential occasionally. It's a rare episode that actually has enough material to warrant 45 minutes, usually being padded out with self-congratulation and clips montages. DWC used to be 30 minutes, which made much more sense.
Coming back to the episode, one of the many things I liked about The Beast Below was the rather subversive political streak. At first, Starship UK seems a rather cosy celebration of Britishness, but we soon discover that its a police state, with the general population (and by extension the viewing audience) complicit in willing ignorance of what goes on. The Doctor then sets out to bring down the British government, and part of how Amy saves the day is by getting the Queen to abdicate!
And unlike, say, Planet of the Ood, where Donna dismisses the Doctor's suggestion that sweatshops are a modern form of slavery in her world as "a cheap shot" and the Doctor apologises, the audience isn't let off the hook from the questions it raises. It wasn't exactly deep political allegory, but it had more to say than most Doctor Who episodes.
Posted by Wesley J (# 6075) on
:
quote:
Originally posted by The Revolutionist:
[...] one of the many things I liked about The Beast Below was the rather subversive political streak. [...]
Having stumbled upon a certain Hell thread of no-namian provinence, I've now read this as 'The Breast Below'
But please carry on.
Posted by hereweare (# 15567) on
:
quote:
Originally posted by Rev per Minute:
If I may lower the tone for a moment...
A clerical colleague of mine made some very un-clerical comments about Karen Gillan (let's just say he may now be in trouble for 'coveting'). As for me, I will say only one thing - very nice legs! (My wife spotted the fact Amy couldn't really be a police officer because her skirt was too short - I had noticed how short, but brain hadn't really passed that point)
Needless to say, I may have failed the coveting test as well
Perhaps I could draw your attention to the 'I confess thread'! But on a similar theme, I think it was a little off of the Dr to be holding Amy out of the TARDIS by her leg, and clearly looking up her nightdress!!!!
I do agree with Wilson though, that Amy
seemed a little too switched on so soon in the series.
Posted by dorothea (# 4398) on
:
Balaam, I'm not surprised you were impressed by Liz 10, Sophie Okonedo is an amazing actress.
Sophie Okonedo
J
Posted by dj_ordinaire (# 4643) on
:
Fantastic.
Whales!
In space!
The only sad thing being that there is only one left... surely we need a whole school of them to turn up unexpectedly.
And no, it didn't make a whole amount of sense when you thought about it. All over the place really, but no matter. All the individual bits of were so good that I think we can overlook it.
Posted by Quinine (# 1668) on
:
quote:
Originally posted by dj_ordinaire:
Fantastic.
Whales!
In space!
The only sad thing being that there is only one left... surely we need a whole school of them to turn up unexpectedly.
Yes! Can they have a major part in the final episode please? And surely we can have some star whale back story at some point - how did they die out? Etc.
Posted by hereweare (# 15567) on
:
all this whale business is a bit Star Trekish is it not?
Posted by busyknitter (# 2501) on
:
quote:
Originally posted by dj_ordinaire:
Fantastic.
Whales!
In space!
The only sad thing being that there is only one left... surely we need a whole school of them to turn up unexpectedly.
And no, it didn't make a whole amount of sense when you thought about it. All over the place really, but no matter. All the individual bits of were so good that I think we can overlook it.
Posted by busyknitter (# 2501) on
:
quote:
Originally posted by dj_ordinaire:
Fantastic.
Whales!
In space!
The only sad thing being that there is only one left... surely we need a whole school of them to turn up unexpectedly.
Sorry, a bit trigger happy there
Haven't you ever seen Farscape then? That 'verse has a whole race of sentient whale-like spaceships.
[small code fix]
[ 15. April 2010, 19:28: Message edited by: jedijudy ]
Posted by dj_ordinaire (# 4643) on
:
Actually, never mind the Trekking and Farscaping and all that... reality is way ahead of them. Now I think of it, space-ships in real life are still lubricated with whale oil which NASA hastily stock-piled before commercial whaling was banned. Seems it's perfect for working under very different temperatures.
Yeah, even the Voyager with its lovely humpback song.
Posted by Matt Black (# 2210) on
:
quote:
Originally posted by hereweare:
all this whale business is a bit Star Trekish is it not?
Yes, I was reminded of Star Trek IV too.
Posted by Gill H (# 68) on
:
Oh, how I would have loved the Doctor to say
"It is not the hell your Star Whale."
Posted by dorothea (# 4398) on
:
But, since it came back, doesn't Dr Who often reference other Sci-fi?
J
Posted by Ariel (# 58) on
:
quote:
Originally posted by Quinine:
Yes! Can they have a major part in the final episode please? And surely we can have some star whale back story at some point - how did they die out? Etc.
They were doing fine until they realized one day that actually, whales can't breathe in space.
After which they turned into bowls of petunias and fell to earth. Most perished, except for one that landed in an onion patch, and somehow, subsequently became part of a starship. But when your Tardis is fitted with an Improbability Drive, it's the sort of thing that's likely to happen.
HTH.
Posted by M. (# 3291) on
:
Did anyone else notice that when Amy Pond went into the workman's tent thing, the name above the tent was 'Magpie Electricals' - the name from 'The Idiot's Lantern', no?
I ought to add that it was Mr M. wot noticed it, not me.
M.
Posted by PhilA (# 8792) on
:
Mad scientist type bloke. Ends up wearing a black glove. Created the Daleks. Davros anyone?
Posted by Avila (# 15541) on
:
Spoiler
not impressed with this one; clever SF tricks in a SF world is fine but manufactering modifications to spitfires and reach target in plot limit of 10 minutes....
Not to mention Doc's long chats with Daleks instead of them just shooting him
Next weeks trailer more promising...
Posted by Badger Lady (# 13453) on
:
< here be spoilers >
quote:
Originally posted by PhilA:
Mad scientist type bloke. Ends up wearing a black glove. Created the Daleks. Davros anyone?
Same though flitted across my mind. Although I can't imagine Davros falling in love with anyone called Dorabella...
I was a bit underwhelmed by it overall. Whilst I loved some of it (Spitfires in space!!! Winston Churchill saying 'buggering' on tea time telly!!), the plotting was very unconvincing. I accept it is a show about a time traveling bloke but I do like some attempt at internal plausability.
Posted by Taliesin (# 14017) on
:
yes, a bit rubbish.
*
*
*
*
*
*
* and is Amy going to save the doctor from his silly mistake/conclusion every week??
Posted by Ariel (# 58) on
:
Marginally more interesting than last week and about as plausible as usual. Looking forward to next week - I liked the stone angels.
Tonight's episode would have suited Tennant better, though. I don't know what Matt Smith's style is. He seems to be trying to emulate Tennant without quite succeeding or developing his own style.
Posted by ken (# 2460) on
:
Yes! Even though I wanted them to leave the Saleks on the shelf for another year or so this was convincing Doctor Who. The boy done good.
Utter fanboy episode! Overcomplex Dalek plannned destruction in thirty Rels!! Positronic brains!!! The Earth dies screaming!!!!
And then, out of the shiny thing in the shiny Dalek flying saucer (that looks like the shiny thing in the shiny Dalek base on Skaro we first saw the Emperor Dalek in back in the Troughton era) comes a whole squadron of colour-coded Daleks straight out of the lost episodes of the 1960s (where to be honest the Beeb only used them because they could rent them cheap from the people who made the Cushing fims) and the Dalek Supreme itself, all the way from the war between the Imperial Daleks and the "rebels" (if not from "The Dalek's Master Plan") and they are declaiming what sound to me very like the names of old Dalek series! Return of the Daleks! Resurrection of the Daleks! Power of the Daleks! Revelation of the Daleks!
What next, the return of Mavic Chen and the Meddling Monk? Or even Professor Maxtable (please! I think that might have been the best Doctor Who story ever)
REBOOT CONTINUITY BACK TO THE SIXTIES!
Posted by phil2357 (# 15431) on
:
Not an amazing episode, but not a bad one either. I thought the spitfires in space required a little too much suspension of disbelief. I liked the setup of the Doctor's dilemma, though. I guess they feel they have to reboot the Daleks and Cybermen for the Matt Smith era, but it would be nice to have next series free of them. Make the Doctor visit crazy new worlds with new, interesting aliens instead.
Is it just me, or is Amy Pond a bit too confident for someone who is learning what it is like to travel with the Doctor?
Posted by ken (# 2460) on
:
Daleks not Saleks. Missed the edit window.
No, no Davros I suspect. Messrs Gatiss and Moffat have rebooted the continuity to back before Terry Nation and Philip Hinchcliffe rebooted continuity in the 1970s with Davros.
There have been arguably somewhere between four and eight alternate versions of Dalek history set up by either Timelords or Daleks going back into the past and changing history:
1) the original Skaro Daleks of the very first story. No command heirarchy, trapped in a city on Skaro, ignorant of their own history.
2) the classic series space-opera style Daleks from the 1960s and early 1970s with either a Dalek Supreme or an Emperor ruling them at different times. These were the Daleks finally destroyed in the far future in a civil war sparked off by Troughton's Doctor. (Pertwee's enounters with Daleks were all in the past relative to that)
3) the Davros Daleks of the late 1970s and the 1980s, who ended up in a war against the "renegades" who were in effect the previous version of the Daleks and were the pure-blooded Daleks unlike Davros's synthetic Imperials. These Daleks were destroyed in the Time War in the last Dalek story of the McCoy tenure. The first Dalek of the Ecclestone period is in some way a survivor of that war, though apparenlty a lete-model enhanced Dalek of some sort, not a standard Dalek drone.
4,5,6) The various Daleks of the new series are descended from survivors of the Time War in different pocket universes (Imperial Daleks, Cult of Skaro, rescued Davros) who go back in time and reinvent themselves and rebuild the entire species.
7) This evenings first Daleks were presumably, like Ecclestone's Dalek in "Dalek" survivors of the Time War. But the new ones are back to the future - they are old pre-Davros Daleks, pure Kaled descent, all the way from Skaro. These Daleks have no Davros in their past and no Time War (though they may well have learned about those things of course)
(Of course Skaro itself probably started as a human colony...)
Posted by Dafyd (# 5549) on
:
Bluffing the daleks with a jammy dodger is classic Doctor behaviour. But surely there is only so often that even the Doctor can get away with that before his enemies cotton on.
Stopping an AI bomb by telling it to think about what it's like to be in love: I think it's clear that Doctor Who has entirely given up on any pretence at being hard sf. But then I'm not sure it ever really had any. Incidentally, I don't think Amy was correcting the Doctor's mistake this time: she saw what the Doctor was trying to do and joined in.
Posted by Pine Marten (# 11068) on
:
ken: I am in total awe of your knowledge.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Dafyd:
Bluffing the daleks with a jammy dodger is classic Doctor behaviour.
Bluffing the Daleks with a jammy dodger really takes the biscuit.
Posted by Wesley J (# 6075) on
:
Spoiler alert..............
.
.
.
.
.
A nice episode. And think of the merchandising possibilities with coloured Daleks and khaki ones in uniform! I liked the liddle Union Jack they were sporting. Cute.
Could have done more and done better in a 60-minutes episode perhaps? 45 minutes is a bit short for the amount they crammed in there. More time would have enabled them to develop the plot a bit further, such as the Spitfires in spaces - which were pretty cool, though.
Posted by wilson (# 37) on
:
I once wrote something about how the degree to which you're willing to forgive plot-holes or inconsistencies is related to what it buys you. Sometimes twisting logic and reason just a little allows you to do something that in story terms is really cool.
Well I guess the good folks at Dr Who must think Spitfires in space is really, really, really cool.
And they are - just not cool enough to make up for some of the nonsense in this episode.
Also I think the new giant multi-coloured swap-shop daleks are to the previous set of daleks what the new theme tune is to the last - change for change's sake.
Grr. I hate sounding like an old grump. I really want to like this show - give me something to work with Moffat. Please?
Posted by El Greco (# 9313) on
:
quote:
Originally posted by Avila:
Spoiler
not impressed with this one; clever SF tricks in a SF world is fine but manufactering modifications to spitfires and reach target in plot limit of 10 minutes....
Not to mention Doc's long chats with Daleks instead of them just shooting him
Next weeks trailer more promising...
I liked it, but the points you mentioned did seem bad when I watched it.
The modifications to the planes could be explained by saying the scientist was constructing them rather than just show us the blueprints... Small tweaks like that could help the plot immensely.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by phil2357:
Is it just me, or is Amy Pond a bit too confident for someone who is learning what it is like to travel with the Doctor?
Possibly. Although I think it's part of the character that she tries to make out that she's taking things in her rather long stride. You saw it last week: Karen Gillan was doing a good job of acting someone who wasn't going to show that she was impressed that the Doctor gets calls from Winston Churchill, or only a little.
Posted by angelica37 (# 8478) on
:
I was slightly disappointed not to see a pink Dalek
Posted by Matt Black (# 2210) on
:
Not such a good episode IMO.
Posted by dyfrig (# 15) on
:
Terrible episode. Amy has become some sort of simpering goon, and we seemed to have rushed so quickly into the story that, even within its own universe, the story seemed silly, disconnected and lacking any real coherence.
And, frankly, "The Daleks Come Back Again" is getting ever so slightly dull.
Two weeks ago a good series started with well-rounded characters and taking time to tell a good story. Can we have it back, please?
Posted by Gill H (# 68) on
:
It gave me a new motto for work...
KBO
(I'm surprised there haven't been complaints!)
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by dyfrig:
...and we seemed to have rushed so quickly into the story that..]
I thought it was a bit hurried as well, there was almost enough for a whole story arc.
The Nazi's
The secret weapon being a Dalek
The Dalek's reveal their secret weapon
The Dalek's and Doctor stand off till New Daleks
The reaction of the impure
The spitfire
The Doctor's decision
The Doctor's choice
Britain left with modern tech
Resolution
Posted by Tubbs (# 440) on
:
I’m beginning to feel nostalgic for the days when the BBC could only use the Daleks with permission of the Terry Nation estate. And the estate would only let them do it every few seasons. I am officially all Daleked out! New monsters please! Or different old ones.
That said, returning the Daleks to Year Zero – pure Kaleds from Skaro – is an interesting development and it’ll be interesting to see where they go with it. Not being as big a fangirl as Ken is a fanboy, all I noticed is that they looked like the 60’s daleks from the Cushing film and sounded like them as well! The original dalek voices were much deeper. The film says the Kaleds were originally humanoid – like their enemies the Thals – but evolved into the dalek form. (All you see of that is a green clawed hand appearing from underneath a Thal cape when the Doctor and the others captured a dalek and stole its outfit in order to escape from their HQ).
Lots of good ideas and themes and some really nice touches – the Jammy Dodger; Amy realising that memories of a lost love are likely to be more powerful / humanising than ones of war and death - but I’m not entirely sure that Gatiss was able to deliver on them.
I like Matt Smith’s take on the Doctor and think Gillian / Amy is a very good foil. But please not the Doctor and Rose all over again. (I’ve seen those pictures on the Interweb!) And the crack does look a bit like Bad Wolf all over again.
Next week’s episode looks like it’s going to be a good one. Unless we’ve seen all the good bits in the preview.
Tubbs
Posted by Gill H (# 68) on
:
Did they actually say 'Year Zero' at any point?
Because there are theories around about Zero. We've had Prisoner Zero, and the kid who got zero on the test (and, I guess, Liz 10).
Posted by Tubbs (# 440) on
:
quote:
Originally posted by Gill H:
Did they actually say 'Year Zero' at any point?
Because there are theories around about Zero. We've had Prisoner Zero, and the kid who got zero on the test (and, I guess, Liz 10).
Nope, I think that was me.
Tubbs
Posted by The Rogue (# 2275) on
:
Some random thoughts:
The very first time the Doctor met the Daleks the Thals and the Daleks had both mutated but because the Daleks shut themselves up in the City they stopped mutating whereas the Thals kept on going and ended up going full cycle to where they started. Not sure where that fits into the theories mentioned above.
There is an interesting cross-over between the new different coloured Daleks and Original Star Trek. Each colour has a different function so the red ones should avoid going on any planetary missions.
And there was a blatant bit of advertising at the end when Amy shouted "Oi! Churchill!"
Not the greatest episode although Spitfires in space was a great concept, albeit totally improbable given the time scales, especially when you see how easily the pilots adapted. Mind you, they were British pilots ....
It is time we saw less of the Daleks: There is a whole Universe full of beasties out there.
It does seem odd that the time line of the Doctor follows that of the Daleks. If both have time travelling capabilities you would expect that sometimes encounter A happened earlier than encounter B for the Doctor but later for the Daleks.
Posted by Gill H (# 68) on
:
quote:
Originally posted by The Rogue:
And there was a blatant bit of advertising at the end when Amy shouted "Oi! Churchill!"
I was wondering if Churchill was ever going to say 'Ohhhhh yes.'
Posted by Tubbs (# 440) on
:
quote:
Originally posted by The Rogue:
Some random thoughts:
The very first time the Doctor met the Daleks the Thals and the Daleks had both mutated but because the Daleks shut themselves up in the City they stopped mutating whereas the Thals kept on going and ended up going full cycle to where they started. Not sure where that fits into the theories mentioned above.
There is an interesting cross-over between the new different coloured Daleks and Original Star Trek. Each colour has a different function so the red ones should avoid going on any planetary missions.
And there was a blatant bit of advertising at the end when Amy shouted "Oi! Churchill!"
Not the greatest episode although Spitfires in space was a great concept, albeit totally improbable given the time scales, especially when you see how easily the pilots adapted. Mind you, they were British pilots ....
It is time we saw less of the Daleks: There is a whole Universe full of beasties out there.
It does seem odd that the time line of the Doctor follows that of the Daleks. If both have time travelling capabilities you would expect that sometimes encounter A happened earlier than encounter B for the Doctor but later for the Daleks.
Forgot the bit about the evolution. But you're right, the Thals hadn't seen the Kaleds for years so their reappearence as the little pepperpots was a total shock! (I have no idea how the film differs from the orginal episodes though. Does anyone know?)
Loved the Star Trek cross reference. Did the red dalek say anything? If it didn't, then that confirms it's doomed!
Tubbs
Posted by Wesley J (# 6075) on
:
quote:
Originally posted by Tubbs:
[...] Loved the Star Trek cross reference. Did the red dalek say anything? If it didn't, then that confirms it's doomed!
Tubbs
You can check by watching again on iPlayer. Nudge nudge.
Posted by The Rogue (# 2275) on
:
quote:
Originally posted by Tubbs:
Forgot the bit about the evolution. But you're right, the Thals hadn't seen the Kaleds for years so their reappearence as the little pepperpots was a total shock! (I have no idea how the film differs from the orginal episodes though. Does anyone know?)
The Peter Cushing (and Bernard Cribbins!) film followed the plot of the William Hartnell episodes pretty closely, I think. I was certainly thinking about the latter.
Posted by Tubbs (# 440) on
:
quote:
Originally posted by The Rogue:
quote:
Originally posted by Tubbs:
Forgot the bit about the evolution. But you're right, the Thals hadn't seen the Kaleds for years so their reappearence as the little pepperpots was a total shock! (I have no idea how the film differs from the orginal episodes though. Does anyone know?)
The Peter Cushing (and Bernard Cribbins!) film followed the plot of the William Hartnell episodes pretty closely, I think. I was certainly thinking about the latter.
The only person I know who's seen both thought so as well. As if "I was seven" is any excuse for not remembering much!
Tubbs
[ 21. April 2010, 21:41: Message edited by: Tubbs ]
Posted by Edward Green (# 46) on
:
As far as I can pick up The Daleks, The Time Lords and Humans are all somehow connected in the overall 'time and space' thingie of Dr. Who.
In that universe so much has been messed about with that it is very hard to put together a timeline. The Dalek's have two different origins for a start.
Posted by Hugal (# 2734) on
:
During Tom Baker's time in the Tardis he is asked by the Time Lords to go back and prevent the Daleks from existing. He has to make a choice to kill them off or not and goes for not. Quite a lot of the Dalek history comes from this story and not the William Hartnell/film versions. The old films are seen as paralell to the cannon and not part of it. The TV film is seen as cannon because Sylvester Macoy regenerates into Paul Magan. A lot of fans wish this wasn't the case as the TV film is second rate and being American, some of the essential Britishness of Doctor Who is lost.
Posted by Robert Armin (# 182) on
:
I am heartened to know that there are others who agree with me in seeing the TV film as non-canonical. Recently I was running through the list of Doctors in my mind, and was frustrated at being one short. Finally I discovered I had ommitted Paul McGann, because he just doesn't count as a Doctor IMNSVHO. (However, there was one good moment when a motorbike drove into the Tradis, and then came roaring out again.)
Posted by Gill H (# 68) on
:
Actually, although the TV film was pretty awful, McGann has gone on to do loads of audio adventures and really developed the character.
Posted by Tubbs (# 440) on
:
quote:
Originally posted by Robert Armin:
I am heartened to know that there are others who agree with me in seeing the TV film as non-canonical. Recently I was running through the list of Doctors in my mind, and was frustrated at being one short. Finally I discovered I had ommitted Paul McGann, because he just doesn't count as a Doctor IMNSVHO. (However, there was one good moment when a motorbike drove into the Tradis, and then came roaring out again.)
The TV film counts as a cannon as it was a BBC co-production and McCoy regerates into McGann. It wasn't McGann's fault that the pilot was so rubbish it was never commissioned into a series and he became the George Lazenby of Time Lords. As Gill H points out, the character appeared / developed in the the Big Finish adventures and the books - but only the truely dedicated have seen those. (I am not truely dedicated!)
[ETA: What I'm not sure about is whether some of the ideas introduced in the show are seen as cannon - such as the Doctor being half human on his mother's side. RTA's final show suggests that they aren't]
Wiki has a great list of actors who've played the Doctor in material that's not seen as cannon: http://en.wikipedia.org/wiki/List_of_actors_who_have_played_the_Doctor
Tubbs
[ 23. April 2010, 11:24: Message edited by: Tubbs ]
Posted by Tubbs (# 440) on
:
Problem with Wiki is that you keep rummaging. They also have a list of actors who were considered for the Doctor or were offered the part and turned it down: http://en.wikipedia.org/wiki/List_of_actors_considered_for_the_part_of_the_Doctor
Some of them could have been great, but some of them ...
Tubbs
Posted by Ariel (# 58) on
:
Hugh Grant as Doctor Who?
"I - I - er - Daleks. Yes. Yes, of course. Um. Awfully sorry about your planet. Hope you'll soon find another. Must dash. Aaargh, why did I just say that?"
Posted by Tubbs (# 440) on
:
quote:
Originally posted by Ariel:
Hugh Grant as Doctor Who?
"I - I - er - Daleks. Yes. Yes, of course. Um. Awfully sorry about your planet. Hope you'll soon find another. Must dash. Aaargh, why did I just say that?"
He was one of the people covered by It would have been wrong! (I'd have probably still watched it though ).
Shame about Robert Lindsay though ...
Tubbs
Posted by Og: Thread Killer (# 3200) on
:
We here are just about to see the second show tomorrow but I don't mind reading the spoilers as I'm not a expecting much good out of all this.
Was hoping for a non-angst experience, but the ending of the first episode on her wedding dress left me cold.
I prefer my doctors adventurous and my assistants following along and their group adventures adventurous. If I wanted super hero angst, I'd put Spiderman in the DVD player.
Yes...he's alone. We get it. Time to move on.
Moffat is a better writer then Russel T Davies( he who channels episodes of Buffy the Vampire Slayer gleefully it seems), and there are some great lines. But I fear it will all end with sooooo much overwrought goo....again.
As for what Moffat said about the actress companion, not surprising given they seem to think of the companions as romance novel characters.
Better then much on TV but not as good as it has been or could be.
[ 24. April 2010, 05:23: Message edited by: Og: Thread Killer ]
Posted by Avila (# 15541) on
:
spoiler
soldier introducing himself as bishop with clerics under his command??? bit crusaderish??
see what they do with that
Posted by Doc Tor (# 9748) on
:
I've complained to the BBC regarding the ludicrous and intrusive insertion of an animated "coming next" overlay right at the climax of today's episode.
The URL is here.
I'm really quite cross!
Posted by Eigon (# 4917) on
:
I've just been catching up with the episodes (I have a rather wonderful boyfriend who taped them for me while I was TV-less).
Liked the first episode. I thought Matt Smith did well - liked the way he called the Atraxi back to tell them off, and the bit where all the previous faces of the Doctor appeared.
And about half way through the Space Whale one, I thought "This is a bit 'The Ones Who Walk Away From Omelas', isn't it?" Except that the people in the Ursula le Guin story didn't get eaten by a space whale when they protested.
And when the Doctor said "We are observers only," I actually shouted "You liar!" at the screen.
So tonight I'm watching the Daleks one (rather looking forward to Spitfires in Space).
Posted by Ariel (# 58) on
:
Loved the beginning - nice and Bond-ish. The two-parters always seem to be better than the single episodes. Great to see the stone angels and River Song back too, next week should be fun.
The only thing I didn't like was Amy getting jealous over River. It's too early in the season for this and we've had enough female companions getting emotionally involved.
[ 24. April 2010, 18:43: Message edited by: Ariel ]
Posted by Carys (# 78) on
:
Wow. Weeping angels and River Song!
Though bits were too similar to the library -- enemy for whom dark is a an advantage and so has to be light.
Now to wait for a week.
Carys
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Ariel:
The only thing I didn't like was Amy getting jealous over River. It's too early in the season for this and we've had enough female companions getting emotionally involved.
Was Amy getting jealous over River? I got the opposite impression: I thought she was finding the whole situation amusing. IIRC River told her that the relationship was not as simple as them being married, and Amy said that it so was.
Posted by Dafyd (# 5549) on
:
I watched Blink for the first time (on DVD) this afternoon, in time for this week's episode. I hadn't realised that the famous Sally Sparrow was played by Carey Mulligan (who has since gone on to great things).
Tonight's episode changed the rules on the Angels a couple of times. (One of the rule changes has implications that I would hope most younger viewers do not think of...)
Posted by Ceannaideach (# 12007) on
:
As soon as the Doctor mentioned the fact that the deceased race who built the temple had two heads, we wondered why the statues didn't.
Father, who is a vicar, loved the Bishop with his twenty clerics and verger in charge of explosives. Really tickled his funny bone.
Posted by Mr Clingford (# 7961) on
:
Where was the Holy Handgrenade of Antioch?
Much better pacing this week. Quite enjoyed it. A bit of atmosphere. Annoyed by the banner trailer too near the end. Looking forward to next week.
Posted by Off Centre View (# 4254) on
:
Spoilers...
Really enjoyable episode.
I wasn't too taken with the Weeping Angels at first, as I'd kind of found them a bit odd, though genuinely scary, in "Blink". Giving them the voice of Bob made them more terrifying as they appear to be a thinking, manipulative enemy not just feral creatures.
It's fun having River back as well and it makes me think there's more a mystery there than simply her being his wife. It's definitely interesting that she means that the Doctor doesn't know everything, and so another character can one-up him.
The Church militant thing was interesting but just seemed to be a bit of a side joke without really being explained, or to make comments about faith. However, the idea of the Church having a team of monster hunters is often explored in fiction, though I think it's the first time in Doctor Who. (And the comments about the church being critical of self-marriage seemed to be making fun of RTD's often-maligned gay references that sometimes seemed to be designed to provoke rather than push forward characters or plot - although on that note, there were no Scottish references tonight!)
Looking forward to next week, the Doctor's speech about not putting him in a trap was fantastic!
Posted by Rockhound (# 13407) on
:
Spoilers <not sure how this works in this forum>
Both me & other half were annoyed at the on-screen graphic. Have fired off strongly worded missive to Aunty Beeb via the online complaints form.
I agree, I didn't think Amy was jealous. I was a bit worried we'd have another gooey-eyed companion, but she seems to be able to hold her own, and didn't come across as 'threatened' by River.
Liked the Bishop, esp. that the Verger appeared to be in charge of the explosives!
Looking forward to next week
Saw the second half of confidential - Loved that it was filmed in the Clearwell Caves (Forest of Dean) haven't been there in years
(edited for brain fade and spelling)
[ 24. April 2010, 22:21: Message edited by: Rockhound ]
Posted by Gill H (# 68) on
:
"Bishop, lock and load!"
How long before someone has that sig on the Ship?
I didn't find the Angels as scary this time, partly because it's not our world (despite looking suspiciously like Llantwit beach at times, yes?) and so there isn't that creepy thing of the familiar being scary.
Posted by Gill H (# 68) on
:
By the way - later on in 'Over The Rainbow', Graham Norton mentioned that the girls would need to cope with dialects.
Was I the only one who thought he said 'cope with Daleks'?
If so, then maybe that irritating 'coming next' graphic was all part of the story arc. Graham Norton breaks through the crack in time...!
Posted by Giac (# 15580) on
:
Spoilers
nice episode, the best yet in my opinion. The speach at the end was very good, with the music adding the right amount of atmosphere. Spent half the time wondering if there were going to be any more hell calls over this series's approach to the church and if Moffat is a lurker in Hell. Either that or the end of the series is going to be fought out in a church.
Which might be kinda cool.
Posted by Jahlove (# 10290) on
:
Agree with Gill H - the Angels weren't as scary as original time out. Interesting that River Song first turned up in the Library episode which was also to do with "Orrible Fings Wot Happens In Teh Dark* - and the hint from The Bishop that she might be some kind of double-agent.
Posted by Robert Armin (# 182) on
:
Hmm, I'm going against the flow here in saying was wasn't impressed with last night's episode. In fact, I'm now prepared to say that I'm finding this series a bit of a disappointment (I'll still watch it, of course) - somehow it's all too frentic, too much rushing about and not enough characterisation.
Speaking of which, I felt there was a major inconsistency with Amy. We are still early in her history with the Doctor (the fact that she can say, "You promised me a planet," shows there hasn't been lots of stuff happening that we haven't seen) yet she kept saying, "You never do X," or, "You would never do Y". How does she know?
Posted by Ariel (# 58) on
:
quote:
Originally posted by Robert Armin:
In fact, I'm now prepared to say that I'm finding this series a bit of a disappointment (I'll still watch it, of course) - somehow it's all too frentic, too much rushing about and not enough characterisation.
It's been like that for a long time, though. That's why they won't pick an older actor for the part of the Doctor, because they have to be physically fit enough to cope with a lot of rushing about.
Interesting that Amy shows no signs of culture shock, disorientation or missing home, nor even mention the forthcoming wedding. It's quite a contrast to when the Doctor gave the homesick Rose a mobile so she could phone her mum.
Posted by Dormouse (# 5954) on
:
I enjoyed the episode - although I was annoyed that the "rules" of the angels seemed to have changed...while also thinking that it made them badder (esp when they took on (sacred) Bob's voice)
Daffyd said Tonight's episode changed the rules on the Angels a couple of times. (One of the rule changes has implications that I would hope most younger viewers do not think of...) - I'm not sure I understand. Can you explain? Probably I'm just being fick.
I too was extremely irritated by the intrusive pop up thingy...especially as the climax was sodramatic. I have complained to the BBC. Let's see what happens....
Forgot to say I'm not liking Amy as much as I'd hoped. I don't find her sympathetic and like others have said, she doesn't seem to give a monkey's that she has left everyone behind. And she seems too much of a know-all.
[ 25. April 2010, 10:34: Message edited by: Dormouse ]
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by Jahlove:
Agree with Gill H - the Angels weren't as scary as original time out. Interesting that River Song first turned up in the Library episode which was also to do with "Orrible Fings Wot Happens In Teh Dark* - and the hint from The Bishop that she might be some kind of double-agent.
and also also has ghost voices.
Not sure how they're going to anchor Riverdance it's going to be quite hard getting backwards timelines making sense. I'm not sure about Miss Pond, there's clearly something wrong. They also seem to have returned to the traditional hem-lines, I'm not quite sure what to think to that.
I thought the pace was better in the episode, partly helped by the enemy being known and distant.
Was a bit disturbed by the 'come and see', wondering if it was an attempt at taking TWAITW mantle with a dig at Nathaniel. Probably more so that that than the bishop with guns (when of course they'd have heart suppression beams to avoid spilling blood and cos it's the future).
Posted by dorothea (# 4398) on
:
The new series is going a lot better than I feared. I just loved David Tennant but think there is something more 'docterish' about Matt. Maybe it's because he not quite so (gorgeously) overwhelming but has definitive presence?
I quite liked the idea that River Song is a bit of a 'chancer'. Question: did she say to Amy that this wasn't the actual doctor she has THE relationship with, or did I imagine that? (Like not this incarnation?)
I also like the fact that Matt's Dr was somwhaT overwhelmed by River and not that happy to be having to help her out. This gave the sense of him being not just younger but a wee bit 'fusty'. There's definitely something young fogyish about Matt, which Tennant did not embody being every bit the cool dude.
Posted by Pheonix (# 2782) on
:
I wondered about the angels being able to move when other angels were watching/seeing them... Surely in a cave with that many angels in it with any light at all they'd all be locked solid rather than able to move as it seems like they can...
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Pheonix:
Surely in a cave with that many angels in it with any light at all they'd all be locked solid rather than able to move as it seems like they can...
That's occurred to me. I hope we'll get an explanation next week. It may have to do with them having had their eyes eroded away.
The two/three red shirt soldiers going off and getting killed was predictable. Their commanding officer fails genre savvy spectacularly. The sequence where they got killed would have been vastly improved with a shot of the angel behind them, rather than the shot of the angel lunging.
quote:
Originally posted by Dormouse:
I'm not sure I understand. Can you explain? Probably I'm just being fick.
One of the rule changes is that an angel can now get through any television set that's showing it. You're watching it on a television set. Don't look away.
Perhaps that's too obvious to spell out.
Posted by The Rogue (# 2275) on
:
Youngest Rogueling (aged 7) has finally decided to actually watch Dr Who. Hooray!
Last night's episode made her go and chat to Mrs Rogue in another room. The programme still works!
Posted by welsh dragon (# 3249) on
:
What is TWAITW and who is Nathaniel? (out of touch)
Posted by welsh dragon (# 3249) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Dormouse:
I'm not sure I understand. Can you explain? Probably I'm just being fick.
One of the rule changes is that an angel can now get through any television set that's showing it. You're watching it on a television set. Don't look away.
Perhaps that's too obvious to spell out.
It didn't occur to me when watching, I'm afraid.
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by welsh dragon:
What is TWAITW and who is Nathaniel? (out of touch)
In earlier threads it was observed Russel Davies is openly atheist.
However there were a number of scenes where the Doctor seemed to have nicked the script from Aslan and/or Jesus. The episode with the face of Bo and the underground cars had 'adibe with me', and numerous other scenes where you might jump to the conclusion he was Christian*.
Hence the threads described him as The Worst Atheist In the World.
When the dialogue began and with the church newly introduced I saw a resonance with John 2
"Nazareth" explained Nathanael "Can anything good come from Nazareth?"
"Come and see for yourself" said Philip.
But with something very bad obviously happening, a form of dys-vangilism. It was probably a co-incidence as nothing really happened to build on it
(Dr made one comment '(bad thing) just like the church' that caused offence to the bishop?, but then the bishop made one speech about not abandoning lives-on neither of which I really caught the actual words).
*I guess there's a lesson to be learnt from that, but I'm not quite sure what it is.
Posted by tessaB (# 8533) on
:
I completely loved it. The angels were just as scary second time round (I got the coming out of the telly thing and it really freaked me out) Have had a totally rubbish week and needed something to take my mind off stuff. Glad I watched it.
(I have to admit I actually had a mini-nightmare about angels coming out of the telly. Sort of aware it was a dream and could quite enjoy being scared by it.)
Posted by Gill H (# 68) on
:
quote:
Originally posted by welsh dragon:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Dormouse:
I'm not sure I understand. Can you explain? Probably I'm just being fick.
One of the rule changes is that an angel can now get through any television set that's showing it. You're watching it on a television set. Don't look away.
Perhaps that's too obvious to spell out.
It didn't occur to me when watching, I'm afraid.
Didn't occur to me either, but now you mention it ...
Posted by Jahlove (# 10290) on
:
quote:
Originally posted by Jay-Emm:
When the dialogue began and with the church newly introduced I saw a resonance with John 2
"Nazareth" explained Nathanael "Can anything good come from Nazareth?"
"Come and see for yourself" said Philip.
I was more reminded of Revelation:
6:1 I saw that the Lamb opened one of the seven seals, and I heard one of the four living creatures saying, as with a voice of thunder, "Come and see!"
6:2 And behold, a white horse, and he who sat on it had a bow. A crown was given to him, and he came forth conquering, and to conquer.
6:3 When he opened the second seal, I heard the second living creature saying, "Come!"
6:4 Another came forth, a red horse. To him who sat on it was given power to take peace from the earth, and that they should kill one another. There was given to him a great sword.
6:5 When he opened the third seal, I heard the third living creature saying, "Come and see!" And behold, a black horse, and he who sat on it had a balance in his hand.
6:6 I heard a voice in the midst of the four living creatures saying, "A choenix of wheat for a denarius, and three choenix of barley for a denarius! Don't damage the oil and the wine!"
6:7 When he opened the fourth seal, I heard the fourth living creature saying, "Come and see!"
Posted by Dormouse (# 5954) on
:
quote:
Originally posted by Gill H:
quote:
Originally posted by welsh dragon:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Dormouse:
I'm not sure I understand. Can you explain? Probably I'm just being fick.
One of the rule changes is that an angel can now get through any television set that's showing it. You're watching it on a television set. Don't look away.
Perhaps that's too obvious to spell out.
It didn't occur to me when watching, I'm afraid.
Didn't occur to me either, but now you mention it ...
SNAP!
Posted by Dormouse (# 5954) on
:
Sorry for the double post. From the tasters for next week's episode, it looked as though the opposite of "Don't even blink!" occurs for Amy, and she can't look at the angels...or even open her eyes...
Posted by The Great Gumby (# 10989) on
:
Well, having watched the opening episode live with family, and the next 3 almost back-to-back from recordings on my return to civilisation, I'm fairly impressed. I couldn't easily imagine Matt Smith as the Doctor, because I was visualising DT, but I really like what he's doing with it, emphasising his egotism and stuffy cantankerousness. Yes, there are plot holes and unexplained elements and all that sort of thing, but it's easily living up to the mark set by previous series.
Shhhh! SPOILERS
I enjoyed the Smilers and Winders and all that stuff in The Beast Below, which could have come straight out of Classic Who, but had a modern twist in the plot. The basic concept behind the story was reminiscent of any number of plots from other series (Torchwood being the obvious one, as mentioned above), but in a sense that didn't matter, because it was such a late reveal, and the real story, IMO, was in the way ordinary people can do terrible things because they don't have the courage to do anything else. The precise detail of the terrible thing they were doing was secondary. Liz 10's discovery wasn't surprising, but it was still poignant.
Victory of the Daleks seemed like an interesting concept, and it worked in a way, but ultimately, it felt like a device for rebooting Dalek history for what feels like the 15th time but mainly creating a whole series of "new design" collect-em-all Dalek figures to flog to impressionable kiddies. There was lots that didn't work very well, and the Spitfires in space were ridiculous.
The Time of Angels was interesting. I was worried about Moffat digging up the Weeping Angels again so early, and wasn't sure it would live up to the high standard set by Blink, even though (or possibly because) Blink had been a cheap filler episode. However, I was pleasantly surprised. The set-up was nicely done, although the "Redshirts" were rather obvious, River Song provided enough plot and interest to cover an episode of lots of things not moving, and the reveal was cracking.
The Angels' use of Scared Bob to communicate was a nice idea, especially as he was passing on his sinister message so they still didn't speak themselves which could have shattered the aura, but it seemed a bit too similar to the spookiness of the voice recordings in Silence in the Library. I hope Moffat has still got some new ideas. I was also a little disappointed that more wasn't made of the difference between Matt Smith and DT, and the way different regenerations, with different characters, presumably relate to River Song quite differently. That said, I wouldn't be upset if they decided to kill her off and break the timelines rather than constantly try to shoehorn her (with attendant timey-wimeyness) into stories.
I quite like Amy. She seems rather sure of herself, but that's a welcome change from the constant "visit the family" storylines, and it's plausible for her character. After all, she's "known" this strange man for most of her life, suffered enormous disappointment and a lot of therapy when he vanished, and is still (I think) quite angry with him about that, although that seems to be softening as she learns more about him and how scary the universe can be. She should be a good foil for his arrogance.
Posted by Matt Black (# 2210) on
:
Much stronger episode than 'Victory of the Daleks' IMO. For one thing, it was scary, and that for me at least is one of the essential ingredients of Who.
Posted by Justinian (# 5357) on
:
quote:
Originally posted by Ariel:
Hugh Grant as Doctor Who?
"I - I - er - Daleks. Yes. Yes, of course. Um. Awfully sorry about your planet. Hope you'll soon find another. Must dash. Aaargh, why did I just say that?"
The Curse of Fatal Death - Comic Relief episode penned by Stephen Moffatt (sp?) in the mid 90s. He lasted as the Doctor for maybe a minute before regenerating again. I'll explain later.*
And the Angels are terrifying. Especially as you can't use CCTV or mirrors for them. (And the reflection in Amy's eyes in the trailer? Brr!)
* I think it's on Youtube if anyone's interested.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Doc Tor:
I've complained to the BBC regarding the ludicrous and intrusive insertion of an animated "coming next" overlay right at the climax of today's episode.
The URL is here.
I'm really quite cross!
The BBC have now put their hands up and apologised.
http://news.bbc.co.uk/1/hi/entertainment/8643684.stm
Posted by Doc Tor (# 9748) on
:
As they bloody well should. Muppets.
As someone else pointed out, if we want to know what's on next, we can use the on-screen guide, avail ourselves of the internet, or use one of those new-fangled listings magazines. We don't need animated Graham Nortons.
In fact, I can't see any situation that would warrant an animated Graham Norton except as a sign of the impending apocalypse.
Posted by M. (# 3291) on
:
SPOILER
Does anyone have any thoughts on Amy not remembering the Daleks?
M.
[ 26. April 2010, 20:08: Message edited by: M. ]
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Doc Tor:
As they bloody well should. Muppets.
As someone else pointed out, if we want to know what's on next, we can use the on-screen guide, avail ourselves of the internet, or use one of those new-fangled listings magazines. We don't need animated Graham Nortons.
In fact, I can't see any situation that would warrant an animated Graham Norton except as a sign of the impending apocalypse.
Virgin One do it too, on their afternoon reruns of Star Trek/Voyager/DS9, with their little red mascot scampering across the bottom of the screen.
Posted by tessaB (# 8533) on
:
quote:
Originally posted by M.:
SPOILER
Does anyone have any thoughts on Amy not remembering the Daleks?
I thought it was linked in some way to the crack (in space/time?)
Posted by M. (# 3291) on
:
tessaB, that was what I came up with too. I nearly put it in my post, but thought others might have different ideas. It's a good incident - I hope we'll hear more of it over the next episodes.
M.
Posted by Roseofsharon (# 9657) on
:
I took it to mean that by some timey-wimey means Amy had come across the Daleks prior to the war-time adventure - and that we would be seeing her in conflict with them in a future episode.
As one who finds Daleks supremely boring I am decidedly cast down by the prospect
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Roseofsharon:
and that we would be seeing her in conflict with them in a future episode.
And yes, to do with the crack.
I sincerely hope they are not saving it for the series finale.
Posted by The Great Gumby (# 10989) on
:
quote:
Originally posted by Roseofsharon:
I took it to mean that by some timey-wimey means Amy had come across the Daleks prior to the war-time adventure - and that we would be seeing her in conflict with them in a future episode.
Surely it means the exact opposite - that in her timeline, for some reason, the Daleks didn't come along, fight a pitched battle with a division of Cybermen in Canary Wharf, attempt to enslave the whole of the Earth, try to steal the planet to destroy the universe, etc.
The simple answer, if anything can be called such in the context of time travel, would be that the Doctor jumped down the wrong trouser leg of time while he was getting used to the new Tardis, and ended up in a timeline where this didn't happen for some reason - if he can miss his date by a decade or so, I'm sure he could end up in the wrong timeline. But for all the occasional timey-wimeyness, Doctor Who rarely seems to move beyond a linear model of time, only remembering the complications of time travel when they're needed for a plot device.
Because of that, and the way it was flagged, it seems to be building up to an "issue", most likely to be addressed in an exciting double-headed finale. My money's on the crack as well, but I don't see that it has to involve the Daleks in the finale. The Daleks could be one of many unrelated things which have changed as a consequence (intended or not) of whatever is going on with this crack.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by The Great Gumby:
quote:
Originally posted by Roseofsharon:
I took it to mean that by some timey-wimey means Amy had come across the Daleks prior to the war-time adventure - and that we would be seeing her in conflict with them in a future episode.
Surely it means the exact opposite - that in her timeline, for some reason, the Daleks didn't come along, fight a pitched battle with a division of Cybermen in Canary Wharf, attempt to enslave the whole of the Earth, try to steal the planet to destroy the universe, etc.
The simple answer, if anything can be called such in the context of time travel, would be that the Doctor jumped down the wrong trouser leg of time while he was getting used to the new Tardis, and ended up in a timeline where this didn't happen for some reason - if he can miss his date by a decade or so, I'm sure he could end up in the wrong timeline. But for all the occasional timey-wimeyness, Doctor Who rarely seems to move beyond a linear model of time, only remembering the complications of time travel when they're needed for a plot device.
Because of that, and the way it was flagged, it seems to be building up to an "issue", most likely to be addressed in an exciting double-headed finale. My money's on the crack as well, but I don't see that it has to involve the Daleks in the finale. The Daleks could be one of many unrelated things which have changed as a consequence (intended or not) of whatever is going on with this crack.
I think that during his lifetime the Doctor must have jumped in and out of dozens of different timelines - otherwise given the number of times that Earth has been nearly destroyed/invaded etc even in the new series, there would be nothing left by now.
Posted by Dafyd (# 5549) on
:
One of the things nobody's commented on so far is that the Doctor's attitude to River Song is partly conditioned by the fact that the last time he saw her she was giving up her life for his.
I was thinking that just after River Song asks the Doctor to 'sonic me'. It's just occurred to me that, for the Doctor, the phrase 'sonic me' as applied to River must bring something quite different to mind than it does to River and Amy.
Posted by Malin (# 11769) on
:
Just caught up with the episode on iplayer (timewise it clashes horribly with sorting Malinette out for bed).
I loved seeing the angels again - and was pleased that I had wondered about the stone statues from the first glimpse and whether they could be co-opted or something by the known angel.
I'm enjoying Matt Smith more than I thought I would as the Doctor. As someone else said, I find it nice that Amy isn't moping around about family. We don't know who she is due to marry do we? Maybe she already had doubts and is glad to be out of the situation. Rose had a really close relationship with her mum and boyfriend, Donna wa really close to Gramps - I got the feeling Amy was a bit of a loner by circumstance? Family dead, inherited that house etc?
Posted by Surfing Madness (# 11087) on
:
The more i see of the insde of the tardis the more i like it.
I agree with some others on here i definetly found the weepng angels less scary this time round. It felt like it couldn't happen to me, unlike in blink, which i have to say freaked me out slightly. That said i hadn't got the, they could come out the t.v at me think. Maybe i'll find the second half more scary.
Posted by Adeodatus (# 4992) on
:
Right. Getting back on board after having been poorly since Easter. First things first: the Dr Who thread.
I quite liked The Beast Below. In places it lacked a bit of oomph, but there were some lovely ideas in there. The Doctor's anger at what he thought he'd have to do was brilliant. And a bit scary. And I liked Amy's saving of the situation.
Victory of the Daleks - bad, I thought. Actually, very bad. Poorly structured script that spent too long on some things and not enought time on others. For example, what was the point of the woman whose boyfriend ended up getting killed? It was an embarrassingly token gesture towards the "tragedy of war". Very badly handled. And I don't like the new Daleks. They look like they're made out of Lego.
Time of Angels - absolutely superb. Moffat at his outright best, shedding a lot of new light (or rather darkness) on one of his best creations. The Angels have gone from being slightly sympathetic creatures who "kill you nicely" to something very sinister and decidedly scary. I'm very much looking forward to the conclusion of the story.
Posted by wilson (# 37) on
:
Well I very much enjoyed Time of Angels. I thought that the Angels were more scary - that scene with Amy and the TV screen was superb. Also you've got to love River Song - both her as a character (the opening scenes are fantastic) and her dynamic with the Doctor.
I also went back and watched Blink again - which was great, and Sally Sparrow is great - but I genuinely think this is a better episode.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Adeodatus:
The Angels have gone from being slightly sympathetic creatures who "kill you nicely" to something very sinister and decidedly scary.
I'd expected with teeth like that they'd really go for someone and suck the life out of him, not just break his neck, which seemed a very ordinary and un-supernatural method of dispatch (OK, anti-climactic is the word I'm looking for).
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by wilson:
Also you've got to love River Song - both her as a character (the opening scenes are fantastic)
Don't you just love those red killer heels! I wonder if the red shoes are significant in any way. Wizard of Oz ...?
Posted by tessaB (# 8533) on
:
Stupidly it just occured to me that the angels broke Bob's neck. I thought that when they touched someone they sent them back in time? Isn't that what they fed on? The residual energy of the life unlived? Did I miss something?
Posted by The Revolutionist (# 4578) on
:
quote:
Originally posted by tessaB:
Stupidly it just occured to me that the angels broke Bob's neck. I thought that when they touched someone they sent them back in time? Isn't that what they fed on? The residual energy of the life unlived? Did I miss something?
The Doctor comments that they're behaving unusually. The angels killed the soldiers, rather than zapping them into the past, in order to use their vocal cords and a reanimated version of their consciousnesses to talk to the humans. At the moment, they're feeding on all the energies from the crashed Byzantium.
Posted by Eigon (# 4917) on
:
Just as an aside, the museum the Doctor stole the 'black box' from was Brecon Cathedral!
And there's a spoilerish photo in the Sun today of Amy, Rory the nurse and the Doctor, in a children's playground, and Amy is very pregnant!
Posted by Quinine (# 1668) on
:
quote:
Originally posted by Eigon:
Just as an aside, the museum the Doctor stole the 'black box' from was Brecon Cathedral!
Thank you Eigon, the Pevsner in me was wondering.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by The Great Gumby:
The simple answer, if anything can be called such in the context of time travel, would be that the Doctor jumped down the wrong trouser leg of time while he was getting used to the new Tardis, and ended up in a timeline where this didn't happen for some reason
You are Terry Pratchett and I claim my five pounds ('Jingo' and Commander Vimes' pocket organiser)
Amy's role so far is an odd one. She's not been put in danger and needed to be rescued since the first episode - surely the key role for a companion - and has twice saved the day when the Doctor's plans failed - Liz's abdication and Bracewell's lost love. She's a sleeper, someone there for another purpose and with knowledge she's keeping hidden. Interesting to see her with River Song but so far it's all been a bit chatty, nothing of significance (I think).
Posted by Avila (# 15541) on
:
Spoilers
Well a bit more idea about Amy, her memory and as for the relationship stuff...
And when does River Song kill the doctor - and how will he rewrite time to get out of that, sounds like a series finale to me...
Posted by Carys (# 78) on
:
quote:
Originally posted by Avila:
Spoilers
Well a bit more idea about Amy, her memory and as for the relationship stuff...
And when does River Song kill the doctor - and how will he rewrite time to get out of that, sounds like a series finale to me...
When the Pandorica opens ...
Posted by The Rogue (# 2275) on
:
I thought the episode fizzled out a bit today. The day was won (either by the Doctor or the Angels - I don't want to spoil it for those who haven't watched yet) but then there were some scenes which turned it into an anti-climax. And I didn't like how Amy reacted at the end. And what the Doctor said about Amy had already been said about Donna.
However before all that it was a very good story, well acted and Youngest Rogueling was scared again.
Posted by tessaB (# 8533) on
:
Don't know about the kids but it bloody terrified me.
Posted by Rev per Minute (# 69) on
:
Not really comfortable with the way Amy jumped on the Doctor at the end - still a kids' programme after all, and dragging him into bed felt a bit out of place. Liked the solution to the Angel problem, but why is Amy the centre of the universe again?
Posted by Ariel (# 58) on
:
It was an OK story, not outstanding but OK until Amy took it into a complete nosedive. That was too far. And on the eve of her wedding. Cracking good luck to the future husband.
I suppose we're stuck with her for a while to come.
Posted by Giac (# 15580) on
:
So yet another person who's fallen madly in love with the Doctor. The only one who hasn't so far is Donna and I don't want to credit her with that because I really hated her.
Also didn't like suductive Amy.
The episode was ok, but it went down hill with the main baddies getting eclipsed by the big event. Also, shouldn't there still be loads of angels down there? Only about twenty got sucked up.
Posted by The Revolutionist (# 4578) on
:
Um, well, that was interesting...
SPOILERS
The scenes with them trying to escape the angels were good, and the set-up of their eventual defeat with the gravity being switched off was quite nice. But it did feel that they were defeated more by the crack in time turning up rather than the Doctor doing anything particularly clever... it felt a bit too convenient.
But as for Amy propositioning the Doctor for casual sex on her wedding night.... whaaaat?!?! I'm glad that the Doctor responded to this as a Very Bad Thing, and it's obviously part of the ongoing story and development of Amy's character. But... really? Seriously?
Posted by Dafyd (# 5549) on
:
I enjoyed the episode.
*
SPOILERS
*
Still, irritations:
agree that I prefer the Amy of a couple of episodes ago. (I assume that she really is unsure about commit to her wedding.)
I don't believe that the angels don't know whether or not you can see them.
The angels were badly directed again. They didn't have their hands over their eyes often enough. And they shouldn't have moved on camera. That was Just Wrong.
Speculations:
Is it obvious that the man River killed was the Doctor, or is too obvious? And is the current incarnation of the Doctor arrogant enough to think she means him? (The Doctor of course knows what River doesn't know he knows, which is that River is going to die for him.)
Does the fact that the rift is centred on Amy have anything to do with Amy not having parents and being abandoned with her aunt? (My wild mass guess was that Amy was River and the Doctor's daughter but after this episode that would just be too squicky.)
[ 02. May 2010, 00:45: Message edited by: Dafyd ]
Posted by The Rogue (# 2275) on
:
I'm hoping that Amy's thing at the end was a character aberration brought on by whatever is running through the whole series rather something that she actually wanted although I remember from the first episode that she had all sorts of fantasies about her "raggedy man" (?) so who knows what her mind may have been playing at?
I am interested to see what back story for Amy crops up because I want to know why the crack centres on her. But I hope we don't spend too much time with the people she knows. And what happened to her aunt?
[ 02. May 2010, 07:27: Message edited by: The Rogue ]
Posted by Robert Armin (# 182) on
:
Increasingly bored with this series I'm afraid. The angles were great the first time they appeared; this time they were dull. Far too many of them, and now you keep your eyes shut, not open, to escape them, so everything is back to front. And how convenient to have one on demand to explain everything they are doing. Did the Doctor work out anything in this episode?
I was also underwhelmed by River Song and Amy. Both fall into the "annoying women who fall in love with the Doctor" category. Bring back Martha Jones, who kept her feelings hidden as much as she could! (Rose was soppy and Donna irritating.) Could we please have companions who are a) company for the Doctor - why not another bloke? and b) interesting because of their personality rather than because the they have unexpected superpowers? (That was why Martha was brilliant - when she saved the world it was all down to her grit and determination.)
Posted by Taliesin (# 14017) on
:
we didn't watch last night's episode because my ten year old was so frightened by 'Blink' (he was at a party last week) so can anyone advise if they're less scary now the rules have changed? I didn't think much of last week's episode but I was watching with a critical parental eye which might have warped things...
I don't know if watching it on i-player in daylight with lunch or something will be more effective at banishing residual nightmares than avoiding it altogether?
Posted by Ariel (# 58) on
:
quote:
Originally posted by Taliesin:
we didn't watch last night's episode because my ten year old was so frightened by 'Blink' (he was at a party last week) so can anyone advise if they're less scary now the rules have changed?
Probably not. There's the bit where Amy is left alone in the forest with her eyes shut, and has to make her way back through a horde of angels with the lights going on and off, and the bit where they chase the Doctor and his party through tunnels which keep going dark. Also the end where Amy grabs the Doctor and tries to get explicit may not be something you want a 10 year old to see.
It's vampires in Renaissance Italy next week, so another set of swift-moving fanged monsters coming up.
I agree what the Doctor needs is a male companion. I've sometimes thought there could be mileage in his having a really geeky one who's completely inept with girls, and lacking in social skills, but a genius for anything electronic. But really any kind of male companion would be good and a welcome change after a seemingly endless series of lovelorn females. Wilf was brilliant and so was Captain Jack.
Posted by M. (# 3291) on
:
SPOILERS
So it's All About Amy, just like it was All About Donna and All About Rose. And, looking at the trailer for next week, is Rory (is it?) the New Mickey?
I too hope that the bit at the end was something to do with timey-wimey stuff and not yet another companion falling for the Doctor (yawn). I agree with Ariel et al that we need a male companion.
I do like the relationship and mystery between the Doctor and River, though. And I agree, it does seem just a bit too obvious that it is the Doctor that River kills/killed in some timeline or other.
M.
Edited to Add - the bit in the forest with Amy having to keep her eyes shut and all the people with her disappearing was really scary, though.
[ 02. May 2010, 10:01: Message edited by: M. ]
Posted by Hugal (# 2734) on
:
I can't dissagree with much of what has already been said. If she were to have a night in bed before with The Doctor the night before her wedding she could then not get married. She would also be able to get out the village with The Doctor and travel in space and time for a bit. I don't think she is really in love with The Doctor. I do think it being 'all about Amy' is much more irritating than her hitting on The Doc.
I liked Donna. She was not that irritating, no more than any of the others and she had infinatly more empathy with those around her.
Posted by Schroedinger's cat (# 64) on
:
Amy was a kissogram, so I think she was just after a bit of snogging really. I don't think she fancies him specifically, but just misses the male action.
The angels being pre-occupied I didn't get at all. They are very fast, so they could have taken Amy with hardly a blink ( ha - did you see what I did there????? ). And they turned to stone when no living creature was looking at them, not just when they believed no-one was looking at them. It is not a choice to become stone, it is what they are. It goes back to the whole problem of them being statuesque when no people are looking at them - sure there are some other insects and wildlife looking at them always?
So I was unconvinced by aspects of this. And River suddenly whisking Amy out of the angels clutches at the last minute was also not practical. And why could the doctor not have broken the statues arm who had the Bishop? They are stone, and stone breaks, doesn't it? It weathers, clearly.
the all about Amy is far too reminiscent of Donna with a spider on her back. So I hope Stephen Moffat does something very substantially different with this.
Posted by Off Centre View (# 4254) on
:
Spoilers...
Did anyone notice that there were two Doctors in the forest of the treeborgs? A big point was made of the Doctor losing his jacket to the
weeping angels and then spending the rest of the episode without it.
However ... there's a bit when the jacket-less Doctor has decided to leave Amy in the care of the clerics in the forest, tells her to keep her eyes shut and then leaves with River and Octavian to go to the ship's flight deck. Then we see the Doctor wearing his jacket take Amy's hands and tell her to trust him, then leaves again.
Did anyone else notice that?
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Off Centre View:
Did anyone notice that there were two Doctors in the forest of the treeborgs?
I didn't at the time, but someone pointed it out on the Guardian comments page. Am going to rewatch on iplayer.
I don't think I do mind it being all about Amy. At least, if it turns out that the first episode was actually doing a lot of setting up that we didn't recognise.
It looks as if Amy's present is the 25th June 2010, (which by some remarkable coincidence is the day before the season final). There was some speculation about the timeline in episode one: whether the Doctor had jumped back fourteen years between regenerating and crashing in Amy's garden. I now wonder whether it was really just the Doctor's poor navigation that meant he thought he'd only been gone five minutes when years had passed for Amy (twice).
(As an aside, if episode one really happened two years ago, it would have happened at the start of season four, which means that the Atraxi should have destroyed Earth in Turn Left. But we've already made it clear that Amy's timeline doesn't have giant cybermen or dalek invasions.)
[ 02. May 2010, 15:42: Message edited by: Dafyd ]
Posted by frin (# 9) on
:
quote:
Originally posted by Dafyd:
Speculations:
My wild mass guess was that Amy was River and the Doctor's daughter but after this episode that would just be too squicky.
That's not beyond possibility. There were 2 kisses. The first was a chaste, almost parental kiss. The second was just wrong. The doctor thought it was just wrong and pulled away. The kisses could be part of setting up a revelation to come.
'frin
Posted by dorothea (# 4398) on
:
Off Centre View wrote:
quote:
Did anyone notice that there were two Doctors in the forest of the treeborgs? A big point was made of the Doctor losing his jacket to the
weeping angels and then spending the rest of the episode without it.
However ... there's a bit when the jacket-less Doctor has decided to leave Amy in the care of the clerics in the forest, tells her to keep her eyes shut and then leaves with River and Octavian to go to the ship's flight deck. Then we see the Doctor wearing his jacket take Amy's hands and tell her to trust him, then leaves again.
Or was it a continuity error?
J
Posted by Pious Pelican (# 13120) on
:
I don't think it was a continuity error. I think it was timey wimey stuff, possibly an appearance of the Doctor from the finale.
The other thing I noticed was that Amy's house may not be all it seems. In the closing scene, there's an exterior shot of the house which shows clearly that the only light on is in Amy's bedroom. However, in the scene inside the bedroom, there's clearly a light coming from the hallway. I suppose that could be continuity again, but there has been previous speculation about peculiar properties of the house.
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Off Centre View:
However ... there's a bit when the jacket-less Doctor has decided to leave Amy in the care of the clerics in the forest, tells her to keep her eyes shut and then leaves with River and Octavian to go to the ship's flight deck. Then we see the Doctor wearing his jacket take Amy's hands and tell her to trust him, then leaves again.
That actually scared me for a moment. Then the action continued, and I thought it was me not following the story carefully enough.
As nothing came of it, and that story concluded, I assumed that it was a continuity error - but you never know what 'unimportant' 'minor' detail will pop up in a later episode to poke you in the eye.
Posted by Off Centre View (# 4254) on
:
quote:
Originally posted by Roseofsharon:
quote:
Originally posted by Off Centre View:
However ... there's a bit when the jacket-less Doctor has decided to leave Amy in the care of the clerics in the forest, tells her to keep her eyes shut and then leaves with River and Octavian to go to the ship's flight deck. Then we see the Doctor wearing his jacket take Amy's hands and tell her to trust him, then leaves again.
That actually scared me for a moment. Then the action continued, and I thought it was me not following the story carefully enough.
As nothing came of it, and that story concluded, I assumed that it was a continuity error - but you never know what 'unimportant' 'minor' detail will pop up in a later episode to poke you in the eye.
I think it was far too well set up to be a continuity error, but shot in a way that you don't notice it immediately. I rewatched it on iplayer and found that he also had his sleeves rolled up, so it could not have been just a slip-up.
Is this something to do with the Doctor realising that he can rewrite time?
Since the Daleks have now been restored to their pre-Time War selves, could the same be done for the Time Lords? Is the Moff trying to undo everything from RTD's era - hence the mentioning of people not remembering stuff like the Daleks and the Cyberking?
Posted by Robert Armin (# 182) on
:
That would be a serious mistake. Some years ago now there was a hideous relaunch of the Legion of Superheroes (Chast will know what I mean even if no one else does), where time got changed and changed again in the first few episodes. As a result the reader never knew what had happened and what hadn't, and everything disintegrated in a confusing mess. The best series writing deals with what has happened in the past, even the bits you think are mistakes, and does something creative with it. (As when Claremont took over Spiderwoman. Again, Chast will know what I mean.)
Posted by Schroedinger's cat (# 64) on
:
I didn't notice that the two doctors were not the same, but I did think that the "you do trust me" doctor seemed to be wrong - he had already gone. Now that it is mentioned, I suspect that it is the Doctor from later.
One thing that struck me - The Doctor can get the Tardis back to the night before they left, within 5 minutes. So he can control it very accurately. Which means that the huge time gaps in the first episode were not just accidental.
My guess - the crack in the universe took away large chunks of Amys timeline, so the Doctor did return after 5 minutes or whatever, but Amy remembered it as far longer - the intervening years ere eaten by the crack in the wall.
Posted by dorothea (# 4398) on
:
In response to my previous post Pious Pelican wrote:
quote:
I don't think it was a continuity error. I think it was timey wimey stuff, possibly an appearance of the Doctor from the finale.
The other thing I noticed was that Amy's house may not be all it seems. In the closing scene, there's an exterior shot of the house which shows clearly that the only light on is in Amy's bedroom. However, in the scene inside the bedroom, there's clearly a light coming from the hallway. I suppose that could be continuity again, but there has been previous speculation about peculiar properties of the house.
It will be very interesting finding out. I hope it isn't a continuity issue. Reading people's ideas here makes me think maybe not; Cracks in time must be pretty major and Moffat (Dr Who Conf) seems pretty taken up with the idea.
J
[ 03. May 2010, 10:10: Message edited by: dorothea ]
Posted by M. (# 3291) on
:
Mr M. and I rewatched the 2 episodes over the long weekend (bank holiday here in Blighty) and a few things struck me:
SPOILERS SPOILERS
Firstly, I was a bit low key about it when I first saw it but it was a cracking story, tense and scary.
There is definitely something about the jacket as pointed out by Off Centre View. I didn't notice the jacket the first time round but I had thought it was an awkward scene - the Doctor, River & the Bish. had all left to get to main flight deck in a hurry, time was running out and then the Doctor comes back. Seemed odd. The Doctor coming from a different time makes more sense.
The emphasis on Amy remembering. I know the Doctor said that Amy remembered when the soldiers didn't was because she was a time traveller but that seemed a bit lame.
The emphasis on trust - the Bishop asks River if he can trust the Doctor, the Doctor tells Amy to trust him several times and then the Doctor asks River if he can trust her.
The fact that River has travelled in time.
And just what is it about the ducks?
I'm becoming more and more enamoured of this series.
M.
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by M.:
And just what is it about the ducks?
Ducks? I don't remember ducks?
Posted by Roseofsharon (# 9657) on
:
I have just read elsewhere:
SPOILER
*
*
*
*
*
*
*
*
*
In a later episode The Doctor learns how to land the Tardis silently and revisits the earlier episodes, in this one, for example, to tell Amy to trust him.
I'm now going to have to watch the earlier episodes again to look out for other anomalies. (I have been given a couple of clues as to what to look for)
Posted by Matt Black (# 2210) on
:
Liked it a lot, save for the last five minutes which were just WRONG!
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Roseofsharon:
quote:
Originally posted by M.:
And just what is it about the ducks?
Ducks? I don't remember ducks?
That is what it is about the ducks.
The Doctor is bothered - in both this episode and in episode one - that Amy's village duckpond did not have any ducks in it.
Posted by Gill H (# 68) on
:
The last five minutes prompted a lot of eye-rolling from me. But ... thank goodness, the Doctor appeared absolutely horrified.
I don't think this means there will be Twue Wuv between Amy and the Doctor (please no...) I think she's desperate to avoid getting married, and throwing herself at him was part of that desperation. She said herself that she wasn't thinking long-term.
Oh, for the good old days, when platonic relationships were the norm in the Tardis. Let's face it, the Doctor spent plenty of time with Leela, who would be temptation enough for many!
Posted by Adeodatus (# 4992) on
:
Goodness me, that Amy's a minx!
But I thoroughly enjoyed Saturday's episode, which certainly kept up the momentum and quality of Time of Angels. The resolution was nicely set up within the opening scene, the dialogue was great and there was some really good acting from Smith, Gillan, Kingston and Glen.
As a set-up for the rest of the series ... well, theories abound but for me it'll just be fun watching it all work out. I think Moffat is quite deliberately appealing to the "intelligent viewer": some of the concepts he's using, and his setting-up of possible story arcs, really mean you have to watch, listen and think.
Posted by Wayfaring Stranger (# 15081) on
:
Surprised no-one's mentioned this, but ...
Having rather resigned myself to the idea that Father Octavian would turn out to be serving some evil Magisterium which had sent him to this planet to seize the Angel as a weapon to abuse children with ... ... I was rather pleasantly surprised by the entirely noble and self-sacrificing fate he was given, and his blessing to the Doctor, which was played entirely straight.
Posted by The Exegesis Fairy (# 9588) on
:
I was quite pleased by that myself, Wayfaring Stranger.
It was quite a sweet moment, really.
Posted by ken (# 2460) on
:
quote:
Originally posted by Robert Armin:
As a result the reader never knew what had happened and what hadn't, and everything disintegrated in a confusing mess.
That began to happen as early as the Hartnell era of Doctor Who. The Daleks who invaded Earth were no t at all the same as the ones who had been on Skaro inthe second story. By the last series Troughton was in (forty years ago!) all regular continuity was blown out of the window.
We're dealing with a species of shape-shifting aliens who pretend to be human, change their appearance regularly, repeatedly lie to us (and to each other and top everybody else) about their origins, purpose,and powers; have often used time travel to deliberately change their own past as well as that of their enemies; have been involved in more than one galactic-scale war against other time travelers who also change their past; and have (to our certain knowledge) spawned at LEAST six renegade individuals or factions who used time travel to meddle in the affairs of other species in this universe and in other alternates.
So no, there are no continuity errors. There can't be because there is no continuity...
Always remember: Cybermen and Daleks are human - Gallifreyans aren't!
Posted by Edward Green (# 46) on
:
quote:
Originally posted by ken:
Always remember: Cybermen and Daleks are human - Gallifreyans aren't!
My theory is that they are, or descendants of Time Travelling Humans who reboot themselves into the early history of the Universe, spawning all the pre-human, humanoid species.
Which is why the Universes Timelines are so shot!
Posted by Off Centre View (# 4254) on
:
quote:
Originally posted by Wayfaring Stranger:
Surprised no-one's mentioned this, but ...
Having rather resigned myself to the idea that Father Octavian would turn out to be serving some evil Magisterium which had sent him to this planet to seize the Angel as a weapon to abuse children with ... ... I was rather pleasantly surprised by the entirely noble and self-sacrificing fate he was given, and his blessing to the Doctor, which was played entirely straight.
I completely agree - and there were some hints in the first part about Octavian keeping secrets from the Doctor about River that made him seem very sinister. Then in the second half nearly everything was (half) explained and he came across as completely honourable, even talking about God in a way without coming across like a religious nutter in the process!
Posted by Zappa (# 8433) on
:
quote:
Originally posted by ken:
So no, there are no continuity errors. There can't be because there is no continuity...
Story of my life.
Posted by Pious Pelican (# 13120) on
:
quote:
Originally posted by Off Centre View:
Since the Daleks have now been restored to their pre-Time War selves, could the same be done for the Time Lords? Is the Moff trying to undo everything from RTD's era - hence the mentioning of people not remembering stuff like the Daleks and the Cyberking?
I think Moffat has stated in an interview that he always hated episodes with endless Time Lord councils when he was young, so I'm guessing not. I am prepared to be proved wrong when Amy turns out to be the Rani or some such nonsense.
I doubt he is planning to rewrite all of the continuity, as that would mean erasing all of the RTD era, including the companions. I think the deal with the Daleks is that they wanted to bring them back permanently so they don't have to keep having naff plot devices to magic up a few Daleks escaping from the Time War every series.
My hope is that the crack and Amy not remembering stuff are somehow consequences of the Doctor going slightly evil in the Waters of Mars.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Wayfaring Stranger:
Surprised no-one's mentioned this, but ...
Having rather resigned myself to the idea that Father Octavian would turn out to be serving some evil Magisterium which had sent him to this planet to seize the Angel as a weapon to abuse children with ... ... I was rather pleasantly surprised by the entirely noble and self-sacrificing fate he was given, and his blessing to the Doctor, which was played entirely straight.
"Noble" was exactly what I thought too, especially his last comment to the Doctor - "Sir, I think you see me at my best"
Posted by Doc Tor (# 9748) on
:
quote:
Originally posted by Sparrow:
quote:
Originally posted by Wayfaring Stranger:
Surprised no-one's mentioned this, but ...
Having rather resigned myself to the idea that Father Octavian would turn out to be serving some evil Magisterium which had sent him to this planet to seize the Angel as a weapon to abuse children with ... ... I was rather pleasantly surprised by the entirely noble and self-sacrificing fate he was given, and his blessing to the Doctor, which was played entirely straight.
"Noble" was exactly what I thought too, especially his last comment to the Doctor - "Sir, I think you see me at my best"
I'd been prewarned of this by Paul Cornell himself - it was indeed magnificent as it played out.
Posted by Gill H (# 68) on
:
Ian Glen is a Shakespearean actor, and it showed. And I mean that as a compliment.
Posted by dorothea (# 4398) on
:
Ken wrote: [QUOTE So no, there are no continuity errors.] [/QUOTE]
but is there a sanity clause??
J?
Posted by Panda (# 2951) on
:
I wonder if Amy's non-remembering of the Daleks means that her timeline is one without the Cybermen v. Daleks at Canary Wharf, Titanic, the Master taking over everyone's face etc. This way her timeline can actually be ours, and easier for us to relate to, whereas with the Christmas specials and all the rest of the hoo-ha, that timeline is now so far in the realm of science fiction it's getting difficult to keep up with.
This makes things much easier for all the writers!
Posted by Jahlove (# 10290) on
:
Keeps returning to my mind that the Ood's continual refrain was *your song is ending* - have they taken syntax lessons from Yoda, I wonder and thus *your ending is Song*?
Posted by Jahlove (# 10290) on
:
Venetian Vampiric Dental Fashion, very
Don't Look Nowsferatu
Daylight?? Reflections??? hmm - gonna have to watch that again; didn't catch a lot of it - tho' I think someone's been reading Tim Powers' *The Stress of Her Regard* which has shapeshifting reptile§/stone statue/humanoid vampires who also have Venice as one of their strongholds.
§ tho' these guys' alt.shape looks more like crayfish!
Posted by Jay-Emm (# 11411) on
:
I liked the 'library card', nice to acknowledge Dr Who having a past (while also not going to the other extreme).
Hope they can get the 2 companions working well..please (not a bad start).
Only question really is them being 'much worse than vampires', given he needed to use a 10 story stake (and bad special effects) to kill one in e-space and they were meant to be the Time Lords nightmares. His reaction didn't really fit (but who cares).
Posted by Quinine (# 1668) on
:
quote:
Originally posted by Jahlove:
Venetian Vampiric Dental Fashion, very
Don't Look Nowsferatu
You're fired
Posted by Wesley J (# 6075) on
:
That was a very silly ep. But then I can't stand constume dramas. Next week's seems better, dream vs reality. Ah well.
Posted by Dormouse (# 5954) on
:
I'm a very uncritical viewer. As usual, I loved it!
Posted by M. (# 3291) on
:
I'm sure gondolas would have had little cabins on at that date.
SPOILERS
I enjoyed it too - vampires turning into fish people from outer space! What's not to like?
M.
Posted by Robert Armin (# 182) on
:
I thought this one was better. Liked Rory, and hope he stays around longer than Amy. But there was an ethical dilemma that seemed not to worry the Doctor at all - save a city and kill a race. Will this come back to ahunt him? (I really hope not, but I suspect it will.) Anyway, I think things are finally looking up.
Posted by fletcher christian (# 13919) on
:
Don't normally watch Doc Who, but caught this episode. Was a bit hammy... is it always like that?
Bits of Venice looked like they had been designed by William Burgess
Posted by wilson (# 37) on
:
Did anyone else not really believe that kiss?
Rory has spent the whole episode (whole season really) being the stereotypical safe, solid, slightly drippy boyfriend who contrasts with the exciting, intelligent, witty, exotic Doctor - who she leaves to travel with on the night before her wedding, and tries to snog (and probably more).
Then there are jokes about him being a eunuch and more like a brother than a fiance.
Finally we have a slapstick sword-fight in which yes he's defending her, but during which she shouts instructions ("hit him", "bring him this way") and looks exasperated when he uses the wrong end of the broom, and in which she has to save him in the end. At the end of all this she calls him a numpty for making the sign of the cross and then kisses him.
Where did this sudden swell of sexual attraction come from? It's like they want us to believe that they are again a viable couple but I don't see it in what they've actually shown us between the two of them.
Posted by tessaB (# 8533) on
:
quote:
Originally posted by Robert Armin:
I thought this one was better. Liked Rory, and hope he stays around longer than Amy. But there was an ethical dilemma that seemed not to worry the Doctor at all - save a city and kill a race. Will this come back to ahunt him? (I really hope not, but I suspect it will.) Anyway, I think things are finally looking up.
I think it did worry him, after all he tried to stop 'mother' throwing herself into the water with her perception filter still on. I agree it wasn't spelt out but I think he would have tried to help if there had been any humanity (?) personhood (?) from her. It really bothered the doctor that she didn't even know Isabella's name. That is pure Doctor Who.
Posted by Dafyd (# 5549) on
:
I agree with TessaB. I think the Doctor would have been more sympathetic if she'd shown a bit more compunction about what she was doing.
By the way, I think Matt Smith's acting is really good. I noticed last week while the Doctor was talking Amy through the forest that his body language was doing a really good job of 'calm and upbeat on the surface (but scared stiff for her underneath)'.
[ 09. May 2010, 15:55: Message edited by: Dafyd ]
Posted by wilson (# 37) on
:
quote:
Originally posted by Robert Armin:
But there was an ethical dilemma that seemed not to worry the Doctor at all - save a city and kill a race.
He's not "killing" a race though is he? The aliens would presumably live out their lives in the waters of Venice and die out naturally, not being able to reproduce. Sad, but hardly the Doctor's fault and certainly not the same as him killing them.
Posted by Matt Black (# 2210) on
:
Liked it on balance. 'Venice' was largely Trogir in Croatia, hence the partly unfamiliar look to it.
Posted by Edward Green (# 46) on
:
Overall a fun episode.
Zooming into the keyhole - no cracks this time, I really thought there was going to be a crack in Tardis, or the keyhole would be crack shaped.
Although some clouds were crack shaped I read.
Love the meta-plot.
Posted by fletcher christian (# 13919) on
:
Matt, I actually thought it was
this
At least, the bedroom with its gilded walls and colourful ceiling looked very like it (even if the wiki photo is crap)
Posted by fletcher christian (# 13919) on
:
here's a rather better image of it
Posted by fluff (# 12871) on
:
I did enjoy that episode - as I am generally enjoying this series.
I thought I did recognize some of the chickens from "The Shakespeare Code" - so - nice to see a bit continuity there.
Posted by Gill H (# 68) on
:
Yep, the inside was Castell Coch. I loved those rooms as a child and recognised the decor instantly.
I loved the sumptous look of it. The story was rather run of the mill (or even run of The Mill...) but it was fun.
Not sure about Rory. It felt like we were back with 'Mickey the Tin Dog' again. Doctor and companion being all smug and having fun together, and boyfriend trying to catch up. But Rory has a bit more spark about him than Mickey did at that point, so maybe he will grow on me.
Posted by Matt Black (# 2210) on
:
quote:
Originally posted by fletcher christian:
Matt, I actually thought it was
this
At least, the bedroom with its gilded walls and colourful ceiling looked very like it (even if the wiki photo is crap)
I think you're right re the interior shot but a lot of the outside scenes, in particular the first view of the waterfront with the woman with the goat, were a combo of Venice and Trogir according to Confidential.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Gill H:
Rory has a bit more spark about him than Mickey did at that point, so maybe he will grow on me.
I liked the bit where he rounded on the Doctor and accused him of putting his companions' lives in danger . . . "you make them want to not let you down, they want to impress you"
Posted by Adeodatus (# 4992) on
:
I thoroughly enjoyed Vampires of Venice. Script good, acting good, look great. It wasn't terribly scary, I thought, but then there's only so much vampirism you can get away with at 6 o'clock on a Saturday evening.
I especially liked Helen McCrory as the Signora. Her scenes with Matt Smith were very nicely played, and I liked his comeback when she offered him a "partnership" - "I'm a Time Lord, you're a big fish ... think of the children!"
But what really wanted to know was, what happened to Lucy, left outside the pub in Leadworth in her bikini? I do hope she was all right. (That scene, with the Doctor emerging from the cake, was hilarious!)
quote:
Originally posted by fletcher christian:
Don't normally watch Doc Who, but caught this episode. Was a bit hammy... is it always like that?
The problem and the wonder of Dr Who is that it deals with the far-out-of-the-ordinary, so neither the acting nor the scripts tend to be low-key or naturalistic. Even the main character, the Doctor, is a 900+ year old alien, currently inhabiting his eleventh body. How is any actor supposed to play that? Tom Baker once said he thought about this for a long time before deciding the best thing to do was to play the Doctor as Tom Baker (which many people would say is quite alien enough!). Matt Smith seems to be following pretty much the same line (judging from Matt's personality as shown in interviews) but adding a few mannerisms that communicate a sort of discomfort with humans and their social conventions.
The companions don't have an easy job, either. I think it was Louise Jameson (Leela) who once said that there are only so many ways an actress can say "What's happening, Doctor?"
So yes, it's often a bit hammy (but watch out for the rare, magnificent moments when it's genuinely moving). It's over-the-top, glitzy, outrageous and enormous fun. Enjoy.
Posted by Hugal (# 2734) on
:
As mentioned the Doctor did not kill of the race. The mother killing her self meant that they could not reproduce so they would die out. Didn't the alien fish want to take over the whole planet and get rid of the humans? In which case the Doctor was saving one race at the expense of another. A clear choice.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Hugal:
Didn't the alien fish want to take over the whole planet and get rid of the humans?
She said she only wanted one city, so not the whole human race.
I suppose it's just about possible that the Doctor would have let her get away with it if she'd bothered to learn the names of everyone she was going to drown (and if it wouldn't have messed up the space-time continuum).
Posted by Schroedinger's cat (# 64) on
:
I think the fact that she didn't know the name of her victim was an indication - to the doctor at least - that she didn't really care about humans as anything other than a means to reproduction. That meant that letting them continue would probably have resulted in them taking over the world, whatever their initial intentions were.
And while he didn't kill them, he did doom them. I am not sure how different that is really. But it doesn't answer why ( yukiness apart ) the queen could not have mated with some of her own sons to produce more offspring? Why the elaborate metamorphasis had to happen at all? Why the few girls they already had were not enough? OK, it is a long and slow process, but a few girls is all that is needed. In fact, one, but a number would provide failsafes.
Posted by Gill H (# 68) on
:
quote:
Originally posted by Schroedinger's cat:
I think the fact that she didn't know the name of her victim was an indication - to the doctor at least - that she didn't really care about humans as anything other than a means to reproduction.
And an indication to me that the Doctor seems to have got over his God complex to some extent. It was very much a feature of both the 9th and 10th Doctor that he bothered to learn people's names and cared about ordinary people. So when he started blathering on about 'the little people' in Waters of Mars it was an indication of just how dangerous his hubris had become.
He still wasn't quite over it by Tennant's last episode. I remember wincing when he didn't bother remembering the names of the 'cactus people'.
So I think making a point of it now is deliberate.
Posted by Hugal (# 2734) on
:
quote:
Originally posted by Dafyd:
quote:
Originally posted by Hugal:
Didn't the alien fish want to take over the whole planet and get rid of the humans?
She said she only wanted one city, so not the whole human race.
Yep you are right DI stand correted. Still though, it starts in with Venice. She didn't strike me as the kind of character who would be happy with just one city when there is a whole world out there to be populated, and of course eaten.
[ 12. May 2010, 11:44: Message edited by: Hugal ]
Posted by Hugal (# 2734) on
:
Sorry for the double post. I missed the edit window. It should read Dafyd I not DI.
Posted by rufiki (# 11165) on
:
Isn't there a bigger issue than the species vs city choice? The fish-aliens arrived on Earth through a crack in space-time. They weren't supposed to be there. If they'd carried out their plan, it would have altered Earth history. And we all know what the Doctor thinks about changing history.
Posted by Ariel (# 58) on
:
Interesting, amusing episode, even slightly creepy in places. I liked the metaphysical twist - this was a bit more thought-provoking than other recent episodes. One of the better episodes in this series.
Unfortunately, Amy's still in it, but you can't have everything.
Posted by tessaB (# 8533) on
:
Very creepy. Particularly when we find out exactly who the Dream Lord is.
I do find anything to do with dreams and reality quite interesting and potentially scary. How do we know what is dream and what is real life, when we dream we sometimes know it is a dream but sometimes it can feel so true that even on waking we can be confused.
Posted by leo (# 1458) on
:
Greatly enjoyed it - When is a dream not a dream? AS Level philosophy stuff.
I also think the current doctor is one of the best.
Posted by Wesley J (# 6075) on
:
Excellent stuff this week. Liked it very much indeed. Next week should be good as well.
I wonder if we'll now see in some of the more decrepit housing estates an increase in attacks on eldery peeps by yobs in Volkswagen camper vans?
Posted by Jahlove (# 10290) on
:
OTOH it may also inspire the old folks to fight back with lawnmowers and other garden implements.
Liked the Dreamlord very much even tho' he didn't finish the limerick.
Slightly bemused that no-one was sporting the Big Pointy Teef this week - I thought it was a running motif like Bad Wolf.
So glad Rory cut off that ghastly pony-tail
Posted by Matt Black (# 2210) on
:
Very PoMo; loved it.
Posted by Dafyd (# 5549) on
:
It was always pretty obvious that the future village wasn't real.
Is it me or was the Doctor's dark side not all that dark actually? There wasn't ever any real risk of actual death (well, I suppose they'd have died of thirst eventually...) and the end result was that Amy realises that she loves the man she's marrying really. More of a Jungian dark side bringing out things that people had been keeping in their subconscious than a true evil side.
Posted by Jahlove (# 10290) on
:
hmm, well the Dreamlord's idea of a fun joke, albeit his humour was somewhat testy and sarcastic, was that you end up dead if you make the wrong choice if you're not clever - or lucky - enough to figure out the truth while under assault from competing delusions, any of which were fairly plausible. And he didn't seem too bothered about it. Evil? Maybe not, more like callous.
Posted by Gill H (# 68) on
:
quote:
Originally posted by Dafyd:
It was always pretty obvious that the future village wasn't real.
The street with the butcher is - my parents live there!
Posted by M. (# 3291) on
:
I seem to be going against the trend, I thought it was weak and didn't like it at all.
M.
Edited to add: though I do think Matt Smith is turning out to be a fantastic Doctor.
[ 16. May 2010, 10:19: Message edited by: M. ]
Posted by Gill H (# 68) on
:
I quite liked it, but didn't think it was as creepy as it should have been. The Dream Lord was great (if a bit too 'Q' perhaps!) but the explanation was a bit meh...
... unless of course, that reflection at the end means there is more to it.
Remember what a good job Moffat did with 'Jekyll' - he could be revisiting that territory perhaps?
Posted by Ariel (# 58) on
:
quote:
Originally posted by Gill H:
The Dream Lord was great (if a bit too 'Q' perhaps!) but the explanation was a bit meh...
... unless of course, that reflection at the end means there is more to it.
I could be wrong. But wasn't the laugh at the end actually from "off-stage"? Maybe I just read too much into it, but seemed that way to me, with the Doctor looking round quickly, surprised and slightly nervous.
It struck me as a very Peter Davison sort of episode. Like Castrovalva, Enlightenment and a couple of others whose names I can't remember, but where they primarily played with thought-provoking ideas.
I'll be interested to see if in a future episode the Doctor gets stuck in Groundhog Day.
Posted by The Exegesis Fairy (# 9588) on
:
I LOVED that episode. In the 'Matt Smith really won me over in it' kind of way. It was, I thought, an episode that played to his...essential Doctorness... that's not quite what I mean.
But I thought I saw him inhabiting the role, and he had me believing him in it consistently.
Have you ever had a dream, Neo, that felt so real...what if you were unable to wake from that dream?
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Jahlove:
hmm, well the Dreamlord's idea of a fun joke, albeit his humour was somewhat testy and sarcastic, was that you end up dead if you make the wrong choice if you're not clever - or lucky - enough to figure out the truth while under assault from competing delusions, any of which were fairly plausible. And he didn't seem too bothered about it. Evil? Maybe not, more like callous.
The bit about actually ending up dead was untrue. The two scenarios in which they were actually in danger were both unreal; they weren't in any real danger in reality.
The Matt Smith Doctor is outwardly more insecure and less convinced of his own cleverness than the David Tennant Doctor was. Even so I'm pretty sure that underneath it all every side of the Doctor thinks that the Doctor is very clever indeed.
I'm not saying that the Dreamlord was nice. Or even not cruel. He was enjoying scaring his victims. But I think when it came down to it, he wasn't actually going to do anything more than that. I suppose: there are some things that the Doctor would never do, and the Dreamlord, being part of the Doctor, would never do them either.
Posted by Balaam (# 4543) on
:
quote:
Originally posted by The Exegesis Fairy:
Have you ever had a dream, Neo, that felt so real...what if you were unable to wake from that dream?
At fist I thought the ending was weak, all they had to do was nothing and they die in both 'realities.'
The danger of choosing one dream over the other is that they get stuck in that dream, so in that way Amy's choice was always going to be the wrong one.
Though Amy is starting to grow on me. I like the subdued way that Karen Gillan acted in Rory's death scene, very quiet and still.
Next week drilling into the Earth. Where have I seen that before? (Two word clue: John and Pertwee.)
Posted by Adeodatus (# 4992) on
:
Now that was good. That was very good. A pacy, clever script with torrents of quotable one-liners, a superbly crafted "villain" and some fantastic performances by the regulars. I thought Rory's death scene was particularly good - Amy's chillingly understated grief/rage/despair, and the Doctor's complete inability to comfort her.
Was this the season's "cheap" episode (as Midnight was a couple of years ago)? I'm pretty sure there were only two speaking parts apart from the regulars, and very little studio filming apart from the TARDIS scenes.
It would be great to see the Dream Lord again, but I can't see how they'd do it without another dream story (except there might be something in that fleeting reflection the Doctor saw in the TARDIS console...). And yes, Matt Smith is a brilliant Doctor. Yes.
Posted by Matt Black (# 2210) on
:
quote:
Originally posted by Balaam:
[QUOTE]Originally posted by The Exegesis Fairy:
[qb]
Next week drilling into the Earth. Where have I seen that before? (Two word clue: John and Pertwee.)
Yeah, I was thinking Inferno too.
Posted by wilson (# 37) on
:
I too was reminded of Midnight - cheap-to-make, ideas-based rather than relying on special effects - although I think this wasn't quite that good. It was ok.
The best thing about the episode to me was Toby Jones, but then he's excellent in everything he's in.
I still feel like I can't see why Amy loves Rory, even though she quite clearly does. Most of their interaction seems to be little put-downs and jokes at his expense.
As for how 'dark' the Dream Lord is, given that he nevers put them in any real danger - well he only exists because of the psychic pollen, and only within their minds - albeit in a shared dream-state. He has no influence on the real world. So no matter how dark he was he could never put them in any real danger.
Posted by Mr Clingford (# 7961) on
:
A good character-driven episode.
Where was that castle?
Posted by Lord Jestocost (# 12909) on
:
Skenfrith, I believe.
Posted by ken (# 2460) on
:
quote:
Originally posted by Ariel:
It struck me as a very Peter Davison sort of episode.
Older than that I think. This a real return to the roots. The sort of story that they were writing at the end of Hartnell's tenancy or when Troughton was doing it.
([Wonders] how old is Moffat? Who wrote this episode... [Checks online] He as born in 1961 so the chances are that he'll have seen some of the Hartnell episodes from behind the sofa but his regular Who-watching probably kicked off with Troughton who would have been there from when Moffat was 5 or 6 to when he was 9 or 10. And this one was written by Simon Nye, born in 1958. So Hartnell and Troughton era are likely to be definitive for him too)
The whole "Groundhog Day" thing, being stuck in a pocket universe, was used more than once back then - for example in "The Edge of Destruction" (cast members stuck in the Tardis and hallucinating) and two of the best ever stories: "The Celestial Toymaker" (Tardis trapped pocket universe existing in the mind of said toymaker, Doctor and companions must win games to survive) and "The Wargames" (renegade time-lords steal soldiers from odd bits of history) By the standards of the time that was a big-budget story but it was set in a little artifical universe in a sort of time-loop.
Posted by Gill H (# 68) on
:
I was reminded of 'The Mind Robber' myself. (Troughton episode set in a place full of fictional creations.)
And of course, the Library episodes from recent years, with their (supposedly) perfect lives.
Posted by Rev per Minute (# 69) on
:
quote:
Originally posted by Lord Jestocost:
Skenfrith, I believe.
As was much of the village, unsurprisingly. The butchers' shop was, as Gill has said, somewhat further south-west and was also the stting for (IIRC) 'The Temptation of Sarah Jane' in 'The Sarah Jane Adventures'
Posted by Mr Clingford (# 7961) on
:
Thanks, Lord J.
It seems that there are 2 other castles nearby, but the circular walk that links them is 19 miles, so a little out of my range at the moment. Something for the summer.
Posted by Gill H (# 68) on
:
I have noticed they are playing on Matt Smith's youthful appearance by including Peter Pan references here and there. I noticed a few remarks from Rory about 'not growing up'. And the Doctor's habit of popping in and out of Amy's life.
Plus, she went flying in her nightie!
Hmmm ... now could we have a Captain Hook-style baddie please? That would be fun.
Posted by Eigon (# 4917) on
:
I thought I recognised the castle!
Skenfrith, Grosmont and White Castle were originally a linked defence against the perfidious Welsh.
Grosmont is a gorgeous little castle, a sort of holiday cottage for Queen Eleanor of Provence, and there's a rather nice pub called the Angel in the village, too.
Posted by Robert Armin (# 182) on
:
quote:
Originally posted by Gill H:
I was reminded of 'The Mind Robber' myself. (Troughton episode set in a place full of fictional creations.)
I was rather hoping it was going to be the Mind Robber. As it was I found the explanation rather dull (some things we've never heard of fell into a part of the Tardis we've never heard of). This series still hasn't caught fire for me.
Posted by The Revolutionist (# 4578) on
:
quote:
Originally posted by Robert Armin:
quote:
Originally posted by Gill H:
I was reminded of 'The Mind Robber' myself. (Troughton episode set in a place full of fictional creations.)
I was rather hoping it was going to be the Mind Robber. As it was I found the explanation rather dull (some things we've never heard of fell into a part of the Tardis we've never heard of). This series still hasn't caught fire for me.
Ah, but the explanation that the Dream Lord was the Doctor's dark side was far from dull!
I really liked this episode. Funny, creepy and a little bit mind-bending - and pivotal to the ongoing story of the relationships between Amy, Rory and the Doctor.
Posted by Dafyd (# 5549) on
:
The greatest unanswered question though: does the real tardis have an emergency generator that consists of an egg whisk and a corkscrew?
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Dafyd:
The greatest unanswered question though: does the real tardis have an emergency generator that consists of an egg whisk and a corkscrew?
I just loved that!
Posted by Lola (# 627) on
:
quote:
Originally posted by The Revolutionist:
quote:
Originally posted by Robert Armin:
quote:
Originally posted by Gill H:
I was reminded of 'The Mind Robber' myself. (Troughton episode set in a place full of fictional creations.)
I was rather hoping it was going to be the Mind Robber. As it was I found the explanation rather dull (some things we've never heard of fell into a part of the Tardis we've never heard of). This series still hasn't caught fire for me.
Ah, but the explanation that the Dream Lord was the Doctor's dark side was far from dull!
Yes - and the Doctor said he'd worked it out because there was only one person that hated him as much.
Posted by Robert Armin (# 182) on
:
Today I'm getting in early - but otherwise I'm staying the same. Today's epsidoe was very deeply dull, and I think the BBC is starting to realise they have a problem. The "reviews" in the Radio Times seem to be to have an increasingly desperate note. Every week they rave about the new Doctor; today they said: "does anyone not like Matt Smith? The guy's brilliant." To my mind the most that can be said is that, for many people, the jury is still out.
Posted by Wesley J (# 6075) on
:
Bloody 'ell - it's a two-parter! I hate when that happens. They could've warned us. Not too uninteresting though. To be continued next week...
Posted by Auntie Doris (# 9433) on
:
quote:
Originally posted by Robert Armin:
Today I'm getting in early - but otherwise I'm staying the same. Today's epsidoe was very deeply dull, and I think the BBC is starting to realise they have a problem. The "reviews" in the Radio Times seem to be to have an increasingly desperate note. Every week they rave about the new Doctor; today they said: "does anyone not like Matt Smith? The guy's brilliant." To my mind the most that can be said is that, for many people, the jury is still out.
I have to admit that I am a bit meh about Matt Smith. I find him quite annoying and think he completely overacts. Admittedly I loved David Tennant which doesn't help me in loving the new Dr!
Auntie Doris x
[ 22. May 2010, 21:32: Message edited by: Auntie Doris ]
Posted by Dafyd (# 5549) on
:
Episode: so far, so good. However, apart from future Amy and Rory on a hillside, nothing to trigger wild mass guessing.
I suppose the big question is whether the Doctor is going to live up to his promises to save everyone? He's not doing well enough to inspire confidence right now. On the other hand, the Silurian invasion force was more not showing itself in the dark scary than formidably dangerous scary.
I feel the cliff hanger was a bit mishandled. There's no immediate 'how are they going to get out of that then' or 'what's going on?' question. If they'd cut on the knife-wielder advancing on Amy, maybe, but it's clear that whatever he or she is doing is survivable.
Pedant point: Homo reptilia!? Homo is the name of the genus containing human beings, within the superfamily Hominoidea, within the order Primates and the class Mammalia. If they're Homo reptilia then they're mammals and apes, which is precisely what they're not. Mind you, the silurian warrior clearly had breasts so maybe she's a mammal after all.
Posted by Wesley J (# 6075) on
:
Maybe they're just... bumps? Amazing however she speaks English. Albeit, I thought, with perhaps a slight Irish accent? Which, again, might explain her green-ness.
Posted by Stranger in a strange land (# 11922) on
:
I must admit that I felt the Silurian's evolutionary path had taken a massive turn for the better in the last 40 years!
Posted by Ariel (# 58) on
:
As with last week they seem to be recycling old plotlines and this episode has been just as predictable as last week. No real surprises here and an easy to guess ending. But OK really.
Meera Syal was very good. (So much so that I thought she showed up Matt and Amy.)
Posted by angelica37 (# 8478) on
:
Homo reptilia could be a possibility I suppose, maybe they wanted the dead bodies for a bit of genetic engineering?
Posted by Gill H (# 68) on
:
I loved the little boy - great actor.
Shame Meera Syal can't be a full time companion, she'd be wonderful.
Didn't feel strongly about this one, and was quite surprised at the non-cliffhanger-ending.
Posted by Ariel (# 58) on
:
quote:
Originally posted by angelica37:
Homo reptilia could be a possibility I suppose, maybe they wanted the dead bodies for a bit of genetic engineering?
Now that you mention it I remember thinking at the time that graves that eat people was a splendid idea for a plotline that could have been developed much more than it was.
Well, perhaps it will be in Part 2. The Silurians may have a race of zombies under their control, Rory and Amy and the Welsh chap might become zombies which the Doctor will have to reverse. Knowing the way this series works, this will probably be achieved by feeding them dinners from the Meals on Wheels van as an antidote.
Posted by dj_ordinaire (# 4643) on
:
That was... nearly there but not quite, I'd say. Some good concepts, so nice acting, and it seems I'm not alone in thinking Meera Syal is fantastic. But not overall a particularly exciting episode and I'm starting to wonder about Matt Smith again.
Posted by tessaB (# 8533) on
:
I know I am very easily pleased but I loved it! Graves that eat people!!! The earth coming alive and fighting back!!! Reptile people!!! Very clever little boy who cannot read!!! Entire civilisation under the ground!!! Wow, what is not to love?
Ok, putting aside my over punctuation, the down points were - Matt Smith talks too blooming fast. I'm not yet fifty and I have trouble keeping up with him. Amy does not take enough care of her boyfriend. It annoys me a little when I see her running after the Doctor and just assuming poor whats-his-name will tag on behind. (Although I warmed muchly to her after the 'are you shushing me?' line. The Doctor seems to spend a lot of time telling people very very sincerely that he will save the day, getting a bit yawn.
Waiting to see how the Doctor makes it all alright again, I wonder will the boy play a role?
Posted by Matt Black (# 2210) on
:
I liked it - good threat, characters etc - except I did wince when Matt Smith asked "Am I mad?" That was the worst bit for me - wholly not necessary
Posted by Adeodatus (# 4992) on
:
I liked this week's episode, lots. Okay, it was mostly set-up for next week, but there were some great ideas, a good solid plot, good characters, and some really nice moments.
I'm one of those that think Matt Smith is utterly brilliant. His apparent occasional overacting is only a veneer on a very subtle performance. Watch him. Every gesture, every line is perfectly judged for who this Doctor is - it's a remarkably complete characteristaion.
Two of the best Matt moments this week were his last-of-the-Time-Lords references. First, when he was talking with Elliot about living in a city, and Elliot asks, "Do you miss it?" There's just the right hesitation, just the right flicker in the eye, and then that killer line, "So much," is delivered perfectly.
Later, in his conversation with the Silurian, look at the expression on his face when she says she's the last of her species. And again the perfect delivery, ending on a note of real threat, as he says, "I'm the last of my species, and I know how that sits in a heart. So don't insult me."
Okay, the cliffhanger wasn't great. Old-school Who would have ended on the Silurian doctor and his scalpel. There's lots of unresolved stuff, but that's what next week is for. (It occurred to me, for instance, that it would be lovely if there was a hidden agenda behind the drilling. But maybe not.)
Like I say, I liked it.
Posted by Matt Black (# 2210) on
:
Yep, loved the interrogation scene - almost Bond-villain in its menace.
Posted by Pine Marten (# 11068) on
:
quote:
Originally posted by tessaB:
Matt Smith talks too blooming fast. I'm not yet fifty and I have trouble keeping up with him.
Yes! This is the one criticism I have of Matt. I am - erm - over fifty, and can't always follow him. Otherwise I think he is brilliant. I was wary of such a young Doctor at first, but his 'young fogey'-ness, his mannerisms, even the leather elbow patches on his jacket are all completely wonderful. David Tennant's gurning irritated me in the end. Matt's arrival was not a moment too soon.
Posted by Rev per Minute (# 69) on
:
After four series stealing merrily from Buffy, it seems that BBC Wales are now stealing from Star Trek. Bloke gets caught by Silurian forked tongue that then appears to infect him and turn him into a Silurian (spreading green veins) - Borg, anyone?
I thought it was good for a first part of two: it cracked along nicely, even though the ending was badly handled. Plenty of threat left in part 2.
Posted by Mr Clingford (# 7961) on
:
quote:
Originally posted by Pine Marten:
David Tennant's gurning irritated me in the end. Matt's arrival was not a moment too soon.
Yes, yes, yes. Not only that but DT's habit of ending words with 'Aa' e.g. 'Alrightaa'. It irritated me somewhat.
To my surprise Matt Smith is indeed good. It helps that women aren't swooning over him too.
Posted by Loveheart (# 12249) on
:
quote:
Originally posted by Adeodatus:
Later, in his conversation with the Silurian, look at the expression on his face when she says she's the last of her species. And again the perfect delivery, ending on a note of real threat, as he says, "I'm the last of my species, and I know how that sits in a heart. So don't insult me."
I thought that was incredible, you could almost FEEL the pain!
Posted by wilson (# 37) on
:
Poor Rory!
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by wilson:
Poor Rory!
very disappointed by that - he had made a much better companion than Amy.
Posted by Ariel (# 58) on
:
Yes, what with Nasreen being left underground for the next few millennia, Rory disintegrating (and the Tardis, by the look of it) and the Doctor being stuck with the newly single but still hardboiled Amy, not really the ending I was hoping for.
Posted by Jay-Emm (# 11411) on
:
Hmm,
Best result for the Silarian's yet.
I was initially annoyed by the narrator but it may have made a fair ending seem more likely against the forces of status quo, improving the balance.
They upped Rory's game quite a bit, killed him heroically, and left the ring, which makes me vaguely hopeful he wasn't killed just to clear the way for the Dr. Waiting to see if it ends fittingly.
I'll be sorry to see him go but maybe he'll show them they can do inspiring, non-magical human assistants for more than 5 minutes.
Posted by The Revolutionist (# 4578) on
:
The main story with the Silurians was so-so, but the storylines for the series as a whole are developing nicely.
The characters seemed pretty two-dimensional, especially the Silurians, with the stereotypical warrior, scientist and diplomat figures, and the humans aren't much more developed.
Hitting the snooze button in the hope that things work out better in 1000 years time seemed a bit of a cop-out. I'd at least have liked a scene with the Doctor popping forward to 3020 to see the Cult of the Lizard-People waiting for the prophecy to be fulfilled, and being there to welcome the Silurians on waking.
But it's all pretty entertaining, and moves along at a good pace, with some nice design work on the Silurian city. There's some good twists and turns in the last ten minutes too.
I'd be very surprised if Rory is gone for good, though. I think they'd have handled his death completely differently if he was actually, permanently being written out. What if the cracks don't just remove you from your timeline, but also deposit you somewhere else? Maybe somewhere in the universe, Rory, a bunch of clerics, and some startled weeping angels have found themselves on the other side of the crack! We'll have to wait and see...
The piece of shrapnel seemed to imply that the cracks are caused by the future destruction of the TARDIS, which is intriguing. More timey-wimey plotting from Moffat!
There also seems to be a developing theme of the Doctor letting Amy down. I like it that the series is playing up the Doctor's fallibility - I'm sure he'll find a way to make it all come good in the end, of course, but that's fine as long as he makes mistakes along the way and has to work hard to finally win.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by The Revolutionist:
The main story with the Silurians was so-so . . .
Fabulous make-up, though!
Posted by M. (# 3291) on
:
I thought the main story was OK, it was obvious the Silurian hostage (Alaia?)was going to be killed by someone and it all got a bit dreary during the peace talks. But the ending was electric - didn't see it coming at all.
I hope Rory gets back in some way; Amy is getting very irritating.
M.
Posted by Robert Armin (# 182) on
:
Having just seen the repeat on BBC3 I found that fascinating. Given a choice I would rather Amy had disappeared than Rory, but at last we've seen the crack in time actually doing something. The glimpse of their future selves made them both look safe, and now she can't even remember him. Clearly this is part of the build up to the finale (only four episodes to go), but there is a long way to go if that is going to be satisfying.
Posted by Dafyd (# 5549) on
:
Rory was indeed growing as a character. (sniff)
Anyway, questions: Is the Tardis blowing up anything to do with the wedding not taking place, I wonder?
If the Tardis doesn't blow up (like they would) does that mean that the crack never existed, and if the crack never existed, does that mean that Rory comes back, but if Rory comes back would that mean that the Doctor and Amy had to find some other way to dispose of all the angels on the Byzantium?
In previous seasons, I've wondered why the Doctor doesn't do something proactive about the season arc. In this case, given the Eleventh Doctor's usual MO, I can believe that the Doctor is trying to think of a plan but is waiting until he comes up with one at the last minute.
Posted by Schroedinger's cat (# 64) on
:
quote:
Originally posted by Dafyd:
In previous seasons, I've wondered why the Doctor doesn't do something proactive about the season arc. In this case, given the Eleventh Doctor's usual MO, I can believe that the Doctor is trying to think of a plan but is waiting until he comes up with one at the last minute.
I think, as previously, that he doesn't know or understand what is going on. He realises that it is serious, but until he known more, he cannot do anything about it, much as he would like to. He was, at least, being proactive this time in finding some debris to give him a clue, but that seems to have puzzled him even more.
As so often this series, he needs to understand and formulate a plan before he does something. He is not there yet.
Posted by Robert Armin (# 182) on
:
quote:
He is not there yet.
Is this a comment on the character or the actor? It works for both.
Posted by ken (# 2460) on
:
quote:
Originally posted by Rev per Minute:
After four series stealing merrily from Buffy, it seems that BBC Wales are now stealing from Star Trek. Bloke gets caught by Silurian forked tongue that then appears to infect him and turn him into a Silurian (spreading green veins) - Borg, anyone?
Ahem. Borg famously copied from Cybermen. Though trope familiar in written SF from long before.
quote:
Originally posted by The Revolutionist:
I'd at least have liked a scene with the Doctor popping forward to 3020 to see the Cult of the Lizard-People waiting for the prophecy to be fulfilled, and being there to welcome the Silurians on waking.
Also done in earlier series, sort-of - there were the Monoids and that other lot whose name I forget in generation ships.
quote:
I'd be very surprised if Rory is gone for good, though. I think they'd have handled his death completely differently if he was actually, permanently being written out.
That sounds very plausible. I suspect we get him back, presumably by going back in time and changing something in the past. Of course that dumps about two thousand stone angels back into the story as well...
... you could imagine a plotline along the lines of "do I risk bringing the Angels back intothe universe in order to get Rory back?"
quote:
The piece of shrapnel seemed to imply that the cracks are caused by the future destruction of the TARDIS, which is intriguing.
Or else the original police box the Tardis is based on... though for consistency that would imply Daleks and I don;t want to see them again for at least a year.
Posted by Lietuvos Sv. Kazimieras (# 11274) on
:
quote:
Originally posted by Sparrow:
Was anyone else reminded by the Star Whale, of the giant creature that was being kept for meat in an early Torchwood episode?
Going back a few episodes now, I didn't see anyone respond to this question, and yes, I immediately thought of that. The Torchwood episode was, of course, infinitely more tragic and disturbing, but the premise of exploitation was similar. I loved HM Liz X and found the intriguing idea of an Afro-Carribean British monarch in the distant future (continuing mixing of gene pools and all that)charmingly plausible. The way the population were both let in on the truth of things and left/led to participate in the mass denial was also, I thought, extremely British (or at least awfully English).
That episode was well written, but I've found most of this series to be very loosely written with a lot of loose strings and unanswered questions.
Posted by Angloid (# 159) on
:
quote:
Originally posted by The Revolutionist:
Maybe somewhere in the universe, Rory, a bunch of clerics, and some startled weeping angels have found themselves on the other side of the crack! We'll have to wait and see...
Ecclesiantics perhaps?
Posted by Panda (# 2951) on
:
Was it explained why the bodies from the graves disappeared?
And where the time shift came from that led Amy and Rory to see themselves on the hillside at the beginning? They showed it again on the 'Previously...' bit at the start of Part 2, but I didn't catch the explanation, unless it was just so Amy could say 'I thought I saw someone else' about Rory.
Sorry, I watched it late; low brain power.
Posted by Flausa (# 3466) on
:
They better do something really, really amazing with that crack in time, because otherwise that was a really crap way to write out Roary. I was close to demaning RTD back after that episode, because at least I could deal with his crap.
Posted by dj_ordinaire (# 4643) on
:
quote:
Originally posted by Angloid:
quote:
Originally posted by The Revolutionist:
Maybe somewhere in the universe, Rory, a bunch of clerics, and some startled weeping angels have found themselves on the other side of the crack! We'll have to wait and see...
Ecclesiantics perhaps?
Oi, I heard that!
Posted by Gill H (# 68) on
:
I thought of something the other day.
You know the kids' game "Grandmother's Footsteps"? One person at the front with their back turned, and the others try to sneak up on them - except they have to freeze when the person at the front turns round.
I wonder if anyone is playing this as "Weeping Angels" now? That could really mess with kids' heads!
Posted by The Revolutionist (# 4578) on
:
Gill H - I'm sure I've heard Moffat say in an interview that they try and invent monsters that easily translate into playground games.
The new Doctor Who computer game, City of the Daleks, is now available to download for free for those in the UK. I'm just about to give it a whirl, looks fun!
Posted by Adeodatus (# 4992) on
:
After The Hungry Earth being a good setup, I thought Cold Blood was a bit of a disappointment. Didn't quite realise the potential. The last ten minutes, however, were pure jumping-off-the-sofa material. Poor Rory (apparently)! Poor Amy (apparently)! Poor TARDIS (apparently)! Stand by for a twisty, turny, timey-wimey finale, methinks!
* * * Ssh! Spoilers! * * *
Last night I watched the preview clips for Vincent and the Doctor on the BBC site, and wow! - I'm so looking forward to it. The dialogue glitters, Bill Nighy and Matt Smith have a bit of a bow tie moment, and I especially like the way the camera shots have been framed to look like van Gogh's paintings. (It helps, I guess, that van G is one of my favourite artists, but even so, it looks pretty impressive.)
Posted by Dafyd (# 5549) on
:
Random thought:
The Tenth Doctor's problem was that deep down part of him thought he was God.
The Eleventh Doctor's problem is that deep down part of him thinks that he's only a madman with a box.
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Adeodatus:
I especially like the way the camera shots have been framed to look like van Gogh's paintings.
We have a large print of "Cafe Terrace By Night" in our sitting room. It was really weird watching the trailer and seeing that view on the TV then glancing sideways to see it still on our wall.
I'm looking forward to tonight's episode. Even if the plot is full of holes I will enjoy the scenery.
Posted by Pine Marten (# 11068) on
:
I am absolutely looking forward to it, Vincent being one of my favourite painters. I sat openmouthed at the trailers, Cafe by Night an' all! Marvellous - and if Bill Nighy's in it, doubly-marvellous, whoo-hoo!
Posted by Macrina (# 8807) on
:
I cried all over that episode. It genuinely moved me.
Posted by Sparrow (# 2458) on
:
That's more like it! Best of the series so far I think. Absolutely lovely. I cried too. Especially the end.
Posted by Ariel (# 58) on
:
What a beautiful, bittersweet story. A silly alien but otherwise a lovely and moving episode. I've never liked Van Gogh's paintings but after this I feel a lot more sympathetic to him.
The scene in the museum at the end was sweet, but a little nerve-wracking at the same time - I was wondering how close they'd come to Vincent discovering his own date of death, maybe in a biog of the artist on one of the information panels.
Odd choice of subject for a Doctor Who episode though. I wouldn't have thought highbrow art would have fitted into Doctor Who, nor that Amy would have had any interest in it.
Posted by phil2357 (# 15431) on
:
Definitely one of the best of the current series. Yes, it was a fairly basic monster, but I liked the way it became a sympathetic figure. 8/10
quote:
Originally posted by Ariel:
Odd choice of subject for a Doctor Who episode though. I wouldn't have thought highbrow art would have fitted into Doctor Who...
The Mona Lisa played an important role in City of Death.
Posted by Balaam (# 4543) on
:
An interesting take on the basilisk legend, (or is it a cockatrice?) combined with a child's fear of invisible monsters.
And van Gough with a Scottish accent. I liked it.
Posted by tessaB (# 8533) on
:
Simply lovely. Cried when Vincent was in the art gallery listening to how wonderful the bow tie man thought he was. Really very moving and beautifully filmed.
Posted by Schroedinger's cat (# 64) on
:
Confidential was very interesting, in that they explained that the monster was, to an extent, a physical manifestation of Vincents "demons". So the invisible monster that only he can see and he has to fight takes on a whole new meaning.
And it was excellent. Sensitive, caring, important and a real demonstration of the "humanity" of the Doctor, in showing Vincent what he would become.
And the climax, with the realisation that, just as the doctor could do nothing about the invisible monster, he could also do nothing about Vincents other invisible monster, and save him from an early death. Just stunning.
Posted by Kitten (# 1179) on
:
quote:
Originally posted by Macrina:
I cried all over that episode. It genuinely moved me.
Me to
Posted by Angloid (# 159) on
:
Lots of tears around! I thought it was great.
Uncanny how closely the actor resembled Vincent, so that when he held up his self-portrait he was totally believable. And the accent thing gave rise to a comment that will go down in legend along with Christopher Eccleston's 'lots of planets have a north': on hearing Amy's Scottish accent he said 'do you come from Holland too?'
Posted by Roseofsharon (# 9657) on
:
So was there any particular significance in The Doctor calling Vincent 'Rory' at one point?
Posted by Jay-Emm (# 11411) on
:
quote:
Originally posted by Roseofsharon:
So was there any particular significance in The Doctor calling Vincent 'Rory' at one point?
You also had "Amy's sadness", song?.
Presumbably a reflection that on one level the Dr hasn't got used to Rory's absence. Or that to the Dr it's always AmyandRory.
Series wise there seem a number of indications he will be important later, maybe he gets brought back, maybe Amy decides she can't live without him, maybe the Dr has to decide whether to let Rory fade.
Posted by Robert Armin (# 182) on
:
That was a very beautiful episode. One of the best ever. By itself it has made up for all the shortcomings of this series.
And talking of those shortcomings, may I take you back to the episode that finished with Amy trying to pull the Doctor into bed? At the time I assumed this would lead to an explanation that some alien force had been messing with her mind. However, the Doctor's answer was to bring Rory into the Tardis so presumably it was an expression of raw lust after all. Now Rory has gone, and never existed as far as Amy is concerned, so will we see the lust flare up again? (I don't want that, BTW, but it feels like a dangling plotline to me.)
Posted by Dormouse (# 5954) on
:
I too found it a very moving episode. I did think the monster looked a bit like people dressed in blankets with a paper-maché head bobbing about, but we didn't see it for long enough for that to worry me too much. The location for the church annoyed me a little as the church didn't look anything like the church he was painting, what with having a good ol' English (Welsh?) graveyard around it. But these are just niggles. Generally I found it interesting, and very moving.
And I realy like Matt Smith's Doctor. I thought DT was v good looking (except when he was gurning) but that's not necessary in a Doctor. What's necessary is whatever Matt brings to the part. I'm just not quite sure what that is!!!!
Posted by Pine Marten (# 11068) on
:
I'm another one who snivelled through the episode, especially at the end. There were a couple of inaccuracies, but what the hell! it was a lovely, very moving episode. I snivelled a bit at the death of the monster, too, when they realised he was 'afraid'.
I laughed out loud at the 'are you from Holland?' comment, and also at Amy's remark about having ginger children! The actor playing Vincent (who I've seen several times in different things but didn't know his name) was spot-on in looks - particularly with his hat on, it was a portrait come to life.
I loved the look and colour of the episode, they filmed it beautifully. One of the best to date.
Posted by Lola (# 627) on
:
quote:
Originally posted by Robert Armin:
That was a very beautiful episode. One of the best ever. By itself it has made up for all the shortcomings of this series.
And talking of those shortcomings, may I take you back to the episode that finished with Amy trying to pull the Doctor into bed? At the time I assumed this would lead to an explanation that some alien force had been messing with her mind. However, the Doctor's answer was to bring Rory into the Tardis so presumably it was an expression of raw lust after all. Now Rory has gone, and never existed as far as Amy is concerned, so will we see the lust flare up again? (I don't want that, BTW, but it feels like a dangling plotline to me.)
I'm sure Rory is coming back in the finale - the Doctor was able to reach into the crack and pull out a piece of the Tardis - surely that shows things can be brought back.
Amy is refreshing change in the companion. Essentially I see her as being written as a stroppy little madam - she wants to have her own way and be the centre of attention, she doesn't like anyone to show weakness, she flounces around but underneath she wants Rory to be there waiting patiently and loving he like the good man that he is. I don't think she'd mind if he put his foot down a little more. I think she's very realisitic.
She was poucing on the Doctor because she was feeling that it was a bit too sensible to get married to Rory so young - now that Rory has never existed I can't see she'll need to.
Posted by Lola (# 627) on
:
quote:
Originally posted by Lola:
quote:
Originally posted by Robert Armin:
That was a very beautiful episode. One of the best ever. By itself it has made up for all the shortcomings of this series.
And talking of those shortcomings, may I take you back to the episode that finished with Amy trying to pull the Doctor into bed? At the time I assumed this would lead to an explanation that some alien force had been messing with her mind. However, the Doctor's answer was to bring Rory into the Tardis so presumably it was an expression of raw lust after all. Now Rory has gone, and never existed as far as Amy is concerned, so will we see the lust flare up again? (I don't want that, BTW, but it feels like a dangling plotline to me.)
I'm sure Rory is coming back in the finale - the Doctor was able to reach into the crack and pull out a piece of the Tardis - surely that shows things can be brought back.
Amy is refreshing change in the companion. Essentially I see her as being written as a stroppy little madam - she wants to have her own way and be the centre of attention, she doesn't like anyone to show weakness, she flounces around but underneath she wants Rory to be there waiting patiently and loving he like the good man that he is. I don't think she'd mind if he put his foot down a little more. I think she's very realisitic.
She was poucing on the Doctor because she was feeling that it was a bit too sensible to get married to Rory so young - now that Rory has never existed I can't see she'll need to.
Sorry - I meant to sat I think the Doctor pulled Rory into the Tardis to show him up in a stronger, more exciting role.
Posted by Earwig (# 12057) on
:
Saw this and had to share it on this thread: The Last Supper.
Posted by Jack the Lass (# 3415) on
:
Another one chiming in to say that was my favourite episode so far, very moving (I shed a tear too, and again during Dr Who Confidential immediately afterwards).
I thought the choice of "Chances" by Athlete as the background music for the final scene when Vincent was in the Museum was inspired.
Very good. Can they get Richard Curtis back to write some more episodes?
Posted by Auntie Doris (# 9433) on
:
I loved it! I am been so unconvinced by this series that I am delighted to have it redeemed by such a beautifully scripted and generally lovely episode.
I even quite liked the new Dr in this one!
Auntie Doris x
Posted by Eigon (# 4917) on
:
I cried too - and I liked the way the Doctor kept a wary eye on the stone angel on his way into the church.
Posted by Ferijen (# 4719) on
:
I really thought that the monster might have lopped ol' Vincent's ear off... but very much enjoyed it.
Posted by The Great Gumby (# 10989) on
:
quote:
Originally posted by Lola:
I'm sure Rory is coming back in the finale - the Doctor was able to reach into the crack and pull out a piece of the Tardis - surely that shows things can be brought back.
Well, yes and no. It seemed pretty clear that he was dying anyway after being shot, so his consumption by the crack is somewhat irrelevant, n'est-ce pas? That said, I wouldn't put it past them to invent some sort of bizarre excuse for him still being alive. However, I am expecting that his disappearance will play an important part in the sealing of the crack, as we've had heavy hints dropped about Amy forgetting him (or not), and the effect of that. I expect it'll all come down to Amy having to remember him (she still seems to have some sort of memory in the back of her mind) to sort it all out. Hopefully, we'll also get an explanation of why the crack's still there, given that it's apparently (according to the Weeping Angels) emanating from her wedding day, which now isn't going to happen, due to the mysterious disappearance of the groom.
I'm going against the majority on this week's effort, but I just didn't like it. As a whimsical potted biography of van Gogh, it worked quite well, but the rest was nonsense. The monster was ridiculous, the identification gadget was ludicrous, and there was no satisfactory explanation of why Vincent could see it or why it was invisible. On top of that, the death of the creature was sentimental tosh, and the last 5 minutes or so were unbearable drivel that was totally out of character.
The Doctor may like to play fast and loose with rules and even time itself, but surely showing a character as famous and iconic as VvG how he would be remembered is obviously running a major risk of huge paradoxes, time rifts and other not-at-all-good things. It would have served them right (and I was half-expecting this) if they'd gone back to the museum to find the exhibition devoted to some entirely different artist, while no one had ever heard of van Gogh. I wouldn't even have minded so much if he'd acknowledged the risk and flippantly dismissed it, but to me it felt like the crowning turd.
I just hope the series finale lives up to the hints that have been dropped along the way, because the gradual reveals have been the only things making some recent episodes worth the airtime. And I'm sorry, Mr Moffat, but I don't care what you say - I really can tell that the budget's been cut.
Posted by Josephine (# 3899) on
:
quote:
Originally posted by The Great Gumby:
The monster was ridiculous, the identification gadget was ludicrous, and there was no satisfactory explanation of why Vincent could see it or why it was invisible.
I kept expecting the Doctor to throw paint on it, to make it visible. Maybe that wouldn't have worked, but it seemed like an obvious thing to try, given that they were there with a painter, and there was loads of paint around.
I also would have liked to understand why only Vincent could see it, and why he knew that Amy had lost someone. Is that going to play into some future something?
Posted by Balaam (# 4543) on
:
As the TARDIS controls were made of junk, it seemed appropriate that the device (whatever it was) should be junk too.
And a nice in joke for those who have visited the musee d'Orcay in that the device recognised the creature as first a parrot (there are a couple of famous portraits of a naked woman and of a young woman, both with parots, and more obviously a polar bear, of wich the d'Ocay has a famous sculpture.
Sorry I can't remember the artists, as I was preocupied with Monet when I was there, (Monet being the reason why the bow tie man was wrong about Vincent being the greatest ever painter.)
Posted by Balaam (# 4543) on
:
quote:
Originally posted by Balaam:
As the TARDIS controls were made of junk, it seemed appropriate that the device (whatever it was) should be junk too.
And a nice in joke for those who have visited the musee d'Orcay in that the device recognised the creature as first a parrot (there are a couple of famous portraits of a naked woman and of a young woman, both with parrots, and more obviously a polar bear, of which the d'Ocay has a famous sculpture.
Sorry I can't remember the artists, as I was preoccupied with Monet when I was there, (Monet being the reason why the bow tie man was wrong about Vincent being the greatest ever painter.)
[accidentally turned spell checker off - Oops.]
[and I hit quote instead of edit. - double oops]
[ 06. June 2010, 21:30: Message edited by: Balaam ]
Posted by Dafyd (# 5549) on
:
The greatest painter ever was Rembrandt. Greatest portrait or self-portrait painter ever, anyway.
I believe that the woman with a parrot is by Courbet.
I never quite enjoy these episodes with real people in as much as I should. I'm always worried that the person is being reduced to a caricature. E.g. I would be surprised if Van Gogh was really sure that his work was not very good.
The Doctor said he'd be surprised if taking Van Gogh to see posterity changed anything, given that Amy was enthusiastic that it would. I suppose the Doctor's knowledge of fixed-points in time and other timey-wimey stuff meant he knew it wouldn't. (I hope so because otherwise people are right to think it was irresponsible. Richard Curtis being heartwarming even when it doesn't quite make sense.)
Otherwise, as a Doctor Who episode about a depressive painter with near-psychic powers I did enjoy it.
Posted by Pious Pelican (# 13120) on
:
quote:
Originally posted by Ariel:
Odd choice of subject for a Doctor Who episode though. I wouldn't have thought highbrow art would have fitted into Doctor Who, nor that Amy would have had any interest in it.
In a way it is Doctor Who going back to its roots: in its original conception it was meant to be an educational series.
I'm sure it is also a nod to the classic Tom Baker serial, City of Death, which begins when the Doctor visits the Louvre to see the Mona Lisa.
Posted by Flausa (# 3466) on
:
quote:
Originally posted by Dafyd:
I would be surprised if Van Gogh was really sure that his work was not very good.
A man struggling with depression and madness not sure about the quality of his work? It rings true to me. And his comment about "the one with the haystacks" was my laugh-out-loud moment.
I did really enjoy this episode in spite of some plot holes. However, I felt it was a weak attempt by the doctor (and of course, the writers) to compensate for the loss of Roary.
Posted by Schroedinger's cat (# 64) on
:
quote:
Originally posted by Josephine:
I also would have liked to understand why only Vincent could see it, and why he knew that Amy had lost someone. Is that going to play into some future something?
Only Vincent could see it because a) it was partly a representation of his own inner demons and b) Vincent was able to see things that other people couldn't see, or rather in a way that others couldn't see them.
That is also why he knew that Amy had lost someone - he saw it in a way that others didn't. However it did remind me of the comment from another series "You've had a spider on your back" - which only meant that the person saying it could see deeper or differently to most people.
And Vincent was bipolar. I have no doubt whatsoever that he considered his own work rubbish, especially as so many other people considered it rubbish. A negative acceptance of others criticism is a part of the depressive nature of bipolar.
And it seems that taking him to see his art was what inspired him to produce his best pieces. And that the production of his best work at the end of his life was also an indication that his illness was getting worse, leading to his own suicide. It sort of makes sense to me that the visit made no real difference - again the nature of his illness was to reflect the highs in even more intense lows.
Posted by Chelley (# 11322) on
:
quote:
Originally posted by The Great Gumby:
It would have served them right (and I was half-expecting this) if they'd gone back to the museum to find the exhibition devoted to some entirely different artist, while no one had ever heard of van Gogh.
I loved it, but I was also half expecting the paintings to have disappeared or something to have changed at the museum (especially when the statue they passed on the stairs had changed its pose!).
[ETA on reading Shroedinger's Cat's post - that was my understanding too of why nothing had actually changed!]
[ 07. June 2010, 08:36: Message edited by: Chelley ]
Posted by Adeodatus (# 4992) on
:
Isn't it amazing that after thirty-something seasons over nearly 47 years, this show can still do something delightfully unlike anything else that has gone before? And isn't it also amazing that on a Saturday teatime we can sit down and watch a drama about art and mental illness disguised as a drama about an alien who travels in a phone box and another alien that looks like a giant plucked chicken?
This episode was utterly delightful from start to finish. Richard Curtis has a nice ear for dialogue, and he always manages to make it sound natural at the same time as it's funny. But he also portrayed Vincent's bipolar disorder about as well as you possibly could in a one-off 45 minute drama.
If that wasn't enough, he made the whole thing a parable about the nature of "seeing". The Doctor sees things broadly - he can show you the whole of time and space, but he gets bored and miserable when time passes "slowly ... in the right order". Vincent sees things deeply, but is trapped in his tiny universe of depression. The Doctor tries to show Vincent the world beyond Vincent's limitations (by taking him to the museum); Vincent tries to show the Doctor the world beneath the Doctor's limitations (by showing him the "starry night" - with a clever little artistic subtext of "if you can't see the night sky like this, what hope have you of seeing a giant chicken?" ... or maybe vice versa).
I cried floods at Vincent's reaction to the museum, but I knew he would still go home and kill himself, because that's how that kind of mental illness works.
I thought it was the best 45 minutes of telly I've seen this year.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by Adeodatus:
I cried floods at Vincent's reaction to the museum, but I knew he would still go home and kill himself, because that's how that kind of mental illness works.
Ooh. Ouch. Sorry, that reads very badly. I didn't mean that's how that kind of mental illness always ends. I only meant that (speaking from personal experience) if you have depression or, I guess, bipolar disorder that involves periodic depression, then however good other people's opinions of you are, it seems to make little or no difference to how badly you see yourself.
Posted by andythehat (# 10399) on
:
quote:
Ooh. Ouch. Sorry, that reads very badly. I didn't mean that's how that kind of mental illness always ends. I only meant that (speaking from personal experience) if you have depression or, I guess, bipolar disorder that involves periodic depression, then however good other people's opinions of you are, it seems to make little or no difference to how badly you see yourself. [/QB]
Quite right Adeodatus. I found a couple of scenes quite hard to watch, but it kind of helped Mrs Hat - "My God I'm married to Vincent Van Gogh" was one comment - as it showed very well the efefcts of depression. But overall, I'm afraid that this series is slowly dropping off the "Must See" list - apart from being vaguely interested in how it all comes together in a couple of weeks time, I've just about lost patience with Messrs Moffat and Smith. I said I'd give them a fair crack at it...
Posted by ken (# 2460) on
:
quote:
Originally posted by Balaam:
As the TARDIS controls were made of junk, it seemed appropriate that the device (whatever it was)
A field guide, I suspect. For the Time Lord equivalent of birdwatchers or botanists.
Posted by ken (# 2460) on
:
Why shouldn't Amy already like Van Gogh's paintings? I'm not sure he counts as "high art" in the elitist sense, or if he does he's popular high art. As the man said in the museum he's the most popular modern painter.
As for Rory, it seemed to me that the Doctor isn't at all over losing him. And he finds it very distressing and a bit icky when Amy is attracted to anyone else, whether its himself or Vincent.
Which I suppose is something time-travellers have to live with. In his timeline Amy was as good as married to Rory. (I somehow suspect that the Doctor disapproves of marital infidelity) In Amy's timeline Rory never existed. So he cannot even share with her any grief or guilt he might have about Rory's death. Because it was never part of her history, which is in effect a slightly different parallel world from the one in which they met, which was a very different one from the one the Christmas Specials happened in. So the Doctor is both entirely alone (which he is used to of course) and has an emotional reaction against Amy having anything to do with any other man.
Posted by Pine Marten (# 11068) on
:
quote:
Originally posted by Adeodatus:
Isn't it amazing that after thirty-something seasons over nearly 47 years, this show can still do something delightfully unlike anything else that has gone before? And isn't it also amazing that on a Saturday teatime we can sit down and watch a drama about art and mental illness disguised as a drama about an alien who travels in a phone box and another alien that looks like a giant plucked chicken?
Absolutely right! I've watched it 3 or 4 times now, and still end up in tears. And yes, having had bouts of depression myself (though nowhere near as bad as some), I remember the black abyss where there is no other way out than the one Vincent chose.
Posted by Rev per Minute (# 69) on
:
Adding my two pennorth...
I buy all the stuff about depression/bipolar disorder, and so on, but I also thought that there was a reference to synaesthesia (sp?), the ability to 'mix senses' in some way (feeling that the number seven is purple, for example, or being able to taste words). Vincent said that he could 'hear the colours' and I wonder if that was how he could see the monster when no-one else could. Not sure a bucket of paint would have helped to reveal the Gryfrace if that was the case - it would have been like painting a sound (although the easel did a good job of killing it, I suppose).
I did wonder about the paradox of Vincent seeing the museum and whether that would mean he would stop painting or fail to become famous, but perhaps the Doctor knew - either through his 'fixed points' or his knowledge of human nature - that van Gogh would still be tortured even with the knowledge of later fame. The 'For Amy' touch on 'Sunflowers' was nice, though.
And what does Bill Nighy have on Richard Curtis that he appears in everything Curtis writes?
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Rev per Minute:
Adding my two pennorth...
....
And what does Bill Nighy have on Richard Curtis that he appears in everything Curtis writes?
Anyone else think that was an "almost gay" minute between him and the Doctor when they were complimenting each other's bow ties?
- and he looked very pleased with himself when Vicent hugged and kissed him ....
Posted by Sparrow (# 2458) on
:
A new Torchwood series!
http://news.bbc.co.uk/1/hi/entertainment_and_arts/10262266.stm
Posted by angelica37 (# 8478) on
:
After the horrible ending of Children of Earth I'm not sure I ever want to see Captain Jack again.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by ken:
I'm not sure he counts as "high art" in the elitist sense, or if he does he's popular high art. As the man said in the museum he's the most popular modern painter.
Van Gogh's reputation has varied over the years, but to me he's one of a handful of all-time greats. I'm not sure, however, that I'd say his paintings are "high art", because to me that makes them sound awfully stuffy and they're anything but. First of all, to see a real van Gogh is utterly different from seeing a reproduction - the Doctor was right when he said that Vincent carved the paint. That, and the violence of the colours he often uses, seems to me to make his paintings demand an emotional response from the viewer in a way that few others can match. I'm awe-struck by the intensity of feeling I get from van Gogh's paintings. He's one of the few artists who teaches you the first principle of painting - to be absolutely, unflinchingly true to how you see the world.
Posted by Giac (# 15580) on
:
Thought it was an ok episode. The scenes themselves were beautiful, the acting was good. Only the few small niggles, like the fact that VvG still had two ears (I'm probably wrong but I thought he'd lost it over a year before, May 1889 or something.) But overall an enjoyable episode. I can't help feeling that they're building up to something big with the finale though. This was the second time we got flashes of the previous doctors (the ones in the giant eyeball in the first episode and the ones in the mirror thing). I also think there's got to be something with the angels, as you say the stone angel again and the Doctor made reference to his God-mother who "had two heads." I'm probably just reading too much into that though.
quote:
Originally posted by sparrow
A new Torchwood series!
Oh please no. The Children of Earth was just painful to watch. I thought they'd gone to pains to kill or distance all the characters. Though the new team will probably be Jack, Alonso, Gwen, Martha and Micky.
[ 12. June 2010, 00:03: Message edited by: Giac ]
Posted by Robert Armin (# 182) on
:
Well tonight's episode doesn't sound riveting. The Radio Times describes it as, "Doctor Who does humour," which fails to thrill me. Still, the end of the season is now in sight. Let's hope something comes together by then.
Posted by tessaB (# 8533) on
:
I really enjoyed tonight's episode. James Cordon was very good, not as laddish as I was expecting and really believable as the wanna-be boyfriend who couldn't bring himself to declare his love.
Football of course had to figure in there somewhere
Posted by fluff (# 12871) on
:
I really did enjoy that episode so much - lots of interesting ideas in it, I thought, and Matt Smith, really fantastic in the role.
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Dafyd:
Random thought:
The Tenth Doctor's problem was that deep down part of him thought he was God.
The Eleventh Doctor's problem is that deep down part of him thinks that he's only a madman with a box.
Or an ancient amateur.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Robert Armin:
Well tonight's episode doesn't sound riveting. The Radio Times describes it as, "Doctor Who does humour," which fails to thrill me.
It was played for laughs, which didn't disguise a weak plotline, just padded out the episode. Matt Smith still hasn't quite got there yet.
Looking forward to next week - River Song is back!
Posted by Pheonix (# 2782) on
:
I thought it was quite good generally... I noticed that this incarnation of the doctor, or at least in this series, seems to be a case of very much showing us how he isn't human in terms of how he reacts to humans and their emotions/customs.
I don't see there is much build up to the end of season finale though other than another shot of the crack at the end...
Also going back to Silence in the Library and the mention of the Byzantine by River makes me wonder if the episodes to this series or at least the theme/majority of the outline weren't all worked out long ago by RTD and Moffat has had to just follow it to some extent. He's better at writing episodes than I've seen this series. It has gone from a must see when it's on to a I can watch the recording later.
Posted by Robert Armin (# 182) on
:
Well, I did find that very dull. All of it, but especially Matt Smith playing football. Maybe everything will change when the final revelations get made but it felt like an episode that could have happened anywhere, any time, and still been a bore.
Mind you, I liked the idea of headbutting knowledge into people. Maybe I should try it on some of my students....
Posted by wilson (# 37) on
:
I liked it - but then I also like Love and Monsters.
Posted by Schroedinger's cat (# 64) on
:
Hated it. The aspect of The Doctor trying to be human was funny, but I really didn't like the conclusion. I wanted the alien upstairs to be eating or torturing the humans, not just be a stupid version of the Doctor from Voyager.
And a perception filter that makes everyone see a second floor of the house, makes everyone remember that it was always there, and making stairs appear that people can climb up, is going a bit too far.
And what happened to the ship? I can sort of understand that the perception filter disappeared and the top story vanished and you saw the ship, but then why did the ship vanish in the same way?
Good and interesting idea, poorly executed. IMO.
Posted by Avila (# 15541) on
:
The ship was supposed to be implodding which is why they left it in a hurry - so that's where that went but S's Cat has a point about the stairs - how can people walk up an illusion?
Posted by Dafyd (# 5549) on
:
Presumably the stairs were physically part of the ship.
Posted by M. (# 3291) on
:
I liked it, although some of it was a bit padded out. The thing that I found most unsatisfactory was the Doctor not knowing how to behave normally - he has been around humans, particularly late 20th/early 21st UK humans for a long time. I wonder if that's going somewhere? Last week, he didn't know how time passed normally, which also struck me as odd.
And I hate, hate, hate these stupid gizmos he keeps building out of buckets and brooms and stuff.
But it was an entertaining episode and I enjoyed it. Matt Smith makes a great doctor. I'm looking forward to next week!
M.
Posted by St Everild (# 3626) on
:
I liked the reference to Van Gogh on the fridge door!
Posted by rufiki (# 11165) on
:
quote:
Originally posted by M.:
I liked it, although some of it was a bit padded out. The thing that I found most unsatisfactory was the Doctor not knowing how to behave normally - he has been around humans, particularly late 20th/early 21st UK humans for a long time. I wonder if that's going somewhere? Last week, he didn't know how time passed normally, which also struck me as odd.
He also didn't know why he was called the Doctor, when introducing himself to Craig.
Posted by Schroedinger's cat (# 64) on
:
quote:
Originally posted by Avila:
The ship was supposed to be implodding which is why they left it in a hurry - so that's where that went but S's Cat has a point about the stairs - how can people walk up an illusion?
So it should have imploded, not disappeared like the upper story.
I guess that the stairs were part of the ship, but then is the perception filter making people think they are climbing stairs, when it is a part of the ship? And did it actually break through the roof? And if that is the case how did the alien operate the front door?
Now I know that trying to make everything make sense in DW is a bad idea, but these are ( for me ) glaring problems that spoil the story completely.
On a side note, I always struggle with the abbreviation DW. I had a friend whose family used to call farts Windies, and the more "solid" version Dirty Windies, or DW's. So I am not sure it is a positive connection.
Posted by Dafyd (# 5549) on
:
WNG: Looking at the Next Time credits, the Pandorica is supposed to contain 'a goblin, a trickster, a warrior, soaked in the blood of a billion galaxies, the most feared thing in the universe'.
I wonder if it's just me: if you omit the 'soaked in the blood of a billion galaxies' bit, who in the Doctor Who universe would you think that referred to?
Posted by Pheonix (# 2782) on
:
the doctor gone bad?
Posted by Gill H (# 68) on
:
The Master? (Please not again. I loved SaxonMaster but HoodieMaster was a bit too much.)
Or - duh - The Trickster?
Posted by Adeodatus (# 4992) on
:
Hm. The Lodger was all right. Bits of it were brilliant - mostly Matt Smith's bits (not a reference to the shower scene, but I loved the part where he popped up from behind the sofa to ask where the screwdriver's on-switch was). Other bits were dull. The resolution - such as it was - was pretty bad, but I think we expect that from Gareth Roberts (The Unicorn and the Wasp, The Shakespeare Code).
I'm afraid I'm starting to become one of those curmudgeons who think there's something a bit lacklustre about this season. For me, there have been only three really good stories - Time of Angels/Flesh and Stone, Amy's Choice and Vincent and the Doctor. And the first 15 minutes of The Eleventh Hour was pure genius. Apart from that, it's all turning out a bit ... well, you remember the first half of season three? Me neither.
My worry about the finale - judging purely from Saturday's "Next Time" trailer - is that it'll be a hotch-potch, over-full of trying to tie up loose ends.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Adeodatus:
I'm afraid I'm starting to become one of those curmudgeons who think there's something a bit lacklustre about this season.
Hello there.
I want to like this series. It's Doctor Who, after all, a great British tradition that spans the generations, unites families, enables people to make friends across the globe, brings world peace, etc. But this series has been a disappointment. Maybe now that they're recycling old plotlines (I'm sure we had The Alien in the Attic with Perception Filters before) it's just run out of steam, and time to call it a day?
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Ariel:
quote:
Originally posted by Adeodatus:
I'm afraid I'm starting to become one of those curmudgeons who think there's something a bit lacklustre about this season.
Hello there.
I want to like this series. It's Doctor Who, after all, a great British tradition that spans the generations, unites families, enables people to make friends across the globe, brings world peace, etc. But this series has been a disappointment. Maybe now that they're recycling old plotlines (I'm sure we had The Alien in the Attic with Perception Filters before) it's just run out of steam, and time to call it a day?
I tend to agree. I don't think it's anything to do with Matt Smith, I think he's been brilliant. It's the writing.
Posted by Dafyd (# 5549) on
:
Matt Smith's acting has been excellent. I've just been watching some of the Tom Baker episodes and I'm slightly surprised that Tom Baker doesn't act like Matt Smith rather than the other way round. The only criticism of Matt Smith is that he's a bit young. (Forget the policemen being younger than I am; the Doctor's be younger than I am! Is wrong.)
I think I would agree that the series so far has lacked any absolutely essential episodes. They haven't had Paul Cornell or one of the Moffatt episodes from the first three seasons. On the other hand, they haven't had a Planet of the Ood yet. There haven't been any episodes that I've regretted watching or thought unmitigated rubbish.
Posted by Adeodatus (# 4992) on
:
I don't think it's time to call it a day, and I do think Matt Smith is brilliant - the show is very lucky to have him. And I agree with Dafyd, we haven't had anything really bad this year (the nearest, imho, was Victory of the Daleks, but even that had its moments).
It's a pity, I think, that Russell T Davies broke his ties with the show so completely. I've been a fan of his since Queer as Folk and I think he's one of the best tv writers currently working. I'd have liked to see one story this year by him, if only to see how RTD overseen by Moffat compared to Moffat overseen by RTD!
Posted by ken (# 2460) on
:
quote:
Originally posted by Pheonix:
I thought it was quite good generally...
Brilliant I thought. One of the better ones.
quote:
I don't see there is much build up to the end of season finale though other than another shot of the crack at the end...
I'm fed up with that crack altogether. This series would have been better if they had just forgotten the whole thing. Too much like the previous ones.
Maybe whats in the crack is Russell TD "Surprised you!!!!!!!"
Posted by Doc Tor (# 9748) on
:
quote:
Originally posted by Sparrow:
It's the writing.
If anybody knows the Moff, you can let him know I'm available...
...my rates are very reasonable, too.
Posted by The Revolutionist (# 4578) on
:
I enjoyed The Lodger - a good character-led episode for the second week running. In this series, there seems to be less reliance on putting the entire world in epic peril each week, which makes a refreshing change.
quote:
Originally posted by Adeodatus:
I'm afraid I'm starting to become one of those curmudgeons who think there's something a bit lacklustre about this season. For me, there have been only three really good stories - Time of Angels/Flesh and Stone, Amy's Choice and Vincent and the Doctor. And the first 15 minutes of The Eleventh Hour was pure genius.
I'd agree with you that those three are the stand-out stories. I wouldn't describe this series as "lacklustre", but I would say it hasn't quite met my expectations for how the show would do under Steven Moffat. Given how good his contributions were to previous seasons, I expected a bit more from his vision of the show. It's been good, but it hasn't done anything quite as new or as brave as I hoped.
Even if the finale turns out to be mind-bendingly clever and timey-wimey, I'd rather that Moffat spent his time making sure that each individual episode made good sense, rather than leaving plot logic as a luxury to be saved for the finale. (Arguably the opposite of RTD, where logic would fly out the window in the finales )
RTD was brilliant at characters and big emotional moments, but less good at carefully worked-out plot logic. I'd hoped that Steven Moffat would add clever plotting to what had gone before, but instead we seem to have lost some of the depth of characterisation and emotion, with the story logic remaining just as wobbly as before. Victory of the Daleks was the worst offender in this respect - but it was still great fun.
quote:
Apart from that, it's all turning out a bit ... well, you remember the first half of season three?
That run of really good episodes from Smith and Jones on, including all-time classic Gridlock? I remember them very well!
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by The Revolutionist:
RTD was brilliant at characters and big emotional moments, but less good at carefully worked-out plot logic.
Characters, maybe, and small emotional moments. It did seem to me that RTD couldn't let a big emotional moment go past without hitting us with a narm brick.
YMMV obviously. I speak as a member of the 'RTD's best episode was Midnight' club.
Posted by Esmeralda (# 582) on
:
quote:
Originally posted by Schroedinger's cat:
quote:
Originally posted by Avila:
The ship was supposed to be implodding which is why they left it in a hurry - so that's where that went but S's Cat has a point about the stairs - how can people walk up an illusion?
So it should have imploded, not disappeared like the upper story.
I guess that the stairs were part of the ship, but then is the perception filter making people think they are climbing stairs, when it is a part of the ship? And did it actually break through the roof? And if that is the case how did the alien operate the front door?
Now I know that trying to make everything make sense in DW is a bad idea, but these are ( for me ) glaring problems that spoil the story completely.
NO, the really unbelievable thing was that that type of Edwardian terraced house would ever have been built with only one story. I should know, I live in Muswell Hill where every house is an Edwardian terrace.
[ 14. June 2010, 22:07: Message edited by: Esmeralda ]
Posted by wilson (# 37) on
:
What do you all make of the fact that apparently Eccleston didn't enjoy his experience on Who?
Posted by Carys (# 78) on
:
quote:
Originally posted by Esmeralda:
NO, the really unbelievable thing was that that type of Edwardian terraced house would ever have been built with only one story. I should know, I live in Muswell Hill where every house is an Edwardian terrace.
I thought that too, though they did manage to make it look just about ok after the top storey disappeared but a terrace with one build of one storey?
Carys
Posted by The Rogue (# 2275) on
:
Ecclestone didn't say he didn't enjoy it at all, just that the culture of the work didn't agree with him. He was (quite rightly) proud of bringing the Doctor back and saw that as more important than him leaving after one season.
As it turns out I think his Doctor was the right way to bring the series back; Tennant's Doctor built on that and he would not have worked nearly as well if Ecclestone hadn't broken the ground.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Carys:
quote:
Originally posted by Esmeralda:
NO, the really unbelievable thing was that that type of Edwardian terraced house would ever have been built with only one story. I should know, I live in Muswell Hill where every house is an Edwardian terrace.
I thought that too, though they did manage to make it look just about ok after the top storey disappeared but a terrace with one build of one storey?
Carys
Wasn't it the end of terrace house? Maybe they made people think it had been seriously bomb damaged in the war and only rebuilt with one storey.
Posted by Robin (# 71) on
:
Diane Duane (author of the Young Wizards series and other fantasy works) tweeted as follows about The Lodger
quote:
Ok. This evening's Dr. Who... has broken the fourth wall in ways it's never been broken before. METAbroken it. I am astounded.
I am confused. What am I missing here? Can anyone suggest how this episode "broke the fourth wall"?
Robin
P.S. Thanks to the Powers that Be who have confirmed that it's OK to quote tweets on the boards.
Posted by wilson (# 37) on
:
quote:
Originally posted by The Rogue:
Ecclestone didn't say he didn't enjoy it at all, just that the culture of the work didn't agree with him.
Meaning what though? Sounds like a polite way of saying he didn't get on with either RTD or one or other of the producers.
Posted by Matt Black (# 2210) on
:
quote:
Originally posted by Robin:
Diane Duane (author of the Young Wizards series and other fantasy works) tweeted as follows about The Lodger
quote:
Ok. This evening's Dr. Who... has broken the fourth wall in ways it's never been broken before. METAbroken it. I am astounded.
I am confused. What am I missing here? Can anyone suggest how this episode "broke the fourth wall"?
Robin
P.S. Thanks to the Powers that Be who have confirmed that it's OK to quote tweets on the boards.
I didn't see any 'talking to the viewers' either
Posted by ken (# 2460) on
:
Broke the fourth wall? There has been at least one Dr Who episodes where the program itself came on the telly and the characters only just left the room in time to miss it.
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Robin:
Can anyone suggest how this episode "broke the fourth wall"?
Perhaps she meant the part when the Doctor transferred his history into Craig's head?
It was obvious that the information was confirmation of things that Craig already had some awareness of - as though he had heard, or seen, it all before in the form of legend, myth, or TV programme.
Posted by wilson (# 37) on
:
Having skimmed through it again, the closest thing I could find to breaking the fourth wall was a couple of times when the Doctor tells us what's going on - "so you have two sets of keys for a house you don't live in, you must like it here" - but that's not really breaking the fourth wall.
Perhaps there's something in the fact that the wall was "METAbroken". Not sure what she means by that.
Maybe saying to the audience "you think you've avoided watching football but you'll be sucked into it anyway".
Posted by Jengie Jon (# 273) on
:
okay
Metaphysics - beyond physics
Metabroken - beyond broken
Jengie
Posted by Robert Armin (# 182) on
:
Diane Duane has written many very pleasant, exceedingly light weight books. They are an entertaining way of passing time if you are bored or depressed, but do not bear the weight of thought as they are riddled with inconsictencies and contradictions. To find that her Twitter is as deep as her novels is no great surprise.
(And, before anyone asks, I'm not going to supply examples. I've read a lot of her stuff, but it's on the basis of: "read once and give copy to charity shop". Feel free to dismiss me as arrogant and posturing therefore; I recognise the description.)
Posted by Adeodatus (# 4992) on
:
There was no breaking of the fourth wall in The Lodger, only a slightly dodgy ceiling.
The most interesting breaking of the wall in recent Who was, I think, in Blink. We were told the Angels couldn't move when they were being looked at - what we actually got was the Angels being unable to move when the tv viewer was looking at them. It was the fourth wall breaking inwards, not outwards. That changed, of course, in Flesh and Stone when we did see the Angels moving.
On Christopher Eccleston: I think it's long been assumed that he left the show because he was well and truly cheesed of with something, but the quotations from the Radio Times interview don't give us much of an idea what that something was. He mentions the conditions that the cast and crew were working under, which suggests that something might have gone wrong with the BBC Powers That Be. I don't think he's criticising RTD - Eccleston knew RTD when they'd worked on Second Coming together. I think Eccleston had even been approached for a role in Queer as Folk, so I think the blame for his cheesed-offness must lie elsewhere.
Posted by wilson (# 37) on
:
quote:
Originally posted by Jengie Jon:
Metaphysics - beyond physics
Metabroken - beyond broken
Sure - but I'm never sure when people use the prefix meta- that they're using it correctly.
Posted by Adeodatus (# 4992) on
:
What's the betting that either during tonight's episode or next week's, every single one of us is going to see something that makes us go, "Oh, that's what that meant, n weeks ago!"? (Obviously we won't say "n". Well I suppose some of us with a taste for abstraction might.)
So let's 'fess up, when we're talking about the season finale. What are those lightbulb moments?
Posted by Jay-Emm (# 11411) on
:
Riverdance definately expect the killing, there seemed to be a secret conversation with Amy so I suspect something she knows about Amy will turn up*, and when does she get the screwdriver?)
Rory, I don't want him to just be a conveniently removed obstacle to Amy and her Dr, and we'll find out whether the writers respect him.
Amy relation to crack, the "I'm running and I want you" scene (Even granted her actions being normal and me being the special with ignoreme fields, the running comment still is a bit strange)
*my crazy theory is identity
Posted by andythehat (# 10399) on
:
And if the thing inside the pandorica - the destroyer of worlds or whatever - isn't the Doctor, I'll eat my hat.
Posted by tessaB (# 8533) on
:
quote:
Originally posted by andythehat:
And if the thing inside the pandorica - the destroyer of worlds or whatever - isn't the Doctor, I'll eat my hat.
No hat eating necessary andy, the doctor is now firmly in the pandorica!
Posted by Dafyd (# 5549) on
:
I believe the fan consensus on the Autons is that they are silly one note bad guys. All they can do is burst through shop windows and shoot people. When they try to get beyond that, we get evil wheelie bins and blatantly plastic Mickey.
Make that 'the fan consensus was...'
I was thinking there was a continuity error since most of those aliens didn't have time travel. Nope.
I thought for a moment it was all going to be in Amy's head. Apparently not (for now anyway). Just the autons/daleks/cybermen et al raiding Amy's room for ideas.
Questions still to be answered:
1) Why did the Tardis take off to 2010 and then explode? (I would like there to be an explanation for this beyond the plot requires it.)
2) What in particular about Amy's life just doesn't make sense? (That is, apart from her not having parents and the Doctor apparently being even worse at jumping five minutes into the future than usual.) And does the duck pond have anything to do with it?
3) How are they going to get out of that then?
Posted by M. (# 3291) on
:
I do have this horrible feeling it's going to be all in Amy's head. Apart from River, of course.
Hmmm. There is a worrying tendency to get bigger and bigger, isn't there?
Enjoyed it, though. Was ridiculously excited at the beginning, though I'm not sure the alliance is such a good idea. But nothing exists anymore and never has, so it doesn't matter, does it? Perhaps next week, there will just be a blank screen for 40 minutes?
M.
Posted by Ariel (# 58) on
:
quote:
Originally posted by M.:
I do have this horrible feeling it's going to be all in Amy's head. Apart from River, of course.
Suddenly in this episode Amy has remembered the Daleks, which she didn't in an earlier episode. I expect when the Tardis blows up, taking River with it, it'll have timey-wimey implications that will catapult them all back into a parallel universe where Rory never died, Amy hasn't been killed, the Doctor isn't in the Pandoricon, and the Tardis is still intact. Somehow the resulting energy - or the sonic screwdriver - will close the crack in the wall.
(The Tardis will have to be still intact if there are to be any more episodes. They can't leave the Doctor stuck in the Pandoricon for the rest of eternity, and it's not going to be much of a series if he's earthbound.)
Posted by tessaB (# 8533) on
:
quote:
Originally posted by Ariel:
quote:
Originally posted by M.:
I do have this horrible feeling it's going to be all in Amy's head. Apart from River, of course.
Suddenly in this episode Amy has remembered the Daleks, which she didn't in an earlier episode.
Although Amy did meet the daleks after not remembering them. So it is not a continuity error, as she didn't have to remember any of the previous outings.
Posted by Dafyd (# 5549) on
:
There's been time for Amy to have met the daleks off screen. (In fact, I gather there's a computer game on the BBC website.)
[ 19. June 2010, 20:46: Message edited by: Dafyd ]
Posted by sanityman (# 11598) on
:
quote:
Originally posted by Ariel:
(The Tardis will have to be still intact if there are to be any more episodes. They can't leave the Doctor stuck in the Pandoricon for the rest of eternity, and it's not going to be much of a series if he's earthbound.)
Agreed on the big picture, but I seem to remember a series of John Pertwee being exactly that [ETA: earthbound, not stuck in the pandora-thingy!]? Due to the Time Lords of course, budget constraints had noting to do with it
- Chris.
PS: I have faith the The Moff can get out of this one - but I very much look forward to seeing how...
[ 20. June 2010, 20:49: Message edited by: sanityman ]
Posted by Pious Pelican (# 13120) on
:
quote:
Originally posted by Ariel:
Somehow the resulting energy - or the sonic screwdriver - will close the crack in the wall.
(The Tardis will have to be still intact if there are to be any more episodes. They can't leave the Doctor stuck in the Pandoricon for the rest of eternity, and it's not going to be much of a series if he's earthbound.) [/QB]
I've been wondering for a while whether we might be in for a period of Earthboundness. Hopefully a brief period. The Doctor has been saying in various episodes how awful it must be to experience time in the normal way, so I guessed that maybe the Tardis was going to be out of action for a bit. And that was before the Doctor pulled a steaming chunk of it out of the crack. But perhaps the Doctor's Tardis is not the only one in town ...
If the bluddy sonic screwdriver ends up saving the day, I will probably eat my computer in a fit of rage.
Posted by Sir Pellinore (ret'd) (# 12163) on
:
The new Dr Who and his Companion are pretty damn good although the stories can be a bit wobbly.
I must say I think the late John Pertwee was the absolutiest best Dr Who and Elizabeth Sladen (still gorgeous at 60) a Companion of real delight. What a corker!
I find that some of the older Dr Who stories, although they didn't have the modern whizzbangs, were really good and you suspended belief.
As things get more technical, sadly, you don't have to.
Posted by Robert Armin (# 182) on
:
Well, after having been so lukewarm about many of the episodes so far, I must say that I really enjoyed this one. The opening, with lots of glimpses of previous stories, was fun. I'm not sure it made any sense, but it was fun. The big revelation about the Pandoricon worked for me, and I can't see any way out at the moment. My only reservation is that it all seems to be centered around Amy in some way. If there is something special about her, then it will make 3 out of 4 companions with super powers, which is a bit much (the wonderful Martha Jones being the exception). However, with a bit of luck, Amy is now dead, so we can all rejoice. (Except she's bound to be saved next episode.)
And Sir P, loath though I am to disagree with you, Pertwee was a real low point among the Doctors. He used physical force, as opposed to intellect, to beat the bad guys. Venusian martial arts? Pah!
Posted by Adeodatus (# 4992) on
:
Well that was the first episode in a long time that's had me literally on the edge of my seat and going "Nooooo!!" at the tv. Fantastic! The problem is, I can imagine several ways out of it, but each more outrageous than the last.
It did strike me that this one was exceptionally well directed and paced. I must check to see if this director's been used before, and I certainly hope he's used again.
Ssh! Spoilers - for anyone who hasn't seen it
Things I didn't expect included the lengthy pre-credits jaunt (Does Liz 10 attend to all her own security?) and the alliance of all the enemies - I'd only really expected them to get name-checked, or appear briefly in a flashback. Things I really didn't expect were Rory, Auton-Rory, and ... well, so's not to really spoil it for anyone who hasn't seen it, let's just call it Amy's final scene.
Well ... that's my next Saturday evening sorted out.
Posted by wilson (# 37) on
:
quote:
Originally posted by Ariel:
I expect when the Tardis blows up, taking River with it, it'll have timey-wimey implications that will catapult them all back into a parallel universe where Rory never died, Amy hasn't been killed, the Doctor isn't in the Pandoricon, and the Tardis is still intact.
Also, the River that's in the Tardis hasn't yet met Amy and the Doctor at the Crash of the Byzantium. (She chided Amy about spoilers when she mentioned it at Stone Henge). So either she has to survive or there'll be another time anomaly[*].
[*]I love Blink but I hate the phrase "timey-wimey".
Posted by Dafyd (# 5549) on
:
Was anyone else reminded during this episode of how, back in Victory of the Multi-Coloured Daleks, Amy managed to talk Bracewell out of exploding using the power of love?
Oh dear.
[ 21. June 2010, 10:24: Message edited by: Dafyd ]
Posted by Avila (# 15541) on
:
Thinking out loud...
The alliance haven't thought this through... they are trying to stop the cracks in space, using Amy's memories to set up the trap, yet without the cracks Amy and Doctor wouldn't have got together and they wouldn't have Amy's info to set up the trap and so Doctor not caught and they not protected from the explosion.
and the Pandorican implodes in a puff of logic
But as Tardis still flying....
Posted by Pheonix (# 2782) on
:
quote:
Originally posted by wilson:
Also, the River that's in the Tardis hasn't yet met Amy and the Doctor at the Crash of the Byzantium. (She chided Amy about spoilers when she mentioned it at Stone Henge). So either she has to survive or there'll be another time anomaly[*].
I'm kind of getting the impression that the Doctor is meeting River pretty much in reverse order to what she is meeting him in.
It stands to reason that at some point in their relationship they'll have discussed the order they met each other in and it'll be references like "crash of the byzantium," but not enough to be real spoilers for either of them. Therefore she doesn't really knows what happens each time other than they both must survive.
I do hope the whole thing isn't in Amy's head. She won't be really dead as there will be some way round it and we still haven't explained Amy sending the message from the future to herself on the England Ship or the Doctor coming back to support Amy in the forest with the weeping angels... Both too obvious to just be continuity errors.
Posted by Angloid (# 159) on
:
I couldn't help thinking of that other alliance, especially as so many of them were wearing blue or yellow.
Posted by Matt Black (# 2210) on
:
It was all a bit Indiana Jones for my liking.
Posted by Eigon (# 4917) on
:
I thought Indiana Jones, too - but after I'd poured myself a stiff whisky and thought about it, I also remembered the line from the Crash of the Byzantium episode: "There's one thing you should never put in a trap - me!"
Posted by Wayfaring Stranger (# 15081) on
:
quote:
Originally posted by Ariel:
But this series has been a disappointment. Maybe now that they're recycling old plotlines (I'm sure we had The Alien in the Attic with Perception Filters before) it's just run out of steam, and time to call it a day?
When your favourite band comes out with a greatest hits compilation rather than a new album, you know the creativity is starting to run dry.
Similarly, when when one of New Who's most creative writers can't do better than a gratuitous reunion of monsters from previous stories, you start to suspect that the ideas bank is getting short of funds.
The Daleks are a great enemy (or at least they were until their makeover), but did anyone else think, when they heard that evil voice over the ether, Oh please, not them AGAIN! It's getting to be a series finale tradition, and their over-use is undermining their whole impact.
As for the rest of the alliance, it was just the same old same old - they even wheeled out the bloody Judoon, who weren't technically enemies at all. I mean, why not give the Doctor a 'new' foe to confront, e.g. The Ice Warriors (whose return I have long awaited)?
As someone else has commented, it's all getting bigger and bigger - every finale has to top the last one, the whole earth is under threat ... no, the whole universe ... no, the whole of time itself! For me, the bigger the scale, the less relevant the story always feels.
Oh, and instead of locking the Doctor in The Pandoricum for all eternity, why didn't they just, er, kill him?
Posted by Robert Armin (# 182) on
:
quote:
Originally posted by Dafyd:
Was anyone else reminded during this episode of how, back in Victory of the Multi-Coloured Daleks, Amy managed to talk Bracewell out of exploding using the power of love?
Oh dear.
Indeed I was. Only this time it didn't work. She'll come back to life I'm sure - this is still a kids show - but it would be great if she stayed dead. Personally I rate her as the most annoying companion since Adric - does anyone want to throw other names into the ring?
Posted by Ariel (# 58) on
:
Peri.
Posted by Cadfael (# 11066) on
:
Some random confused thoughts...
Is it significant that the Doctor's sonic screwdriver in 'the pandorica opens' (TPO) casts a green illumination (rather than blue) and is a more complex design than the one he uses earlier in the series? The trailer for the episode made this pretty obvious.
Indeed, in TPO, the screwdriver looks like the one that was used by River (and 'saved' her) in the library, I think.
Also, the staggered cut between the Roman camp and the horseback ride (why not use the tardis?)to Stonehenge was odd, and techical equipment is on site in Stonehenge from nowhere: the lights, the 'stone moving thingies'.
...and also odd was the Dalek's comment that "only the Doctor can fly the tardis"... then River tries tries to pilot it, and ends up telling the Doctor that someone else is in control...
So are we dealing with two parallel timelines? Is the Doctor in the pandorica a later Doctor, while the Doctor we thought we were following is elsewhere, with a younger Amy (see BBC trailer images for next week...), trying to alter the timeline while the older Doctor is the 'decoy'?
So maybe the Doctor's "greater losses" alluded to in an earlier episode, is one of his possible lives...?
I need to lie down now, feeling a bit timey-wimey...
Posted by Gill H (# 68) on
:
quote:
Originally posted by Ariel:
Peri.
I see your Peri, and raise you Mel.
Posted by Gill H (# 68) on
:
By the way - was anyone thinking of the massed baddies as a 'coalition'?
Posted by angelica37 (# 8478) on
:
Wouldn't it be good if David Tennant were to turn up having gone back and taken a sneaky peek into River's diary in the library.
Posted by Lord Jestocost (# 12909) on
:
quote:
Originally posted by Wayfaring Stranger:
Oh, and instead of locking the Doctor in The Pandoricum for all eternity, why didn't they just, er, kill him?
You are not the first to have thoughts in that direction.
As for the tedium of the pepperpots featuring in the season finale yet again, I'm definitely of the opinion that we are still in the early stages of the big finish. I wouldn't be at all surprised if this is all yet another illusion. I mean: we know daleks and cybermen have time travel; Nestenes and Judoon - well, why not?; but the Silurians? No.
RTD's habit was to give us the big surprise at the end of part 1 and then spend part 2 with the Doctor finding a rather weak solution. My faith in the Moff (which I will renounce for all time, if disappointed) makes me think this surprise will just grow and grow.
Posted by Matt Black (# 2210) on
:
quote:
Originally posted by Gill H:
quote:
Originally posted by Ariel:
Peri.
I see your Peri, and raise you Mel.
Definitely.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Lord Jestocost:
I mean: we know daleks and cybermen have time travel; Nestenes and Judoon - well, why not?; but the Silurians? No.
I thought that when they first appeared. Then, after the big reveal I realised: they're in a coalition with the daleks and sontarans who do have time travel. They're taking a ride alongside the others.
Posted by Sparrow (# 2458) on
:
quote:
Originally posted by Wayfaring Stranger:
The Daleks are a great enemy (or at least they were until their makeover), but did anyone else think, when they heard that evil voice over the ether, Oh please, not them AGAIN!
Yes, I did, and I thought, if it's the bloody Daleks again, I'm switching off.
And they did, and so I did. So I have no idea what happened after that, and I really can't be bothered any more.
Posted by The Revolutionist (# 4578) on
:
quote:
Originally posted by Sparrow:
quote:
Originally posted by Wayfaring Stranger:
The Daleks are a great enemy (or at least they were until their makeover), but did anyone else think, when they heard that evil voice over the ether, Oh please, not them AGAIN!
Yes, I did, and I thought, if it's the bloody Daleks again, I'm switching off.
And they did, and so I did. So I have no idea what happened after that, and I really can't be bothered any more.
It's not a Dalek story, just a story in which the Daleks happen to play a part in it - and a very good story too!
It's basically about the Doctor's "look at all the times I've defeated you before, you might as well run away now" shtick coming back to bite him, because all his enemies decide to gang up on him. And that's just one element of the story. Go on, watch the rest, it's worth watching - it's got one of the most fiendish cliffhangers ever.
Can't wait to see how they get out of this one...
Posted by Adeodatus (# 4992) on
:
I'd resist calling this a Dalek story. The Daleks got rather less air time than the Cybermen, and about the same as the Sontarans. I think it's safe to assume there's a big revelation yet to come, relating to the "Silence will fall..." voice, which I hope will have nothing to do with the enemies we've seen so far.
Despite my previous gripe, I still think Dr Who is easily the best thing on British tv at the moment. The best stories of this season have been wonderful, and the worst have been no worse than "Meh...". This one is stunning, brilliant, and best of all - puzzling. It's beyond doubt that some very clever and unexpected things will happen in the final episode.
As to recycling stories, I haven't really noticed that this season. Anyway, the show has always recycled stories - but usually other peoples'. Robert Holmes was famous for it in the mid-70s, happily plundering classical horror and sci-fi movies in a way that was blatant, outrageous, and massively entertaining.
Posted by Off Centre View (# 4254) on
:
quote:
Originally posted by Adeodatus:
Despite my previous gripe, I still think Dr Who is easily the best thing on British tv at the moment. The best stories of this season have been wonderful, and the worst have been no worse than "Meh...". This one is stunning, brilliant, and best of all - puzzling. It's beyond doubt that some very clever and unexpected things will happen in the final episode.
I've thoroughly enjoyed this series so far and like the "young fogey" version of the Doctor we see with Matt Smith (both old and young at the same time). The series continues to maintain a balance between fairytale and darker themes. Amy has been growing on me, though it appears that she develops new abilities as the plot developts (like being able to pick locks or know all about Vincent Van Gogh) but even that may be part of what looks set to be a very intriguing finale...
There have been some truly stand-out episodes (I enjoyed the weeping angels and Vincent Van Gogh episodes particularly)and there have not been any truly bad episodes that made me wince, or any particular aspects that came off as just ... wrong (like the sex life of a paving slab or farting aliens). I'm still waiting to see what the last episode holds but I have faith in the Moff.
Posted by The Rogue (# 2275) on
:
What did happen to Amy's Aunt?
Posted by kfingers (# 12748) on
:
It took me a couple of episodes to get used to Matt Smith, but to be honest, I was so pig sick of the OTT (imo) lovey doveyness of the David Tennant incanation... by the series finale of Tennant I was just glad to get it over with adn move on to a new face. Matt Smith's brought a new energy to the role and Amy Pond is delicious (even though she has an annoying habit of getting kidnapped). It's nice to see some characters from the last series, but it would love them to bring back K9 for more than just a bitpart (if the Darleks can learn to fly, why can't K9)?
Posted by Carys (# 78) on
:
quote:
Originally posted by kfingers:
It took me a couple of episodes to get used to Matt Smith, but to be honest, I was so pig sick of the OTT (imo) lovey doveyness of the David Tennant incanation... by the series finale of Tennant I was just glad to get it over with adn move on to a new face. Matt Smith's brought a new energy to the role and Amy Pond is delicious (even though she has an annoying habit of getting kidnapped). It's nice to see some characters from the last series, but it would love them to bring back K9 for more than just a bitpart (if the Darleks can learn to fly, why can't K9)?
We had more K9 in series 3 of Sarah-Jane Adventures (possibly still on I-player)
Carys
Posted by Jay-Emm (# 11411) on
:
Nice enough,
Still a bit confused by the timelines, it seems to be a hybrid deterministic/changeable mix, and I'm not sure what happened from any perspective but had the entertainment of both worlds.
I suppose the recreation of the Universe is as big a gizmo as Roses, Martha or Donna's big fazzoom, but felt a lot more sutle.
Another Dalek return but not back in their millions followed by all gone (in fact the opposite technically).
And a mixed Tardis for (at least some of) next season.
Posted by Off Centre View (# 4254) on
:
Wonderful final episode, very timey wimey and with a fairy tale ending, although it wisely left a few loose threads and questions for the future (why the Tardis did what it did & River Song's future relationship with the Doctor were left unclear).
I was finished further appreciated the series as a whole and it will feel enjoyable to watch again over. I liked the Fez gag as well!
Posted by AristonAstuanax (# 10894) on
:
Alright, just managed to find episodes from this latest season streaming online—my first thought, of course, was to look at today's date.
Well everyone, it's been nice knowin' y'all. It seems that the universe is set to go boom tonight.
Posted by tessaB (# 8533) on
:
I am certainly going to have to watch this again. Thoroughly enjoyed it but I got a bit confused with it all. I don't know how the target audience of 8 yr olds could really follow it all (maybe they follow it better than I do )
Posted by Ariel (# 58) on
:
Why was the Doctor doing Tommy Cooper impersonations?
As Wayfaring Stranger said earlier, it gets bigger and bigger. This time, the Doctor hurls himself into an exploding Tardis in order to reboot the entire universe and reset time. How are they going to top that?
Easily the best thing about this series is River. She should have her own spin-off series.
Posted by leo (# 1458) on
:
Clever - 'There are no stars. It's just a story.' and also looping back to the girl praying to Father Christmas.
[ 26. June 2010, 20:26: Message edited by: leo ]
Posted by Carys (# 78) on
:
quote:
Originally posted by leo:
Clever - 'There are no stars. It's just a story.' and also looping back to the girl praying to Father Christmas.
I liked the reference to Richard Dawkins as part of the star cult.
It was definitely timey-wimey but good.
Carys
Posted by Ceannaideach (# 12007) on
:
I liked the Hitchhikers guide to the galaxy reference in last weeks episode. The message carved in the side of the cliff face in huge letters many feet high. But which is more profound?
We apologise for the inconvenience...
or
Hello Sweetie
Posted by Malin (# 11769) on
:
Loved it Just fantastic entertainment, twists and turns and a great sweep of time and space. I am also now totally a fan of Matt Smith as the Doctor which I thought I might never be after loving David Tennant in the role.
I'm really glad Rory and Amy both left with the Doctor at the end - just gutted I need to wait until Christmas for the next episode!
Posted by Cadfael (# 11066) on
:
I was struck by the idea of someone giving up their life to renew creation... I think I've heard about that before, somewhere...
In other news: I thought the "something old, something new..." allusions were quite beautiful and romantic - and a wonderful implied connection between the cosmic and the human scales of significance.
In short:
Posted by Roseofsharon (# 9657) on
:
quote:
Originally posted by Ariel:
Why was the Doctor doing Tommy Cooper impersonations?
Well, they had to have something visual for us to ell the 'then' Doctor from the 'now' as he was popping backwards and forwards in time.
Even with the fez I was confused as to when exactly each appearance was happening.
Loved it, though - and particularly pleased to see the explanation for that scene with Amy in the forest of the Treeborgs.
I found myself grinning from ear to ear in the final scenes, and I loved the way they fitted in the wedding rhyme
Something old,
Something new,
Something borrowed,
Something blue
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Roseofsharon:
Something old,
Something new,
Something borrowed,
Something blue
I am not the only person on the internet who suspects that Amy's entire character arc was written for that moment.
The first entrance of grown-up Amy was great.
So was the modern re-appearance of Rory.
Is this the first time in Doctor Who that someone has escaped from a dalek by climbing down the stairs?
The Doctor dancing. (Three would certainly have been able to waltz or tango.)
I'm ok with Amy bringing the Doctor back by remembering him because that's been hinted at as a rule for the cracks throughout the series and was so heavily emphasised in this episode that you wonder why the characters hadn't come to the conclusion earlier.
The Amy - Rory relationship has got a lot more solid since episode one. I think one of Moffatt's aims in this series must have been to utterly defuse the idea that the Doctor and companion must have some sort of romantic relationship.
Down sides:
The time bracelet was a bit too versatile. It makes the tardis look clumsy. Also, it didn't bother me at the time, but the Doctor going back in time so Rory can let him out so he can go back in time is unsatisfactory.
I wish they'd found something for young Amelia to do in the museum instead of getting rid of her.
And as for the Doctor's companions all showing mercy, I don't think the daleks ever ran into Leela, but they had met Ace.
Other than that, it was sufficiently fast that I didn't have time to think about any niggles; the ending, while utterly predictable (see above), was still fun; and all the cast were being brilliant.
I don't know that Matt Smith is a better actor than David Tennant. But the writing and directing trusts him to do the work which he does handsomely, while Tennant was too often landed with dialogue that tried to do the work for him.
Posted by tessaB (# 8533) on
:
quote:
Originally posted by Dafyd:
I wish they'd found something for young Amelia to do in the museum instead of getting rid of her.
Oh but Amelia was the most important bit. The pandoricon needed her DNA to bring Amy back to life.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by tessaB:
Oh but Amelia was the most important bit. The pandoricon needed her DNA to bring Amy back to life.
I meant once she'd done that. As it was, it felt as if she was being used for the sake of older Amy and then no longer needed.
Anyway, speculation time:
I hope the man that River shot doesn't turn out to be Rory. I don't see how anyone - Amy, the Doctor - would ever forgive her. I won't.
So the tardis is headed off to deal with an Egyptian goddess on the Orient Express. Is this a clue? The villain behind everything is apparently an old enemy. Could it be Sutekh?
Posted by The Rogue (# 2275) on
:
I want a fez. fezzes are cool!
Posted by Gill H (# 68) on
:
Bit worried about the vortex manipulator being taken 'off the wrist of a handsome time agent'. (Actually not even off the wrist.)
Not *that* handsome time agent, I hope?
Oh, and I want to know about Space Florida now. Does it have a Space Disney World?
Posted by leo (# 1458) on
:
quote:
Originally posted by The Rogue:
I want a fez. fezzes are cool!
I purchased a red fez in Tunisia to keep the sun off my bald head. It's just like the one on the programme and people say that I look good in it.
Posted by Dormouse (# 5954) on
:
I loved the fact that Rory was willing to guard Amy for 2,000 years - and that the Doctor wistfully referred to him as "The boy who waited 2,000 years". I have gone from thinking "Why on earth would a woman like Amy want to marry a wimp like Rory?" to "Why on earth would such a lovely bloke like Rory want to be saddled with a hussy like Amy?"!
Posted by angelica37 (# 8478) on
:
I loved it, this is so well written and finished up the series beautifully, looking forward to seeing River Song again soon (I like her she shoots Daleks!)
Posted by wilson (# 37) on
:
quote:
Originally posted by Ceannaideach:
I liked the Hitchhikers guide to the galaxy reference in last weeks episode. The message carved in the side of the cliff face in huge letters many feet high.
And this time the plot revolved around being able to extrapolate the entire universe from the atoms inside the Tardis.
Also launching the Pandorica into the heart of the sun aka exploding Tardis.
quote:
Originally posted by Dormouse:
I loved the fact that Rory was willing to guard Amy for 2,000 years - and that the Doctor wistfully referred to him as "The boy who waited 2,000 years". I have gone from thinking "Why on earth would a woman like Amy want to marry a wimp like Rory?" to "Why on earth would such a lovely bloke like Rory want to be saddled with a hussy like Amy?"!
Yeah and after all that she's still flirting with the Doctor and wanting to kiss him at her own wedding.
Not a fan of the episode I'm afraid. Too much techno-babble made up on the spot to justify what's basically a big reset button. "Oops did we accidentally destroy all of space and time? Oh well let's just bring it back then."
Clearly what they were more interested in was playing out the relationship stuff between Rory, Amy and the Doctor. Fair's fair Matt Smith looks good in formal wear but not good enough to make up for the rest of it.
Posted by rufiki (# 11165) on
:
quote:
Originally posted by Dafyd:
Also, it didn't bother me at the time, but the Doctor going back in time so Rory can let him out so he can go back in time is unsatisfactory.
I agree. I also think there should have been wider consequences of the Doctor being erased from history. When David Tennant's Doctor was killed, all sorts of nasty things happened to Earth because he wasn't around to stop them.
And how come Amy is allowed to touch young Amy when Rose wasn't allowed to touch baby Rose?
ETA: Mind you, Matt Smith in a Tux makes up for quite a lot.
[ 27. June 2010, 20:46: Message edited by: rufiki ]
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by rufiki:
I also think there should have been wider consequences of the Doctor being erased from history. When David Tennant's Doctor was killed, all sorts of nasty things happened to Earth because he wasn't around to stop them.
I think a lot of those had already been eaten by cracks. Amy didn't remember daleks invading earth and the Victorian cyberman had already vanished from history. Things only came back through the cracks if Amy tried to remember them.
(There are other fan speculation explanations about time trying to straighten itself out around things that have disappeared as much as possible - but I think the above is the main one in the programs themselves.)
quote:
And how come Amy is allowed to touch young Amy when Rose wasn't allowed to touch baby Rose?
I think it's safe to say that the paradox thingies - whatever they were called - had worse things to worry about. Assuming they still even existed.
Posted by The Great Gumby (# 10989) on
:
quote:
Originally posted by Dafyd:
Down sides:
The time bracelet was a bit too versatile. It makes the tardis look clumsy. Also, it didn't bother me at the time, but the Doctor going back in time so Rory can let him out so he can go back in time is unsatisfactory.
The time bracelet was a rather clunky and suspiciously precise plot device, I agree (especially when the whole series started out with the Doctor unable to get the Tardis to hit the right decade), introduced so that River could join in and to permit the second of your gripes. I'm sufficiently sad that after the first episode, I spent a lot of time thinking about possible ways of resolving the story, and this one (cf the Terminator Paradox of how Dyson developed the first Terminator by reverse-engineering another one), while intensely irritating, is so much better than the various "and-they-woke-up-and-it-was-all-a-dream"-flavoured alternatives. Of course it's flawed, but if the sleight of hand is concealed with sufficiently charming patter, it isn't glaring.
I also found the nature of this collapse of the universe annoyingly vague, considering that so much of the plot rested on it. If everything was collapsing in on itself with the Earth at the centre, how come the stars disappeared instantly, rather than whenever the light from their supernovas reached us, or (if they were "exploding" into never-existedness) when the collapse reached them? Why did the collapse destroy everything up to and including the Sun, but then sit around twiddling its thumbs for 2,000 years and only start to close in on Earth at the exact point young Amy returned? Why should the collapse of everything that ever was or will be happen chronologically anyway, as suggested by frequent references to the collapse closing in?
For all that, it flowed well enough that I was prepared to forgive the plot holes. For once, the second half of a two-parter seemed like a real story, rather than a messy and half-baked resolution. The story didn't revolve around the Daleks again, as I briefly feared, and the conclusion, while predictable, was well-handled.
I love Matt Smith as the Doctor, like Amy (although it seems to work better with Rory as well), and was generally very impressed with Steven Moffat's episodes. The others were far more hit and miss, possibly because he has a looser hand on the tiller than RTD, but the development of the storyline through the whole series was a huge improvement on a series of unrelated stories clumsily tied together at the end. I just hope we get some more new interesting baddies next series, rather than the same ones over and over. The Weeping Angels just about worked this time, but are in danger of overexposure, and we all know about the Cybermen and Daleks.
One last thought: Given that the trap was baited from Amy's mind, and RoboRory programmed on that basis, it occurred to me that we have no idea whether Rory really would have waited and guarded Amy for 2,000 years (he may have done, or he may not), just that Amy believed he would. I suppose that's good enough as a starting point for a marriage.
Posted by Jay-Emm (# 11411) on
:
a germ of a theory?
A-G In order From the point of view of the universe
1-7 In order from the point of view of Amy
A5)The Universe lives almost as normal
B1)Dr sees little Amy
B6)Tardis goes kewbowee
C7)The universe collapses however until Amy is picked up the event doesn't happen, the Tardis is banned from double appearances (hence the jumps).
D2)Amy grows up with no stars, ducks, cybermen etc...
E3)The Dr picks up Amy
E8)The universe recreated
F4)The Universe lives as normal
So because the Dr fixes things the Universe only has a little bubble of minimal existance.
(the dates of the explosion ought to be at E, and regeneration seems to happen at C7 but next see adult Amy. I suppose the time event could happen retrospectively.
C8 The Universe is healed but because the Tardis needs to be there to be healed it's always being destroyed until it exploded.
E7 The Tardis blows up, destroying the Universe (but then Amy isn't needed)
[edit would this then allow Rory to have a closed time loop-don't think so as have dead and married Rory]
[ 27. June 2010, 23:10: Message edited by: Jay-Emm ]
Posted by Robert Armin (# 182) on
:
Another really good episode, IMNSVHO. Rory remaining on guard for centuries was genuinely moving (but the Doctor's remark, "The boy who waited," was reminiscent of, "The boy who lived," - hope they don't go down that line). The reappearance at the wedding was fantastic, and I'm sure there's a sermon in the power of story lurking there somewhere. I also liked the revelation about the nature of the "sun" that had been keeping the earth going all this time - the Tardis is as noble as its owner, it seems. Glad too to have Amy AND Rory stil as companions, and married off (is this the first time we've had married companions?). Finally the teaser for the special was great. At last everything is starting to come together.
Posted by Sparrow (# 2458) on
:
So please explain to me, cos I was really confused .. the Rory that went off with the Doctor and Amy at the end, was that the "real" Rory brought back somehow, or a plastic Nestene recreation with Rory's memories?
Posted by Matt Black (# 2210) on
:
Yeah, I was wondering what happened to Auton-Centurion Rory - was he 'made human' by the Big Bang or was his existence erased so that Rory Williams was the only Rory to have ever existed?
[ETA - other than that, really loved it]
[ 28. June 2010, 08:52: Message edited by: Matt Black ]
Posted by Dafyd (# 5549) on
:
Rory-Auton never existed I think - although some of his memories seem to have jumped track into human Rory. Maybe it's only those memories that Amy was around for.
Posted by Matt Black (# 2210) on
:
That would be a shame - I think the (redeemed?) Auton-Rory guarding his beloved for 1900 years was really sweet.
Posted by Ariel (# 58) on
:
Not for the first time, I'm going to be a lone voice here. The bit at the wedding where Amy gets up and launches into a passionate speech about how the most important person in her life was missing made me cringe. I don't know what Rory sees in her, but anyone who waits 1900 years for someone like Amy has to be a bit of a mug. She'd drop him like a shot if the Doctor even showed the slightest sign of changing his mind. (Yes, I do know it's just fiction.)
Still, Mr Pond (because that's the way it is) seems to be developing as a more rounded character, so hopefully he'll play a more active role in future episodes, assert himself more, etc etc.
Re married companions, Ian and Barbara were the first pair I think. (Did they actually travel with the Doctor as such?)
Posted by Jay-Emm (# 11411) on
:
quote:
Re married companions, Ian and Barbara were the first pair I think. (Did they actually travel with the Doctor as such?)
First marriage of Dr Who companion Susan and resistance man.
I don't think so. It's Ian Chesterton and Barbara Wright and a 60s children's show. But they end up together after the chase. [And Barbara never tries to run away with the Dr. So is a better fiancee even before it's official]
Several get married out Vikki (to become Troilles&Cressida guess that ends well...),
Ben&Polly leave together..
[ 28. June 2010, 18:10: Message edited by: Jay-Emm ]
Posted by Jahlove (# 10290) on
:
Was ok. I liked the Romans and I thought the tarnished, dust-laden museum-piece dalek-that-reactivated more scary that the ones with the eye-bleeding spanking-new paint jobs.
Wish someone would tell the Doctor that bow ties are really, srsly uncool except as part of formal evening wear (which DID look good )
Another vote in disfavour of Amy Pond who has become extremely irritating; at one point I wondered if she keeps an onion permanently lodged behind her ear.
And Alex Kingston acts everyone else off the screen, imo.
Posted by Matt Black (# 2210) on
:
I'm kind of glad Amy's real (although I sometimes find it difficult to like her) rather than just like Dawn from Buffy.
Posted by Jenny Ann (# 3131) on
:
quote:
Originally posted by Matt Black:
I'm kind of glad Amy's real (although I sometimes find it difficult to like her) rather than just like Dawn from Buffy.
Yes! I hated the whole Dawn thing.
[code]
[ 29. June 2010, 11:47: Message edited by: Jenny Ann ]
Posted by Hugal (# 2734) on
:
The implication with the time traveling wrist watch is that it not totally safe and can back fire. Thus using it in a limited way is useful but using it too much is dangerous.
I quite liked the episode. For me the big reset button was pushed and Rory is Rory. The relationships in the TARDIS will have to change.
Posted by Off Centre View (# 4254) on
:
quote:
Originally posted by Hugal:
The implication with the time traveling wrist watch is that it not totally safe and can back fire. Thus using it in a limited way is useful but using it too much is dangerous.
I quite liked the episode. For me the big reset button was pushed and Rory is Rory. The relationships in the TARDIS will have to change.
I think the time travelling watch being so useful in that episode was kind of handwaved by the universe collapsing in on itself (or something), so it was "easier" to hop around as the Doctor did, as well as it being very harmful so it's possibly the last time we've seen the device (but it's kind of a handy semi deus ex machina to keep floating around).
Rory looks like he's back to his normal human self again, albeit with his memories as his time as an auton (he was overheard saying something like "I was plastic..." at the wedding banquet) and all that character development fresh in his mind (and in Amy's too) - so it's likely that things will change. It's cool to have a tardis crew of three for a change.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by Off Centre View:
It's cool to have a tardis crew of three for a change.
Funnily enough, it's not that much of a change.
The First and Second Doctors were never travelling with a single female on screen. (The First Doctor had Susan before the series started of course.)
The Third Doctor was mostly surrounded by UNIT, although he did occasionally travel with only Jo or Sarah Jane.
The Fourth Doctor spends quite a lot of time with only Sarah Jane or Leela or Romana, but he has Harry at the start of his tenure and Adric at the end.
The Fifth Doctor is travelling with at least two companions until his final story. (He never spends a full story with only one companion.)
Eight doesn't travel with anyone on television.
Nine has Jack for a few episodes. (Adam doesn't count.)
Ten has only one companion (if you don't count Mickey, who travels with him only for the story he gets written out in).
So only Six, Seven, and Ten conform to the model for the whole of their careers.
Posted by Zappa (# 8433) on
:
But where is Ace ?
Posted by Angloid (# 159) on
:
Finally convinced me that Matt Smith is great in the role: I wasn't sure until this episode. And glad that his dancing skills are no better than mine.
Posted by The Rogue (# 2275) on
:
Dad dancing taken to the extreme!
Posted by Dafyd (# 5549) on
:
I've just been watching Remembrance of the Daleks and Ace was indeed as impressive as I remember.
Posted by Zappa (# 8433) on
:
Posted by ken (# 2460) on
:
quote:
Originally posted by Dafyd:
I've just been watching Remembrance of the Daleks and Ace was indeed as impressive as I remember.
One of the best Dr Who stories ever. And quite clearly part of the Time War between Daleks and the Time Lords.
Posted by Adeodatus (# 4992) on
:
quote:
Originally posted by ken:
quote:
Originally posted by Dafyd:
I've just been watching Remembrance of the Daleks and Ace was indeed as impressive as I remember.
One of the best Dr Who stories ever. And quite clearly part of the Time War between Daleks and the Time Lords.
... But also, interestingly, part of the Dalek civil war being fought between Davros's Daleks and the Dalek Supreme's Daleks. When did the Time War start? Was Genesis of the Daleks a pre-emptive strike in it?
Anyhoo, just checking in after a week away to say I thought The Big Bang was great, even though I'm still not sure how it all worked (as I suspect Steven Moffat isn't, either). What really made it for me was Matt Smith's performance - especially his parting speeches to Amy and Amelia. He is a brilliant actor - every inflexion, every gesture was just perfect, and those scenes were very touching. I even wibbled a bit when he murmured, "Live well. Love Rory ... Bye bye, Pond." Absolutely superb.
I've always liked Amy - nice to have a companion with a bit of attitude - but I'm glad Rory's sticking around too. (Real Rory or Auton Rory? - The script is ambiguous. If you listen carefully, when the TARDIS arrives at the wedding he says something like, "How could we forget the Doctor? I was plastic. He was the stripper at my stag.")
And now that I've had a few days to get used to the idea, I also quite like that there are unanswered questions for the future. The Silence has not yet fallen....
Posted by Gill H (# 68) on
:
Since Ace has been mentioned, perhaps I can brag about my signed copy of Graeme Curry's The Happiness Patrol which is much better as a book than it was on TV. Largely because I don't have to cope with Evil Bertie Bassett.
I worked in the same office as Graeme until recently, and the atmosphere of impending redundancies, relocation and general doom made it very relevant reading. We would often greet the latest announcement from on high with 'Happiness Will Prevail'.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by ken:
One of the best Dr Who stories ever. And quite clearly part of the Time War between Daleks and the Time Lords.
If I'd seen more Classic Doctor Who I'd probably be able to agree with you. It compares very well next to Genesis of the Daleks and Pyramids of Mars (to name two of the most widely admired Tom Baker stories).
I get the impression that the two Sylvester McCoy - Ace seasons are underappreciated among the Doctor Who fandom. The classic fandom seem to have dropped off mostly during the Colin Baker years.
Posted by Adeodatus (# 4992) on
:
Ah, Classic Who - how shall I sing thee? I'd recommend watching more Classic Who to almost anyone. Beg, borrow, or in extreme circumstances buy some of the DVDs and treat yourself to the history of British tv drama 1963-1989, in microcosm.
Take a good look at the really old ones, recorded almost live (it had to be a real disaster before they'd do a re-take) in tiny studio sets sometimes no bigger than your living room. Marvel at the old painted backdrops that can even now almost make you believe there's a petrified forest or an Aztec city back there. Listen to how much of the drama has to be conveyed in dialogue simply because the action it's describing would have been impossible to stage. Listen especially to how writers like Anthony Coburn and John Lucarotti use words, in a way that you couldn't possibly now.
But then see also how experimental it all was, simply because there was nothing like it on tv. The floor-level camera angles that made the Daleks look so menacing. The weird and beautiful music scores, like Richard Rodney Bennett's for The Aztecs. The first tentative bits of location filming from The Dalek Invasion of Earth onwards.
Old Who - especially really old Who at its best was magnificent.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by The Rogue:
Dad dancing taken to the extreme!
Contrast with Nine. 'I've just remembered I know how to dance.' Also a Moffat script.
Posted by Dormouse (# 5954) on
:
As Mr D said " Oooh! "
[ 30. August 2010, 18:27: Message edited by: Dormouse ]
Posted by El Greco (# 9313) on
:
Wow.
Quick question:
What does he mean, in the interview, by "rubber green people"?
quote:
It's a decent budget. I beg for money and more rubber green people and eventually they say OK, you can have a third rubber green person.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by El Greco:
Quick question:
What does he mean, in the interview, by "rubber green people"?
I believe it is an allusion to Classic Doctor Who alien costumes.
Posted by El Greco (# 9313) on
:
Ah, OK, thnx!
Posted by Hedgehog (# 14125) on
:
quote:
Originally posted by Adeodatus:
Ah, Classic Who - how shall I sing thee? I'd recommend watching more Classic Who to almost anyone. Beg, borrow, or in extreme circumstances buy some of the DVDs and treat yourself to the history of British tv drama 1963-1989, in microcosm.
Take a good look at the really old ones, recorded almost live (it had to be a real disaster before they'd do a re-take) in tiny studio sets sometimes no bigger than your living room. Marvel at the old painted backdrops that can even now almost make you believe there's a petrified forest or an Aztec city back there. Listen to how much of the drama has to be conveyed in dialogue simply because the action it's describing would have been impossible to stage. Listen especially to how writers like Anthony Coburn and John Lucarotti use words, in a way that you couldn't possibly now.
But then see also how experimental it all was, simply because there was nothing like it on tv. The floor-level camera angles that made the Daleks look so menacing. The weird and beautiful music scores, like Richard Rodney Bennett's for The Aztecs. The first tentative bits of location filming from The Dalek Invasion of Earth onwards.
Old Who - especially really old Who at its best was magnificent.
Bless you. You have it absolutely correct. There was so much brilliance in Really Early Who. TV made by people who already knew they were blazing new trails and did not have to conform to anything.
I even adore the fact that they would keep the cameras running if an actor fluffed a line, because it is much more realistic. Which person, in real life, always speaks in letter-perfect fashion, never stumbling over words and never using the wrong word? I get annoyed at people who mock Bill Hartnell's fluffs because they are so realistic. Take The Chase for example. Ian and Barabara are leaving the Doctor using a strange Dalek-made time vehicle. The Doctor is upset both at the risk they are running and the fact that they are leaving. Trying to dissuade them, he makes a dire prediction about them ending up as "cinders flying around in spain" (when, of course, he meant "space"). But, really, if you are angry and spluttering at somebody, do you never use the wrong word? I know I do. It is completely realistic. More so than the amazingly tongue-twisting dialogue that more recent Doctors spew out without hesitation.
Posted by Ariel (# 58) on
:
quote:
Originally posted by Hedgehog:
I even adore the fact that they would keep the cameras running if an actor fluffed a line, because it is much more realistic.
Well, quite. There was the memorable occasion when the Fourth Doctor was heard to tell Davros to "spack off!".
Posted by Lord Jestocost (# 12909) on
:
quote:
Originally posted by Ariel:
quote:
Originally posted by Hedgehog:
I even adore the fact that they would keep the cameras running if an actor fluffed a line, because it is much more realistic.
Well, quite. There was the memorable occasion when the Fourth Doctor was heard to tell Davros to "spack off!".
They had their limits, though. (See around the 45 second mark.)
Posted by +Chad (# 5645) on
:
quote:
Originally posted by Jahlove:
Wish someone would tell the Doctor that bow ties are really, srsly uncool...
No, no, no. Eccentric. Individual. More bow ties.
quote:
Another vote in disfavour of Amy Pond who has become extremely irritating; at one point I wondered if she keeps an onion permanently lodged behind her ear.
And another.
Donna had attitude, Amy Pondlife is an irritating, self-centred little witch who would dump Rory for the Doctor in a heartbeat.
quote:
As Ariel posted:
Still, Mr Pond (because that's the way it is) seems to be developing as a more rounded character, so hopefully he'll play a more active role in future episodes, assert himself more, etc etc.
Rory and the Doctor would do well to leave Amy behind and head off together into the mists of time.
This could be the start of a beautiful friendship!
Posted by Angloid (# 159) on
:
quote:
Originally posted by +Chad:
quote:
Another vote in disfavour of Amy Pond who has become extremely irritating; at one point I wondered if she keeps an onion permanently lodged behind her ear.
And another.
Donna had attitude, Amy Pondlife is an irritating, self-centred little witch who would dump Rory for the Doctor in a heartbeat.
Sorry, I disagree. Probably because I find red-haired women with Scottish accents unbelievably sexy. You might be right otherwise.
Posted by Ariel (# 58) on
:
quote:
Originally posted by +Chad:
Amy Pondlife is an irritating, self-centred little witch who would dump Rory for the Doctor in a heartbeat.
I agree with everything except the witch bit. Not sure what you mean by this, exactly, but she doesn't strike me as magical, glam, or even particularly crone-like.
Unfair to witches IMO.
Posted by Dafyd (# 5549) on
:
quote:
Originally posted by +Chad:
quote:
Originally posted by Jahlove:
Wish someone would tell the Doctor that bow ties are really, srsly uncool...
No, no, no. Eccentric. Individual. More bow ties.
The Doctor is a time-travelling alien. 'Cool' is not a concept he does well.
That's not quite true. The Third Doctor was cool. For the 1900s. He was stuck in the 1970s.
Posted by wilson (# 37) on
:
Anyone see University Challenge tonight? One of the sets of questions was to identify the actor(s) who played the Doctor based on the version of the theme tune being used at the time.
They got them all right. "See nothing is wasted" said Paxman.
I thought of this thread.
© Ship of Fools 2016
UBB.classicTM
6.5.0